Gazzetta Tal-Gvern Ta' Malta
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Issue FFoorrttnniigghhttllyy mmaaggaazziinnee ffoorr ttThhee DhDiiaaesspp ooVrraa oice of the Maltese 222 February 25, 2020 Carnival time Malta sticks to five centuries of traditions (See report on page 12) Photo - DOI - Jeremy Wonnacott 2 The Voice of the Maltese Tuesday February 25, 2020 CHILD MIGRANTS OF MALTA (CMOM) The child mi - grant monu - ment at Pinto Wharf in Malta’s Grand Harbour The untold story name but a few. Paul Calleja The archive also holds newspaper articles from the now de - funct, Maltese Herald, Times of Malta, Sunday Independent, l- n Sunday March Orizzont, Free Xpress Sion and more. 1. 2002, I wit - Newsletters of CMOM and Christian Brothers ex residents nessed the un - and Student Services (C- Berss) plus Oral histories C-Berss Oveiling of the child produced featuring ten former Maltese child migrants in addi - migrant monument that tion to CMOM’s photos collection and information of a host of now adorns the Pinto other topics further enhance the archive. Wharf in Malta’s Grand Two sections can be identified in the archive. The first covers Harbour. I was there with the period from1990 to 2002 and the second from 2002 to the late Profs. Plowman 2008. and two other members Material of the first section – 1990 to 2002 – originate from of the Child Migrants of research I conducted for a book I was writing on the history of Malta (CMOM) courtesy Maltese settlement in Western Australia. The book was entitled of the government of the Maltese of the Western Third. Malta. The unveiling The Western Third of the title refers to Western Australia. -
Two-Sail Bateau "Skipjack" Haerno.MD-177
rr A f-'P x;^ vm~i r: T .11. -; /•.-.,,..;-. • "V HISTORIC AMERICAN ENGINEERING RECORD KATHRYN - Two-sail Bateau "Skipjack" HAERNo.MD-177 Location: Dogwood Harbor, Chesapeake Bay Date of Construction: 1901 Designer: Unknown Builders: Possibly James and Larry Daugherty Present Owner: H. Russell Dize Rude Avenue P.O. Box 165 Tilghman, Maryland 21671-0165 Rig/Type of Craft: Sloop (skipjack) Trade: Oystering m Official Number: 161189 Principal Dimensions: Length: 50.0' Gross Tonnage: 12 Beam: 16.8' Net Tonnage: 12 Depth: 4.2' Note: register dimensions Present Use: Oystering Significance: National Historic Landmark. This vessel is one of the oldest skipjacks in the Maryland oyster dredging fleet and is of unusual construction, having a V-bottom construction, but with a rounded chine. Changes in the original materials and equipment of the vessel are representative of changes in the Maryland oyster dredging fleet. Researchers: Pete Lesher and Norman Plummer, Chesapeake Bay Maritime Museum, 1995 KATHRYN - Two-sail Bateau "Skipjack" HAERNo.MD-117 (Page 2) Significance: KATHRYN is a National Historic Landmark, She is one of the oldest boats active in the Maryland oyster dredging fleet. In addition, she is also of unusual construction in that she is planked fore-and-aft with a rounded chine, rather than cross planked with a hard chine. The history of repair and rebuilding of this vessel is typical of skipjacks, and the modernized equipment is typical of that found on the better- maintained working skipjacks. KATHRYN is in particularly good repair with respect to the rest of Maryland's oyster dredging fleet. Principal Dimensions:' Length: 50.0' Gross Tonnage: 12 Beam: 16.8' Net Tonnage: 12 Depth: 4.2' Designer:2 Unknown Where Built/Builder: KATHRYN was built at Crisfield, Maryland, according to the application of her original owner for an official number. -
Calvert County Comprehensive Plan May 2018 Draft
