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3. Classification 4. Owner of Property
NFS Form 10-900 OMB No. 1024-0018 (3-82) Exp. 10-31-84 United States Department of the Interior National Park Service For NPS use only National Register of Historic Places received mjp Inventory Nomination Form date entered JAN I 0 I985 See instructions in How to Complete National Register Forms Type all entries complete applicable sections________________ 1. Name historic and/or common CQLBURN PARK HISTORIC DISTRICT 2. Location North, South, East, West Park Street; 3 Camp ell St.; street & number j School St.; 1 Bank St.; 9-10 Lebanon Mall 11^"0* for publication city, town Lebanon, n/_a_ vicinity of state New Hampshire code 055 county Grafton code 009 3. Classification Category Ownership Status Present Use _JL district public _X_ occupied __ agriculture museum building(s) private unoccupied X commercial X park structure X botn work in progress educational X private residence site Public Acquisition Accessible entertainment X religious object in process yes: restricted X government scientific being considered JX__ yes: unrestricted industrial transportation X n/a no military other: 4. Owner of Property name (see enclosed multiple ownershi list 1-4-1 street & number city, town vicinity of state 5. Location of Legal Description Grafton County Courthouse courthouse, registry of deeds, etc. Grafton County Registry of Deeds P.O. Box 208 street & number city, town Woodsville, state New Hampshire 05875 6. Representation in Existing Surveys title Lebanon* S Historic Resource has this property been determined eligible? yes no Survey date 1984 federal state county X local depository for survey records np p Rr y a i 1py - .qim apee Council city, town Lebanon, state New Hampshire Condition Check one Check one excellent deteriorated unaltered _X_ original site _X- good ruins X altered moved date N/A fair '"-. -
Pennsylvania Magazine of HISTORY and BIOGRAPHY
THE Pennsylvania Magazine OF HISTORY AND BIOGRAPHY VOLUME LXV APRIL, 1941 NUMBER TWO Some Qree\T(evival Architects of Philadelphia HILADELPHIA saw alike the birth and the death of Greek Revival architecture in America: its birth in the Bank of Penn- Psylvania, which Latrobe designed in the spring of 17985 its death—or should one say its final swan song?—in the Ridgeway Branch of the Library Company, designed in the 1870's by Addison Hutton, far out on South Broad Street. And, in the years between, several of the most important Greek Revival architects in the coun- try established their homes in Philadelphia, found there a most profitable field for their activity, and designed for it some of the most remarkable of its buildings. Latrobe, Mills, Strickland, Havi- land, and Walter all contributed much to the appearance of the growing city, and in the work of all, whether it was strictly Greek or not, the ideals of the new architectural movement were enshrined. It is not strange that this should have been the case. Philadelphia was, in the early years of the Republic, the undoubted metropolis of the country. It was, in its own characteristic staid way, the center of culture and of art. Boston was still, in architecture, largely under the sway of English late-Georgian inspiration, so beautifully re-created in New England in the domestic work of Bulfinch, the exquisite 121 122 TALBOT HAMLIN April interiors of Mclntire, and the early handbooks of Asher Benjamin. New York, struggling out of the devastation caused by the long British occupation, was still dominated by the transitional work of John McComb, Jr., the Mangins, and such architects as Josiah Brady and the young Martin Thompson; Greek forms were not to become popular there till the later 1820's. -
Asher Benjamin As an Architect in Windsor, Vermont
