DOCSLIB.ORG

Zero-G Vocaloid 1 Products Leon Lola and Miriam Will Be Discontinued Soon

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Zero-G Vocaloid 1 Products Leon Lola and Miriam Will Be Discontinued Soon 12/26/13 Zero-G Vocaloid Sale - October 2012 Having trouble reading this newsletter? CLICK HERE to see it in your web browser. Zero-G Vocaloid 1 products Leon Lola and Miriam will be discontinued soon. Only available until 31 December 2013. Last chance to buy! Until the end of December 2013, you can still buy any of the three Vocaloid 1 download products LEON, LOLA and MIRIAM. However, on 1 January they will finally be 'retired' to that great Vocaloid playground in the sky... Unlike the Vocaloid 2 products Prima Sonika and Tonio, or the Vocaloid 3 product Avanna, these Vocaloid 1 products Leon Lola and Miriam only support Windows XP officially, though many users have reported they do work well on Windows 7. LAST CHANCE TO BUY - until the end of this month, Vocaloid 1 titles LEON, LOLA & MIRIAM are still available by download, with PRICES STILL REDUCED by an amazing 60% OFF the list price - at just $39.99 each. Poduct information follows: LEON, LOLA and MIRIAM are VIRTUAL VOCALISTS for PC (Windows), powered by Yamaha's VOCALOID 1 Singing Synthesis Technology. VOCALOID is a unique kind of instrument that uses the natural tone and articulation of a real human voice as its source, allowing the user to synthesize incredible vocals. Leon, Lola and Miriam have never been available at a lower price. Pay only $39.99 each (normally $99.99 for the boxed DVD version - save $60.00 by purching the download version). Creating your own backing vocals is a realistic and now even more inexpensive proposition - even for complex harmonies and arrangements, and Vocaloid's range of expression tools allow editing and manipulation of the finest nuances. With skill and application you can create unprecedented vocal realism. Or... you can live in the exciting world between human and machine, where Vocaloid can even provide vocals that sound like they were performed by a superhuman virtuoso. Using Vocaloid in this way, as a true hybrid of human voice and synthesizer, the potential for innovation is limited only by your own imagination. Do you simply want Vocaloid to perform your lyrical ideas in a rough form as an aid to your songwriting process? Or will you zero-glimited.createsend1.com/t/ViewEmail/y/4E830DC1CBF5EA28/BF22B8C01995ADF581176E9AA71FFAE9 1/3 12/26/13 Zero-G Vocaloid Sale - October 2012 use its freedom from human limitations to create stunningly innovative and experimental vocal effects? “Vocaloid is clearly going to be big in the music business. The start of something huge in modern music. Fascinating software which delivers everything it promises!” (MUSIC TECH Magazine, UK, rated 9/10 and MUSIC TECH RECOMMENDED Award). “Vocaloid would certainly be useful, particularly for backing vocals” (SOUND ON SOUND, UK). Special download Click HERE for much more detail on these 3 titles, price: only or to purchase them through our Download Shop. $39.99 each NOTE: Remember that LEON, LOLA and MIRIAM use (normally priced on the earlier Vocaloid 1 engine. Since its first release, CD-ROM at $99.95 the VOCALOID 1 (Version 1) software was improved: each) Yamaha provided enhanced features and improvements in a software update (Version 1.1.2) which is INCLUDED with these downloads. However, if you prefer to have all the additional features of Vocaloid2 or Vocaloid3, consider purchasing one of the later version 2 voices instead - Prima, Tonio or Sonika, or our latest product Avanna which uses the even better Vocaloid3 software. LAST CHANCE TO PLEASE NOTE THAT VOCALOID 1 VOICES ARE BUY! NOT COMPATIBLE WITH VOCALOID 2 VOICES - FOR EXAMPLE YOU CANNOT USE LEON (VOCALOID 1) ONLY AVAILABLE TOGETHER WITH PRIMA (VOCALOID 2) WITHIN THE UNTIL DEC 31! SAME VOCALOID EDITOR. LEON LOLA AND *** NOTE ALSO THAT VOCALOID 1 VOICES MIRIAM WILL THEN LEON, LOLA AND MIRIAM ARE NOT OFFICIALLY BE DISCONTINUED. COMPATIBLE WITH WINDOWS 7. THEY ONLY WORK 100% WITH WINDOWS XP. Many users report that they do work well with Windows 7, but we cannot guarantee they will in your case!*** Recommended System FOR VOCALOID 1 voices (Leon, Lola or Miriam): Windows XP, Pentium 4, 1.7 GHz or faster, 1 GB of RAM or more. Approx 700 Mb Hard disk space or more, CD-ROM or DVD-ROM Drive, SVGA Display (1024x768), Sound Card with Microsoft DirectSound Compatible driver ***Vocaloid products are NOT Apple Mac compatible*** (Prices in US Dollars, PayPal or Credit Cards accepted. EU customers will have VAT added to these prices at 20%). Or, browse over 150 other downloadable Zero-G titles NOW in our own Download Shop zero-glimited.createsend1.com/t/ViewEmail/y/4E830DC1CBF5EA28/BF22B8C01995ADF581176E9AA71FFAE9 2/3.
