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Recital Information Packet 2016 Version 1
123 2016 Please hold on to this packet for Everything you need to know about Allegro’s reference during 2016 Recitals including… this busy time of year! Please read Tickets Videos Rehearsal Details this cover to cover – even if Picture Times T-Shirts Show Orders you are a returning family. Costume Details Flowers Important Dates We add new information every Recital Program Ads year. Thank you! Recital Information Packet Information Recital All changes or updates will be highlighted on this site. to the amount of tickets you may purchase. We have never sold out Tickets go on sale a performance. With that said, we Friday, May 6, 2016 at 10am cannot guarantee that we won’t sell out! There’s nothing like the 2. Go to the Allegro Facebook You’ll have several options for how you want your tickets delivered. convenience of buying tickets in page and click the “Buy Tickets” You can have them emailed to your pajamas, plus you can tab at the top. share the link with friends and you, sent to your mobile phone, 3. Call 855-222-2849 and even add them to your Apple family so they can purchase their Passbook (if you have the latest own tickets. We partner with a Ticket prices will be the same as iPhone software) at no charge! Or, company called TutuTix. Tickets they have been for 8 years + you can choose to have TutuTix will go on sale at 10 AM on minimum processing fees from mail you foil-embossed keepsake 5/6/16. At that time, you can TutuTix: tickets (for an additional fee) with purchase tickets by any of the • Lower House: $22 + $1 + 5% your dancer’s name printed following ways: • Upper House: $20 + $1 + 5 % directly on the ticket! A couple of additional items to 1. -
Release V2.5.6
MusicBrainz Picard Release v2.5.6 Feb 16, 2021 MusicBrainz Picard User Guide by Bob Swift is licensed under CC0 1.0. To view a copy of this license, visit https://creativecommons.org/publicdomain/zero/1.0 CONTENTS 1 Introduction 1 1.1 Picard Can. ...........................................2 1.2 Picard Cannot. .........................................2 1.3 Limitations...........................................2 2 Contributing to the Project3 3 Acknowledgements4 3.1 Editor and English Language Lead..............................4 3.2 Translation Teams.......................................4 3.3 Contributors..........................................4 4 Glossary of Terms 6 5 Getting Started 10 5.1 Download & Install Picard................................... 10 5.2 Main Screen.......................................... 12 5.3 Status Icons........................................... 18 6 Configuration 20 6.1 Screen Setup.......................................... 20 6.2 Action Options......................................... 21 6.3 Option Settings......................................... 21 7 Tags & Variables 66 7.1 Basic Tags........................................... 66 7.2 Advanced Tags......................................... 70 7.3 Basic Variables......................................... 72 7.4 File Variables.......................................... 73 7.5 Advanced Variables...................................... 74 7.6 Classical Music Tags...................................... 75 7.7 Tags from Plugins...................................... -
The Dictionary Legend
