Announcement
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Lisa Butler Press
LISA BUTLER represented by® Contents 1 About Lisa Butler 2 Press 3 Campaigns 4 Editorials Biography LISA BUTLER Often cited as “the make-up artist’s make-up In portraiture, Butler tends towards an artist”, Lisa Butler has been a prominent leader approach she achieves by beginning with an in the field of sophisticated fashion make- optimum feature – a dramatic eye shading, up for over three decades. A highly versatile for example – and then reducing emphasis practitioner with a seemingly inexhaustible elsewhere to ensure a subtly balanced look visual range, she is equally feted for the soft overall. In fashion make-up, Butler prefers and iridescent “no make-up make-up” she to take inspiration from oblique references creates for fashion shows by 3.1 Philip Lim or to clothes, their translucency or texture for Herve Leger as the radical stencilled faces she example, rather than blindly matching their created for the landmark fall/winter 2008 cover palette. Her knowledge of the latest products shoot for Self Service. and technologies – most explicit in her use of airbrushing and collaboration with TEMPTU Born in Chatham, Kent, UK, Butler developed – meanwhile enable to execute a designer’s her technique through experimenting on the most ambitious concept. Her team is a popular punks, club luminaries and festival girls that choice for catwalk shows, therefore, and she made up the creative scene in which she has created make-up looks for designers socialised during the 1980s. Her sensitivity including Prada, Pucci, Missoni, 3.1 Philip Lim, to shifts in style, coupled with her renowned Herve Leger, Roberto Cavalli, Max Azria, BCBG technical ability led to opportunities to work on and Tommy Hilfiger, among many others. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Stash 50 Book Web.Pdf
50 Establish your horizon Your creative vision knows no limits. Where others end, you continue to the next horizon. Your production technology needsto keep up with you. New Vegas™ Pro 8 software delivers the ultimate all-in-one video and audio production environment for creative visionaries like you. Its unique, progressive approach to video production, unrivaled audio control and powerful DVD authoring tools set it apart from other non-linear editors. Having established the benchmark for speed and ease of use, this new version moves the bar higher with additional features that offer increased power, functionality, and creative potential. Now with ProType Titling Technology, multicamera editing, a comprehensive channel-based audio mixing console, Blu-ray Disc™ burning, and superior 32-bit fl oat engine processing – in addition to its robust support for HDV, XDCAM™, 5.1 surround encoding, and 3D compositing – Vegas Pro 8 offers an unlimited array of opportunities to reach your production goals. It’s more than audio, more than video, more than media. It’s your vision, a notch above the rest. Reach that new horizon with the power of Vegas Pro 8. Learn more at www.sonycreativesoftware.com/vegash Copyright © 2008. Sony Creative Software Inc. All rights reserved. VP8b_Stash.indd 1 2/20/08 11:42:37 AM Six companies worth watching: Catch their latest work on the bonus disk in this issue. Come join the festivities! www.spherestock.com Royalty Free Stock Footage Royalty Free- Motion Design Tools Now featuring- world’s largest collection of Christmas footage! HDTV -$48 PAL/NTSC - $32 Categories List Animated Globes Globe Background Abstract Sunburst Finance Back- grounds Animated Flowers Geometric Animat- ed Patterns Clip ID - xmas_22 Lightforms Grunge Exclusively for Stash - An exciting motion design element ABSOLUTELY FREE ! (On The Stash DVD) stash Come join the festivities! DVD MAGAZINE 50 www.spherestock.com STASH MEDIA INC. -
Uptown Girls