CALVERT COUNTY COMPREHENSIVE PLAN MAY 2018 DRAFT CA VERT 2040 Your county. Your future. Acknowledgements Board of County Commissioners Evan K. Slaughenhoupt, President; Tom HejI, Vice President; Pat Nutter; Mike Hart; and Steven R. Weems County Administrator Terry Shannon, County Administrator Planning Commission Carolyn McHugh, Chair; Greg Kernan, Vice Chair; Rob Reed; Richard Holler; Steve Jones; Maria Buehler; and John Toohey Department of Planning & Zoning Core Team J. Mark Willis, Director; Britany Waddell, AICP, Deputy Director/Planning; Mary Beth Cook, Deputy Director/Zoning Officer; Carolyn Sunderland, AICP, Planning Commission Administrator; Jenny Plummer-Welker, AICP, Long Range Planner; Patricia Haddon, AICP, Principal Planner; Will Selman, CNU-A, Community Designer; Rachel O'Shea, Rural Planner III; Kirsti Uunila, RPA, Historic Preservation Planner Ill; Tay Harris, Planner II; Ronald Marney, AICP, CFM, Planner II; George W. "Will" Hager, Planner I; Judy Holt, Planner I; and Rebekah Swieringa, Planning Intern Other Staff Ray Alvey; Michael Bayer; Tamara Blake Wallace; Chris Breedlove; Dr. Dave Brownlee, AICP; Denise Cherry; Christine Finamore; Ashleigh Goedeke; Lindsay Halterman; Felicia Harrod; Jennifer Jackson; Judy Mackall; Becky Parkinson; John Schwartz, CFM; Rick Stotler; Olivia Vidotto; and Roxana Whitt Calvert Library Carrie Plymire, Director, and Robyn Truslow Calvert Marine Museum Sherrod Sturrock, Director, and Jeff Murray Department of Communications and Media Relations Linda Vassallo, Director, Ruthie Buckler, Angela -
Chesapeake Skipjack Kathryn Street & Number
NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMBNo. 1024-0018 KATHRYN (Chesapeake Skipjack) Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: KATHRYN Other Name/Site Number: Chesapeake Skipjack Kathryn 2. LOCATION Street & Number: Dogwood Harbor Not for publication: N/A City/Town: Tilghman Island Vicinity: N/A State: MD County: Talbot Code: 041 Zip Code:21671 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s):_ Public-Local:__ District:__ Public-State:_ Site: Public-Federal: Structure: X Object:_ Number of Resources within Property Contributing Noncontributing ___ buildings ___ sites ___ structures ___ objects 1 0 Total Number of Contributing Resources Previously Listed in the National Register: 1 Name of Related Multiple Property Listing: N/A NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 KATHRYN (Chesapeake Skipjack) Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this __ nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property __ meets __ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property __ meets __ does not meet the National Register criteria. -
T-532 Skipjack KATHRYN
T-532 Skipjack KATHRYN Architectural Survey File This is the architectural survey file for this MIHP record. The survey file is organized reverse- chronological (that is, with the latest material on top). It contains all MIHP inventory forms, National Register nomination forms, determinations of eligibility (DOE) forms, and accompanying documentation such as photographs and maps. Users should be aware that additional undigitized material about this property may be found in on-site architectural reports, copies of HABS/HAER or other documentation, drawings, and the “vertical files” at the MHT Library in Crownsville. The vertical files may include newspaper clippings, field notes, draft versions of forms and architectural reports, photographs, maps, and drawings. Researchers who need a thorough understanding of this property should plan to visit the MHT Library as part of their research project; look at the MHT web site (mht.maryland.gov) for details about how to make an appointment. All material is property of the Maryland