A Wrinkle in Time by Madeleine L'engle 7Th Grade
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Volume 1, Issue 1 2017 ROBIN HOOD and the FOREST LAWS
Te Bulletin of the International Association for Robin Hood Studies Volume 1, Issue 1 2017 ROBIN HOOD AND THE FOREST LAWS Stephen Knight The University of Melbourne The routine opening for a Robin Hood film or novel shows a peasant being harassed for breaking the forest laws by the brutal, and usually Norman, authorities. Robin, noble in both social and behavioral senses, protects the peasant, and offends the authorities. So the hero takes to the forest with the faithful peasant for a life of manly companionship and liberal resistance, at least until King Richard returns and reinstates Robin for his loyalty to true values, social and royal, which are somehow congruent with his forest freedom. The story makes us moderns feel those values are age-old. But this is not the case. The modern default opening is not part of the early tradition. Its source appears to be the very well-known and influential Robin Hood and his Merry Men by Henry Gilbert (1912). The apparent lack of interest in the forest laws theme in the early ballads might simply be taken as reality: Barbara A. Hanawalt sees a strong fit between the early Robin Hood poems and contemporary outlaw actuality. Her detailed analysis of what outlaws actually did against the law indicates that robbery and assault were normal and that breach of the forest laws was never an issue.1 The forest laws themselves are certainly medieval.2 They were famously imposed by the Norman kings, they harassed ordinary people, stopping them using the forests for their animals and as a source for food and timber, and Sherwood was one of the most aggressively policed forests—but this did not cross into the early Robin Hood materials. -
PDF of the Princess Bride
THE PRINCESS BRIDE S. Morgenstern's Classic Tale of True Love and High Adventure The 'good parts' version abridged by WILLIAM GOLDMAN one two three four five six seven eight map For Hiram Haydn THE PRINCESS BRIDE This is my favorite book in all the world, though I have never read it. How is such a thing possible? I'll do my best to explain. As a child, I had simply no interest in books. I hated reading, I was very bad at it, and besides, how could you take the time to read when there were games that shrieked for playing? Basketball, baseball, marbles—I could never get enough. I wasn't even good at them, but give me a football and an empty playground and I could invent last-second triumphs that would bring tears to your eyes. School was torture. Miss Roginski, who was my teacher for the third through fifth grades, would have meeting after meeting with my mother. "I don't feel Billy is perhaps extending himself quite as much as he might." Or, "When we test him, Billy does really exceptionally well, considering his class standing." Or, most often, "I don't know, Mrs. Goldman; what are we going to do about Billy?" What are we going to do about Billy? That was the phrase that haunted me those first ten years. I pretended not to care, but secretly I was petrified. Everyone and everything was passing me by. I had no real friends, no single person who shared an equal interest in all games. -
Young Adult Realistic Fiction Book List
Young Adult Realistic Fiction Book List Denotes new titles recently added to the list while the severity of her older sister's injuries Abuse and the urging of her younger sister, their uncle, and a friend tempt her to testify against Anderson, Laurie Halse him, her mother and other well-meaning Speak adults persuade her to claim responsibility. A traumatic event in the (Mature) (2007) summer has a devastating effect on Melinda's freshman Flinn, Alexandra year of high school. (2002) Breathing Underwater Sent to counseling for hitting his Avasthi, Swati girlfriend, Caitlin, and ordered to Split keep a journal, A teenaged boy thrown out of his 16-year-old Nick examines his controlling house by his abusive father goes behavior and anger and describes living with to live with his older brother, his abusive father. (2001) who ran away from home years earlier under similar circumstances. (Summary McCormick, Patricia from Follett Destiny, November 2010). Sold