Load more

Recommended publications
  • The Vocaloids~!
    ALL THE VOCALOIDS~! BY D J DATE MASAMUNE NEED TO KNOWS • Panel will be available online + list of all my resources – Will upload .pdf of PowerPoint that will be available post-con • Contact info. – Blog: djdatemasamune.wordpress.com • Especially if you have ANY feedback • Even if you leave mid-way, feel free to get one before you go • If you have any questions left, feel free to ask me after the panel or e-mail me DISCLAIMERS • Can only show so many Vocaloids – & which songs to show from each – Not even going to talk about costumes • B/c determining what’s popular/obscure btwn. Japanese/American culture can be difficult, sorry if you’re super familiar w/ any Vocaloid mentioned ^.^; – Based ‘popular’ ones off what I see (official) merch for the most (& even then) • Additionally, will ask lvl of familiarity w/ every Vocaloid • Every iteration of this panel plan to feature/swap out different Vocaloids • Only going over Vocaloids, not the history of the software, appends, etc. • Format of panel… POPULAR ONES VOCALOIDS YUKARI YUZUKI AOKI LAPIS MERLI CALNE CA (骸音シーエ Karune Shii-e) DAINA DEX Sharkie P VY1 VY2 ANON & KANON FUKASE UTATANE PIKO YOWANE HAKU TETO KASANE ARSLOID HIYAMA KIYOTERU KAAI YUKI LILY YOHIOloid V FLOWER Name: Don’t Say Lazy Lyrics: Sachiko Omori Composition: Hiroyuki Maezawa SeeU MAIKA GALACO QUESTIONS? BEFORE YOU GO… • Help yourself to my business cards If you have any questions, comments, feedback, etc., contact me however – My blog, e-mail, comment on a relating blog post, smoke signals, carrier pigeons, whatever tickles
    [Show full text]
  • New Vocaloid in the Making?
    Competition New Vocaloid in the Starting to Rise for Vocaloid making? page 12 page 1 New Faces Meet Anon & Kanon page 5 Facts About Vocaloid By Bill Treadway 5. VOCALOID CAN RAISE THE DEAD... SORT OF 10. MEET MIKU HATSUNE Vocaloid techniques have been handy for concert promoters, using the Voiced by actress Saki Fujita, Miku Hatsune is the most popular Vocaloid technology to bring back such dead entertainers as 2Pac, Michael Jackson to date. Crypton took Fujita’s voice and ran it through Vocaloid 2 software and Elvis Presley. Vocaloid software has even produced a posthumous to create Miku’s unique sound. Miku is often treated as a real person by singer in tribute of the late singer Hitoshi Ueki, although so far only his fans, especially men who actually fall for the Vocaloid as if she was flesh family has exclusive use of Ueki-loid. Just think, that Beatles reunion and blood. Not since Betty Boop has a virtual idol taken such a hold. could be possible after all! 9. VOCALOID USES DVD-ROM TECHNOLOGY 4. THE AVERAGE VOCALOID CONCERT-GOER IS MALE Yamaha and Crypton produced three software DVDs each containing While Vocaloid appeals to almost everybody, the average concert ticket the Vocaloid 2 and 3 programs. These DVDs allow you to manipulate her buyers in Japan are males aged 18-42. I’m not surprised, considering video voice and make her “sing”. Her voice banks are known as Hatsune Miku, store rental statistics in the 1990s stated that anime videos were largely Miku English, Dark Append, Light Append, Soft Append, Sweet Append, rented by males.
