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Reinhard Keiser (1674-1739) Markuspassion Passion Selon Saint Marc - St Mark Passion
ENSEMBLE JACQUES MODERNE Gli Incogniti - Amandine Beyer Jan Kobow ténor - Thomas e. Bauer basse - Joël Suhubiette direction Jan Kobow ténor (Evangelist) Thomas E. Bauer basse (Jesus) Ensemble Jacques Moderne Anne Magouët soprano (arias et Magd) David Erler alto (arias et Hohepriester) Stephan Van Dyck ténor (arias et Petrus) Guilhem Terrail alto (Judas, Kriegsknecht) Gunther Vandeven alto (Hauptmann) Olivier Coiffet ténor (Pilatus) Cécile Dibon soprano Cyprile Meier soprano Marc Manodritta ténor Didier Chevalier basse Christophe Sam basse Pierre Virly basse Gli Incogniti Amandine Beyer violon 1 Alba Roca violon 2 Marta Páramo alto 1 Ottavia Rausa alto 2 Francesco Romano théorbe Marco Ceccato violoncelle Baldomero Barciela violone Anna Fontana orgue et clavecin Mélodie Michel basson Antoine Torunczyk hautbois Joël Suhubiette direction TRACKS 2 PLAGES CD REINHARD KEISER (1674-1739) Markuspassion Passion selon Saint Marc - St Mark Passion De récentes recherches musicologiques permettent de penser que la « Markuspassion » n’est pas l’œuvre de Reinhard Keiser, essentiellement pour des raisons stylistiques. En revanche, l’attribution à un autre compositeur du XVIIème siècle tel que Nicolaus Bruhns ou Gottfried Keiser, le père de Reinhard Keiser, n’est pas encore avérée et cette question reste donc à ce jour non élucidée. Recent musicological research tends to suggest that the Markuspassion is not the work of Reinhard Keiser, essentially for stylistic reasons. However, it has not yet proved possible to attribute it positively to any other contemporary composer, such as Nicolaus Bruhns, or to Gottfried Keiser, Reinhard’s father, and so its paternity is currently uncertain. Die Ergebnisse jüngster musikwissenschaftlicher Forschungen lassen, vor allem aus stilistischen Gründen, durchaus vermuten, dass Reinhard Keiser nicht der wirkliche Urheber der „Markuspassion“ ist. -
Liturgical Drama in Bach's St. Matthew Passion
Uri Golomb Liturgical drama in Bach’s St. Matthew Passion Bach’s two surviving Passions are often cited as evidence that he was perfectly capable of producing operatic masterpieces, had he chosen to devote his creative powers to this genre. This view clashes with the notion that church music ought to be calm and measured; indeed, Bach’s contract as Cantor of St. Thomas’s School in Leipzig stipulated: In order to preserve the good order in the churches, [he would] so arrange the music that it shall not last too long, and shall be of such nature as not to make an operatic impression, but rather incite the listeners to devotion. (New Bach Reader, p. 105) One could argue, however, that Bach was never entirely faithful to this pledge, and that in the St. Matthew Passion he came close to violating it entirely. This article explores the fusion of the liturgical and the dramatic in the St. Matthew Passion, viewing the work as the combination of two dramas: the story of Christ’s final hours, and the Christian believer’s response to this story. This is not, of course, the only viable approach to this masterpiece. The St. Matthew Passion is a complex, heterogeneous work, rich in musical and expressive detail yet also displaying an impressive unity across its vast dimensions. This article does not pretend to explore all the work’s aspects; it only provides an overview of one of its distinctive features. 1. The St. Matthew Passion and the Passion genre The Passion is a musical setting of the story of Christ’s arrest, trial and crucifixion, intended as an elaboration of the Gospel reading in the Easter liturgy. -
