Ek Bharat Shrestha Bharat Report by Team Chhattisgarh
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Indian Classical Dance Is a Relatively New Umbrella Term for Various Codified Art Forms Rooted in Natya, the Sacred Hindu Musica
CLASSICAL AND FOLK DANCES IN INDIAN CULTURE Palkalai Chemmal Dr ANANDA BALAYOGI BHAVANANI Chairman: Yoganjali Natyalayam, Pondicherry. INTRODUCTION: Dance in India comprises the varied styles of dances and as with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country. These dance forms emerged from Indian traditions, epics and mythology. Sangeet Natak Akademi, the national academy for performing arts, recognizes eight distinctive traditional dances as Indian classical dances, which might have origin in religious activities of distant past. These are: Bharatanatyam- Tamil Nadu Kathak- Uttar Pradesh Kathakali- Kerala Kuchipudi- Andhra Pradesh Manipuri-Manipur Mohiniyattam-Kerala Odissi-Odisha Sattriya-Assam Folk dances are numerous in number and style, and vary according to the local tradition of the respective state, ethnic or geographic regions. Contemporary dances include refined and experimental fusions of classical, folk and Western forms. Dancing traditions of India have influence not only over the dances in the whole of South Asia, but on the dancing forms of South East Asia as well. In modern times, the presentation of Indian dance styles in films (Bollywood dancing) has exposed the range of dance in India to a global audience. In ancient India, dance was usually a functional activity dedicated to worship, entertainment or leisure. Dancers usually performed in temples, on festive occasions and seasonal harvests. Dance was performed on a regular basis before deities as a form of worship. Even in modern India, deities are invoked through religious folk dance forms from ancient times. -
THE DEVELOPMENT TEAM Principal Investigator Prof. S. P. Bansal Vice
Paper 11: Special Interest Tourism Module 34: Performing Arts of India: Classical Dances, Folk Dance & HistoricalFolk Culture Development of Tourism and Hospitality in the World THE DEVELOPMENT TEAM Principal Investigator Prof. S. P. Bansal Vice Chancellor, Indira Gandhi University, Rewari Co-Principal Investigator Dr. Prashant K. Gautam Director, UIHTM, Panjab University, Chandigarh Paper Coordinator Prof. Deepak Raj Gupta School of Hospitality & Tourism Management (SHTM), Jammu University Content Writer Dr. Arunesh parashar, Chief Coordinator Department Of Tourism Management, Dev Sanskriti University Content Reviewer Prof. Pariskhit Manhas Director , school of hospitality & tourism management Jammu university, Jammu ITEMS DESCRIPTION OF MODULE Subject Name Tourism and Hotel Management Paper Name Special Interest Tourism Module Title Performing Arts of India: Classical Dances, Folk Dances and Folk Culture Module Id 34 Pre- Requisites Basic knowledge about Performing Arts Objectives To develop a basic insight about the performing arts in India Keywords Classical, folks lore, folk dances and folk cultures QUADRANT-I Performing arts are divided into two dimensions of performance: Dance Music Classical dance Bharatnatyam Bharatnatyam originates in Tamil Nadu which is likewise alluded to as artistic yoga and Natya yoga. The name Bharatnatyam is gotten from the word "Bharata’s" and subsequently connected with the Natyashashtra. Though the style of Bharatnatyam is over two thousand years old, the freshness and lavishness of its embodiment has been held even today. The strategy of human development which Bharatnatyam takes after can be followed back to the fifth Century A.D. from sculptural proof. This established move has an entrancing impact as it inspires the artist and the spectator to a larger amount of profound cognizance. -
Recognition of Community Rights Under FRA in Madhya Pradesh and Chhattisgarh
