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University of Southampton Research Repository University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Archaeology Pattern and Purpose in Iron Age East Yorkshire by Helen Louise Chittock Thesis for the degree of Doctor of Philosophy September 2016 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITITES Archaeology Doctor of Philosophy PATTERN AND PURPOSE IN IRON AGE EAST YORKSHIRE By Helen Louise Chittock This thesis presents a holistic study of Middle-Late Iron Age material culture from East Yorkshire (UK). It analyses the decoration, or pattern, of a whole range of different types of objects in order to answer the question; ‘what did pattern do?’. A database of over 4600 plain and patterned objects has been compiled using information from museum databases, published literature, unpublished reports and the Portable Antiquities Scheme database. Analysis of this database showed that patterns found on some objects are inextricably linked to the materials they are made from the broad purposes of objects and the ways they were eventually deposited. An in-depth investigation into the biographies and itineraries of a sample of objects has allowed for further exploration of the development of the relationship between pattern and purpose during the ‘lives’ of objects. This multi-scalar analysis has led to the conclusion that pattern did different three things in Iron Age East Yorkshire. It allowed craftspeople to engage with materials in specific ways; to adhere to tradition and function within design rules whilst also creating individualised objects. Pattern also contributed to the overall purposes of objects during use and deposition. Finally, pattern was an important part of the accumulation of biographies; a process that added value and significance to objects. This work contributes to new directions of scholarship currently being pursued in the study of decorated Iron Age objects by reintegrating many famous Early Celtic Art objects from East Yorkshire with the full material assemblage in which they once belonged, providing them with context and directing attention towards lesser-studied groups of objects.. Contents List of Figures ............................................................................. 7 List of Accompanying Material ................................................. 15 Academic Thesis: Declaration Of Authorship ......................... 17 Acknowledgements .................................................................. 19 Chapter 1: Why Decorate? ......................................................... 21 1.1 Introduction ................................................................................................................................ 21 1.2 This Collaborative Doctoral Award ......................................................................................... 22 1.3 What is this thesis about? ........................................................................................................ 22 1.4 Chapter Outline ........................................................................................................................ 22 Chapter 2: A History of Celtic Art Studies ............................... 27 2.1 Introduction .............................................................................................................................. 27 2.2 The Emergence of a Celtic Art Style ....................................................................................... 27 2.3 Celtic Art in the 20th Century .................................................................................................. 34 2.4 Peasant Art ................................................................................................................................ 42 2.5 Rethinking Celtic Art ............................................................................................................... 49 2.6 Chapter Conclusion: A Mission Statement ........................................................................... 56 Chapter 3: A Return to Pattern and Purpose: What did pattern do? ............................................................................................. 59 3.1 Introduction .............................................................................................................................. 59 3.2 Formulating my research question ......................................................................................... 59 3.2 Pattern and Purpose: A Survey of Early Celtic Art in Britain ............................................... 60 3.3 Defining Pattern ....................................................................................................................... 62 3.4 Defining Purpose ...................................................................................................................... 65 3.5 Reintegrating Pattern and Purpose ........................................................................................ 66 3.6 Chapter Conclusion ................................................................................................................. 67 Chapter 4: Beyond the Arras Culture: Characterising the Iron Age of East Yorkshire ............................................................... 69 4.1 Introduction .............................................................................................................................. 69 4.2 Researching the Iron Age in East Yorkshire .......................................................................... 72 4.3 Characterising the Middle-Late Iron Age in East Yorkshire ................................................ 83 4.4 Pattern, Colour and Society in Iron Age East Yorkshire ...................................................... 94 4.5 Chapter Conclusion ................................................................................................................. 98 1 Chapter 5: Pattern and Context ............................................... 99 5.1 Introduction .............................................................................................................................. 99 5.2 The Dataset .............................................................................................................................. 99 5.3 Data Analysis ............................................................................................................................ 113 5.4 Discussion of Data .................................................................................................................. 144 5.5 Chapter Conclusion ................................................................................................................ 148 Chapter 6: Pattern and Purpose .............................................. 151 6.1 Introduction .............................................................................................................................. 151 6.2 Data Analysis ........................................................................................................................... 155 6.3 Discussion of Data .................................................................................................................. 166 6.4 Chapter Conclusion ................................................................................................................ 171 Chapter 7: The Biographies and Itineraries of Iron Age ‘Groupsets’ ................................................................................173 7.1 Introduction .............................................................................................................................. 173 7.2 Methods ................................................................................................................................... 176 7.3 Chariots .................................................................................................................................... 178 7.4 Swords...................................................................................................................................... 222 7.5 Bone and Antler Objects ........................................................................................................ 257 7.6 Pots .......................................................................................................................................... 274 7.7 Chapter Conclusion ................................................................................................................ 281 Chapter 8: What did pattern do in Iron Age East Yorkshire?285 8.1 Introduction ............................................................................................................................
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