DOCSLIB.ORG

Sample NTRO Research Statements

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sample NTRO Research Statements Sample research statements from ERA 2018 submission NTRO Type Title of output Research Statement Public exhibitions Adelaide Chamber Singers 2016 Research Background: Adelaide Chamber Singers' 2016 Concert Season was created and and events Concert Season curated by Carl Crossin - Artistic Director and Conductor of Adelaide Chamber Singers (ACS). The Season consisted of four concert programs which explored, through performance, (a) the creative nexus between contemporary choral and music from the European Renaissance particularly in relation to settings of the same, or similar texts, and (b) the power of music to reinforce textual narrative in musical forms. Three of the four programs featured the world premiere of new music commissioned by Carl Crossin and ACS for this Season. Research Contribution: Program One explored several settings of texts in praise of music including a comparatively new work by Australian Paul Stanhope – Lament for St. Cecilia – composed as a companion piece for Britten's famous Hymn to St. Cecilia. Australian Daniel Brinsmead's Ode to Music (an ACS commission) was also premiered. Program Two presented the Adelaide premiere of James Whitbourn's Annelies, an extended narrative work with texts from the Diary of Anne Frank. Program Three explored the concept of contemporary composers re-imagining the works of earlier composers. Program Four featured a new work (ACS commission) from Australian Paul Stanhope in a performance that subsequently won the South Australian "2016 Performance of the Year Award" at the 2017 Art Music Awards. The major part of Program Four however was a 'chamber' performance of Faure's Requiem. This work is usually the province of much larger choirs but, in this context, was praised for its clarity and intimacy. Research Significance: Three new choral compositions (ACS commissions) entered the Australian choral repertoire in 2016. Press reviews were consistently very positive and, as such, provide a measure of the impact of ACS programs and performances within the musical community and an indicator of peer respect for the ensemble and its programs and performances. Public exhibitions 10 Minutes to Midnight: Survival in Research Background: 10 Minutes to Midnight is the culmination of community-based arts and events the atomic age projects with atomic survivor communities including: Pitantjatjara Anangu in Yalata and Oak Valley, communities who were relocated from traditional Maralinga Tjarutja lands Sample Research Statements 1 prior to the tests; and nuclear veteran and descendant networks in Australia and Britain. Research Contribution: The creative works fit within a long tradition of artists and communities responding to 'the bomb'. Featured are original projection installations, digital artwork, contemporary photo media, sound design, sculpture, film and rare archival material. As well as exploring the horrors of the atomic age, the exhibition embodies humanitarian messages of hope, celebrating the resilient communities and individuals who continue to pursue recognition and justice, and courageously share their stories for the benefit of future generations. Research Significance: The timing of the exhibition coincides with the 70-year anniversary of the Hiroshima and Nagasaki atomic bombings - the beginning of the atomic age. The level of community engagement with the project broke new ground in the idea of art and participation, and showed how artists and community combine in the act of commemoration and healing. Public exhibitions Turner - Romantic and Research Background: The curated concert 'Turner – Romantic and Revolutionary' was and events Revolutionary commissioned by the Art Gallery of South Australia to complement the exhibition Turner from the Tate. Research Contribution: The preparation of the program required research into the art and ideas of Turner, and focused on how Turner's artistic praxis might translate into a sonic medium. Themes from the paintings were reflected in the musical choices: Venice (barcarolle), the Romantic sublime (Liszt), night (nocturne). Much of the music dated from Turner's lifetime: Haydn, Field, Mendelssohn, Liszt. Creative response came in the form of a