    [Show full text]
  • Albuquerque Daily Citizen, 10-05-1898 Hughes & Mccreight
    University of New Mexico UNM Digital Repository Albuquerque Citizen, 1891-1906 New Mexico Historical Newspapers 10-5-1898 Albuquerque Daily Citizen, 10-05-1898 Hughes & McCreight Follow this and additional works at: https://digitalrepository.unm.edu/abq_citizen_news Recommended Citation Hughes & McCreight. "Albuquerque Daily Citizen, 10-05-1898." (1898). https://digitalrepository.unm.edu/abq_citizen_news/2138 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Albuquerque Citizen, 1891-1906 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. --ta.4 u . at. Job Printing Hook Binding r and Blank Book Tork In all iltnumerota) Aivtm fi Of fKT pl reeutrd tn fend brioche done a ft thotild ClTLZliN br at THE CI IIZEN Job tyW THE Kooiiii. ALBUttUERUDE Das Or ZEN. Bindery. .VOLUME 12. ALHUQUEKQUE, NEW MEXICO, WEDNESDAY AFTERNOON, OCTOBER 5, 1890. NUMBER 302. line wax started yetrdiy afterninin at the Cathanla. The latter two have an American register. They range from the land otoee dmir, and mxt Blere A TUB. iNsneniM t.fyo to 7, Tim tin capacity, and are aiAPLMNj'imm Artfer m tnye.1 In line all nlaht. There waa no Ori- Areat Dr. modern vessel. Ttie California and tor Jaetw't ru-- however, on prerioiH company le syndi- aalrary rrand at ental tttramehip the Batttrlck The land la nearly all In th cate controlling this new Trane l'acillc Waolta orrlnn. hen He Denies His In Syatea C. Sent to the Peace of W00.I" country, and U Tragic Death, of a Prominent service.
    [Show full text]
  • 2017 EFRC-Hub-CMS PI Meeting Book
    2017 EFRC-HUB-CMS PI MEETING – TABLE OF CONTENTS Table of Contents FULL AGENDA .................................................................................................. 1 PLENARY SPEAKER BIOGRAPHIES ........................................................................... 5 EARLY CAREER NETWORK ORGANIZED EVENTS ......................................................... 6 EARLY CAREER NETWORK (ECN) REPRESENTATIVES .............................................................................. 7 SOCIAL EXCURSIONS ......................................................................................................................... 9 NATIONAL AIR AND SPACE MUSEUM, FOLLOWED BY DINNER SUNDAY, JULY 23, 2017, 1:30 – 5:30PM, 7:00– 9:00PM ........................................................................... 9 BOARD GAMES WITH DINNER MONDAY, JULY 24, 2017, 7:00PM – late ................................................................................................ 10 BASEBALL GAME TUESDAY, JULY 25, 2017, 6:15PM – late ................................................................................................. 11 PANEL DISCUSSIONS ....................................................................................................................... 12 CAREER PATHS FOR YOUNG PROFESSIONALS PANEL MONDAY, JULY 24, 2017, 11:50 – 12:50 PM, LINCOLN 3/4 ....................................................................... 12 DIVERSITY IN ENERGY SCIENCE BREAKFAST TUESDAY, JULY 25, 2017, 7:30 – 8:20 AM, LINCOLN 3/4 ..........................................................................
    [Show full text]
  • Products of Interest
    Products of Interest Pro Tools|HD Native and HD The PCIe card is shipped with inputs, and eight line outputs with Series Interfaces three DVDs: the Pro Tools software analog gain. Eight channels of ADAT and plug-ins installation DVD, a input/output, two eight-channel Avid (the use of the Digidesign name DVD of audio loops, and a training AES/EBU input/output connectors, was being phased out by Avid in 2010) DVD. An iLok USB Smart Key is used and two channels of S/PDIF in- has released Pro Tools|HD Native, a for software authorization. A 12-ft put/output are available on the inter- PCIe card that allows Macintosh and DigiLink Mini cable for use with the face, with sample rate convertors on PCs to run Pro Tools HD software. Pro Tools HD Series interfaces is also all the inputs. Audio can be routed Sessions can have up to 192 tracks included, along with an adapter for independently of a computer using with a single PCIe card providing older Pro Tools interfaces. The card a 14-input persistent monitor mixer. up to 64 channels of input/output. is compatible with Avid’s C|24 and A surround sound monitor section Pro Tools users can record, edit, ICON consoles, and with third-party supports up to 7.1 surround. Word and mix audio at sample rates up HUI consoles. Clock and Loop Synchronization in- to 192 kHz, with access to a Score The new series of HD audio inter- put/output are supported. Both the Editor, plug-ins, and MIDI tools.