Historical Trust. Last Updated: 04-05-2004 ___ ,__I l.,; NA TIO. ,.L HISTORIC LANDMARK NOM... .knoN NPS Fonn 10.900 USDl/NPS NRHP Rcciltnlioa Fonn (Rev. 1-86) OMB No. 10U.0018 KATHRYN (Chesapeake Skipjack) Page 1 • ' Unite4 Stalcl Dq>artment of the Interior, Natiooal Put &nice Natiooal Register of Historic Place& Rqillntioa Fonn ~--------------------------------------------------------------------- 1. NAME OF PROPERTY T-53~ Historic Name: KATHRYN Other Name/Site Number: Chesapeake Skipjack Kathryn 2. LOCATION Street & Number: Dogwood Harbor Not for publication: N/A City/Town: Tilghman Island Vicinity: N/A State: MD County: Talbot Code: 041 Zip Code:21671 3. CLASSIFICATION , Owners!J.ip of Property Category of Property Priv(!te:.X. -
Eurovisie Top1000
Eurovisie 2017 Statistieken 0 x Afrikaans (0%) 4 x Easylistening (0.4%) 0 x Soul (0%) 0 x Aziatisch (0%) 0 x Electronisch (0%) 3 x Rock (0.3%) 0 x Avantgarde (0%) 2 x Folk (0.2%) 0 x Tunes (0%) 0 x Blues (0%) 0 x Hiphop (0%) 0 x Ballroom (0%) 0 x Caribisch (0%) 0 x Jazz (0%) 0 x Religieus (0%) 0 x Comedie (0%) 5 x Latin (0.5%) 0 x Gelegenheid (0%) 1 x Country (0.1%) 985 x Pop (98.5%) 0 x Klassiek (0%) © Edward Pieper - Eurovisie Top 1000 van 2017 - http://www.top10000.nl 1 Waterloo 1974 Pop ABBA Engels Sweden 2 Euphoria 2012 Pop Loreen Engels Sweden 3 Poupee De Cire, Poupee De Son 1965 Pop France Gall Frans Luxembourg 4 Calm After The Storm 2014 Country The Common Linnets Engels The Netherlands 5 J'aime La Vie 1986 Pop Sandra Kim Frans Belgium 6 Birds 2013 Rock Anouk Engels The Netherlands 7 Hold Me Now 1987 Pop Johnny Logan Engels Ireland 8 Making Your Mind Up 1981 Pop Bucks Fizz Engels United Kingdom 9 Fairytale (Norway) 2009 Pop Alexander Rybak Engels Norway 10 Ein Bisschen Frieden 1982 Pop Nicole Duits Germany 11 Save Your Kisses For Me 1976 Pop Brotherhood Of Man Engels United Kingdom 12 Vrede 1993 Pop Ruth Jacott Nederlands The Netherlands 13 Puppet On A String 1967 Pop Sandie Shaw Engels United Kingdom 14 Apres toi 1972 Pop Vicky Leandros Frans Luxembourg 15 Power To All Our Friends 1973 Pop Cliff Richard Engels United Kingdom 16 Als het om de liefde gaat 1972 Pop Sandra & Andres Nederlands The Netherlands 17 Eres Tu 1973 Latin Mocedades Spaans Spain 18 Love Shine A Light 1997 Pop Katrina & The Waves Engels United Kingdom 19 Only -
Linguistic and Cultural Changes Throughout the History of the Eurovision Song Contest
Linguistic and cultural changes throughout the history of the Eurovision Song Contest Trabajo de Fin de Grado Lenguas Modernas y Traducción Facultad de Filosofía y Letras Written by: Sergio Lucas Rojo Tutored by: Irina Ursachi July 2020 Abstract This paper aims to clarify some of the linguistic problems that have arisen in recent years at the Eurovision Song Contest, one of the most important music events in the world. Through an exhaustive bibliographic review and the individual analysis of a large number of entries, it is concluded that linguistic diversity, an identifying feature of the show in the past, has been reduced by establishing a rule that does not oblige artists to sing in the language of the country they represent. English has taken over the reins of this annual competition, although there is still room for the traditional and the ethnic. The research that has been carried out is intended to serve as a reference for all Eurovision followers who wish to expand their knowledge. It also attempts to clarify concepts such as “linguistic diversity”, “identity” and “culture”, which can be extrapolated to other fields of knowledge. It must be noted that not only have linguistic issues been dealt with, but there are references to all the factors involved in the contest. However, it is those phenomena related to languages that form the backbone of the work. Key words: Eurovision Song Contest, languages, culture, identity, Europe, music. Resumen Este trabajo responde a la necesidad de aclarar algunos problemas lingüísticos que han surgido en los últimos años en el Festival de Eurovisión, uno de los eventos musicales más importantes del mundo. -