Thirteen-year-old Lakshmi Draper, Sharon leaves her poor mountain Forged by Fire home in Nepal thinking that Teenaged Gerald, who has she is to work in the city as a spent years protecting his maid only to find that she has fragile half-sister from their been sold into the sex slave trade in India and abusive father, faces the that there is no hope of escape. (2006) prospect of one final confrontation before the problem can be solved. McMurchy-Barber, Gina Free as a Bird Erskine, Kathryn Eight-year-old Ruby Jean Sharp, Quaking born with Down syndrome, is In a Pennsylvania town where anti- placed in Woodlands School in war sentiments are treated with New Westminster, British contempt and violence, Matt, a Columbia, after the death of her grandmother fourteen-year-old girl living with a Quaker who took care of her, and she learns to family, deals with the demons of her past as survive every kind of abuse before she is she battles bullies of the present, eventually placed in a program designed to help her live learning to trust in others as well as her. -
What Is a Boggart Hole?1 Simon Young ISI, Florence (Italy)
What is a Boggart Hole?1 Simon Young ISI, Florence (Italy) INTRODUCTION The boggart—a word of uncertain origins (OED, ‘Boggard, -art’; Nodal and Milner 1875, 126; Wright 1898–1905, I, 326)—was once a much feared bogey in the midlands and the north of England. By the nineteenth century it had come to be associated, above all, with what might be called a ‘greater Lancashire’: the County Palatine, the south Pennines and the northern fringes of Cheshire and Derbyshire. Relative to the amount of writing that survives, most of it from the 1800s and much in Lancashire dialect, the boggart is perhaps Britain’s most understudied supernatural creature. This is true of the nineteenth century (Thornber 1837, 38, 99–104 and 329–34; Harland and Wilkinson 1867, 49–62; 1873, 10–12 and 141– 42; Hardwick 1872, 124–42; Bowker 1883, 27–36, 52–58, 63–72, 77–82, 131–39, 152–58, 174–88, 212–20 and 238–42; McKay 1888), and of recent years (Billingsley 2007, 69–74; Turner-Bishop 2010; Roberts 2013, 95–105; Young 2014b). Boggart place-names have particularly been neglected. In fact, there is, to the best of the present writer’s knowledge, no study of boggart toponyms, despite the existence of tens of boggart place-names, many still in use today.2 1 I would like to thank John Billingsley, David Boardman, Ffion Dash, Anna Garrett, Richard Green, Denise Jagger, Stephen Lees, Wendy Lord, Eileen Ormand and the anonymous reviewer for help with the writing and with the improvement of this article. -
Atlantic Slavery and the Making of the Modern World Wenner-Gren Symposium Supplement 22
T HE WENNER-GREN SYMPOSIUM SERIES CURRENT ANTHROPOLOGY A TLANTIC SLAVERY AND THE MAKING OF THE MODERN WORLD I BRAHIMA THIAW AND DEBORAH L. MACK, GUEST EDITORS A tlantic Slavery and the Making of the Modern World: Wenner-Gren Symposium Supplement 22 Atlantic Slavery and the Making of the Modern World: Experiences, Representations, and Legacies An Introduction to Supplement 22 Atlantic Slavery and the Rise of the Capitalist Global Economy V The Slavery Business and the Making of “Race” in Britain OLUME 61 and the Caribbean Archaeology under the Blinding Light of Race OCTOBER 2020 VOLUME SUPPLEMENT 61 22 From Country Marks to DNA Markers: The Genomic Turn S UPPLEMENT 22 in the Reconstruction of African Identities Diasporic Citizenship under Debate: Law, Body, and Soul Slavery, Anthropological Knowledge, and the Racialization of Africans Sovereignty after Slavery: Universal Liberty and the Practice of Authority in Postrevolutionary Haiti O CTOBER 2020 From the Transatlantic Slave Trade to Contemporary Ethnoracial Law in Multicultural Ecuador: The “Changing Same” of Anti-Black Racism as Revealed by Two Lawsuits Filed by Afrodescendants Serving Status on the Gambia River Before and After Abolition The Problem: Religion within the World of Slaves The Crying Child: On Colonial Archives, Digitization, and Ethics of Care in the Cultural Commons A “tone of voice peculiar to New-England”: Fugitive Slave Advertisements and the Heterogeneity of Enslaved People of African Descent in Eighteenth-Century Quebec Valongo: An Uncomfortable Legacy Raising -
