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New and Lesser Known Works for Saxophone Quartet: a Recording
New and Lesser Known Works for Saxophone Quartet: A Recording, Performance Guide, and Composer Interviews by Woodrow Chenoweth A Research Paper Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved April 2019 by the Graduate Supervisory Committee: Christopher Creviston, Chair Joshua Gardner Michael Kocour Ted Solis ARIZONA STATE UNIVERSITY May 2019 ABSTRACT This project includes composer biographies, program notes, performance guides, composer questionnaires, and recordings of five new and lesser known works for saxophone quartet. Three of the compositions are new pieces commissioned by Woody Chenoweth for the Midwest-based saxophone quartet, The Shredtet. The other two pieces include a newer work for saxophone quartet never recorded in its final version, as well as an unpublished arrangement of a progressive rock masterpiece. The members of The Shredtet include saxophonists Woody Chenoweth, Jonathan Brink, Samuel Lana, and Austin Atkinson. The principal component of this project is a recording of each work, featuring the author and The Shredtet. The first piece, Sax Quartet No. 2 (2018), was commissioned for The Shredtet and written by Frank Nawrot (b. 1989). The second piece, also commissioned for The Shredtet, was written by Dan Puccio (b. 1980) and titled, Scherzos for Saxophone Quartet (2018). The third original work for The Shredtet, Rhythm and Tone Study No. 3 (2018), was composed by Josh Bennett (b. 1982). The fourth piece, Fragments of a Narrative , was written by Ben Stevenson (b. 1979) in 2014 and revised in 2016, and was selected as runner-up in the Donald Sinta Quartet’s 2016 National Composition Competition. -
Jazzflits.Nl
1 12de JAARGANG, NR. 227 24 NOVEMBER 2014 IN DIT NUMMER: 1 NIEUWS 4 JAZZ OP PAPIER 5 JAZZ OP DE PLAAT Kim Versteynen, Pieter Bast, Rick Kostelijk, Ivo Perelman, Branford Marsalis, Wadada Leo Smith e.a. 15 JAZZ OP DE PLANKEN Medeski, Scofield, Martin & Wood, November Music, JIR 2014 e.a. EN VERDER ONDER MEER: 21 New York Calling (Roos Plaatsman) 22 JF in Belgrado (Schot, Huguenin) 26 JF in Boston (Bart Hollebrandse) JAZZ FLITS 228 staat 8 DECEMBER op http://www.jazzflits.nl JAZZFLITSEN ONAFHANKELIJK JAZZMAGAZINE SINDS 2003 EDISON NATIONAAL VOOR SEBASTIAAN VAN BAVEL Pianist Sebastiaan van Bavel krijgt Monk Competition-winnaar Marquis Hill. (Persfoto) voor zijn album ‘As The Journey Begins’ de Edison Jazz Nationaal MARQUIS HILL WINT THELONIOUS MONK 2014. De onderscheiding wordt op 27 november in Eindhoven uitge- INTERNATIONAL JAZZ TRUMPET COMPETITION reikt. De Amerikaanse trompettist Marquis Hill is 9 november in Brad Mehldau & Mark Guiliana ontvan- Los Angeles uitgeroepen tot de winnaar van de Thelonious Monk International Jazz Trumpet Competition gen de Edison Jazz Internationaal voor 2014. De Thelonious Monk Jazz Competition is een zeer hun cd ‘Mehliana: Taming The Dragon’. prestigieuze wedstrijd. De winnaar doet in de regel nog Miles Davis’ album ‘The Original Mono van zich spreken. Recordings’ is volgens de Edison-jury de beste historische uitgave. De categorie Marquis Hill (27) komt uit Chicago. Hij geeft daar les op de Jazz Vocaal heeft nog geen winnaar. Die University of Illinois en speelt in het Chicago Jazz Orchestra. wordt later bekendgemaakt. Hill maakte enige albums voor onafhankelijke labels. Als winnaar In de Edison-jury zaten dit jaar Cor Bak- van de Monk Competition mag hij nu een cd voor Concord ker, Michelle Kuypers, Mijke van Wijk, Records maken. -
MODERN CHINESE POETRY from TAIWAN AFTER 1949 Silvia