Recognition of Community Rights under FRA in Madhya Pradesh and Chhattisgarh ChallengesChallenges andand WaysWays ForwardForward Study conducted by Samarthan Supported by UNDP Objectives • Review implementation of the Act in relation to the provisions of Community Rights • Understand the reasons for low or high claims and rejection of claims • Identify constraints and explore ways forward Methodology • 10 Districts ( 6 from MP and 4 from CG) • Selected on Community Claims and tribal population basis • 2 blocks with highest number of community claim • 12 villages from each block (1 where community claim was made and 1 where community claim was not made from each of below categories) – High Tribal Population (>60%) – Low Tribal Population (<20%) – Near Block HQ (Within 10 – 15 Kms) – Far from Block HQ (>40 Kms) – Near Forest (<10 Kms) – Far from forest (>20 Kms) Selected Districts – MP& CG Sample of Respondents Respondent Category Target Sample in MP CG Total One Unit Community Members 10 (Each Village) 720 480 1200 FRC Members 5 (Each Village) 360 240 600 Panchayat Secretary 1 (Each Village) 72 48 120 Official Who Conducted Gram Sabha 1 (Each Village) 72 48 120 SDLC Members (Non – Official) 3 (Each Sub-division) 36 24 60 SDLC Members (Officials) 3 (Each Sub-division) 36 24 60 DLC Members (Non-official) 3 (Each District) 18 12 30 DLC Members (Official) 3 (Each District) 18 12 30 Methods Used • Semi structured questionnaire • Focused Group Discussions • Participatory Appraisals • Interviews with stakeholders • Case Studies Defining Community -
The Role of Indian Dances on Indian Culture
www.ijemr.net ISSN (ONLINE): 2250-0758, ISSN (PRINT): 2394-6962 Volume-7, Issue-2, March-April 2017 International Journal of Engineering and Management Research Page Number: 550-559 The Role of Indian Dances on Indian Culture Lavanya Rayapureddy1, Ramesh Rayapureddy2 1MBA, I year, Mallareddy Engineering College for WomenMaisammaguda, Dhulapally, Secunderabad, INDIA 2Civil Contractor, Shapoor Nagar, Hyderabad, INDIA ABSTRACT singers in arias. The dancer's gestures mirror the attitudes of Dances in traditional Indian culture permeated all life throughout the visible universe and the human soul. facets of life, but its outstanding function was to give symbolic expression to abstract religious ideas. The close relationship Keywords--Dance, Classical Dance, Indian Culture, between dance and religion began very early in Hindu Wisdom of Vedas, etc. thought, and numerous references to dance include descriptions of its performance in both secular and religious contexts. This combination of religious and secular art is reflected in the field of temple sculpture, where the strictly I. OVERVIEW OF INDIAN CULTURE iconographic representation of deities often appears side-by- AND IMPACT OF DANCES ON INDIAN side with the depiction of secular themes. Dancing, as CULTURE understood in India, is not a mere spectacle or entertainment, but a representation, by means of gestures, of stories of gods and heroes—thus displaying a theme, not the dancer. According to Hindu Mythology, dance is believed Classical dance and theater constituted the exoteric to be a creation of Brahma. It is said that Lord Brahma worldwide counterpart of the esoteric wisdom of the Vedas. inspired the sage Bharat Muni to write the Natyashastra – a The tradition of dance uses the technique of Sanskrit treatise on performing arts. -
Madhya Pradesh Reorganisation Act, 2000 ______Arrangement of Sections ______Part I Preliminary Sections 1
THE MADHYA PRADESH REORGANISATION ACT, 2000 _____________ ARRANGEMENT OF SECTIONS _____________ PART I PRELIMINARY SECTIONS 1. Short title. 2. Definitions. PART II REORGANISATION OF THE STATE OF MADHYA PRADESH 3. Formation of Chhattisgarh State. 4. State of Madhya Pradesh and territorial divisions thereof. 5. Amendment of the First Schedule to the Constitution. 6. Saving powers of the State Government. PART III REPRESENTATION IN THE LEGISLATURES The Council of States 7. Amendment of the Fourth Schedule to the Constitution. 8. Allocation of sitting members. The House of the People 9. Representation in the House of the People. 10. Delimitation of Parliamentary and Assembly constituencies. 11. Provision as to sitting members. The Legislative Assembly 12. Provisions as to Legislative Assemblies. 13. Allocation of sitting members. 14. Duration of Legislative Assemblies. 15. Speakers and Deputy Speakers. 16. Rules of procedure. Delimitation of constituencies 17. Delimitation of constituencies. 18. Power of the Election Commission to maintain Delimitation Orders up-to-date. Scheduled Castes and Scheduled Tribes 19. Amendment of the Scheduled Castes Order. 20. Amendment of the Scheduled Tribes Order. PART IV HIGH COURT 21. High Court of Chhattisgarh. 22. Judges of Chhattisgarh High Court. 23. Jurisdiction of Chhattisgarh High Court. 24. Special provision relating to Bar Council and advocates. 25. Practice and procedure in Chhattisgarh High Court. 26. Custody of seal of Chhattisgarh High Court. 27. Form of writs and other processes. 28. Powers of Judges. 1 SECTIONS 29. Procedure as to appeals to Supreme Court. 30. Transfer of proceedings from Madhya Pradesh High Court to Chhattisgarh High Court. 31. Right to appear or to act in proceedings transferred to Chhattisgarh High Court. -