specially commissioned work for the concert, The Fallacies of Hope for piano quintet by Stephen Whittington, based on an unfinished poem by Turner, which explored the dialectic between visual trope, sonic nuance and literary expression, using the form of the barcarolle. Research Significance: When Turner from the Tate moved from the AGSA to the National Gallery of Australia, the musical program was judged to be so integral to the exhibition as a whole that it also accompanied the Canberra exhibit. The performers in both cases were The Australian String Quartet, and Stephen Whittington. Original Creative Piano Lessons Research Background: 'Piano Lessons' is a memoir that investigates a new form of writing Work about music and music education. It thus contributes to both creative writing and the literature of music in an innovative and highly appealing way, part-autoethnography, part- entertainment, part-instruction. It chronicles the author's first steps towards a life in music, from childhood piano lessons with a local jazz muso to international success as a concert pianist. Research Contribution: The work creates new knowledge in the field of creative writing through its development of appropriate modalities for conveying the hopes and Sample Research Statements 2 uncertainties of youth, the fear and exhilaration of performing, and the complex bonds between teacher and student. This is part a process of formal invention, and part a question of voice and tone. The content and balance in this hybrid, episodic, carefully judged work contributes significantly to contemporary Australian life writing. Goldsworthy refracts her childhood experiences through the prism of music, casting new light on human experience and the world of music. Research Significance: The work enjoys critical acclaim, awards, reprintings and its adaptation into recital and stage versions. Winner, 2010 Australian Book Industry Awards (Newcomer of the Year); Shortlisted, 2012 Melbourne Prize Award for Best Writing; Shortlisted, Colin Roderick Award (Australian Life Writing); Shortlisted, 2010 Australian Book Industry Awards (General Non-Fiction); Shortlisted, NSW Premier's Literary Awards (Non-Fiction). Reviews include: "Goldsworthy delivers an expertly spun narrative, told with wry, self-effacing charm, elegant economy and the genuine love of a student for her teacher." —The Australian; "This impressive debut will surely mark Anna Goldsworthy's arrival as an Australian writer to be reckoned with." — The Age Original Creative Inspired Design: European and Research Background: Inspired Design was curated by the Art Gallery of South Australia's Work North American decorative arts Curator of European and Australian Decorative Arts, Robert Reason. Supported by the Copland Foundation, the exhibition and accompanying publication focused on the Gallery's European and North American decorative arts collection. Research Contribution: The exhibition provided insights into what are regarded as defining moments in the history of Western aesthetics, style and fashion. It further emphasized the role of curation as both a research process (through the juxtaposition of artefacts in order to highlight specific historical trends) and as an outcome of the research undertaken in preparation for the exhibition. Research Significance: The exhibition was the first to document comprehensively the rich artistic heritage of Europe and North America, as expressed through the decorative arts collection of the Art Gallery of South Australia. Aside from its historical significance, the exhibition shed further light of the importance of philanthropy in supporting the aims of the Gallery more broadly, and the narratives it seeks to communicate. In this case, the uniqueness of the collection is a reflection of the diverse nature of what has been over 130 years of philanthropy at the Art Gallery of South Australia. Original Creative Bapo Research Background: Bapo makes a distinctive contribution to contemporary Australian Work writing and transcultural Asian Australian writing and the translation of Chinese aesthetic Sample Research Statements 3 ideas in contemporary creative practice. It builds on my previous fiction, notably The Red Thread, that adapted classic Chinese memoir into a contemporary fictional mode. It also extends my research