THE DICTIONARY The following list is a compilation of words and phrases that have been taken from a variety of sources that are utilized in the research and following of Street Gangs and Security Threat Groups. The information that is contained here is the most accurate and current that is presently available. If you are a recipient of this book, you are asked to review it and comment on its usefulness. If you have something that you feel should be included, please submit it so it may be added to future updates. Please note: the information here is to be used as an aid in the interpretation of Street Gangs and Security Threat Groups communication. Words and meanings change constantly. Compiled by the Woodman State Jail, Security Threat Group Office, and from information obtained from, but not limited to, the following: a) Texas Attorney General conference, October 1999 and 2003 b) Texas Department of Criminal Justice - Security Threat Group Officers c) California Department of Corrections d) Sacramento Intelligence Unit LEGEND: BOLD TYPE: Term or Phrase being used (Parenthesis): Used to show the possible origin of the term Meaning: Possible interpretation of the term PLEASE USE EXTREME CARE AND CAUTION IN THE DISPLAY AND USE OF THIS BOOK. DO NOT LEAVE IT WHERE IT CAN BE LOCATED, ACCESSED OR UTILIZED BY ANY UNAUTHORIZED PERSON. Revised: 25 August 2004 1 TABLE OF CONTENTS A: Pages 3-9 O: Pages 100-104 B: Pages 10-22 P: Pages 104-114 C: Pages 22-40 Q: Pages 114-115 D: Pages 40-46 R: Pages 115-122 E: Pages 46-51 S: Pages 122-136 F: Pages 51-58 T: Pages 136-146 G: Pages 58-64 U: Pages 146-148 H: Pages 64-70 V: Pages 148-150 I: Pages 70-73 W: Pages 150-155 J: Pages 73-76 X: Page 155 K: Pages 76-80 Y: Pages 155-156 L: Pages 80-87 Z: Page 157 M: Pages 87-96 #s: Pages 157-168 N: Pages 96-100 COMMENTS: When this “Dictionary” was first started, it was done primarily as an aid for the Security Threat Group Officers in the Texas Department of Criminal Justice (TDCJ). -
Making Metadata: the Case of Musicbrainz
Making Metadata: The Case of MusicBrainz Jess Hemerly [email protected] May 5, 2011 Master of Information Management and Systems: Final Project School of Information University of California, Berkeley Berkeley, CA 94720 Making Metadata: The Case of MusicBrainz Jess Hemerly School of Information University of California, Berkeley Berkeley, CA 94720 [email protected] Summary......................................................................................................................................... 1! I.! Introduction .............................................................................................................................. 2! II.! Background ............................................................................................................................. 4! A.! The Problem of Music Metadata......................................................................................... 4! B.! Why MusicBrainz?.............................................................................................................. 8! C.! Collective Action and Constructed Cultural Commons.................................................... 10! III.! Methodology........................................................................................................................ 14! A.! Quantitative Methods........................................................................................................ 14! Survey Design and Implementation..................................................................................... -
Preface: 1975
Preface: 1975 Wolf Reiter: I was bartending in the city. One of the partners in the bar, Walter Weiss, owned a huge singles club next to the Amagansett firehouse called Martell’s, so I came out here to work. Groupers—people living in group houses—would go Martell’s. All the houses in the dunes were full of groupers. There were six or eight of us bartenders. The customers had to buy two tickets at the door, and they’d give the bartenders a ticket. So we never got tipped. I mean, they just didn’t tip. I couldn’t believe it—they were rich! The girls were only interested in guys with Porsches, BMWs, or Mercedes, and if they were an accountant, a lawyer, or a doctor. All in their late thirties, early forties, all looking to get connected, so they did very little heavy drinking. I talked to the owner: “We can’t do this, we’re not making any money. You’re going to lose everybody.” So he gave us a quarter a ticket, and then we made a lot of money. Fifty cents a person, and seven or eight hundred people a night coming through. I had never been out here, didn’t know anything about the place. I made friends here, and used to come to the Talkhouse to drink when Buddy Pontick and Tony Hughes owned it. They hired me for the next summer and three summers after that. Back then, the drinking age was 18. It was a great crowd, everybody had fun. -