Informal Reading Groups Fall Semester 2015
Joe C. and Carole Kerr McClendon Honors College Informal Reading Groups Fall Semester 2015 Meet just one hour per week with 10-15 Honors College students to discuss roughly 50 pages of reading from specific books on the topics described in the following pages. The only commitment you make is a good-faith effort to complete the reading and attend group meetings as often as you can, with the understanding there may be one or two weeks when you are unable to attend. No tuition or fees No quizzes or tests No grades Free books Discuss important topics of mutual interest with other Honors College students Reading groups will begin the week of August 31-September 4 and will meet for 3-15 weeks as indicated in this brochure. To reserve a spot in the group of your choice, email your preference to [email protected]. Groups are filled on a first-come, first-served basis, so it is helpful to indicate a second choice. Books will be distributed at the Reading Groups Open House on Thursday, August 27 in David L Boren Hall, Rooms 180 and 182. Students who have not reserved a spot in any group are welcome to attend the Open House and sign up for any reading group with available spots, but please note that quantities may be limited. THE DIGITAL DOCTOR: OUR KIDS: GÖDEL, Hope, Hype, and Harm The American Dream ESCHER, BACH: at the Dawn of Medi- in Crisis an Eternal Golden Braid cine's Computer Age Thursdays 4:30-5:20 Fridays 3:00-3:50 Wednesdays 11:30-12:20 DLBH 182 DLBH 182 DLBH 180/181 (7 weeks) (15 weeks) (7 weeks) While Robert Putnam is -
Beneath the Spanish Moss: the World of the Root Doctor Jack G
Western Kentucky University TopSCHOLAR® DLTS Faculty Publications Library Technical Services 3-31-2008 Chapter One: Beneath the Spanish Moss: The World of the Root Doctor Jack G. Montgomery Jr. Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/dlts_fac_pub Part of the Other Religion Commons, Science and Technology Studies Commons, and the Technology and Innovation Commons Recommended Repository Citation Montgomery, Jack G. Jr., "Chapter One: Beneath the Spanish Moss: The orldW of the Root Doctor" (2008). DLTS Faculty Publications. Paper 3. http://digitalcommons.wku.edu/dlts_fac_pub/3 This Other is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in DLTS Faculty Publications by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Chapter One: Beneath the Spanish Moss: The World of the Root Doctor History is the version of past events that people have decided to agree upon. Napoleon Bonaparte (1769-1821) The thing always happens that you really believe in; and the belief in a thing makes it happen. Frank Lloyd Wright, architect (1869-1959) For many of us growing up in the 1960s rural South, the world of ghosts, witches and magic was never far away. Grandparents and parents often told hair-raising stories of mysterious happenings and eerie events as a form of entertainment, as children sat entranced in wide-eyed amazement. The idea of a ghost or witch out there in the dark filled many a night with excitement and wonder. In many homes, the sense of the presence of a beloved, deceased family member was often noted with comfort and the reassurance that we would someday “meet on that golden shore.” In this era, before the Internet and television’s mindless absorption of our free time, we often felt we could sense that which was unseen, and provided we didn’t make too much of a fuss about it, we were free to believe in the miraculous without fear of rebuke or censure. -
Folklore Creatures BANSHEE: Scotland and Ireland
Folklore creatures BANSHEE: Scotland and ireland • Known as CAOINEAG (wailing woman) • Foretells DEATH, known as messenger from Otherworld • Begins to wail if someone is about to die • In Scottish Gaelic mythology, she is known as the bean sìth or bean-nighe and is seen washing the bloodstained clothes or armor of those who are about to die BANSHEE Doppelganger: GERMANY • Look-alike or double of a living person • Omen of bad luck to come Doppelganger Goblin: France • An evil or mischievous creature, often depicted in a grotesque manner • Known to be playful, but also evil and their tricks could seriously harm people • Greedy and love money and wealth Goblin Black Dog: British Isles • A nocturnal