From transparency to artificiality : modern chinese poetry from Taiwan after 1949 Marijnissen, S. Citation Marijnissen, S. (2008, November 5). From transparency to artificiality : modern chinese poetry from Taiwan after 1949. Retrieved from https://hdl.handle.net/1887/13228 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of doctoral thesis in the License: Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/13228 Note: To cite this publication please use the final published version (if applicable). FROM TRANSPARENCY TO ARTIFICIALITY: MODERN CHINESE POETRY FROM TAIWAN AFTER 1949 Silvia Marijnissen Copyright © 2008 Silvia Marijnissen and Universiteit Leiden FROM TRANSPARENCY TO ARTIFICIALITY: MODERN CHINESE POETRY FROM TAIWAN AFTER 1949 Proefschrift ter verkrijging van de graad van Doctor aan de Universiteit Leiden, op gezag van Rector Magnificus prof. mr. P.F. van der Heijden, volgens het besluit van het College voor Promoties, te verdedigen op woensdag 5 november 2008, klokke 15.15 door Silvia Marijnissen geboren te Made en Drimmelen in 1970 Promotiecommissie Promotor: Prof. dr. M. van Crevel Co-promotor: Dr. L.L. Haft Referent: Prof. dr. M. Yeh (University of California, Davis) Overige leden: Prof. dr. E.J. van Alphen Prof. dr. I. Smits TABLE OF CONTENTS Acknowledgements 6 Introduction 7 1. Oppositions: Poetical Debates from the 1950s to the 1980s 19 – China and Japan: Taiwan before 1949 19 – Nostalgia: Poetry or Politics? 27 – Dream or Dawn: Lyricism or Intellectualism? 37 – The Beautiful in the Ugly: Foreign Influences 47 – Make War Not Love: Readers’ Expectations 57 – Art and Life: Popularization 71 – Vineyard and On Time Poetry: Taiwan’s Melting Pot 80 2. -
Émergence Des Auto-Oscillations Dans Un Instrument De Musique À Anche Simple
Introduction Simulation Temporelle Seuils d’oscillation Conclusion et perspectives Émergence des auto-oscillations dans un instrument de musique à anche simple Fabrice Silva sous la direction de J. Kergomard, Ch. Vergez et Ph. Guillemain Laboratoire de Mécanique et d’Acoustique & Université de Provence Projet ANR Consonnes 7 décembre 2009 Émergence des auto-oscillations dans un instrument de musique à anche simple – Fabrice Silva – LMA & UP 1 / 35 Introduction Simulation Temporelle Seuils d’oscillation Conclusion et perspectives Plan 1 Contexte et motivations Des instruments à anche simple. aux manifestations de l’anche. 2 Simulation temporelle des auto-oscillations Décomposition modale d’un résonateur acoustique augmenté MOREESC 3 Seuils d’oscillation des instruments à anche simple Étude théorique Expérimentations 4 Conclusion et perspectives Émergence des auto-oscillations dans un instrument de musique à anche simple – Fabrice Silva – LMA & UP 2 / 35 Introduction Simulation Temporelle Seuils d’oscillation Conclusion et perspectives Plan 1 Contexte et motivations Des instruments à anche simple. aux manifestations de l’anche. 2 Simulation temporelle des auto-oscillations Décomposition modale d’un résonateur acoustique augmenté MOREESC 3 Seuils d’oscillation des instruments à anche simple Étude théorique Expérimentations 4 Conclusion et perspectives Émergence des auto-oscillations dans un instrument de musique à anche simple – Fabrice Silva – LMA & UP 3 / 35 Introduction Simulation Temporelle Seuils d’oscillation Conclusion et perspectives -
SEYDEL HARMONICAS – Handmade in Klingenthal-Germany Since 1847
SEYDEL HARMONICAS – handmade in Klingenthal-Germany since 1847 27 SEYDEL HARMONICAS – handmade in Klingenthal-Germany since 1847 3 4 11 14 17 18 22 24 2 SEYDEL HARMONICAS – handmade in Klingenthal-Germany since 1847 SEYDEL-SALES-PARTNER Dealer Handbook and Sales Guide “Which type of harmonica do I need?“ When a customer is looking for a harmonica, you should determine the type of music he or she wishes to play so that you can direct that customer to the correct type of harmonica. Many interested customers do not know about the wide variety of harmonica models which often leads to buying one that looks nice but then is dropped into the drawer after a short while because it does not sound as expected or is ineffective for playing a certain type of music. Harmonicas come in many different shapes and sizes that differ not only from their sound but also from their “fields of application”. This handbook is designed to inform sales staff about the different types of harmonicas available so the customer will walk away with the right harmonica. A happy customer is more likely to be a return customer! In the first chapter all harmonica types and models are introduced in detail. The second chapter includes a collection of selling arguments for daily use during a sales talk. The third chapter gives suggestions for the types of harmonicas you should keep in stock in your store. Please take your time to carefully read through this upper coverplate handbook – the information presented here provides a upper reedplate (blow) good basis for successful selling conversations. -