Neavitt Survey Distr
Capsule Summary Neavitt Survey District T-1181 Neavitt, Talbot County, MD c.1858-1952 The Neavitt Survey District, located in western Talbot County, Maryland, contains an extensive collection of houses, one church and cemetery, and very few commercial buildings within the village zoning boundary. These resources date primarily from c.1858 to 1952 and reflect the rapid growth of this water-oriented town that prospered from the seafood industry and supporting businesses on the Eastern Shore of Maryland. The district encompasses much of the village’s residential area with a few commercial and public service buildings. The district is principally characterized by frame buildings set on varying-sized lots with a range of foundation types. The district is particularly distinctive for its collection of vernacular houses located near its surrounding creeks and coves. The few buildings that have been elevated due to water intrusion have been extensively altered in recent years, probably after major damage caused from Hurricane Isabel in 2003, which many residents state was the storm that affected the community the most in Neavitt’s lengthy history. The town’s historic resources are located on Balls Creek Road, Bozman-Neavitt Road, Carrollton Road, Duck Cove Lane, Main Street, Middle Point Road, Neavitt Manor Road, Nelson Point Road, and Thamert Street. These streets form the rough boundaries that define the limits of the survey district. The buildings along these streets are more modest vernacular house forms, some with influences by the Queen Anne style. These vernacular house forms include cross-gabled center hall, side hall/parlor plans with varying degrees of architectural decoration. -
Allemagne 13
25e Eurovisie Songfestival 1980 Finale - Le samedi 19 avril 1980 à La Haye - Présenté par : Marlous Fluitsma Du bist musik (Tu es musique) 1 - Autriche par Blue Danube 64 points / 8e Auteur/Compositeur : Klaus-Peter Sattler Petr'oil 2 - Turquie par Ajda Pekkan 23 points / 15e Auteur : Şanar Yurdatapan / Compositeur : Atilla Özdemiroglu Ωτοστοπ - Autostop - (Auto-stop) 3 - Grèce par Anna Vissy & Epikouri 30 points / 13e Auteur : Rony Sofou / Compositeur : Jick Nakassian Le papa pingouin 4 - Luxembourg par Sophie & Magali 56 points / 9e Auteurs : Pierre Delanoë, Jean-Paul Cara / Compositeurs : Ralph Siegel, Bernd Meinunger (Bitakat hob - (Message d'amour - ﺐﺣ ﺔﻗﺎﻂﺑ 5 - Maroc par Samira Bensaïd 7 points / 18e Auteur : Malou Rouane / Compositeur : Abdel Ati Amenna Non so che darei (Que ne donnerais-je pas) 6 - Italie par Alan Sorrenti 87 points / 6e Auteur/Compositeur : Alan Sorrenti Tænker altid på dig (Je penserais toujours à toi) 7 - Danemark par Bamses Venner 25 points / 14e Auteur : Flemming Bamse Jørgensen / Compositeur : Bjarne Gren Jensen Just nu (C'est maintenant) 8 - Suède par Tomas Ledin 47 points / 10e Auteur/Compositeur : Tomas Ledin Cinéma 9 - Suisse par Paola 104 points / 4e Auteurs : Peter Reber, Véronique Müller / Compositeur : Peter Reber Huilumies (Le flûtiste) 10 - Finlande par Vesa Matti Loiri 6 points / 19e Auteur : Vexi Salmi / Compositeur : Aarno Raninen Samiid ædnan (Terre lappone) 11 - Norvège par Sverre Kjelsberg & Mattis Hætta 15 points / 16e Auteur : Ragnar Olsen / Compositeur : Sverre Kjelsberg Theater (Théatre) -