Summer 1974 VOL. 42 NO.3 The GpROCEEDINGS of the VERMONT HISTORICAL SOCIETY This famous architect built a meetinghouse and three private houses in Windsor before he left for Boston in 1802 ... Asher Benjamin as an Architect in Windsor, Vennont By JOHN QUINAN N August of 1802 the architect Asher Benjamin wrote from Boston to I Gideon Granger, the Postmaster General of the United States, seeking aid in obtaining a commission for a marine hospital in that city. Benjamin's letter identifies by name and location most of his first eight commissions - a rare and unusual document in American architectural history which enables us to trace his path northward from Hartford, Con necticut, to Windsor, Vermont. Benjamin wrote, in part: "Sir, I have since I left Suffield Conn. built the following houses, Viz. Samuel Hinckley, Northampton, William Coleman's Greenfield, Luke Baldwin's Esq., Brookfield, and a Meeting House and three other large houses in Windsor, Vermont, The Academy at Deerfield. l Most of these commissions have not fared very well. The Deerfield Academy building (Memorial Hall, 1798-1799) was altered sufficiently during the nineteenth century to obscure much of its original character. The Baldwin and Hinckley houses (both c.17%) were demolished early in the twentieth century and are lost to us, and it seems that the William Coleman house in Greenfield (1797) (Fig. 6) is the sole survivor of Benjamin's first decade of practice. But what of the four unnamed build ings in Windsor? Are they identifiable? Do they still stand in Windsor? Have they any special interest or significance? The four Windsor buildings are identifiable despite the fact that the three houses have been demolished and the meetinghouse has been altered I. -
2011 DIRECTORY of the Colonial Dames of America in the State Of
2010 - 2011 DIRECTORY of The Colonial Dames of America in The State of Connecticut THE CONNECTICUT SOCIETY HEADQUARTERS The Webb-Deane-Stevens Museum 211 Main Street, Wethersfield, Connecticut 06109-2339 Phone: 860-529-0612; Barn Phone: 860-529-4552 Fax: 860-571-8636; E-mail: [email protected] Websites: www.webb-deane-stevens.org www.silasdeaneonline.org; www.revolutionaryct.org Museum Hours: May 1 - October 31, weekdays except Tuesday, 10:00-4:00 p.m.; Saturdays 10-4 p.m., Sundays, 1-4 p.m. November 1 - April 30, weekends only: Saturdays 10:00-4:00 p.m., Sundays, 1-4:00 p.m Clsed January-March Office Hours: 9-4 p.m. Monday-Friday Printed September 1, 2010 1 TABLE OF CONTENTS National Society Mission ………………….……………………………………. 3 Officers…………………………………………………. ... .. 3 Dumbarton House (Headquarters)………………………… 3 Gunston Hall …………………………………………………. 4 Sulgrave Manor ……………………………………………… 4 National Roll of Honor……………………………………… 5 State Society 5 Advisory Committee ……………..………………….….…… 8 Board of Managers …..……………………………………... 9 Calendar for 2010-2011 …………………………………..… 57-58 Committees ………………………………………………….. 10 Areas………………………………………………………….. 16 Audit 10 Collections……………………………………………………. 10 Development…………………………………………………. 10 Executive……………………………………………………… 11 Finance……………..………………………………………… 11 Garden Angels……………………………………………….. 12 Grounds……………….……………………………………… 11 Historical Activities…………………………………………… 12 Library………………………………………………………… 12 Membership………………………….…………………….… 13 Museum Building Committee………………………………. 13 Nominating………………………….………………………… 13 Patriotic -
S of the Shoreline™
SPRING 2019: Historic Gardens | Coming to America, Part 2 | CRIS Radio | Five Ways to be Fit SEASONS SEASONS of THE SHORELINE EASONS™ OF THE SHORELINE S SPRING 2019 WE ARE McDERMOTT #letusbeyourcarfamily! LEXUS CHEVROLET 203-466-9999 203-466-1000 www.mcdermottlexus.com www.mcdermottchevrolet.com www.mcdermottauto.com • 655 Main Street, East Haven, Connecticut 06512 Business Banking with your Community Bank Essex Savings Bank offers the services you need to build your business. • Commercial Loan Products – decisions made locally • Commercial and Non-Profit Checking • Complete Online Banking Suite of Services • Business Savings Options • A consultative approach to ensure we meet your needs • Over 165 years in your community Talk to us today and see why Essex Savings Bank is a commercial lending leader in our area. Essex, 35 Plains Road, 860-767-2573 • Essex, 9 Main Street, 860-767-8238 • Chester, 203 Middlesex Avenue, 860-526-0000 Madison, 99 Durham Road, 203-318-8611 • Old Lyme, 101 Halls Road, 860-434-1646 • Old Saybrook, 155 Main Street, 860-388-3543 Toll-Free: 877-377-3922 • essexsavings.com Member FDIC Equal Housing Lender IT’SALLIN ONE PLACE 40+ RESTAURANTS, NIGHTCLUBS AND BARS 7 HIGH-ENERGY CASINOS | EXTREME ADVENTURES 4 HOTELS | 4 INDOOR POOLS AND 1 OUTDOOR POOL 2 LUXURIOUS SPAS | WORLD-CLASS ENTERTAINMENT TANGER® OUTLETS AT FOXWOODS | AWARD WINNING LAKE OF ISLES GOLF COURSE THE Wonder OF IT ALL FOXWOODS.COM | 800.369.9663 FOX_62916_SeasonsMagazine_PrintAd_8-5x10-875.indd 2 2/22/19 9:59 AM Where Life Care Meets Lifestyle Whether you’re looking to move right away or just planning ahead, now is the perfect time to be thinking about your future home. -