The Harmonica and Irish Traditional Music by Don Meade
The Harmonica and Irish Traditional Music by Don Meade Revised March, 2016 Donald J. Meade All rights reserved TABLE OF CONTENTS INTRODUCTION 3 WHAT KIND OF HARMONICA? 4 TECHNICAL TIPS 13 MAJOR, MINOR, MODAL 16 ORNAMENTATION 19 CUSTOMIZING AND MAINTAINING CHROMATIC HARMONICAS 22 Appendix A: IRISH HARMONICA DISCOGRAPHY 27 Appendix B: MODE AND POSITION CHART 33 Appendix C: HARMONICA HISTORY 34 2 INTRODUCTION ingenious musicians from China to the The name “harmonica” has been applied to American south have found novel ways to a variety of musical instruments, the earliest play very different styles of music on it. of which was probably an array of musical Musicians in Ireland, influenced by the way glasses created by Ben Franklin in 1761. in which song airs and dance tunes are The 19th-century German-speakers who played on instruments with a longer history invented the mouth-blown free-reed in the country, have developed their own instrument now known as the harmonica distinctive techniques and styles. originally called it a Mundharmonika (“mouth harmonica”) to distinguish it from Instrumental technique is not really the key the Handharmonika, i.e., the accordion. to playing Irish traditional music. Anyone English speakers have since called it many who has ever heard a classical violinist things, including the mouth organ, mouth stiffly bow through a fiddle tune will harp, French harp, French fiddle, harpoon, understand that technical competence gob iron, tin sandwich and Mississippi cannot substitute for an understanding of saxophone. “Mouth organ” is the name traditional style. That understanding can most commonly heard in Ireland, where only be acquired by listening to and “harmonica” is sometimes used to refer emulating good traditional players. -
Hohner-Harmonicas-Catalog.Pdf
HARMONICA “I NEVER FEEL AS TRULY ALIVE AS WHEN I PLAY MUSIC.” For generations, HOHNER has been dedicated to music for one simple reason: Music is a way of life. In fact, you could say it’s the best way of life. People who aren’t into music simply don’t know what they’re missing. Of course we would say that, wouldn’t we? But like countless musicians all over the world, from beginner to professional, we feel so strongly about music that we want to help open the door to this experience to everyone. With instruments designed to convey the joy and the passion that inspire everybody to improve their skills and develop further. We wouldn’t be where we are now, as world market leader for harmonicas and accordions, if it wasn’t for our passion and our shared commitment to our craft and the traditions that it has inspired. This is a defining element of the HOHNER sound, a key to unlock the world of music. Our mission is to pass this passion on to you, with perfectly crafted instruments that enable you to truly Enjoy music. Get the full experience at HOHNER.DE WHICH HARMONICA TO CHOOSE? FIND YOUR HARMONICA It’s important to choose the right harmonica for what you want to play. SIGNATURE SERIES If it doesn’t feel right, it’s no fun. And if it’s no fun, what’s the point? At HOHNER.DE, we therefore provide you with a detailed product finder, BOB DYLAN 8 helping you to choose the right instrument for you! TOOTS THIELEMANS 8 OZZY OSBOURNE 9 But if you can’t get online right away, here’s a brief overview showing the most important characteristics of each type of harmonica. -
BW Programme Saxcess.Indd