apparition, often said to be associated with the Devil or a Hellhound, regarded as a portent of death, found in deserted roads • It is generally supposed to be larger than a normal dog, and often has large, glowing eyes, moves in silence • Causes despair to those who see it… Black Dog Sea Witch: Great Britain • Phantom or ghost of the dead • Has supernatural powers to control fate of men and their ships at sea (likes to dash ships upon the rocks) The Lay Of The Sea Witch In the waters darkness hides Sea Witch Beneath sky and sun and golden tides In the cold water it abides Above, below, and on all sides In the Shadows she lives Without love or life to give Her heart is withered, black, dried And in the blackness she forever hides Her hair is dark, her skin is silver At her dangerous beauty men shiver But her tongue is sharp as a sliver And at -
Continuing Conjure: African-Based Spiritual Traditions in Colson Whitehead’S the Underground Railroad and Jesmyn Ward’S Sing, Unburied, Sing
religions Article Continuing Conjure: African-Based Spiritual Traditions in Colson Whitehead’s The Underground Railroad and Jesmyn Ward’s Sing, Unburied, Sing James Mellis Guttman Community College, 50 West 40th St., New York, NY 10018, USA; [email protected] Received: 10 April 2019; Accepted: 23 June 2019; Published: 26 June 2019 Abstract: In 2016 and 2017, Colson Whitehead’s The Underground Railroad and Jesmyn Ward’s Sing, Unburied, Sing both won the National Book Award for fiction, the first time that two African-American writers have won the award in consecutive years. This article argues that both novels invoke African-based spirituality in order to create literary sites of resistance both within the narrative of the respective novels, but also within American culture at large. By drawing on a tradition of authors using African-based spiritual practices, particularly Voodoo, hoodoo, conjure and rootwork, Whitehead and Ward enter and engage in a tradition of African American protest literature based on African spiritual traditions, and use these traditions variously, both as a tie to an originary African identity, but also as protection and a locus of resistance to an oppressive society. That the characters within the novels engage in African spiritual traditions as a means of locating a sense of “home” within an oppressive white world, despite the novels being set centuries apart, shows that these traditions provide a possibility for empowerment and protest and can act as a means for contemporary readers to address their own political and social concerns. Keywords: voodoo; conjure; African-American literature; protest literature; African American culture; Whitehead; Ward; American literature; popular culture And we are walking together, cause we love one another There are ghosts at our table, they are feasting tonight. -
Mikee Delony Abilene Christian University Peer-Reviewed Robin
A REVIEW OF THE YEAR’S PUBLICATIONS IN ROBIN HOOD SCHOLARSHIP Mikee Delony Abilene Christian University Peer-reviewed Robin Hood scholarship published in 2015 includes two single-author books, two edited book chapters, and eight journal articles. These publications examine specific texts from the matter of Robin Hood, providing new approaches to familiar texts and further exploration of less-familiar materials. Many scholars also comment on the tradition’s capacity for seemingly endless adaptation and highlight the similar ideological and political threads woven through the materials. Shining an academic light upon five centuries of Robin Hood texts that celebrate political resistance and public activism against oppression takes on new importance in light of contemporary global resistance to government overreach and systemic oppression. Since Robin Hood scholarship also tends to resist categorization, I have loosely grouped these reviews by literary chronology and genre. GENERAL STUDIES In Reading Robin Hood: Content, Form, and Reception in the Outlaw Myth,1 Stephen Knight revisits the Robin Hood literary tradition from his position as one of the early pioneers in the field of Robin Hood studies. In his survey, which ranges from medieval oral ballads to twenty- first film and television adaptations, Knight notes the multivalent, “unhierarchial, nonlinear” (10) nature of the tradition and suggests that Deleuze and Guattari’s rhizomatic “model of multiplicity” (234) might best describe the “various, porous, [and] richly labile” legend (10). Writing that the Robin Hood tradition “renews itself in turns of current political forces and media of dissemination and consistently has as scant a respect for literary and formalistic authority as it has for social and legal forces of order” (253), Knight celebrates the characteristics that prevent the tradition from achieving canonical status at the same time they have remained relevant for centuries. -