Optimistic About the Town's Future, Windsor Residents
WINDSOR VERMONT Optimistic about the town’s future, Windsor residents chose architect Asher Benjamin (1773-1845) to design a new church and meetinghouse in 1798. Ben- jamin’s three-year residence in Windsor yielded at least three houses, all of them since lost, as well as this landmark Federal- style church. He designed fine buildings in several Connecticut River Valley towns before establishing a successful practice in Boston. He is best known as the author of the first American builder’s guide. The Country Builder’s Assistant, published in Greenfield, Massachusetts, in 1797, was the first of many influential guides The “Design for a Meeting House” from Asher Benjamin’s first guide,The Country he wrote. The books functioned as cata- Builder’s Assistant, inspired his design of Old South Church (Plate 33, 2nd edition, 1798). logs of the latest architectural styles and Courtesy Dartmouth College Library/Rauner Special Collections practices, enabling local builders to design residential and public buildings in popular fashions. Windsor’s first church, formally organized in 1766, included members from Cornish, New Hampshire. The minister, who was paid in money or “in grains, or pork, or beef or day’s labor,” forded the river weekly to preach to the Windsor members. The congregation formed its own church in 1774 and built a simple, frame meetinghouse for both town and church business. Delegates met there on July 2, 1777, to craft the Vermont Constitution but adjourned to Elijah West’s tavern to complete their work. The meetinghouse was the site of the first Vermont legislative session and Old South Church Old South the inauguration of its first governor, Thomas Chittenden, on March 12, 1778. -
Lieux De Mémoire Française Aux Etats-Unis D'amérique
Lieux de Mémoire française aux Etats-Unis d’Amérique (Inventaire en cours) v.10 (F) – Mise à jour 1er mars 2021 1 Statue de la Liberté Liberty Island, New York, NY 10004 https://www.nps.gov/stli/index.htm 40°41ʹ21ʺN 74°2ʹ40ʺW v Offerte en témoignage d’amitié par le peuple français aux États-Unis, la statue monumentale la plus célèbre du monde est l’oeuvre du sculpteur Frédéric Auguste Bartholdi. Sa charpente métallique fut conçue par Gustave Eiffel, également alsacien. Son appellation officielle est «la Liberté éclairant le monde». Elle est reconnue comme le symbole universel de la liberté et de la démocratie et devenue l’un des symboles des Etats-Unis. v L'idée d'un monument présenté par les Français aux États-Unis fut d’abord proposée par Edouard René de Laboulaye, président de la Société française anti-esclavagiste et éminent penseur politique de son temps. Fervent partisan de l'Union pendant la guerre civile américaine, il est censé avoir dit: «Si un monument devait s'élever aux États-Unis, en souvenir de leur indépendance, je pense qu'il serait naturel qu'il soit construit d’un commun effort - une œuvre commune de nos deux nations.” v Bartholdi pris sa propre mère comme modèle. Des dizaines de milliers de français, dont de nombreux écoliers, cotisèrent pour sa construction. Assemblée et désassemblée à Paris dans les ateliers Puget, ses plaques de cuivre furent numérotées et transportées dans des caisses. L'éditeur Joseph Pulitzer du NeW York World lança une campagne de dons pour construire le piédestal auprès de plus de 120 000 contributeurs, dont beaucoup étaient des immigrants récents. -
Washington–Rochambeau Revolutionary Route