PROGRAMME Pieces for today’s programme will be selected from: Bolero Ravel arr N. Wood. From Anna Magdelena’s Notebook Elena Kats Chenin Sonata Boismortier arr D. Rawson Canzona Frescobaldi arr R.O’Brian TAURANGA MUSICA Arrival of the Queen of Sheba G.F. Handel arr J. Brown Go down Moses Trad arr D. Rawson 2019 CONCERT SERIES Nitwits Richard Percival (NZ) Uretiti [world Premier] Peter Liley (NZ) When I’m 64 Lennon/Mcartney arr Ricker Saxcess Pequeña Czarda Sunday 10 March Pedro Iturralde 7.00PM Interval X SPACE, BAYCOURT, TAURANGA Viglid for Xaphoon and saxophone trio Ross Harris (NZ) Zakh -‘Thing’ Ross Harris (NZ) Chanson D’Autre fois Pierne arr Mule Balcony Song and Cha Cha from West Side Story Bernstein arr J. Boatman Tango Un Verano de Passion Gareth Farr (NZ) Hine Hine Trad arr A.Withington (NZ) Klezmer Wedding Mike Curtis With thanks to our sponsors: Proudly presented by Support Tauranga Musica by subscribing to our exciting Concert Series 07 579 5543 or www.tgamusica.co.nz Michael Jamieson is one of New Zealand’s foremost Saxcess saxophonists. After completing his studies at Victoria and Massey Universities with Debbie Rawson, he In 1992 Saxcess made its debut in the Sydney Opera received a Massey University Cultural Award, a grant House at a concert staged by the Royal Australian Air from Creative NZ, and the prestigious Patricia Pratt Force to commemorate the battle of the Coral Sea. In Music Scholarship, enabling him to undertake Masters 1994 the group travelled to Belgium for a three week study with Johan van der Linden at the Messiaen tour in conjunction with the 100th anniversary of the Academie in the Netherlands and in France with several death of the founder of the saxophone, Adolphe Sax. -
Alternative Instrumentation
ALTERNATIVE INSTRUMENTATION: A STUDY OF SELECTED INSTRUMENTS A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF ARTS BY PAUL GERACI DISSERTATION CHAIR: DR. DON ESTER BALL STATE UNIVERSITY MUNCIE, INDIANA JULY 2003 ABSTRACT This study includes information on nonstandard instruments. The purpose of this document is to benefit composers who may wish to write for instruments not found in the standard orchestra. Since composers are constantly seeking new sounds, they often turn to exotic or less frequently used instruments. These nonstandard instruments can provide fresh timbres in addition to those of standard Western instrumentation, or aid the composer in alluding to the characteristic sounds of a particular culture. A study such as this is needed because most nonstandard instruments do not appear regularly in orchestration texts. The instruments included in this study are: accordion, carillon, didgeridoo, erhu, glass harmonica, hammered dulcimer, cimbalom, hardanger fiddle, harmonica, highland bagpipes, Irish flute, tin whistle, koto, shakuhachi, sitar, theremin, and uillean pipes. Entries contain information about each instrument's timbre, dynamics, physical description, history and origins, and limitations. Photographs and musical examples from well-known composers are included with each entry. A significant portion of information was collected from personal interviews with expert performers and composers. CONTENTS FIGURES…………………………………………………………………………... iii TABLES…………………….……………………………………………………... viii CHAPTER 1: INTRODUCTION…………………………….……………….…… 1 CHAPTER 2: METHODOLOGY…………………………………….…………… 8 CHAPTER 3: ACCORDION……………………………………………………... 15 CHAPTER 4: CARILLON……………………………………………………….. 27 CHAPTER 5: DIDGERIDOO………………….…………………..…………….. 45 CHAPTER 6: ERHU……………………………………………………………… 56 CHAPTER 7: GLASS HARMONICA…………………………………………… 66 CHAPTER 8: HAMMERED DULCIMER AND CIMBALOM………………….. 75 CHAPTER 9: HARDANGER FIDDLE…………………………………………... 90 CHAPTER 10: HARMONICA……………………………………………………. -
Harmonicas “Bringing Music Across the World Is Our Mission.” Matthias Hohner 1890