Juilliard415 Kristian Bezuidenhout, Harpsichord and Director
Juilliard415 Kristian Bezuidenhout, Harpsichord and Director The Juilliard School presents Juilliard415 Kristian Bezuidenhout, Harpsichord and Director Recorded on April 10, 2021 Peter Jay Sharp Theater HENRY PURCELL Music of the Theater (1659-95) Overture to Dioclesian Hornpipe from King Arthur Rondeau Minuet from The Gordion Knot Untied First Act Tune from The Virtuous Wife Second Music from The Virtuous Wife Rondeau from The Indian Queen Chacony in G Minor J.S. BACH Contrapunctus XIV from The Art of Fugue, arr. for flute, oboe, (1685-1750) and four-part strings Harpsichord Concerto in D Minor, BWV 1052 Allegro Adagio Allegro GEORG PHILIPP Sonata à 5 for two violins, two violas, and basso continuo in TELEMANN G Minor, TWV 44:33 (1681-1767) Grave Allegro Adagio Vivace 1 Welcome to the 2020-21 Historical Performance season! The Historical Performance movement began as a revolution: a reimagining of musical conventions, a rediscovery of instruments, techniques, and artworks that inspire and teach us, and a celebration of diversity in repertoire. It is also a conversation with the past, a past whose legacy of racism and colonialism has silenced and excluded too many voices from being heard. We do not seek simply to recreate what might have been but to imagine what should be. We embrace Juilliard's values of equity, diversity, inclusion, and belonging through voices heard anew and historical works presented with empathetic perspectives, and we reject discrimination, exclusion, and marginalization. We recognize that we study and work on the traditional homeland of those who preceded us (see Juilliard's land acknowledgement statement, below). -
M. Suzuki & Bach Collegium Japan (BIS SACD)
BIS-SACD-1551 Cantatas:booklet 19/12/06 09:03 Page 2 BACH, Johann Sebastian (1685-1750) Cantatas 34 · Leipzig 1725 Wie schön leuchtet der Morgenstern, BWV 1 22'23 Kantate zum Fest Mariae Verkündigung (25. März 1725) Text: [1, 6] Philipp Nicolai 1599; [2-5] anon. Corno I, II, Oboe da caccia I, II, Violino concertato I, II, Violino I, II, Viola, Soprano, Alto, Tenore, Basso, Continuo 1 1. [Chorus]. Wie schön leuchtet der Morgenstern… 8'19 2 2. Recitativo (Tenore). Du wahrer Gottes und Marien Sohn … 0'58 3 3. Aria (Soprano). Erfüllet, ihr himmlischen göttlichen Flammen … 4'14 4 4. Recitativo (Basso). Ein ird’scher Glanz, ein leiblich Licht… 0'56 5 5. Aria (Tenore). Unser Mund und Ton der Saiten … 6'24 6 6. Choral. Wie bin ich doch so herzlich froh … 1'18 Erhalt uns, Herr, bei deinem Wort, BWV 126 17'04 Kantate zum Sonntag Sexagesimae (4. Februar 1725) Text: [1, 3] Martin Luther 1542; [2, 4, 5] anon.; [6] Martin Luther 1529/Johann Walter 1566 Tromba, Oboe I, II, Violino I, II, Viola, Soprano, Alto, Tenore, Basso, Continuo, Organo 7 1. [Chorus]. Erhalt uns, Herr, bei deinem Wort … 2'44 8 2. Aria (Tenore). Sende deine Macht von oben … 4'44 9 3. Recitativo [& Choral] (Alto, Tenore). Der Menschen Gunst … 1'56 10 4. Aria (Basso). Stürze zu Boden, schwülstige Stolze! … 4'50 11 5. Recitativo (Tenore). So wird dein Wort und Wahrheit offenbar … 0'52 12 6. Choral. Verleih uns Frieden gnädiglich … 1'45 2 BIS-SACD-1551 Cantatas:booklet 19/12/06 09:03 Page 3 Herr Jesu Christ, wahr’ Mensch und Gott, BWV 127 19'21 Kantate zum Sonntag Estomihi (11. -
Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
Early Music Review EDITIONS of MUSIC Here Are Thirteen Works in the Present Volume
Early Music Review EDITIONS OF MUSIC here are thirteen works in the present volume. The first two are masses by John Bedingham, while the others are anonymous mass movements (either New from Stainer & Bell T single or somehow related). Previous titles in the series have been reviewed by Clifford Bartlett, and I confess this English Thirteenth-century Polyphony is the first time I have looked at repertory from this period A Facsimile Edition by William J. Summers & Peter M. since I studied Du Fay at university! At that time I also Lefferts sang quite a lot of (slightly later) English music, so I am not Stainer & Bell, 2016. Early English Church Music, 57 completely unfamiliar with it. I was immediately struck 53pp+349 plates. by the rhythmic complexity and delighted to see that the ISMN 979 0 2202 2405 8; ISBN 978 0 85249 940 5 editions preserve the original note values and avoids bar £180 lines - one might expect this to complicate matters with ligatures and coloration to contend with, but actually it is his extraordinarily opulent volume (approx. 12 laid out in such a beautiful way that everything miraculously inches by 17 and weighing more than seven pounds makes perfect sense. Most of the pieces are in two or three T- apologies for the old school measurements!) is a parts (a fourth part – called “Tenor bassus” – is added to marvel to behold. The publisher has had to use glossy paper the Credo of Bedingham’s Mass Dueil angoisseux in only in order to give the best possible colour reproductions of one of the sources). -
La Petite Bande Olv
2007-2008 BLAUWE ZAAL DO 24 APRIL 2008 La Petite Bande olv. Sigiswald Kuijken 2007-2008 Bach wo 14 november 2007 KOOR & ORKEST COLLEGIUM VOCALE GENT OLV. PHILIppE HERREWEGHE za 15 december 2007 FREIBURGER BAROckORCHESTER & COLLEGIUM VOCALE GENT OLV. MASAAKI SUZUKI do 24 april 2008 LA PETITE BANDE OLV. SIGISWALD KUIJKEN Bach LA PETITE BANDE SIGISWALD KUIJKEN muzikale leiding SIRI THORNHILL sopraan PETRA NOskAIOVÁ mezzo CHRISTOPH GENZ tenor JAN VAN DER CRAbbEN bas JOHANN SEBASTIAN BACH (1685-1750) Cantate ‘Es ist euch gut, dass ich hingehe’, BWV108 20’ Pictogrammen DeSingel AUDIO gelieve uw GSM uit te schakelen Cantate ‘Wahrlich, wahrlich, ich sage euch’, BWV86 18’ Cantate ‘Sie werden euch in den Bann tun’, BWV44 22’ pauze De inleidingen kan u achteraf beluisteren via www.desingel.be Selecteer hiervoor voorstelling/concert/tentoonstelling van uw keuze. Himmelfahrtsoratorium REAGEER ‘Lobet Gott in seinen Reichen’, BWV11 32’ & WIN Op www.desingel.be kan u uw visie, opinie, commentaar, appreciatie, … betreffende het programma van deSingel met andere toeschouwers delen. Selecteer hiervoor voorstelling/ concert/tentoonstelling van uw keuze. Neemt u deel aan dit forum, dan maakt u meteen kans om tickets te winnen. Bij elk concert worden cd’s te koop aangeboden door ’t KLAverVIER, Kasteeldreef 6, Schilde, 03 384 29 70 > www.tklavervier.be foyer deSingel enkel open bij avondvoorstellingen in rode en/of blauwe zaal open vanaf 18.40 uur kleine koude of warme gerechten te bestellen vóór 19.20 uur broodjes tot net vóór aanvang van de voorstellingen -