商品コード タイトル Fhcf2501 8 Toct24105 502 Pcca01329 531
商品コード タイトル FHCF2501 8 TOCT24105 502 PCCA01329 531 AVCD-11624 181920 PCCA80017 "03"ゼロサン VICL373 "good luck!" AVCD11815 "HAPPY" COMING CENTURY.20TH CENTURY FOREVER AMCN4770 "Let go" ESCB1592 "nine" WPC27611 "SMILING II" 〜THE BEST OF NORIYUKI MAKIHARA〜 SRCL4888 (初) WPCV10079 11songs(+4) EICP321 1人の女と4人の男 PCCA02551 2GETHER WPCV10103 2souls UMCK1002 4FLUSHER EPCE5149 4th 「いきまっしょい!」 AVCD-32027/B 7 seven ESCB1725 7月7日、晴れ サウンドトラック KSC2314 absolute ego COCA13736 across the rainbow UMCK1139 Akina Nakamori ~歌姫ダブル・ディケイド ESCB1722 amiyumi PCCA01116 Another Season -5番目の季節- Le Couple KTCR1369 Another Tomorrow TFCC89040 Any AVCD-11740 appears AVCD-11805 ARIGATO 30 MILLION COPIES-BEST OF TK WORKS- SRCL-4927 As One TOCT24100 ASKA the BEST Selection 1988-1998 PSCR-5700 AUGUST E,P, AVCD11716 ayu-mi-x AVCD17098 ayu-mi-x 4 + selection Acoustic Orchestra Version AVCD17104-5 ayu-mi-x 4 + selection Non-Stop Mega Mix Version AVCD11798 ayu-mi-x II version JPN AVCD11797 ayu-mi-x II version US+EU JBCJ-1004 BACK BEATs #1 THE BEST Performed by POCH-1674 BALLAD COLLECTION X JAPAN BALLAD COLLECTION BEST VICL60660/1 BALLAD3 -the album of LOVE- WPC78550 Baroque Best AVCT10080 BEAT BALL UPCH1026 beat haze odyssey KOLA061 beatmania IIDX REMIX for 10th Success Anniversary DCTR1002 beauty ebarmony VICL15043 BEGINNING PART2 DAVID DARLINGTON featuring PHCL1020 Believe ESCB2244 Believe the Light XXC1023 BELOVED MDCL1408 Best Flower -B side collection- ESCB2096 BEST LOVE SONG ALBUM ミディアムクロー JBCJ-1028/1029 BEST OF BEST ~All Single Collection~ AVCD11230 BILLIONAIRE BOY MEETS GIRL -
Bt Feb10 ( PDF )
February 2010 Serving communities along the Biscayne Corridor: Arch Creek East, Aventura, Bay Point, Bayside, Biscayne Park, Belle Meade, Buena Vista, Design District, Downtown, Eastern Shores, Edgewater, El Portal, Hibiscus Island, Keystone Point, Miami Shores, Morningside, North Bay Island, North Miami, North Miami Beach, Oakland Grove, Palm Grove, Palm Island, Sans Souci, Shorecrest, Star Island, Wynwood, and Venetian Islands www.BiscayneTimes.com Volume 7, Issue 12 If you haven’t walked around downtown Miami for a while, you’re in for a surprise — a big surprise By Pamela Robin Brandt Photos by Silvia Ros eadline from a January 2006 embarrassed to say, was me. That real estate boom, slated for a part of the still glowed with confi dence that the article in the New York headline, which I did not write, was, to paper’s travel section aimed at buyers of 3041 new downtown condominium units HTimes: “Downtown Miami: put it kindly, premature. second homes. While the piece itself did just completed, plus 13,890 units then What’s Hot and Trendy and Not South The article was written during the make clear this was a downtown Miami under construction in the area — not to Beach?” The writer of the story, I’m height of South Florida’s most recent soon-to-come, not one already here, it Continued on page 14 Grand Winner Opening! Best of Miami 2008 “Product of Brooklyn NY” MIDTOWN MIAMI Sunday - Monday 11am - 11pm | 3451 NE 1 Ave. Unit 105, Miami FL 33137 | 305.535.2555 | www.primopizzamiami.com 100 Collins Ave., Unit 1, Miami Beach FL 33139 (on 1st, entrance between Washington & Collins Ave.) CALL 305-756-6200 FOR INFORMATION ABOUT THIS ADVERTISING SPACE Our Collection of Unique Properties.. -
Issue #12, Feb