Szcc Annual Report 2016-2017
ANNUAL ACTIVITY REPORT 2016-2017 The South Zone Cultural Centre at Thanjavur, Tamil Nadu was established as a Society under the Ministry of Culture, Government of India, came into existence on 31st January 1986 with the objective to integrate people of India through Culture, art and heritage. The Centre has jurisdiction over the states of Andhra Pradesh, Telangana, Karnataka, Kerala, Tamil Nadu and Union Territories of Andaman and Nicobar Islands, Lakshadweep and Puducherry. During the year 2016-17 SZCC, in association with the Member States, has arranged around 169 programmes. More than 10,414 artistes from various parts of the country have been paid for their participation in various programmes conducted during the year. These programmes could be conducted successfully with the active participation and support of each Member State. Some of the programmes organised are highlighted below: ANNUAL ACTIVITY REPORT AND REVIEW OF THE PROGRAMMES CONDUCTED DURING THE YEAR 2016-2017 During the Year 2016-17 the South Zone Cultural Centre, Thanjavur has conducted 169 Cultural Programmes in which 10414 artistes have participated. The following is a comparative statement of programmes conducted in various States/Union Territories during the last 7 years. Sl. 2010- 2011- 2012- 2013- 2014- 2015- 2016- State/UT No 11 12 13 14 15 2016 2017 01 Andaman &Nicobar Islands 1 1 1 5 2 01 01 02 Andhra Pradesh 1 3 3 7 4 07 07 03 Karnataka 1 4 4 9 20 09 17 04 Kerala 5 3 6 27 25 14 11 05 Lakshadweep 1 1 0 0 1 0 0 06 Puducherry 5 2 7 18 10 21 22 07 Tamil Nadu 26 51 71 70 86 110 92 08 Telangana 0 0 0 0 1 04 05 09 Other Zones 4 0 3 9 10 11 14 10 Programmes Abroad 0 0 0 5 1 0 0 Total 44 65 95 150 160 177 169 Further, the number of artistes from the Member States and also from other States performed in various programmes organised by SZCC during the past 7 years is shown below 175 Artistes from Member States performed during the years from 2010-2011 to 2016-2017 2015-2016 2016-2017 Sl. -
About Chhattisgarh
About Chhattisgarh Map Chhatisgarh state and districts (Stand 2007) At the time of separation from Madhya Pradesh, Chhattisgarh originally had 16 districts. Two new districts: Bijapur and Narayanpur were carved out on May 11, 2007[1] and nine new districts on Jan 1, 2012. The new districts have been created by carving out the existing districts to facilitate more targeted, focused and closer administration. These districts have been named Sukma, Kondagaon, Balod, Bemetara, Baloda Bazar, Gariaband, Mungeli, Surajpur and Balrampur[2] Contents [hide] 1 Background 2 Administrative history 3 Districts of Chhattisgarh 4 References 5 External links Background[edit] A district of an Indian state is an administrative geographical unit, headed by a district magistrate or a deputy commissioner, an officer belonging to the Indian Administrative Service. The district magistrate or the deputy commissioner is assisted by a number of officials belonging to different wings of the administrative services of the state. A superintendent of Police, an officer belonging to Indian Police Service is entrusted with the responsibility of maintaining law and order and related issues. Administrative history Before Indian independence, present-day Chhattisgarh state was divided between the Central Provinces and Berar, a province of British India, and a number of princely states in the north, south, and east, which were part of the Eastern States Agency. The British province encompassed the central portion of the state, and was made up of three districts, Raipur, Bilaspur, and Durg, which made up the Chhattisgarh Division of the Central Provinces. Durg District was created in 1906 out of the eastern portion of Raipur District. -
Orissa Chhattisgarh Jharkhand Andhra Pradesh West Bengal