25 December 2009 Page 1 of 13
Radio 3 Listings for 19 – 25 December 2009 Page 1 of 13 SATURDAY 19 DECEMBER 2009 Jorma Rahkonen (violin) SAT 13:00 The Early Music Show (b00pgvpy) La Fenice SAT 01:00 Through the Night (b00p8jc6) 5.48am Presented by Susan Sharpe. Paganini, Niccolo (1782-1840): Polonaise Catherine Bott presents highlights from a concert given in 2008 Viktor Pikajzen (violin) in Villars-sur-Glane in Switzerland, featuring the ensemble La 1.00am Evgenia Sejdelj (piano) Fenice directed by Jean Tubery, with soprano Nuria Rial. Music Enescu, George (1881-1955): Violin Sonata No 3 in A, Op 25 includes Monteverdi's Exulta filia Sion and works by Tarquinio (dans le caractere populaire roumain) 5.54am Merula, Bonifazio Graziano and Jacob van Eyck. Sebastian Tegzesiu (violin) Mendelssohn, Fanny Hensel (1805-1847): Trio in D minor, Op Viorica Boerescu (piano) 11 Anon: Misteri gioisi. Ave Maria gratia plena. Canto fermo for Trio Orlando one voice; Lucis creator optime. Canto fermo for male voices; 1.29am Mozart, Wolfgang Amadeus (1756-1791): String Quartet No 20 6.19am Giuseppe Scarani: Sonata sopra Lucis creator optime, for two in D, K499 (Hoffmeister) Arban, Jean-Baptiste (1825-1889), arr David Stanhope: Fantasy cornetts, organ, harpsichord, cello and theorbo ANIMA Quartet and variations on a Cavatina (Beatrice di Tenda - by Bellini) Geoffrey Payne (trumpet) Bonifazio Graziano: Venite pastores ad sacros amores (Motets 1.54am Melbourne Symphony Orchestra for 1, 2 and 3 male voices and continuo), arr for soprano Muthel, Johann Gottfried (1728-1788): Concerto in D -
M. Suzuki & Bach Collegium Japan (BIS
BIS-CD-841STEREO lDD Dl Total ptayingtime: 78'17 BACH,Johan n Sebastianr1685-1750) Cantatas5: Cantatasf rom Weimar lll Cantata No.18, 'Gleichwie der Regen und Schnee _ vom Himmel felltt, BWV 18.weimarer Fassung 13'58 1-11l. Sinfonia vioras,Brsso conrinuo (violoncelo. viotone. Bassoon. organor 2,15 E 2. Rezitativ ts,sr Bassoconnnuo(v,oronccrro.tsrssoon.orsano) l'09 _ Glcichwie der Regenund SchneeI'om Himmet tiillt... l-!J 3. Choral (Litanei) Choir.vioh, Basso conrnuo (viotoDcetb, vtrnone. Bassoon. or!$o) 5'37 und Rezitatiy rrenoL.srsr \4cin Gott.lricr u ird mein Herzeseiu... E 4. Arie tsopranl Viot!!. Bxssoconrhuo (violoncello, vnbne. orsd-r 3'16 Mein Seelenschatzist GottesWort... E 5. Choral Cho,r. violas. Brsso conrinuo(vioroncc|o. Violone. Eassoon.orruo) 1,07 Ich bitt, o Hen. ausHerzensgrund. .. Cantata No. 152, 'Tritt _ auf die Glaubensbahn', BWV 152 17,29 l-91 l. Sinfonia viohd rmo,.,vrclodrgarnbr.oboe,Recoder.\,saro J'16 E 2. Arie rnoty vioradasdmba.oboc.orsmo 2'JJ Tritt auf die Glaubensbahn... E 3. Rezitativ tg"nt !,oradasanrbr.oryano 1,,15 Der Heiland ist gesetzt... _ 19 4.Arietsop.ant Vntada,nore.VntrdxgrDrbi.Reco,dcr.ofgrno 4'14 Stein. der tiber alle Sch:itze... El 5. Rezitatiy (B^B) v(rr dasrn,bil. orsano I,21 Es rirgre sich die kluge Welt... _ Lll.l 6. Arie (Duett) isopmnrsilr vior^ d arno.e.obo.. Recordef.organo 3'5S Wie soll ich dich. Liebster der Seelen. umfassen']... CantataNo. 155, 'Mein Gott,wie lang, ach lange', BWV 155 12'58 El 1, Rezitativ (s.p-') viol,n,.v,orr. -
BOOKLET CCS SA SEL 3705 21-11-2017 13:26 Pagina 1