PO Box 42129, Los Angeles, CA 90042 #12 www.razorcake.com few months ago, Todd and I got a chance to see two legendary Last week, I ran into a guy I know: a forty-something maintenance East LA punk bands – Los Illegals and The Brat – play at a worker in East LA, a Mexican immigrant, and also a student. He was Japanese American Museum. It was a strange place to see punk reading an issue of the zine Nervy Girl. He told me that I’d inspired him to AA bands. Their sets were incredibly short. It was an amazing show, pick up a copy of the zine. Since I’d never hear of it, I asked him what he anyway. After the show, Todd spotted The Brat’s guitarist walking around meant. He told me that all my talk of a media monopoly and the need for with copies of the only record they’ve released. I looked at Todd to make independent voices to balance out the mainstream corporate voices got to sure I wasn’t hallucinating. Because I have to admit, I’ve dreamed of him. He was in Hollywood and saw the zine and never would’ve picked it seeing this record in record stores so many times without actually seeing it up if not for me. He felt embarrassed purchasing it, he said, but now he that I’d begun to believe that the record only existed in dreams (and was glad he did. “Have you heard about all these women getting killed in Jimmy Alvarado’s record collection). -
Gender Differences in the Global Music Industry: Evidence from Musicbrainz and the Echo Nest
Proceedings of the Thirteenth International AAAI Conference on Web and Social Media (ICWSM 2019) Gender Differences in the Global Music Industry: Evidence from MusicBrainz and The Echo Nest Yixue Wang Emoke-˝ Agnes´ Horvat´ Northwestern University Northwestern University 2240 Campus Drive 2240 Campus Drive Evanston, Illinois 60208 Evanston, Illinois 60208 [email protected] [email protected] Abstract fields and beyond. While these gaps are well-documented in areas ranging from the workspace and wages (Blau and With digital music consumption being at an all-time high, Kahn 2000; Kuhn and Villeval 2013) to educational oppor- online music encyclopedia like MusicBrainz and music intelligence platforms like The Echo Nest are becoming tunities (Hausmann et al. 2009), entrepreneurship and cap- increasingly important in identifying, organizing, and rec- ital markets (Brooks et al. 2014; Kanze et al. 2017; Horvat´ ommending music for listeners around the globe. As a by- and Papamarkou 2017), as well as leadership (Ragins 1998; product, such sites collect comprehensive information about a Burke and Collins 2001), it is largely underexplored in the vast amount of artists, their recorded songs, institutional sup- case of the global music scene. port, and the collaborations between them. Using a unique Data about world-wide music production is becoming in- mash-up of crowdsourced, curated, and algorithmically aug- mented data, this paper unpacks an unsolved problem that is creasingly available in conjunction with the heavy use of key to promoting artistic innovation, i.e., how gender pene- music streaming services like Spotify, Tidal, Apple Music, trates into artistic context leading to the globally perceived Amazon and Google Play. -
Is a Soul Music Throwback
June - 2011 is a soul music throwback Article page 8 BROOKS PUB 3354 3354Lasses •Lasses 333-6992 • • 333-6992www.brookspub.biz www.Brookspub.biz June Entertainment Fri. 3 ............... Flipside Fri. 17 ..........Prototype Sat. 4 ............... Lunacy Sat. 18 ............. Spitfire Fri. 10 .. Higher Ground Fri. 24 .............Wolfpak Sat. 11 ............. Iron 60 Sat. 25 .................. DV8 Happy Father’s Day! from all at Brooks Pub Brooks Pub Now Has WiFi Available for our customers Southeast Side’s popular Hotspot a Steel Darts .V.’s 6 T Golden Tee CHECK OUT OUR PAPA’S AWESOME DAILY SPECIALS JUNE H.D. Live Music Big Screen Sunday - $2.00 Kamikaze’s – $3.00 Strawberry Kazi’s 9:30pm - 1:30am Electronic Darts Monday Madness - $4.00 “You Call It” Blasters TV Domestic longnecks - $1.75 day/$2.25 night Mega Touch (2009) Tuesday - $2.00 Mex Beer - $3.00 Crown Fridays Great Internet Jukebox Wednesday - $2.00 Jack Daniels & Weller Thursday - Tuaca $2.50 - Jaeger $3.00 & Well Schnapps $1.00 03 Chrome Pony Band SPORTS! SPORTS! SPORTS! 