Enigma Push the Limits Mp3, Flac, Wma

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Enigma Push The Limits mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Push The Limits Country: Europe Released: 2000 Style: Breakbeat, Trance MP3 version RAR size: 1934 mb FLAC version RAR size: 1416 mb WMA version RAR size: 1479 mb Rating: 4.5 Votes: 748 Other Formats: AUD MPC AUD AHX MP4 WAV VOX Tracklist Hide Credits Push The Limits (Radio Edit) 1 3:54 Producer – Michael Cretu Push The Limits (ATB Radio Remix) 2 3:35 Producer, Mastered By, Remix [Credited To] – André TannebergerRemix – ATB Companies, etc. Recorded At – A.R.T. Studios Mastered At – A.R.T. Studios Remixed At – ATB Studio 4 Mastered At – ATB Studio 4 Published By – 1-2-3 Music Published By – Crocodile Music Phonographic Copyright (p) – Virgin Schallplatten GmbH Copyright (c) – Virgin Schallplatten GmbH Credits Artwork [Art], Design – Johann Zambryski Engineer, Performer, Written-By [Music] – Jens Gad Engineer, Performer, Written-By [Music], Lyrics By – Michael Cretu Photography By [Some Original] – Steffen Jagenburg Notes Track 1 recorded and mastered at A.R.T. Studios, Ibiza/Spain. Track 2 remixed and mastered at ATB Studio 4. Published by 1-2-3 Music / Crocodile Music. P&C2000 Virgin Schallplatten GmbH Other versions Category Artist Title (Format) Label Category Country Year 7243 8 96680 2 5, Push The Limits (CD, Virgin, 7243 8 96680 2 5, Enigma Europe 2000 8 96680 2 Maxi) Virgin 8 96680 2 Push The Limits (CD, VGP 000290 Enigma Virgin VGP 000290 Europe 2000 Single, Promo, Car) Push The Limits (CD, 7243 8 96680 0 1 Enigma Virgin 7243 8 96680 0 1 Germany 2000 Maxi, Enh, Dig) Push The Limits (CD, 7243 8 96680 2 5 Enigma Virgin 7243 8 96680 2 5 Italy 2000 Maxi) Push The Limits (12", DINSTDJ 205 Enigma Virgin DINSTDJ 205 UK 2000 Promo, W/Lbl) Related Music albums to Push The Limits by Enigma ENIGMA ³ - Le Roi Est Mort, Vive Le Roi! Michael Cretu - Legionäre Whigfield - Baby Boy Cretu - Die Chinesische Mauer Mal Practice - Push The Limits / Data Bass T'Pau / Sandra - Secret Garden / Secret Land Enigma - Le Roi Est Mort, Vive Le Roi! Sandra - Mirrors Enigma - Return To Innocence Sandra - Such A Shame.

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Ecolyrics in Pop Music: a Review of Two Nature Songs
Language & Ecology 2016 www.ecoling.net/articles Ecolyrics in Pop Music: A Review of Two Nature Songs Amir Ghorbanpour [email protected] Ph.D. Student, Department of Linguistics Tarbiat Modarres University, Tehran, Iran Abstract This paper is an ecolinguistic analysis of the lyrics of two nature songs – coined in this paper as ‘eco-lyrics’. The aim was to analyse the underlying stories that lie behind the lyrics, and how they model the natural world. The two songs chosen were We Kill the World by Boney M. (1981) and Johnny Wanna Live by Sandra (1990). In particular, the use of metaphors and appraisal patterns in Boney M.’s song and the use of salience patterns (through personification, naming and activation) in Sandra’s – in terms of Stibbe’s (2015) general classification of the ‘stories we live by’ – were looked at, in order to shed light on how the more-than-human world is represented in each of these songs. Keywords: ecolinguistics, ecolyrics, nature songs, metaphor, salience Language & Ecology 2016 www.ecoling.net/articles 1. Introduction The relatively new discipline of ecolinguistics, as the name implies, aims at studying the interrelationship between language and ecology. Michael Halliday (1990), in his seminal work which is often credited with launching ecolinguistics as a new recognisable form of the ecological humanities (Stibbe, 2015: 83), provided linguists with the incentive to consider the ecological context and consequences of language. In his speech at the AILA (International Association of Applied Linguistics) conference in 1990, Halliday stressed ‘the connection between language on the one hand, and growthism, classism and speciesism on the other, admonishing applied linguists not to ignore the role of their object of study in the growth of environmental problems’ (Fill, 1998: 43).
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Sandra's European Track Record
are mutually agreed upon by the "gang of four"-Sandra, Cretu, Lange and Thurnau-dur- Sandra's European ing informal meetings. According to Thurnau, Cretu is a 100% perfectionist who is always look- ing for new things. "Still,it's not hard to work Track Record with him. He decides for himself what's good enough to release. He's the real mastermind. He has the ideas, the songs, and he handles thepro- duction, the artwork, the styling and the whole Albums imagery. But we always discuss it together," he The Long Play (1985) adds. Platinum in Sweden, Finland, Switzerland and The new sound is also a deliberatemove to Greece. Gold in France, Germany and Norway. break into new markets. Explains Thurnau, "It is Mirrors (1986) oriented more towards the American market. It's Gold in France and Switzerland. Silver in Nor- the right groove and, at the moment, we're wait- way. ing for a proper promo and marketingcam- Ten On One (1987) paign." Both Lange and Thurnau are confident Platinum in Sweden. Gold in Germany, Austria, that the Enigma success will fuel the breaking of Switzerland and France (double). Sandra in the US market because it gives the Into A Secret Land (1988) media a story to tell. Besides this, they add it Platinum in France and Sweden. Gold in Ger- makes the promotion job a great deal easier. many, Austria and Switzerland. The 1990 single Sadeness sold over four million Paintings In Yellow (1989) copies worldwide, while the album MCMXC a.D. Gold in France and Germany.
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