Puruliya Anuppur Ranchi Gumla Bankura MA304 Dindori Hugli Jashpur M´a d h y a P r a d e s h North 24 Parganas 0 0 0 0 0 Korba 5 Simdega 2 Purba Singhbhum J h a r k h a n d Haora Bilaspur Pashchim Singhbhum West Midnapore India: Tropical Cyclone South 24 Parganas Sundargarh W e s tt B e n g a ll Phailin - Reported Kawardha Raigarh affected population East Midnapore Janjgir-Champa (as at 28 Oct 2013) Mayurbhanj 0 Jharsuguda 0 0 Map shows data for districts in Odisha 0 0 4 state, plus one district of Andhra 2 Raipur Baleshwar Preadesh. Figures are shown for Deogarh percentages of district populations as C h h a tt tt ii s g a r h reported by Government (taking the highest figures from two post-disaster Keonjhar Sambalpur situation reports). Pie graphs indicate Durg Mahasamund percentages of Schedules Castes, as a Raj Nandgaon Baragarh proxy for underlying vulnerability. Sonepur Jajpur Bhadrak 0 0 Angul 0 0 0 3 2 Dhenkanal Dhamtari Nuapada Bolangir Boudh Cuttack Kendrapara Nayagarh O r ii s s a Jagatsinghpur Kanker I N D I A Kalahandi Kandhamal 0 0 0 0 0 2 2 Khordha Bay of Bengal Puri Ganjam Bastar Nabarangpur Rayagada Gajapati 0 25 50 75 100 125 kilometres 0 0 0 Scale 1:2,200,000 (at A3 size) 0 0 1 Data sources 2 Boundaries: GADM District reported as affected* Affected pop %age (Govt figures) Affected districts data: various agencies including Koraput Government situation reports Dantewada Population data (including SC percentages): Vulnerability profile No data from Government* Census of India Srikakulam Vizianagaram Reported affected district Circle size proportionate Up to 20% in Andhra Pradesh 2t,o2 0d0is,t0ri0c0t total pop, Created 11 Nov 2013 / 16:30 UTC +5.5 20-40% Map Document MA304_C01_Pop&SC_per_district.mxd . -
The Chhattisgarh Community Forest Rights Project, India
OXFAM ACTIVE CITIZENSHIP CASE STUDY THE CHHATTISGARH COMMUNITY FOREST RIGHTS PROJECT, INDIA By Duncan Green We have lived here for three, four generations. Since my childhood I have seen how the Forest Department comes and cuts down trees. These trees have grown with us, some of these trees we have planted ourselves and have let them grow. They are like our children. We are not allowed to take even firewood but they cut down our trees. We feel very bad. Prem Sai, a community member of Bule village, Sarguja district, Chhattisgarh India’s new and heavily forested state of Chhattisgarh is home to some of its most marginalized communities, whose traditional ways of living from forest products are under threat from encroachment by mining and other activities. Oxfam India has supported a local partner NGO, Chaupal, to help forest communities to take advantage of the implementation gap between this reality and the provisions of progressive legislation, the Forest Rights Act (2006). Early results are extremely positive, with dozens of villages winning new forest and grazing rights under the Act. www.oxfam.org BACKGROUND India’s new state of Chhattisgarh was constituted on 1 November 2000, with 16 districts carved out of the state of Madhya Pradesh. Forests cover almost 44 percent of its total area. Eighty percent of Chhattisgarh’s population lives in rural parts and 32 per cent of its population is ‘tribal’ (‘scheduled tribes’, in India’s official language, are among the poorest and most marginalized people in the country).1 Forests are critical to tribal people’s lives and livelihoods. -
Songs in Circles: Gujaratis in America
Songs in Circles: Gujaratis in America by Gordon Thompson Gordon Thompson has conducted research The state of Gujarat, on India's western shoreline, is historically in Gujarat under grants from the American known for its textiles and merchants. Gujaratis have also been among Institute ofIndian Studies and the Wenner Gren Foundation for Anthropological Re South Asia's most skillful seafarers and were the guides for the first search. He is a doctoral candidate in eth Europeans arriving in India's ports. They have plied the waters of the nomusicology at the University of Indian Ocean for more than a millenium and have established settle California, Los Angeles, and is a lecturer in music at California State University, Long ments in such diverse places as Fiji, Hong Kong and South Africa. Beach. Today, Gujaratis are one of the largest South Asian ethnic groups in the United States. Against a seemingly incongruous southern Califor nia backdrop of fast-food restaurants, gas stations and freeways, one night every month as well as once each autumn for nine consecutive nights, Gujarati-Americans congregate in their temples, in high school auditoriums and in community centers to perform songs and circle dances that have survived and flourished wherever Gujaratis have settled. Performances of garba and ras- circle dances accompanied by sing ing- figure prominently in Gujarati communal worship. Through these forms Gujaratis worship, socialize and reaffirm their heritage. In the United States, despite the variety of their geographic backgrounds, all Gujaratis can participate in these dances which provide, among other things, an opportunity for adolescents and young adults to meet and to discuss common problems and concerns. -