Resource Study & Environmental Assessment WASHINGTON–ROCHAMBEAU REVOLUTIONARY ROUTE Northeast and National Capital Regions National Park Service—U.S. Department of the Interior October 2006 ABOUT THIS DOCUMENT This document is the Resource Study and Environmental Assessment (study/EA) for the Washington-Rochambeau Revolutionary Route. It describes the National Park Service’s preferred approach to preserving and interpreting route resources and one other alternative. The evaluation of potential environmental impacts that may result from imple- mentation of these alternatives is integrated in this document. This study/EA is available for public review for a period of 30 days. During the review period, the National Park Service is accepting comments from interested parties via the Planning, Environment and Public Comment website http://parkplanning.nps.gov/, at public meetings which may be held, and at the address below. At the end of the re- view period, the National Park Service will carefully review all comments and determine whether any changes should be made to the report. No sooner than thirty (30) days from the end of the review period, the National Park Service will prepare and publish a finding of no significant impact (FONSI) to explain which alternative has been selected, and why it will not have any significant environmental impacts. A summary of responses to public comments will be prepared. Factual corrections or additional material submitted by commentators that do not affect the alternative may be incorporated in errata sheets and attached to the study/EA. The study/EA and FONSI will be transmitted to the Secretary of the Interior who will make a recommendation to Congress. -
Design Guidelines Publication Credits
Worthington Design Guidelines Publication Credits Text prepared by Benjamin D. Rickey & Co., 593 South Fifth Street, Columbus, Ohio 43206 Schooley Caldwell Associates, 300 Marconi Boulevard, Columbus, Ohio 43215 Photography by Benjamin D. Rickey & Co., 593 South Fifth Street, Columbus, Ohio 43206 Book design and drawings by Schooley Caldwell Associates, 300 Marconi Boulevard, Columbus, Ohio 43215 Cover engraving of the Worthington Female College provided courtesy of the Worthington Historical Society Acknowledgements This publication was made possible by the hard work and dedication of a number of people in the Worthington community. The following people and organizations deserve praise for the time, talent and expertise they gave to this publication: Worthington Design Guidelines Steering Committee: Robert F. Chosy, City Council David G. Foust, Municipal Planning Commission Nicki Budin Jane Trucksis James Ventresca Worthington Municipal Planning Commission and Architectural Review Board: David Norstrom, Chair Richard H. Hunter, Vice-Chair Kenneth T. Pearlman, Secretary James D. Sauer David G. Foust Arthur J. Scott Scott Myers City of Worthington Staff: Paul J. Feldman, Assistant City Manager and Economic Development Director Lynda B. Bitar, Development Coordinator William W. Watterson, City Engineer Robert Wetmore, GIS Manager Donald L. Phillips, Jr., Chief Building Inspector Steve Seaburn, Planning Consultant Worthington Design Guidelines Table of Contents Introduction Commercial/Institutional Guidelines The Purpose of the Guidelines -
Asher Benjamin's West Church
Asher Benjamin’s West Church: A Model for Change NANCY S. VOYE hysical deterioration and inade- Benjamins’ first major commission in quate space motivated the West Boston. Not only is the West Church P Boston Society to make the follow- central to a study of Asher Benjamin as a ing decision to replace the original church stage in his architectural career in Boston, structure, which had been built in 1737: but also as a model which Benjamin That on a view of the situation and size proposed for adoption by other builders. of the present building they are of the In his first edition of The American opinion, that should the Society cause Builders’ Companion, published in 1806, those repairs to be made, which are absolutely necessary for its preservation, Benjamin included sketches of the front or these alterations and additions, which facade of the Church, its floor plan, roof its size may be capable of admitting of structure, and pulpit design (Figures 1 future accomodation. such Expenditures and 2). In addition, Benjamin furnished would prove burthensome without at- the following description of the West taining those objects for which they would be made. Your Committee are Church: therefore of the Opinion that the present The size of the house is seventy five feet House be taken down, and another square, porch twenty by forty six feet; to erected upon the Land of the Society in a contain one hundred and twelve pews more extensive plan. ’ on the lower floor. The gallery is sup- ported by columns of the Composite The Building Committee commissioned order, as laid down in this book.* Asher Benjamin as their architect and appropriated up to $20,000 for the con- In The American Builders’ Companion struction of the Church. -