practice, as demonstrated in a number of essays and projects in recent years, on transnational or transcultural reading and writing, of which Bapo is a key example. Through practice-led research the work contributes to our rethinking of the dominant paradigm of world literature. Research Contribution: This book-length collection of short fiction takes the concept of bapo, a term from Chinese visual art to describe a kind of illusionistic collage which is fragmentary and elegiac, so-called 'brocade ashes', to assemble a sequence of stories and sketches. The research explores experimental ways to evoke relations between China and Australia in terms of content and adapt formal ideas of essayistic prose or semi-fictional story from Chinese tradition into a contemporary Australian context. This is the first work of fiction to identify bapo ('eight broken') as a model for a 'composed' book of this kind and to relate it to changing, multiple possibilities of cultural and personal identity. Research Significance: The
Load more

Recommended publications
  • ~La6(8Ill COMPA.NIES INC
    October 1999 Brooklyn Academy of Music 1999 Next Wave Festival BAMcinematek Brooklyn Philharmonic 651 ARTS ~' pi I'" T if II' II i fl ,- ,.. til 1 ~ - - . I I I' " . ,I •[, II' , 1 , i 1'1 1/ I I; , ~II m Jennifer Bartleli, House: Large Grid, 1998 BAM Next Wave Festival sponsored by PHILIP MORRIS ~lA6(8Ill COMPA.NIES INC. Brooklyn Academy of Music Bruce C. Ratner Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Prod ucer presents Moby Dick Running time: BAM Opera House approximately ninety October 5, 1999, at 7:00 p.m. (Next Wave Festival Gala) minutes. Songs and October 6-9 & 12-16, 1999, at 7:30 p.m. Stories from Moby Dick is performed without an Visual Design, Music, and Lyrics Laurie Anderson intermission. Performers Pip, The Whale, A Reader Laurie Anderson Ahab, Noah, Explorer Tom Nelis The Cook, Second Mate, Running Man Price Waldman Standing Man Anthony Turner Falling Man Miles Green Musicians Violin, keyboards, guitar, talking stick Laurie Anderson Bass, prepared bass, samples Skuli Sverrisson Artistic Collaborators Co-Visual Design Christopher Kondek Co-Set Design James Schuette Lighting Design Michael Chybowski Sound Design Miles Green Costume Design Susan Hilferty Electronics Design Bob Bielecki Video Systems Design Ben Rubin Staging Co-Direction Anne Bogart General Management Julie Crosby Production Management Bohdan Bushell Production Stage Management Lisa Porter Major support for this presentation was provided by The Ford Foundation with additional support from The Dime Savings Bank of New York, FSB. Next Wave Festival Gala is sponsored by Philip Morris Companies Inc. 17 Produced by electronic theater company, Inc.
    [Show full text]
  • Artists and Yamaha
    Artists and Yamaha CONTENTS Turning The Artist’s Imagination INTRO CONTENTS 1 ELECTRIC BASSES OTHERS YAMAHA GUITAR DEVELOPMENT 3 RBX4A2/4A2M/5A2 22 GIGMAKER 39 YASH (YAMAHA ARTIST SERVICES HOLLYWOOD) 3 BB INTRO 23 ACCESSORIES/AMP 40 YMC (YAMAHA MUSIC CRAFT) 4 Into Tomorrow’s Music. BB2024/2024X/2025/2025X 25 YAMAHA ARTISTS 41 ELECTRIC GUITARS BB1024/1024X/1025/1025X 27 For over 60 years, we’ve been committed to improving the quality, sound, playability, durability, and design of our instruments. Feedback SG INTRO 5 BB424/424X/425/425X 29 from our valued customers and the professional musicians that use our instruments has always played an instrumental role in our passion SG FEATURES 7 ATTITUDE LTD3 31 for constant improvement. Because we believe that instruments are the tools musicians use to create music, our strive to create the ideal SG1820 9 BB714BS 32 instrument for the player is never ending. SG1820A/1802 11 BBNE2 33 Professional musicians are the most critical when it comes to requests and requirements, and we focus a great deal of time and effort bringing CV820WB 13 TRBJPII 34 their ideas to life. Our purpose is to turn what exists only in their imagination, into something they can hold and use in their hands—fi nding PAC1511MS 14 TRB1006J/1005L/1004J 35 the right type of tone, the perfect attack, or a neck that fi ts better in the hand. PAC212VFM/VQM/112V 15 RBX374/375/270J/170 37 The evolution of Yamaha guitars has always been closely related to our long-standing relationships with the musicians that use them.