    [Show full text]
  • Gender, Ethnicity, and Identity in Virtual
    Virtual Pop: Gender, Ethnicity, and Identity in Virtual Bands and Vocaloid Alicia Stark Cardiff University School of Music 2018 Presented in partial fulfilment of the requirements for the degree Doctor of Philosophy in Musicology TABLE OF CONTENTS ABSTRACT i DEDICATION iii ACKNOWLEDGEMENTS iv INTRODUCTION 7 EXISTING STUDIES OF VIRTUAL BANDS 9 RESEARCH QUESTIONS 13 METHODOLOGY 19 THESIS STRUCTURE 30 CHAPTER 1: ‘YOU’VE COME A LONG WAY, BABY:’ THE HISTORY AND TECHNOLOGIES OF VIRTUAL BANDS 36 CATEGORIES OF VIRTUAL BANDS 37 AN ANIMATED ANTHOLOGY – THE RISE IN POPULARITY OF ANIMATION 42 ALVIN AND THE CHIPMUNKS… 44 …AND THEIR SUCCESSORS 49 VIRTUAL BANDS FOR ALL AGES, AVAILABLE ON YOUR TV 54 VIRTUAL BANDS IN OTHER TYPES OF MEDIA 61 CREATING THE VOICE 69 REPRODUCING THE BODY 79 CONCLUSION 86 CHAPTER 2: ‘ALMOST UNREAL:’ TOWARDS A THEORETICAL FRAMEWORK FOR VIRTUAL BANDS 88 DEFINING REALITY AND VIRTUAL REALITY 89 APPLYING THEORIES OF ‘REALNESS’ TO VIRTUAL BANDS 98 UNDERSTANDING MULTIMEDIA 102 APPLYING THEORIES OF MULTIMEDIA TO VIRTUAL BANDS 110 THE VOICE IN VIRTUAL BANDS 114 AGENCY: TRANSFORMATION THROUGH TECHNOLOGY 120 CONCLUSION 133 CHAPTER 3: ‘INSIDE, OUTSIDE, UPSIDE DOWN:’ GENDER AND ETHNICITY IN VIRTUAL BANDS 135 GENDER 136 ETHNICITY 152 CASE STUDIES: DETHKLOK, JOSIE AND THE PUSSYCATS, STUDIO KILLERS 159 CONCLUSION 179 CHAPTER 4: ‘SPITTING OUT THE DEMONS:’ GORILLAZ’ CREATION STORY AND THE CONSTRUCTION OF AUTHENTICITY 181 ACADEMIC DISCOURSE ON GORILLAZ 187 MASCULINITY IN GORILLAZ 191 ETHNICITY IN GORILLAZ 200 GORILLAZ FANDOM 215 CONCLUSION 225
    [Show full text]
  • Ai Song Contest: Human-Ai Co-Creation in Songwriting
    AI SONG CONTEST: HUMAN-AI CO-CREATION IN SONGWRITING Cheng-Zhi Anna Huang1 Hendrik Vincent Koops2 Ed Newton-Rex3 Monica Dinculescu1 Carrie J. Cai1 1 Google Brain 2 RTL Netherlands 3 ByteDance annahuang,noms,[email protected], h.v.koops,[email protected] ABSTRACT experiences were enabled by major advances in machine learning and deep generative models [18, 66, 68], many of Machine learning is challenging the way we make music. which can now generate coherent pieces of long-form mu- Although research in deep generative models has dramati- sic [17, 30, 39, 55]. cally improved the capability and fluency of music models, Although substantial research has focused on improving recent work has shown that it can be challenging for hu- the algorithmic performance of these models, much less is mans to partner with this new class of algorithms. In this known about what musicians actually need when songwrit- paper, we present findings on what 13 musician/developer ing with these sophisticated models. Even when compos- teams, a total of 61 users, needed when co-creating a song ing short, two-bar counterpoints, it can be challenging for with AI, the challenges they faced, and how they lever- novice musicians to partner with a deep generative model: aged and repurposed existing characteristics of AI to over- users desire greater agency, control, and sense of author- come some of these challenges. Many teams adopted mod- ship vis-a-vis the AI during co-creation [45]. ular approaches, such as independently running multiple Recently, the dramatic diversification and proliferation smaller models that align with the musical building blocks of these models have opened up the possibility of leverag- of a song, before re-combining their results.
