The Steve Shapiro Electriquartet Featuring Mark Egan, Joel Rosenblatt & Shane Theriot
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Where to Study Jazz 2019
STUDENT MUSIC GUIDE Where To Study Jazz 2019 JAZZ MEETS CUTTING- EDGE TECHNOLOGY 5 SUPERB SCHOOLS IN SMALLER CITIES NEW ERA AT THE NEW SCHOOL IN NYC NYO JAZZ SPOTLIGHTS YOUNG TALENT Plus: Detailed Listings for 250 Schools! OCTOBER 2018 DOWNBEAT 71 There are numerous jazz ensembles, including a big band, at the University of Central Florida in Orlando. (Photo: Tony Firriolo) Cool perspective: The musicians in NYO Jazz enjoyed the view from onstage at Carnegie Hall. TODD ROSENBERG FIND YOUR FIT FEATURES f you want to pursue a career in jazz, this about programs you might want to check out. 74 THE NEW SCHOOL Iguide is the next step in your journey. Our As you begin researching jazz studies pro- The NYC institution continues to evolve annual Student Music Guide provides essen- grams, keep in mind that the goal is to find one 102 NYO JAZZ tial information on the world of jazz education. that fits your individual needs. Be sure to visit the Youthful ambassadors for jazz At the heart of the guide are detailed listings websites of schools that interest you. We’ve com- of jazz programs at 250 schools. Our listings are piled the most recent information we could gath- 120 FIVE GEMS organized by region, including an International er at press time, but some information might have Excellent jazz programs located in small or medium-size towns section. Throughout the listings, you’ll notice changed, so contact a school representative to get that some schools’ names have a colored banner. detailed, up-to-date information on admissions, 148 HIGH-TECH ED Those schools have placed advertisements in this enrollment, scholarships and campus life. -
Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67
Listening in Double Time: Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67 Marc Howard Medwin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2008 Approved by: David Garcia Allen Anderson Mark Katz Philip Vandermeer Stefan Litwin ©2008 Marc Howard Medwin ALL RIGHTS RESERVED ii ABSTRACT MARC MEDWIN: Listening in Double Time: Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67 (Under the direction of David F. Garcia). The music of John Coltrane’s last group—his 1965-67 quintet—has been misrepresented, ignored and reviled by critics, scholars and fans, primarily because it is a music built on a fundamental and very audible disunity that renders a new kind of structural unity. Many of those who study Coltrane’s music have thus far attempted to approach all elements in his last works comparatively, using harmonic and melodic models as is customary regarding more conventional jazz structures. This approach is incomplete and misleading, given the music’s conceptual underpinnings. The present study is meant to provide an analytical model with which listeners and scholars might come to terms with this music’s more radical elements. I use Coltrane’s own observations concerning his final music, Jonathan Kramer’s temporal perception theory, and Evan Parker’s perspectives on atomism and laminarity in mid 1960s British improvised music to analyze and contextualize the symbiotically related temporal disunity and resultant structural unity that typify Coltrane’s 1965-67 works. -
May • June 2013 Jazz Issue 348
may • june 2013 jazz Issue 348 &blues report now in our 39th year May • June 2013 • Issue 348 Lineup Announced for the 56th Annual Editor & Founder Bill Wahl Monterey Jazz Festival, September 20-22 Headliners Include Diana Krall, Wayne Shorter, Bobby McFerrin, Bob James Layout & Design Bill Wahl & David Sanborn, George Benson, Dave Holland’s PRISM, Orquesta Buena Operations Jim Martin Vista Social Club, Joe Lovano & Dave Douglas: Sound Prints; Clayton- Hamilton Jazz Orchestra, Gregory Porter, and Many More Pilar Martin Contributors Michael Braxton, Mark Cole, Dewey Monterey, CA - Monterey Jazz Forward, Nancy Ann Lee, Peanuts, Festival has announced the star- Wanda Simpson, Mark Smith, Duane studded line up for its 56th annual Verh, Emily Wahl and Ron Wein- Monterey Jazz Festival to be held stock. September 20–22 at the Monterey Fairgrounds. Arena and Grounds Check out our constantly updated Package Tickets go on sale on to the website. Now you can search for general public on May 21. Single Day CD Reviews by artists, titles, record tickets will go on sale July 8. labels, keyword or JBR Writers. 