    [Show full text]
  • LIMP BIZKIT 2018 Veranstaltungsort Westfalenhalle Beginn 20:00 Uhr
    20.06.2018 LIMP BIZKIT 2018 Veranstaltungsort Westfalenhalle Beginn 20:00 Uhr Veranstalter handwerker promotion e.GmbH LIMP BIZKIT Live 2018 Mittwoch, 20.06.2018 – Dortmund, Westfalenhalle Beginn: 20:00 Uhr Support: Blvck Ceiling Große Sommer-Tournee der Nu Metal-Pioniere im Juni 2018 Nach ihrer erfolgreichen Tournee im Sommer 2015 haben LIMP BIZKIT ihre erneute Rückkehr nach Deutschland angekündigt. Die Mitbegründer des Nu Metal sind für sieben Shows im Juni 2018 hierzulande bestätigt. Das Quintett um Frontmann Fred Durst wird am 20. Juni 2018 in der Westfalenhalle in Dortmund zu sehen sein. Der einzige Auftritt in NRW! LIMP BIZKIT gehören zu den innovativsten Bands ihres Genres und sind mit über 40 Millionen verkauften Tonträgern eine der erfolgreichsten dazu. Seit ihrer Gründung 1994 in Jacksonville/Florida beeinflussen LIMP BIZKIT im Laufe der letzten beiden Jahrzehnte eine Unzahl von Nachwuchsmusikern. Ihr innovativer, mitreißender Mix aus peitschenden Rhythmen, massiven Gitarrenwänden und funkigen HipHop-Elementen, der Nu Metal, ist eine Neuinterpretation der Crossover-Musik aus den frühen 90ern. Damals gründet Bandleader Fred Durst mit dem Bassisten Sam Rivers und John Otto am Schlagzeug sein erstes Musikprojekt, einige Monate später stößt Gitarrist Wes Borland hinzu. Mithilfe der befreundeten Band Korn touren sie mit den Deftones und House Of Pain. Von letzteren steigt DJ Lethal von House Of Pain ein. Das im Juli 1997 veröffentlichtes Debüt „Three Dollar Bill, Y’all“ wird mit über zwei Millionen Verkäufen zum überwältigenden Erfolg. Die Nachfolger „Significant Other“ (1999) und „Chocolate Starfish And The Hot Dog Flavored Water“ (2000) verkaufen sich zusammen über 16 Millionen Mal, es folgen drei Grammy-Nominierungen, die Singlehits wie „Nookie“, „Rollin’“, „Take A Look Around“ oder die Coverversion von George Michaels „Faith“ untermauern ihre Stilbreite und Experimentierfreude.
    [Show full text]
  • Nu-Metal As Reflexive Art Niccolo Porcello Vassar College, [email protected]
    Vassar College Digital Window @ Vassar Senior Capstone Projects 2016 Affective masculinities and suburban identities: Nu-metal as reflexive art Niccolo Porcello Vassar College, [email protected] Follow this and additional works at: http://digitalwindow.vassar.edu/senior_capstone Recommended Citation Porcello, Niccolo, "Affective masculinities and suburban identities: Nu-metal as reflexive art" (2016). Senior Capstone Projects. Paper 580. This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. ! ! ! ! ! ! ! ! ! ! ! AFFECTIVE!MASCULINITES!AND!SUBURBAN!IDENTITIES:!! NU2METAL!AS!REFLEXIVE!ART! ! ! ! ! ! Niccolo&Dante&Porcello& April&25,&2016& & & & & & & Senior&Thesis& & Submitted&in&partial&fulfillment&of&the&requirements& for&the&Bachelor&of&Arts&in&Urban&Studies&& & & & & & & & _________________________________________ &&&&&&&&&Adviser,&Leonard&Nevarez& & & & & & & _________________________________________& Adviser,&Justin&Patch& Porcello 1 This thesis is dedicated to my brother, who gave me everything, and also his CD case when he left for college. Porcello 2 Table of Contents Acknowledgements .......................................................................................................... 3 Chapter 1: Click Click Boom .............................................................................................
    [Show full text]
  • Adventures in Film Music Redux Composer Profiles
    Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017).