INFORMATION to USERS the Most Advanced Technology Has Been
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others maj' be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. These are also available as one exposure on a standard 35mm slide or as a 1?" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. -
The Town of Denton 2010 Draft Comprehensive Plan
THE TOWN OF DENTON 2010 DRAFT COMPREHENSIVE PLAN Denton, Maryland July 12, 2010 with amendment Prepared by Denton Planning Staff in Coordination with Denton Planning Commission ACKNOWLEDGEMENTS Special thanks to the following members of various committees and government departments for their time and assistance with the preparation of this Plan. This final version of the 2010 Town of Denton Comprehensive Plan is a rework of the 2007 Draft Comprehensive Plan that was not adopted by Town Council. Town Council Conway Gregory, Mayor Robert L. Clendaniel Dennis D. Porter Dean W. Danielson Agnes G. Case Planning Commission Doris Walls (Chairperson) Sue Cruickshank (Vice-Chairperson) William Quick Ummu Bradley Thomas Marina Dowdall Brian Tyler (Alternate) Consultants Peter Johnston & Associates, LLC Kercher Engineering, Inc. 2010 Comprehensive Plan Town of Denton, Maryland TABLE OF CONTENTS Chapter 1 – INTRODUCTION 1-1 A Vision for Denton 1-1 The Framework for Planning 1-2 Legal Basis for Comprehensive Planning 1-4 Components of a Growth Management Program 1-7 Chapter 2 – COMMUNITY CHARACTERIZATION 2-1 Historical Perspective 2-1 Socio-Economic Background 2-4 Population Trends 2-4 Age and Education 2-5 Employment and Income 2-6 Housing Characteristics 2-9 Topography and Drainage 2-11 Groundwater 2-11 Natural Features Significance for Community Development 2-11 Chapter 3 – LAND USE PLAN 3-1 Background 3-1 Goals 3-3 Objectives 3-4 Existing Land Use 3-5 Description of Land Use Categories 3-6 Vacant Land 3-10 Current Zoning and Proposed Zoning Changes -
Indigenous Commercial Fishing in an Eastern Aleut Community
CHAPTER 1. NAUTICAL NATION: INDIGENOUS COMMERCIAL FISHING IN AN EASTERN ALEUT COMMUNITY 1.1 Introduction to the Aleut World A casual visitor to King Cove, Alaska, might at first consider it to be more of a commercial centre than a rural Aleut village. Massive boats, advanced electronics, cannery feuds and gear wars dominate the outward social and political dynamics. At closer examination, the reverse also presents itself with equal strength. On a calm evening, with fishing boats cruising in and out of the harbour and fishermen sharing their tenth cup of coffee playing cribbage in the Harbor House,1 the village seems to fit a quaint, romantic ideal. Fishing is the lifeblood of the village, the society, and perhaps it can be said, of a culture. This study traces the fisheries as they relate to the expression of individual and community relations and identity in the small Aleut (Unangan)2 fishing village of King Cove. The Eastern Aleut make a living in a single way: commercial fishing or in support of commercial fishing. Subsistence is a defining feature for many Alaskan Natives, however, for the Aleut, commercial fishing is not simply taken up in order to meet the minimum financial requirements for continued subsistence activities, and neither is it simply a ‘job.’ Contemporary Eastern Aleut identity is a product of their intimate relationship with the commercial fishing industry, particularly the salmon industry that so many rely upon. This century long (and arguably longer) engagement with commercialisation is a modern extension of their traditional fishing economies, a complex transformation of the ecological, political and economic, yet also relatively unremarkable in their own words, that this is simply what they do.