BOOKLET_sampler 9:BOOKLET_CCS SA SEL 3705 21-11-2017 13:26 Pagina 1 CHANNEL CLASSICS CCS SA SEL 6717 SUPER ARTISTS IN SUPER AUDIO 15 tracks 69 minutes 32 composers 11 channel classics artists BOOKLET_sampler 9:BOOKLET_CCS SA SEL 3705 21-11-2017 13:26 Pagina 2 BOOKLET_sampler 9:BOOKLET_CCS SA SEL 3705 21-11-2017 13:26 Pagina 3 CCS SA 33412 Allegro from Concerto No.1 - A. Vivaldi 1 Holland Baroque Rachel Podger, violin ‘La Cetra’ A. Vivaldi 12 Violin Concertos, opus 9 on historical instruments SA-CD.net 5 stars: ... a triumphant return to Vivaldi ... Classics Today 5 stars: ... a search for the best recording of a given set of Vivaldi violin concertos gets easier with every new release from Rachel Podger ... Podger is a dynamic and unfailingly accurate virtuoso with exceptional interpretive instincts ... WQXR: Album of the Week: ... it's well tuned, and supported by a richly varied continuo of archlute, theorbo, gui - tar, organ and harpsichord ... Stereophile 5 stars: ... Podger and her Dutch band seek out the peculiari - ties, the differences and surprises ... the fast movements are joyful, almost dancelike, and the slow move - ments are embellished in ways that can be practically bluesy … the recording is spectacular … these per - formances are beauties, every one ... 3 BOOKLET_sampler 9:BOOKLET_CCS SA SEL 3705 21-11-2017 13:26 Pagina 4 CCS SA 32713 Götterdämmerung - Siegfried's Funeral March - R.Wagner 2 Budapest Festival Orchestra Iván Fischer, conductor Petra Lang, soprano R. Wagner Götterdämmerung Die Meistersinger von Nürnberg Excerpts Siegfried – Idyll BBC Music Magazine 5 stars: ... Fischer’s Meistersinger is quite sprightly yet poised, with an attractively underlying warmth, and his Siegfried-Idyll has chamber-like translucency .. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
CHAN 0723 Booklet.Qxd 13/12/07 18:40 Page 2
CHAN 0723 Front.qxd 13/12/07 18:36 Page 1 BUXTEHUDE SACRED CANTATAS Vol. 2 EMMA KIRKBY • MICHAEL CHANCE • CHARLES DANIELS • PETER HARVEY THE PURCELL QUARTET CHAN 0723 CHANDOS early music CHAN 0723 Booklet.qxd 13/12/07 18:40 Page 2 Dietrich Buxtehude (c. 1637–1707) Sacred Cantatas, Volume 2 1 Das neugebor’ne Kindelein, BuxWV 13 6:45 for soprano, alto, tenor, bass, three violins, violone and basso continuo AKG Images 2 Quemadmodum desiderat cervus, BuxWV 92 7:44 Chiaccona à 3 for tenor, two violins and basso continuo Nichts soll uns scheiden von der Liebe Gottes, BuxWV 77 10:22 for soprano, alto, bass, two violins, violone and basso continuo 3 Nichts soll uns scheiden von der Liebe Gottes 2:34 4 Wie sollte wohl heißen das zeitliche Leiden 1:54 5 Auch ist kein erschaffnes Vermögen zu nennen 2:00 6 Denn Gott hat die Liebe so hoch ja getrieben 3:52 Dixit Dominus Domino meo, BuxWV 17 10:03 for soprano, two violins, two violas, violone and basso continuo 7 Sonata 0:44 8 Dixit Dominus Domino meo 2:43 9 Juravit Dominus 0:52 Dietrich Buxtehude, with sheet of music, in an allegorical painting by Johann (Johannes) 10 Dominus a dextris tuis confregit in die irae suae reges 1:30 Voorhout (1647–1723) called Musizierende Gesellschaft, or Häusliche Musikszene (1674), 11 …conquassabit capita in terra multorum 1:22 also showing Johann Adam Rincken, at the keyboard 12 Gloria patri et filio et spiritui sancto 2:48 3 CHAN 0723 Booklet.qxd 13/12/07 18:40 Page 4 An filius non est Dei, BuxWV 6 12:09 29 Jesu dulcis memoria, BuxWV 57 7:20 for alto, tenor, bass,