Project Lion 2020 Progress Report
1 © UNICEF/UN0372486/KAUR PROJECT LION Progress Report, March 2021 © UNICEF/UN0272290/EDWARDS A Bright Future for Vulnerable Children Without Parental Care in India 2020 was an unprecedented year. India has had more than 10.7 miLLion cases of COVID-19 infections to-date with 10.4 miLLion recoveries and about 154,000 deaths. The ensuing Lockdown, sociaL distancing poLicies and Loss of jobs heightened the vuLnerabiLity of poor and marginaLiZed famiLies. ChiLd disproportionateLY were affected bY the secondarY impacts of the pandemic. Though numbers are not Yet avaiLabLe, especiaLLY because sociaL distancing made reporting even more scarce, there is a fear that manY chiLdren have been put to work or trafficked. SimiLarLY, there is a growing fear that chiLdren maY be increasingLY exposed to domestic violence and abuse, with critical child protection services and schools that could report harmful practices shuttering for prolonged periods as a public health safetY measure. ChiLdren in ChiLd Care Institutions in India were impacted bY the fear of infection, disruption of routine, Lockdown reLated isoLation and concern for famiLY members. UNICEF is adapting the way it delivers programs to reach children with consistent, sustained care during the pandemic. UNICEF’s commitment to for chiLdren remains steadfast amidst the fLuxes caused in everydaY Life throughout this pubLic heaLth emergency. Project Lion continues to provide qualitY care in famiLY and communitY-based environments to aLL chiLdren in need of care and protection, chiLdren STRENGTHENING in contact with law and children in institutional care. ENHANCING STANDARDS OF • • PREVENTIVE & CARE IN CHILD CARE REHABILITATIVE SERVICES EverY chiLd deserves a nurturing and Loving INSTITUTIONS SO THAT FOR VULNERABLE CHILDREN CHILDREN ARE SAFE AND environment to grow up, where they can thrive and WITHOUT OR AT-RISK OF PROTECTED work to reach their fuLL potentiaL as theY enter LEAVING PARENTAL CARE adulthood. -
Newsletter Dec2019-Cover.Qxp 2019 11/26/19 16:30 Page 5
December 2019 Šri Mahã Ganapati THE HINDU TEMPLE SOCIETY OF NORTH AMERICA, NY Šri Mahã Vallabha Ganapati Devasthãnam 4557 Bowne Street, Flushing, New York 113552202 (: (718) 4608484 ext. 112 ● Fax: (718) 4618055 https://nyganeshtemple.org ● email: [email protected] December 2019 ● Vol 4219 ● No. 1N ● 2 Issues per Year AA LetterLetter FromFrom thethe PresidentPresident Dear Fellow Devotees, Happy Holidays and best wishes for the New Year. The year 2019 marked another year of growth and progress and we proudly celebrated 42nd Anniversary on a grand scale. Ganesh Chaturthi Celebrations were once again grand with thousands of people participating in all the functions and especially the Ratha Yãtra on the last day. Devi Navarãtri and Deepãvali Celebrations were just as grand. Several cultural programs were conducted in the last 6 months. Some of the highlights included ‘Dance Showcase’ presented by senior students of five dance teachers in the Auditorium. This was a grand and a successful program and funds raised were credited towards Kumbhãbhishekam 2020. Among a few others included celebrations of ‘Swami Vivekananda’s Legacy, Life and Influence’ on August 11th, 2019. Devi Navarãtri celebrations with Ras Garba on October 4th thru October 6th, 2019, Deepavãli celebrations for the Pãtašãla students in the Senior Center on October 19th and the celebrations at the Queens Museum on October 26th, and Anniversary celebrations of the Senior Program on October 12th with variety entertainment. All these celebrations were grand and very well participated. Annual Health Fair was conducted on July 14th and Mini Health Fair was organized on November 10th, 2019.