10 Stan Wayne Karaoke Fridays & Saturdays on 7 Flat Screen TVs 17 Wolfpak 24 Iron 60 from 9:30 til 1:30. WATCH YOUR FAVORITE TEAMS WITH US Karaoke - 9:30pm Hosted by Tuesdays - Live Trivia - 7:30PM Saturdays Every Thurs & Sun - FREE Texas Holde’m 04 Loose Change Larry “The Dark Knight” Williams. Thur 7pm & 10pm, Sun 4pm & 7pm 11 Bobby G & The Drive Cash payout for “last man standing” & mystery bounty Great Drinks - Great Fun!!! Will Sponsor 18 DV8 First Sat. each month - open at 10am • $2 Bloody Marys Grill Hours Monday thru Friday Pool and Dart & Screwdrivers $3 Mimosas w/complimentary brkfst buffet. -
543 Cass Street, Chicago Copyright 1915 by Harriet Monroe
JULY, 1915 Polonius and the Ballad Singers . Padraic Colum Poems Frances Shaw O Brother Tree—The Bird . Max Michelson Haunted Reaping—The Muse in Church . Leyland Huckfield The Return .... Louise Ayres Garnett Ecce Mysterium Rebecca Park Lawrence Fire of Snow—In the Wind Clark Ashton Smith Cotton Fields . Madeline Yale Wynne Early Morning at Bargis Hermann Hagedorn The Old South—New York John Gould Fletcher The Younger Bards . Edward J. O'Brien Poems by Donald Turner, Donald Wakeling, Adrian Tuffield, Douglas Simmonds, Richard Untermeyer and Alice O. Henderson Comments and Reviews Acre Perennius—Paul Claudel Reviews—Correspondence—Notes 543 Cass Street, Chicago Copyright 1915 by Harriet Monroe. All rights reserved. Published monthly by Seymour, Daughaday and Company, 1025 Fine Art, Building, Chicago. Entered as second-class matter at Postofiice, Chicago VOL. VI No. IV JULY, 1915 POLONIUS AND THE BALLAD SINGERS GAUNT-BUILT woman and her son-in- law— A broad-faced fellow, with such flesh as shows Nothing but easy nature—and his wife, The woman's daughter, who spills all her talk Out of a wide mouth, but who has eyes as gray As Connemara, where the mountain-ash Shows berries red indeed : they enter now— Our country singers! "Sing, my good woman, sing us some romance That has been round your chimney-nooks so long Tis nearly native; something blown here And since made racy—like yon tree, I might say, Native by influence if not by species, Shaped by our winds. You understand, I think?" [161] POETRY: A Magazine of Verse "I'll sing the song, -
The Life, Music, and Impact of Merle Haggard Thomas W Brown III
)ORULGD6WDWH8QLYHUVLW\/LEUDULHV 2018 My Own Kind of Hat: The Life, Music, and Impact of Merle Haggard Thomas W Brown III Follow this and additional works at DigiNole: FSU's Digital Repository. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES MY OWN KIND OF HAT: THE LIFE, MUSIC, AND IMPACT OF MERLE HAGGARD BY THOMAS WATSON BROWN III A Thesis submitted to the College of Arts and Sciences in partial fulfillment of the requirements for graduation with Honors in the Major Degree Awarded: Spring 2018 The members of the Defense Committee approve the thesis of Thomas W. Brown III defended on 13 April 2018. Signatures are on file with the Honors Program office. _______________________ Dr. Katherine Mooney Thesis Director _______________________ Dr. Pamela Robbins Committee Member _______________________ Dr. Diane Roberts Outside Committee Member “The Fugitive” was the first Merle Haggard song I ever listened to. On the B-side of a cassette, the rhythmic and repetitive opening guitar rift rang crisply through the speakers of my Father’s 1993 S15 GMC Jimmy and out came a winding and full voice, singing about running or spending life in jail. As a three-year-old the true meaning of this song and the many following it had little impact, but there was something magical in his voice that immediately hooked me. Rides with Mom, filled with Shania Twain and Dixie Chicks, were alright, but sitting shotgun, crushing an “If We Make It Through December” duet with the Old Man on assorted road trips and adventures was certainly more my speed, and made this boy feel like a man.