15 2013’s GRAMMY Award-winning years of reviews are up and we’ll be lineup includes Arena headliners going all the way back to 1974. Diana Krall; Wayne Shorter Quartet; Bobby McFerrin; Bob James & Da- Comments...billwahl@ jazz-blues.com vid Sanborn featuring Steve Gadd Web www.jazz-blues.com & James Genus; Dave Holland’s Copyright © 2013 Jazz & Blues Report PRISM featuring Kevin Eubanks, Craig Taborn & Eric Harland; Joe No portion of this publication may be re- Lovano & Dave Douglas Quintet: Wayne Shorter produced without written permission from Sound Prints; George Benson; The the publisher. -
PASIC 2010 Program
201 PASIC November 10–13 • Indianapolis, IN PROGRAM PAS President’s Welcome 4 Special Thanks 6 Area Map and Restaurant Guide 8 Convention Center Map 10 Exhibitors by Name 12 Exhibit Hall Map 13 Exhibitors by Category 14 Exhibitor Company Descriptions 18 Artist Sponsors 34 Wednesday, November 10 Schedule of Events 42 Thursday, November 11 Schedule of Events 44 Friday, November 12 Schedule of Events 48 Saturday, November 13 Schedule of Events 52 Artists and Clinicians Bios 56 History of the Percussive Arts Society 90 PAS 2010 Awards 94 PASIC 2010 Advertisers 96 PAS President’s Welcome elcome 2010). On Friday (November 12, 2010) at Ten Drum Art Percussion Group from Wback to 1 P.M., Richard Cooke will lead a presen- Taiwan. This short presentation cer- Indianapolis tation on the acquisition and restora- emony provides us with an opportu- and our 35th tion of “Old Granddad,” Lou Harrison’s nity to honor and appreciate the hard Percussive unique gamelan that will include a short working people in our Society. Arts Society performance of this remarkable instru- This year’s PAS Hall of Fame recipi- International ment now on display in the plaza. Then, ents, Stanley Leonard, Walter Rosen- Convention! on Saturday (November 13, 2010) at berger and Jack DeJohnette will be We can now 1 P.M., PAS Historian James Strain will inducted on Friday evening at our Hall call Indy our home as we have dig into the PAS instrument collection of Fame Celebration. How exciting to settled nicely into our museum, office and showcase several rare and special add these great musicians to our very and convention space. -
The New York Law School Reporter's Arts and Entertainment Journal, Vol
digitalcommons.nyls.edu NYLS Publications Student Newspapers 4-1986 The ewN York Law School Reporter's Arts and Entertainment Journal, vol IV, no. 4, April 1986 New York Law School Follow this and additional works at: https://digitalcommons.nyls.edu/newspapers Recommended Citation New York Law School, "The eN w York Law School Reporter's Arts and Entertainment Journal, vol IV, no. 4, April 1986" (1986). Student Newspapers. 117. https://digitalcommons.nyls.edu/newspapers/117 This Article is brought to you for free and open access by the NYLS Publications at DigitalCommons@NYLS. It has been accepted for inclusion in Student Newspapers by an authorized administrator of DigitalCommons@NYLS. The New·York Law School Reporter's 1lll'l,S 1INI) l~N'l,l~ll'l'1IIN)ll~N'I' ,IC) IJllN 11I~ VolIVNo4 • ALL THE NEWS WE CAN FIND • Apr1l1986 llf.)f;I{ 1INI) llf)I~I~: by Dbmne Pine DE1'EN'l'E OF THE EIGH'flES When the arts & entertainment section Sirnplifed - the Home Audio Recording by llya Frenkel first pondered the merits of an article on Act calls for 1) a 1• per minute tax on high With all the talk of possibility of But the real reason behind this the proposed Home Audio Recording Act, quality audio tape; 2) a 5% tax on tape detente in the U.S. - Soviet relations, phenomenon may very well be that with the flood of information which reached recorders and 3) a 25% tax on dual tape cultural exchanges and trade take a the advent of easily-accessible audio, this office looked like so many piles of decks. -
Smooth Jazz Festival Augsburg 2013 What Are the Main Ingre- Dients of a Great Party???