If You Love Anthony Horowitz, Try…
SPONSORED BY If you love Anthony Horowitz, try… ALEX RIDER: STORMBREAKER ARTEMIS FOWL Anthony Horowitz WALKER Eoin Colfer PUFFIN Billionaire Herold Sayle At just twelve years old, Artemis is donating a space-age Fowl is already a criminal Stormbreaker computer to every mastermind, plotting to restore school in the country. But his gift his family’s fortune with a spot of hides a sinister surprise. Can teen corruption and kidnapping. Let spy Alex Rider crack its evil code? the misadventure begin... SHERLOCK HOLMES: PERCY JACKSON AND THE HOUND OF THE THE LIGHTNING THIEF BASKERVILLES Rick Riordan PUFFIN Arthur Conan Doyle OUP They call Percy ‘troubled’. Does What is the phantom hound that six schools in six years count as haunts the Baskerville family, ‘troubled’? What about the fact with blazing eyes and dripping that the Greek gods are alive— jaws? This spooky detective story and he’s topping their hit-list? is a must-read classic. YOUNG SHERLOCK HOLMES: EMIL AND THE DETECTIVES DEATH CLOUD Erich Kästner RANDOM HOUSE Andrew Lane MACMILLAN Emil doesn’t like the look of the The genius of Baker Street. The shifty man in the bowler hat who greatest sleuth in fiction. Before is sharing his train carriage. So he became immortal, who was when the man steals his money, the young Sherlock Holmes? A he sets off on a hair-raising chase brilliant teenager—and a sinister to catch the dirty rotten thief! villain of malign intent... DIRK GENTLY’S HOLISTIC SKULDUGGERY PLEASANT DETECTIVE AGENCY Derek Landy HARPER COLLINS Douglas Adams PAN MACMILLAN When all hell breaks loose, can the What do a dead cat, a computer wisecracking skeleton of a dead whiz-kid, an Electric Monk, magician save Stephanie’s skin? quantum mechanics, a Romantic poet and pizza have in common? Not much—until wacky detective Dirk Gently comes along! HOW TO TRAIN TIME RIDERS YOUR DRAGON Alex Scarrow PUFFIN Cressida Cowell HODDER Liam should have died at sea in Hiccup Horrendous Haddock 1912. -
The City & the City by China Mieville
The City & the City by China Mieville Inspector Tyador Borlu must travel to Ul Qoma to search for answers in the murder of a woman found in the city of Beszel. Why you'll like it: Thought-provoking. Gritty. Hard-boiled mystery. About the Author: China Miéville is the author of King Rat; Perdido Street Station, winner of the Arthur C. Clarke Award and the British Fantasy Award; The Scar, winner of the Locus Award and the British Fantasy Award; Iron Council, winner of the Locus Award and the Arthur C. Clarke Award; Looking for Jake, a collection of short stories; and Un Lun Dun, his New York Times bestselling book for younger readers. He lives and works in London. Questions for discussion 1. Mieville provides no overall exposition in this book, leaving it up to readers to piece together the strange co-existence of Beszel and Ul Qoma. Do you appreciate the way in which the story gradually unfolds? Or, finding it confusing, would you have preferred an explanation early on? 2. Many critics and readers—but not all—have talked about Mieville's imagined world, a world constructed so thoroughly that readers were easily absorbed in the two cities. Was that your experience as you read the book...or were you unable to suspend your belief, finding the whole foundation too preposterous? 3. What does it mean to "unsee" in this novel...and what are the symbolic implications of unseeing? In other words, do we "unsee" one another in our own lives? Who unsees whom? 4. Talk about the absurdities that result from the two cities ignoring one another's existence—for instance, the rules put in place for picking up street trash.