ALL MAN LONDON COLLECTIONS: MEN SHOWED A NEW TAKE ON BRITISH STYLE, AS SEEN AT LEFT WITH ALEXANDER MCQUEEN, WHILE AT PITTI UOMO, OPTIMISM REIGNED. PAGE MW1 GRANOFF BECOMES CEO Vince Gets New Team Amidst Talk of IPO By LISA LOCKWOOD NEW YORK — Kellwood Co. is stepping on the Vince accelerator. The company said Wednesday that Jill Granoff, chief executive offi cer of Kellwood, will assume THURSDAY, JANUARY 10, 2013 ■ $3.00 ■ WOMEN’S WEAR DAILY the additional responsibility of ceo of Vince, over- seeing the strategic growth and direction of the Los WWD Angeles-based contemporary brand. In addition, Granoff named Doo-Ri Chung creative director of Vince. Chung will relocate to Vince’s Los Angeles de- sign studio and will be responsible for design, prod- uct development and creative branding initiatives. The moves were spurred by the resignations Tuesday of Vince cofounders Rea Laccone, ceo, and Christopher LaPolice, president. Granoff plans to name a new president in the near future. Granoff said one of the reasons she was hired by Sun Capital Partners to be the ceo of Kellwood “was to accelerate the growth of Vince and unleash its po- tential as a global lifestyle brand.” There has been speculation Sun may do an initial public offering for Vince, but Granoff declined to comment. Kellwood is reportedly working with Goldman Sachs as it ex- plores an IPO or sale of Vince, although it couldn’t be learned if the investment bank has been offi cially hired to put together an offering. If there were an IPO, fi nancial sources believe it would be a partial spin off of Vince, which would leave Kellwood holding a signifi cant stake in that business, as well as its other, less profi table businesses, such as COLLECTIONS Rebecca Taylor, Sag Harbor and My Michelle. -
Announcement
Announcement 62 articles, 2016-06-01 06:01 1 National Pavilions at the Venice Biennale of Architecture 2016 : The Good and the Bad Highlights from the Pavilions responding to the theme "Reporting (1.02/2) From the Front." 2016-05-31 15:40 7KB www.blouinartinfo.com 2 student housing by agnieszka owsiany & adam wiercinski designed for students, the 83sqm space is divided into four independent rooms, with a spacious common area that includes the necessities for shared living. 2016-06-01 02:15 1KB www.designboom.com 3 2016 American Package Design Awards Makers, sellers and marketers are challenged as never before to convey the message, promote the brand, close the deal. Think fragmented... 2016-06-01 04:23 1KB gdusa.com 4 FOREAL's hybrid personalities for news app campaign to illustrate the functions of samsung's personalized news app upday, design studio FOREAL has created quirky visuals for its first print campaign. 2016-06-01 00:35 1KB www.designboom.com 5 Circuits of Saudade: Wind Grove Mind Alone , Night One To spark discussion, the Walker invites Twin Cities artists and critics to write overnight reviews of our performances. The ongoing Re:View series shares a diverse array of independent voices and opi... 2016-06-01 04:23 909Bytes blogs.walkerart.org 6 New Sol LeWitt Work Unveiled on the Walker Rooftop A large-scale work by Sol LeWitt has just been installed on the Walker's rooftop terrace, the first of 17 new outdoor works that will be joining the newly-renovated Walker campus. The piece—Arcs fr.. -
THE STATE of TASTE Scarlett Johansson Does It Her Way Breguet, the Innovator
THE STATE OF TASTE scarlett johansson does it her way Breguet, the innovator. Classique Hora Mundi 5717 An invitation to travel across the continents and oceans illustrated on three versions of the hand-guilloché lacquered dial, the Classique Hora Mundi is the first mechanical watch with an instant-jump time-zone display. Thanks to a patented mechanical memory based on two heart-shaped cams, it instantly indicates the date and the time of day or night in a given city selected using the dedicated pushpiece. History is still being written... BREGUET BOUTIQUES – NEW YORK 646 692-6469 – BEVERLY HILLS 310 860-9911 BAL HARBOUR 305 866-10 61 – LAS VEGAS 702 733-7435 – TOLL FREE 877-891-1272 – WWW.BREGUET.COM harrywinston.com nston, Inc. Wi ©2013-2014 Harry Bridal ColleCtion by harrY WinSton neW YorK BeVerlY hillS laS VeGaS SoUth CoaSt PlaZa Bal harBoUr ala Moana dallaS ChiCaGo 800 988 4110 The spirit of travel. Download the Louis Vuitton pass app to reveal exclusive content. 