SMOOTH JAZZ FESTIVAL AUGSBURG 11. – 14. September 2014 Präsentiert von: Haupt-Sponsoren: Medien-Sponsoren: Partner: Logo Smooth Music Radio Medienpartner:Druckversion CMYK Pressekontakt & Co. Inhalt Press Contact & Co. Content Pressekontakt / Press contact Smooth Jazz Festival Augsburg smooth entertainment: Christian Bößner, Begrüßung / Address of Welcome ������������������������������������������������������������������2 cb@smoothentertainment�de Reservierung / Reservation ������������������������������������������������������������������������������3 Kurhaus Göggingen: Anke Maresch, Künstler / Artists maresch@parktheater�de, Tel�: +49 (0)821 9062258 Chris Standring ����������������������������������������������������������������������������������������������������4 Internet Paul Taylor �������������������������������������������������������������������������������������������������������������5 Veranstaltungshomepage / Event homepage: Marion Meadows ������������������������������������������������������������������������������������������������6 www�augsburg�smoothjazzfestival�de Candy Dulfer ��������������������������������������������������������������������������������������������������������7 Julian Vaughn ������������������������������������������������������������������������������������������������������8 Veranstalter / Organizer Bob Baldwin ���������������������������������������������������������������������������������������������������������9 smooth entertainment GmbH, Perzheimstraße 48, D-86150 Augsburg Matt Marshak �����������������������������������������������������������������������������������������������������10 -
10-Milton Nascimento Una Calle Llamada Mundo
164 MILTON NASCIMENTO: UNA CALLE LLAMADA MUNDO Alberto Carlos De Souza Universidade Nacional Rosario- Espírito Santo - Brasil Resumen El punto de partida de este estudio consistirá en la exploración de la musicalidad de Milton Nascimento y de sus compañeros del “movimiento” “Clube da Esquina”, destacándose la relevancia del conjunto de esa obra para la cultura brasilera. El referido “movimiento” floreció en Minas Gerais en el auge de uno de los períodos más críticos de la historia contemporánea brasilera: la dictadura militar. En tanto, el “Clube da Esquina” – dado a la diversidad de los temas tratados en sus letras y su singularidad poética -, luego se difundió por todo el espacio cultural brasilero. Hablar del “Clube da Esquina” no es tarea fácil porque hay una dolorosa ausencia o pálida presencia de este movimiento en estudios que se ocupan de nuestra música popular. El “Clube da Esquina” fue un círculo de amigos que se reunieron en un pequeño pub en la esquina de la Calle Divinópolis y Calle Paraisópolis, en un bucólico barrio de Belo Horizonte (Minas Gerais - Brasil), llamado Santa Teresa. Era parte de esa hermandad, interesada en música, cine y poesía, Milton Nascimento, Wagner Tiso, Fernando Brant, Toninho Horta, Beto Guedes, Moura Tavinho, los hermanos Lô y Marcio Borges, Robertinho Silva, Nivaldo Ornelas, Ronaldo Bastos, Murilo Antunes Nelson Angelo y Novelli, entre otros. En estas reuniones, regadas con mucha cerveza, Milton Nascimento y sus compañeros. Milton fue y sigue siendo la mayor referencia del movimiento “Clube da Esquina”. Palabras-clave: Milton Nascimento. Club de la Esquina. Historia. Música Popular Brasileña. Introducción El punto de partida de este estudio consistirá en la exploración de la musicalidad de Milton Nascimento y de sus compañeros del “movimiento” “Clube da Esquina”, destacándose la relevancia del conjunto de esa obra para la cultura brasilera. -
Polish Musicians Merge Art, Business the INAUGURAL EDITION of JAZZ FORUM SHOWCASE POWERED by Szczecin Jazz—Which Ran from Oct
DECEMBER 2019 VOLUME 86 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Sammy Figueroa Full
Sammy Figueroa has long been regarded as one of the world’s great musicians. As a much-admired percussionist he provided the rhythmical framework for hundreds of hits and countless recordings. Well-known for his versatility and professionalism, he is equally comfortable in a multitude of styles, from R & B to rock to pop to electronic to bebop to Latin to Brazilian to New Age. But Sammy is much more than a mere accompanist: when Sammy plays percussion he tells a story, taking the listener on a journey, and amazing audiences with both his flamboyant technique and his subtle nuance and phrasing. Sammy Figueroa is now considered to be the most likely candidate to inherit the mantles of Mongo Santamaria and Ray Barretto as one of the world’s great congueros. Sammy Figueroa was born in the Bronx, New York, the son of the well-known romantic singer Charlie Figueroa. His first professional experience came at the age of 18, while attending the University of Puerto Rico, with the band of bassist Bobby Valentin. During this time he co-founded the innovative Brazilian/Latin group Raices, which broke ground for many of today’s fusion bands. Raices was signed to a contract with Atlantic Records and Sammy returned to New York, where he was discovered by the great flautist Herbie Mann. Sammy immediately became one of the music world’s hottest players and within a year he had appeared with John McLaughlin, the Brecker Brothers and many of the world’s most famous pop artists. Since then, in a career spanning over thirty years, Sammy has played with a -