National Register of Historic Places Inventory -- Nomination Form
Form No. 10-300 (Rev. 10-74) UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS ___________TYPE ALL ENTRIES - COMPLETE APPLICABLE SECTIONS______ NAME HISTORIC Deer-Field Village AND/OR COMMON Old Deerfield Village [LOCATION STREET&NUMBER West of U.S. 5, on Mill Village Road, "The Street," Broughton's ____ ______Pond Road, and Pogues Hole Road______ NOT FOR PUBLICATION________ CITY, TOWN CONGRESSIONAL DISTRICT Deerfield VICINITY OF First________ STATE CODE COUNTY CODE ^las s achus e± t s m i CLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE X-DISTRICT —PUBLIC JCOCCUPIED X-AGRICULTURE -XMUSEUM _BUILDING(S) —PRIVATE -UNOCCUPIED —COMMERCIAL —PARK —STRUCTURE -X.WORK IN PROGRESS X-EDUCATIONAL JCPRIVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT _IN PROCESS -X.YES: RESTRICTED ^GOVERNMENT —SCIENTIFIC _BEING CONSIDERED -XYES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION _NO —MILITARY —OTHER: |OWNER OF PROPERTY NAME Multiple:__Sfifi. continuation shggt. STREET&NUMBER CITY, TOWN STATE VICINITY OF LOCATION OF LEGAL DESCRIPTION COURTHOUSE. REGISTRY OF DEEDS,ETC Franklin Registry nf STREET & NUMBER CITY, TOWN STATE Greenfield 1 REPRESENTATION IN EXISTING SURVEYS TITLE Historic American DATE -1SS9-6Q X FEDERAL _STATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS Library of Congress 3 Division of Prints and Photographs CITY. TOWN STATE Washington, District of Columbia i DESCRIPTION CONDITION CHECK ONE CHECK ONE —EXCELLENT —DETERIORATED X-UNALTERED X-ORIGINAL SITE -JfeOOD _RUINS _ALTERED X-MOVED DATE_______ _FAIR _UNEXPOSED DESCRIBE THE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE Deerfield Village in Deerfield, Massachusetts, stands on a natural plateau above the water meadows of the Deerfield Valley, a few miles southwest of the conflu ence of the Deerfield and Connecticut Rivers. -
Architecture & Finance
bulletin Architecture & Finance 2019/20 eabh (The European Association for Banking and Financial History e.V.) Image: Bank of Canada and Museum entrance. 29 Sept 2017. Photo: doublespace bulletin Architecture & Finance 2019/20 www.bankinghistory.org ISSN 2219-0643 bulletin | 2019/20 3 ATHENS TO NEW YORK Athens to New York Carmen Hofmann his article provides the long view of financial architecture reaching from T antiquity to the present day, and focussing on the most important neo-classi- cal financial buildings in New York. In his introduction to the first edition of the eabh series on architecture and finance John Booker wrote: ‘Banks are just a build- ing type among so many others – on the one hand, on the other hand however, they are a type which has evolved over centuries to accommodate a particular profession, and that is something very rare.’1 Considering the evolution of financial buildings’ architecture is worthwhile: banks offer a distinctive plat- form for architectural expression. The style of financial buildings such as banks, exchanges, insurance companies has not only been influenced by regional factors, and by the philosophical trends and charac- Picture 1: Parthenon temple of Acropolis, 447, BC, Athens, Greece teristic of the period, but by the type of bank they have housed: whether public, private, or commercial; whether a merchant, national, Neo-Classic Searching for a new architectural idiom or a savings bank, or an insurance company. Neoclassicism emerged in Europe in the 18th to express their newly established demo- In fact, what distinguishes the appearance of century (1760 onwards2). Its geometric regular- cratic and secular values, secular humanists financial buildings is the way they symbolise ity, suggestive of strength and stability, emerged turned to ancient Greek beliefs and Greek the profession and its aims rather than fol- antithesis to Baroque (1700-1740) and Rococo temple architecture.