    [Show full text]
  • Beauty Is in the Eye of the “Produser”: Japan's Virtual Idol Hatsune Miku from Software, to Network, to Stage
    BEAUTY IS IN THE EYE OF THE “PRODUSER”: JAPAN'S VIRTUAL IDOL HATSUNE MIKU FROM SOFTWARE, TO NETWORK, Intermittence + Interference POST-SCREEN: TO STAGE ANA MATILDE SOUSA ANA MATILDE SOUSA 117 INTRODUCTION The “virtual idol” dream is not new, but Hatsune Miku — a cybercelebrity origi- nating from Japan who is steadily becoming a worldwide phenomenon — con- stitutes a paradigm shift in this lineage initiated in 1958 by the novelty group of anthropomorphic squirrels Alvin and the Chipmunks. Since then many have followed, from The Archies to Gorillaz and 2.0Pac. In Japan, HoriPro’s “digital kid”, Date Kyoko, pioneered the cyber frontier with her hit single “Love Commu- nication” in 1996 (Wolff, n.d.). While in 2011, the idol supergroup AKB48 pulled an infamous publicity stunt by revealing their new girl, Aimi Eguchi, was a com- puter-generated combination of other group members (Chen, 2011). So what does Miku have that they do not? Despite her apparent similar- ity to fictional characters such as Rei Toei from William Gibson’s Idoru, Miku’s phenomenon has less to do with futuristic prospects of technological singu- larity than with present-day renegotiations of the roles of author, work and fan in Web 2.0 media cultures. By addressing her softwarennetworknstage transformations, this study draws on a rapidly growing scholarship (Hama- saki, Takeda, & Nishimura, 2008; Le, 2013; Conner, 2014; Guga, 2014; Annett, 2015; Leavitt, Knight, & Yoshiba, 2016) to investigate how Miku’s appearance on screen(s) has shaped her construction as a virtual idol through grassroots- corporate “produsage” (Bruns, 2008). MIKU, FROM THE BEGINNING With a visionary name announcing the “First Sound of Future”, Hatsune POST-SCREEN: Intermittence + Interference POST-SCREEN: Miku, created in August 2007 by Sapporo-based company Crypton Future Me- dia, is the most popular avatar of Yamaha’s cutting-edge voice synthesizer VO- CALOID.
    [Show full text]
  • Adyslipper Music by Women Table of Contents
    .....••_•____________•. • adyslipper Music by Women Table of Contents Ordering Information 2 Arabic * Middle Eastern 51 Order Blank 3 Jewish 52 About Ladyslipper 4 Alternative 53 Donor Discount Club * Musical Month Club 5 Rock * Pop 56 Readers' Comments 6 Folk * Traditional 58 Mailing List Info * Be A Slipper Supporter! 7 Country 65 Holiday 8 R&B * Rap * Dance 67 Calendars * Cards 11 Gospel 67 Classical 12 Jazz 68 Drumming * Percussion 14 Blues 69 Women's Spirituality * New Age 15 Spoken 70 Native American 26 Babyslipper Catalog 71 Women's Music * Feminist Music 27 "Mehn's Music" 73 Comedy 38 Videos 77 African Heritage 39 T-Shirts * Grab-Bags 82 Celtic * British Isles 41 Songbooks * Sheet Music 83 European 46 Books * Posters 84 Latin American . 47 Gift Order Blank * Gift Certificates 85 African 49 Free Gifts * Ladyslipper's Top 40 86 Asian * Pacific 50 Artist Index 87 MAIL: Ladyslipper, PO Box 3124, Durham, NC 27715 ORDERS: 800-634-6044 (Mon-Fri 9-8, Sat'11-5) Ordering Information INFORMATION: 919-683-1570 (same as above) FAX: 919-682-5601 (24 hours'7 days a week) PAYMENT: Orders can be prepaid or charged (we BACK-ORDERS AND ALTERNATIVES: If we are FORMAT: Each description states which formats are don't bill or ship C.O.D. except to stores, libraries and temporarily out of stock on a title, we will automati­ available. LP = record, CS = cassette, CD = com­ schools). Make check or money order payable to cally back-order it unless you include alternatives pact disc. Some recordings are available only on LP Ladyslipper, Inc.