870 MADISON AVENUE NEW YORK 800-457-TODS april 2014 18 EDITOR’S LETTER 26 COLUMNISTS on Taste 104 STILL LIFE Grant Achatz The maverick chef shares a few of his favorite things. Photography by Paul Octavious What’s News. 29 Fashion Savant Elin Kling’s Luxe Preppy Line A Shangri-La Opens in London’s Shard 31 The $150,000 Baccarat Clock Cartier Unveils a Fragrance Laboratory 32 Vintage-Styled Speakers Pack a Punch Beloved Films Adapted for Broadway Stage Hermès’s Limited-Edition Heirloom Watch 33 Pallas Updates Le Smoking Jacket Germany’s Berlin-Style Clubs 34 Artist Robert Longo Debuts Two Solo Shows Tiffany Reprises a Jean Schlumberger Brooch A History of Hinckley Yachts 36 A New Food-and-Design Hub in Paris 38 Q&As With Three Top Landscape Architects Market Report 45 TABLEAU VIVANT Exquisite accessories and ornamental objects are sure to be the centerpiece of any setting. -
Tropical Punch
DANCE PARTY THOU NATALIE PORTMAN AND SHALL REESE WITHERSPOON WERE AMONG THE GUESTS AT A COVET BENEFIT FOR L.A. DANCE RACHEL ZOE LAUNCHES MOBILE APP, COVET PROJECT IN BEL AIR. PAGE 10 FASHION. PAGE 12 DEAL IN THE MAKING Baker’s Hudson’s Bay Zeroes In on Saks By DAVID MOIN NEW YORK — Hudson’s Bay Co., led by Richard Baker, chairman and chief executive officer, has emerged as a serious contender to purchase Saks WWD Inc., which has been in play for about a month. Baker and his team have been busy working on a deal and have been utilizing Hudson’s Bay’s U.S. MONDAY, JUNE 24, 2013 Q WOMEN’S WEAR DAILY Q $3.00 headquarters at 15 West 39th Street, at the Lord & Taylor flagship, as a base to conduct due diligence and strike a deal, according to industry sources. However, sources said Saks might be considered ex- pensive at the current price of its stock, which closed on Friday at $13.39 with a market cap of $1.94 billion, Tropical since for the past decade it’s mostly languished in the $11 range. Others costs, like compensating departing Saks executives with change-of-control payments and paying bankers, would raise the price further. The next couple of weeks will be decisive, the Punch sources said. “Hudson’s Bay has never paid full price for any- thing,” said one source. “They are bargain hunters.” Fun in the sun? Not exactly. Still, there’s logic to a Hudson’s Bay-Saks hookup. For one, Baker has long been interested in purchas- Imagining an exotic getaway ing Saks and in past years has met with Saks manage- as something that can be ment to discuss the possibility. -
Avoiding the Subject: Media, Culture and the Object 2004
Repositorium für die Medienwissenschaft Justin Clemens; Dominic Pettman Avoiding the Subject: Media, Culture and the Object 2004 https://doi.org/10.25969/mediarep/4103 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Clemens, Justin; Pettman, Dominic: Avoiding the Subject: Media, Culture and the Object. Amsterdam: Amsterdam University Press 2004. DOI: https://doi.org/10.25969/mediarep/4103. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.5117/9789053567166 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell 3.0/ Lizenz zur Verfügung Attribution - Non Commercial 3.0/ License. For more information gestellt. Nähere Auskünfte zu dieser Lizenz finden Sie hier: see: https://creativecommons.org/licenses/by-nc/3.0/ https://creativecommons.org/licenses/by-nc/3.0/ aup_avoiding.def 29-09-2004 10:06 Pagina 1 Clemens | Pettman Justin Clemens lectures in the Department of English, Deakin University, Australia. His publications include The Mundiad (Black Inc, 2004) and The Romanticism of Contemporary Theory (Ashgate, 2003). He is the co-editor, with Oliver Feltham, of Alain Badiou’s Infinite What can Roger Rabbit tell Thought (Continuum, 2003). us about the Second Gulf Dominic Pettman is currently teaching War? What can a woman within the Masters of Digital Media program married to the Berlin Wall at the Polytechnic University, Brooklyn. He has tell us about post-human- held previous appointments in the English Department of the University of Geneva, and ism and inter-subjectivity? the Media and Culture Department of the Avoiding the Subject What can DJ Shadow tell us University of Amsterdam. -