Brian Simpson Again Tops Album and Singles Charts
JazzWeek with airplay data powered by jazzweek.com • Jan. 23, 2006 Volume 2, Number 9 • $7.95 In This Issue: J@LC, Radio Salute Pittsburgh. 4 Botti In PBS Spring Pledge Special . 5 MakeMusic Offers IAJE Special on SmartMusic . 6 Passings: Bob Weinstock, Phil Elwood . 6 Reviews and Picks . 15 Jazz Radio . 18 Smooth Jazz IAJE 2006 Radio. 25 WRAPUP Radio page 11 Panels. 24, 29 News. 4 Charts: #1 Jazz Album – Houston Person #1 Smooth Album –Brian Simpson #1 Smooth Single – Brian Simpson JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger othing does more to charge my jets than to attend IAJE each MUSIC EDITOR year. While I’m usually exhausted by the end of the conference, Tad Hendrickson Nit’s energizing to catch up with friends and colleagues, to meet CONTRIBUTING EDITORS people face-to-face for the first time, to pick up new ideas, and to be Keith Zimmerman immersed in great music. Getting to spend time at a couple NYC clubs Kent Zimmerman is a big bonus. CONTRIBUTING WRITER/ The most thrilling thing, though, is to see the reactions of young PHOTOGRAPHER Tom Mallison students. The unbridled enthusiasm the young crowd displayed at the PHOTOGRAPHY Stefon Harris and Javon Jackson (with show-stealer Dr. Lonnie Smith) Barry Solof sets was contagious. And it gives me great hope for the vitality and fu- ture health of jazz. Founding Publisher: Tony Gasparre ••• ADVERTISING: Devon Murphy On the subject of young people, I’m watching with great interest the Call (866) 453-6401 ext. 3 or efforts to attract a younger audience at night on WEMU and KUVO. -
The Last Record Album Feat
The last record album feat The Last Record Album is the fifth studio album by the American rock band Little Feat, released in Reviewing the album for AllMusic, Stephen Thomas Track listing · Side One · Side Two · Personnel. This is a great studio album from Little Feat, and while it is perhaps a bit of a transition album, Lowell George's guitar work is great, and his vocals are amazingly. Find album reviews, stream songs, credits and award information for The Last Record Album - Little Feat on AllMusic - - The title of The Last Record Album. Find a Little Feat - The Last Record Album first pressing or reissue. Complete your Little Feat collection. Shop Vinyl and CDs. horizontal mambo my personal favorite Feat album, super funky rock with lots of space and omitted notes, a. The Last Record Album is the fifth studio album by the American rock band Little Feat, released in Reviewing the album for Allmusic. The Last Record Album, an Album by Little Feat. Released in November on Warner Bros. (catalog no. K; Vinyl LP). Genres: Southern Rock, Rock. Like any Little Feat release from the s, you can't fault the musicianship on The Last Record Album, and drummer Richie Hayward in. That's right, WB/Rhino has licensed the great, unsung Little Feat album to Rock Beat Records (whoever they are), who have remastered it. The Last Record Album. By Little Feat. • 8 songs. Play on Spotify. 1. Romance Dance. 2. All That You Dream (With Linda Ronstadt) - Linda. Little Feat - The Last Record Album. By John Dough. -
Students Protest Dorm Policies
Dr. Wilson Elkins, President University of Haryland • theUM Center of Adult Education .\lt•mh,;, n(tht> College Park Campus d~'i0Cic)T€D COLLE'GicHePRP5SF ,,.~::;G~~:h o• ;J age 2 Elect 1on Platf o rm ~ ... ;Jage7 T~red L1ttle Feat . .... .... tJag e 9 Lot~ 01 Victor~e!> ' ..• . .. ... page 12 V ert- e tter~.~ Le llP'"' ... page 14·15 volume 12 number 24 Free State University Press 17 April 1978 SGA Elections Friday: Candidates Stress Unity By Juana Wilson "Library hours should also be tablishment of a campus bank The lack of unity within the extended, especially during with student employees. student body at UMBC is a exam times," Siewierski said. " We are trying to provide major concern of all the Siewierski and Batzleer also more jobs for the students since candidates in this year's Stu propo_se more interaction with it is more difficult than ever to dent Government Association the community. ''Since it is part find a job (nowadays.") ··elections. · of a state school, UMBC has a Christakos and Howard ''UMBC is now made up of responsibility to the community would like to see an increase bf separate camps,'' said Leslie around it, especially Baltimore service of the MTA buses; more Mealy, one of the contenders City, ' ' agreed the two candi- frequency and dependabihly. for the vice-presidency. ''It is Other issues in their plat dates. - · time that we combine different · Among ~he other proposals forms include: group events to benefit all are: *remodeling of the Rathskel Students Protest groups on campus." *more representation of the lar The over-all feeling among SGA ~ campus so that the *bettering the school's aca the candidates is that the students will always have demic reputation so that a Dorm Policies students lack a uniting force access to their government diploma from UMBC will be and perhaps this is due to the *fairer procedures in the more competitive in the job By Ed Pearson unsafe conditions; and that stu social life on campus.