    [Show full text]
  • The Vocaloid Phenomenon of Vocal Synthesis and Sample Concatenation
    The Vocaloid Phenomenon of Vocal Synthesis and Sample Concatenation Cole Masaitis University of Mary Washington Department of Music Dr. Mark Snyder January 30, 2017 Masaitis, 1 Imagine a future where a singing voice synthesizer sang to you, instead of a real human. Instead of imagining that, what if I told you that this particular future has been around for quite some time? Vocaloid, or computer software that matches this exact description has been blowing up in Japan for over a decade, with other areas including the West being largely in the dark about it. In reality, Vocaloid has been slowly but surely seeping into pop-culture in other countries as well and was created all the way back in the early 2000’s. Vocaloid originated in the early 2000’s and was developed by a man named Hideki ​ Kenmochi who some refer to as “the father” of the software, for a research project at Pompeu Fabra University in Barcelona, Spain. Following his time at university, Yamaha Corporation funded his research which allowed for the further development of his creation and since then, the ​ software has evolved into the worldwide phenomenon called Vocaloid that exists today. Vocaloid employs sample concatenation or sequence that replicates the human voice, based on actual recordings of different individuals for each voicebank found in the Vocaloid editor programs. Originally, it was only capable of pronouncing vowels, and by the year 2003, the team released their product which was now able to sing simplistic words. Over the years the product went through several iterations before it reached the modern version of vocal synthesis it exemplifies today, in the form of Yamaha’s Vocaloid 4 software with more advanced phonetic, linguistic, and vocal than ever before.
    [Show full text]
  • Fall 2018 Commencement Program
    TE TA UN S E ST TH AT I F E V A O O E L F A DITAT DEUS N A E R R S I O Z T S O A N Z E I A R I T G R Y A 1912 1885 ARIZONA STATE UNIVERSITY COMMENCEMENT AND CONVOCATION PROGRAM Fall 2018 December 10-12, 2018 THE NATIONAL ANTHEM THE STAR-SPANGLED BANNER O say can you see, by the dawn’s early light, What so proudly we hailed at the twilight’s last gleaming? Whose broad stripes and bright stars through the perilous fight O’er the ramparts we watched, were so gallantly streaming? And the rockets’ red glare, the bombs bursting in air Gave proof through the night that our flag was still there. O say does that Star-Spangled Banner yet wave O’er the land of the free and the home of the brave? ALMA MATER ARIZONA STATE UNIVERSITY Where the bold saguaros Raise their arms on high, Praying strength for brave tomorrows From the western sky; Where eternal mountains Kneel at sunset’s gate, Here we hail thee, Alma Mater, Arizona State. —Hopkins-Dresskell MAROON AND GOLD Fight, Devils down the field Fight with your might and don’t ever yield Long may our colors outshine all others Echo from the buttes, Give em’ hell Devils! Cheer, cheer for A-S-U! Fight for the old Maroon For it’s Hail! Hail! The gang’s all here And it’s onward to victory! Students whose names appear in this program have completed degree requirements.
    [Show full text]
  • Newport Tiles: 4800 North 55-71
    Newport Tiles: 4800 North 55-71 Block Present location* Address Tile ID No. Line 1 Line 2 Line 3 Line 4 Year Installed 4800N Arco lot 4810 55.0001 (HEART) FIRE CAPTAIN (SURFER) STEPHEN PERRY STEVIE,JOSH 1999 4800N Arco lot 4810 55.0002 ZITA M. AKEY REALTY COMPANY 1946-1959 4800N Arco lot 4810 55.0003 (BLANK) 4800N Arco lot 4810 55.0004 WORK FOR PEACE 4800N Arco lot 4810 55.0005 (BLANK) 4800N Arco lot 4810 55.0006 (BLANK) 4800N Arco lot 4810 55.0007 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0008 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0009 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0010 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0011 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0012 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0013 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0014 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0015 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0016 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0017 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0018 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0019 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0020 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0021 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0022 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0023 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0024 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0025 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0026 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0027 (BLANK) 4800N Arco lot 4810 55.0028 (BLANK) 4800N Arco lot 4810 55.0029 BILL & VELMA STARMAN 7-4-39 7-4-89 4800N Arco lot 4810 55.0030 (BLANK) 4800N Arco lot 4810 55.0032 HEMPSTEADS BRENNANS SINCE 1971 4800N Arco lot 4810 55.0033 (BLANK) 4800N Arco lot 4810 55.0034 PAUL HOLBROOK DOROTHY DIANA PATRICIA JEAN 4800N Arco lot 4810 55.0035 (BLANK) 4800N Arco lot 4810 55.0036 (BLANK) 4800N Arco lot 4810 55.0037 AL CLOUGH AND SCHATZIE 4800N Arco lot 4810 55.0038 TO CHRISTINE, MY FRIEND, MY LOVE.
    [Show full text]