Harmonicas “Bringing music across the world is our mission.” Matthias Hohner 1890 Connecting people across the world through music In 1857, Matthias Hohner, the son of a poor family of weavers founds his own company. Consumed by the vision of manufacturing the world‘s finest instruments, he soon builds the biggest harmonica factory in the world. His name becomes legendary during his lifetime. His products become synonymous with quality. 150 years later, the eye of the founder can look back upon instruments that have attained cult status, upon a success story that has influenced the development of music on every continent. Upon a company, that in spite of changing environments and globalization is ready to conquer the world of music anew. And upon a strong brand that focuses on the core values of its founder in every product area, producing quality instruments for hobby musicians and professionals all over the world. 1 steventyler.com What happens when the worldwide leader in high quality harmonica manufacture gets together with one of the most legendary and influential figures of popular music worldwide? They make history! The HOHNER company and Bob Dylan are proud to present their exclusive Bob Dylan Handsigned and Signature harmonica models. ”Throughout his career, Bob Dylan has had a special relationship with the HOHNER company and has always used HOHNER harmonicas in his music.“ A great opportunity for music lovers and Bob Dylan fans! Photo: © Melissa Mahoney bobdylan.com Steven Tyler, frontman and singer of the world-famous rock band Aerosmith, worked closely with us to design a harp which incorporated his ideas and corresponded to his requirements. -
Description QTY MSRP MSRP Ext ASIN UPC EAN
Description QTY MSRP MSRP Ext ASIN UPC EAN BARCODE "Gemmy" Airblown Ghost With Witch Hat 1 14.16 14.16 86786639757 #1 Rated 2-in-1 Adult Performance Swim Goggles on - FREE Goggle Case - 100% U.V. Protection, Anti-shatter, Anti-fog, Mirror Coated Lenses! Easily Adjustable, Environment Friendly Strap with Plastic Buckle for Easy Removal! Highly Durable Nose Peice 2 12.17 24.34 705688932000 #1 Ring Toss Game- Best Seller - Awesome Reviews Because of the Quality,Convenience and Fun and the ONLY Ring Toss Game on With its Own Carry Bag... and Get Your Money Back if You Don't Absolutely Love It !!! 1 15.81 15.81 702565054336 #35 Aprilaire Humidifier Replacement Water Panel Aftermarket 1 21.82 21.82 844359072895 #35 Bolt On to Hook On Plate Adapter Plates Conversion Kit - Set of 2 1 16.44 16.44 B011QKEQXE 636173996583 636173996583 LPNRR323778038 (100 pack) Ceramic Industrial Magnets -11/16 Inch (.709) Round Disc - Ferrite Magnets Bulk for Crafts, Science & hobbies - Grade 5 - 100 pcs / box! 1 7.24 7.24 B071J3FNDF 45933199414 LPNRR357580198 (1-Pack)- 5/6†Dimmable LED Disk Light Flush Mount Ceiling Fixture, 15W (120W Replacement), 4000K (Cool White), ENERGY STAR, Installs into Junc 1 10.83 10.83 B06Y65CLN4 853762007974 LPNRR331142233 (2 Pack) Solar Power Square White Outdoor Garden Deck 4x4 PVC Fence Post Light 1 22.99 22.99 (4 Pack) 4-inch LED Downlight Trim, Dimmable, 10.5W (75W Replacement), 700 Lm, EASY INSTALLATION, 4000K (Cool White), Retrofit LED Recessed Lightin 1 25.12 25.12 B01MCUXF7X LPNRR357408128 (5 Pack) Satco S3899 120-Volt 60-Watt -
Harmonica for Dummies‰
Harmonica FOR DUMmIES‰ by Winslow Yerxa Harmonica FOR DUMmIES‰ by Winslow Yerxa Harmonica For Dummies® Published by Wiley Publishing, Inc. 111 River St. Hoboken, NJ 07030-5774 www.wiley.com Copyright © 2008 by Wiley Publishing, Inc., Indianapolis, Indiana Published by Wiley Publishing, Inc., Indianapolis, Indiana Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, 978-750-8400, fax 978-646-8600. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, 317-572-3447, fax 317-572-4355, or online at http:// www.wiley.com/go/permissions. Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc. and/or its affiliates in the United States and other countries, and may not be used without written permission. All other trademarks are the property of their respective owners. Wiley Publishing, Inc., is not associated with any product or vendor mentioned in this book. LIMIT OF LIABILITY/DISCLAIMER OF WARRANTY: THE PUBLISHER AND THE AUTHOR MAKE NO REPRESENTATIONS OR WARRANTIES WITH RESPECT TO THE ACCURACY OR COMPLETENESS OF THE CONTENTS OF THIS WORK AND SPECIFICALLY DISCLAIM ALL WARRANTIES, INCLUDING WITH- OUT LIMITATION WARRANTIES OF FITNESS FOR A PARTICULAR PURPOSE.