UNIVERSITY of CALIFORNIA Los Angeles The
UNIVERSITY OF CALIFORNIA Los Angeles The Cowboy and His Shadow: Queering Masculinity in the Reagan-Bush Era A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Peter Joseph Carpenter 2013 ABSTRACT OF THE DISSERTATION The Cowboy and His Shadow: Queering Masculinity in the Reagan-Bush Era by Peter Joseph Carpenter Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2013 Professor David Gere, Chair Ronald Reagan’s appropriation of cowboyness as a defining factor in his successful bid for the presidency in 1980 intersected with complementary trends in popular media. In the wake of mainstream enthusiasm for the frontier, gays and lesbians formed their own country-western dance spaces. This cowboy renaissance has been discussed as a reclaiming of American conservatism that helped heal wounds inflicted upon the U.S. imaginary in the wake of failures in Vietnam; through this lens, gay dancing cowboys can be seen as acquiescing to assimilationist impulses. However, this study argues that queers find numerous recuperative possibilities in Western-themed choreographies, frequently subverting heteronormative nationalism by taking on a cowboy swagger. Through ethnographic fieldwork at a gay country-western bar in Los Angeles and analyzing dances on the concert stage, the author theorizes cowboyness as an articulation of masculinity, Americanness, and queerness. The introduction posits President Ronald Reagan’s performance of cowboyness as foundational to connections between normative ii masculinities, the legacy of Manifest Destiny, and the homophobic rhetoric and polices that marked Reagan’s presidency. The first chapter looks at the political potency of female cowboyness in the two-step at Oil Can Harry’s—a country-western bar in Los Angeles—and in a dance by Marianne Kim and Lee Anne Schmitt called Making a Disaster: The Many Deaths of John Wayne, Part II (2005). -
Love Objects
Avoiding the Subject Avoiding the Subject MEDIA, CULTURE AND THE OBJECT Justin Clemens | Dominic Pettman A U P Avoiding the Subject Avoiding the Subject Media, Culture and the Object Justin Clemens Dominic Pettman AMSTERDAM UNIVERSITY PRESS Cover illustration: Merritt Symes Cover design: Sabine Mannel, N.A.P., Amsterdam Lay-out: PROgrafici, Goes ISBN 90 5356 716 X NUR 736 © Amsterdam University Press, Amsterdam 2004 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval sys- tem, or transmitted, in any form or by any means (electronic, mechanical, photo- copying, recording or otherwise) without the written permission of both the copy- right owner and the author of the book. Table of Contents 5 Acknowledgments / 7 Introduction / 9 The Influence of Anxiety / 11 Chapter 1: The Aesthetic Object / 23 A Break in Transmission: Art, Appropriation and Accumulation / 25 Chapter 2: The Love Object / 37 Relations with Concrete Others / 39 (or, How We Learned to Stop Worrying and Love the Berlin Wall) Chapter 3: The Elusive Object / 57 “Look at the Bunny”: The Rabbit as Virtual Totem / 59 (or, What Roger Rabbit Can Teach Us About the Second Gulf War) Chapter 4: The Media(ted) Object / 81 From September 11 to the 7-11: Popular Propaganda and the Internet’s War on Terrorism / 83 Chapter 5: The Shared Object / 93 Abandoned Commonplaces: Some Belated Thoughts on Big Brother / 95 Chapter 6: The Moveable Object / 109 Public Transport: Jaunting from