    [Show full text]
  • October 8, 2003 Civil Engineering Technology Hosts Open House Ing
    Des Moines Area Community College, Boone Campus Volume 3, Issue 3 October 8, 2003 Civil Engineering Technology hosts open house ing. Laura Griffin Students in the program take courses Banner Staff in surveying, global positioning systems, construction materials and design, high- The Civil Engineering Technology way design, computer aided drafting, Materials Lab held an open house on mathematics and human relations. Sept. 30. Students have a paid internship in their Faculty and staff were greeted by Renee second year of the program to give them White, CET instructor, who showed them experience. A CET graduate gets paid around the lab. between $14 to $18 per hour. Visitors to the CET lab are met at the Civil engineers survey, inspect and front door by Kelli Bennett at the recep- design highways and bridges. They also tion desk. Also in the building is a com- test soil and structural materials. puter lab, and two regular classrooms, one The Civil Engineering Technology pro- with dual monitors, a conference room, gram is part of the Accelerated Career a materials laboratory area, two spacious Education program. offices and rest rooms. Steve Rittger teaches the math and Vending machines inside the entrance automated design courses. Rittger teaches provide snacks for students and faculty in the classroom with the dual monitors. who are there during the day. “The programs we use require a lot of Tracey Kingsley, a freshman in the pro- screen space for multiple tools and views,” gram, said, “I am excited because when Rittger said, about why dual monitors are I graduate from the Civil Engineering used.
    [Show full text]
  • Le Jury International
    Du 23 au 27 novembre 2011 1ère édition du PIFFF Gaumont Opéra Capucines 2 boulevard des Capucines 75009 Paris www.pifff.fr LE JURY INTERNATIONAL LES LONGS-MÉTRAGES INTERNATIONAUX LES COURTS-MÉTRAGES INTERNATIONAUX LE JURY ET LES COURTS-MÉTRAGES FRANÇAIS LES PRIX LA GRILLE DE PROGRAMMATION ACCÈS – TARIFS Contact presse : Organisation : Blanche Aurore DUAULT Président : Gérard Cohen Nathalie IUND Secrétaire : Cyril Despontin Tél. : 01 55 50 22 22 Membre fondateur : Fausto Fasulo [email protected] [email protected] 1 LE JURY INTERNATIONAL Roger Avary Réalisateur et scénariste canadien, Roger Avary collabore activement dans les années 90 avec Quentin Tarantino, principalement sur le script de Pulp Fiction qu'il coécrit avec ce dernier (et pour lequel il remporta l'Oscar du Meilleur Scénario). En 1993, il passe à la réalisation avec Killing Zoe, polar désespéré, érotique et paroxystique traversé par des personnages écorchés vifs incarnés par Eric Stoltz, Jean-Hugues Anglade et Julie Delpy. En 2002, il adapte brillamment Les Lois de l'attraction de Bret Easton Ellis, histoire chorale d'un campus américain gangréné par la drogue, la violence et le sexe. En 2006, il plonge dans l'univers tortueux et torturé de Silent Hill et participe à l'écriture de sa version cinéma réalisée par Christophe Gans. En 2007, il travaille avec Neil Gaiman (Stardust, Coraline...) sur le scénario de La Légende de Beowulf de Robert Zemeckis, fresque d'heroic fantasy épique et magistrale tournée grâce au procédé de Performance Capture. Un temps annoncé sur l'adaptation filmique du jeu vidéo Wolfenstein, Roger Avary vient de terminer le script de Glamorama, tiré du roman homonyme de Bret Easton Ellis, et devrait commencer son tournage courant 2012.
    [Show full text]
  • Annual Report 2011 Year Ended March 31, 2011 the History of Yamaha Began in 1887, When Torakusu Yamaha, the Founder, Repaired a Broken Reed Organ
    New Day, New Sound Annual Report 2011 Year ended March 31, 2011 The history of Yamaha began in 1887, when Torakusu Yamaha, the founder, repaired a broken reed organ. Since then, over its more than 120-year history, Yamaha has continued to create ‘kando’* and enrich culture with technology and passion born of sound and music, together with people all over the world. Yamaha produces high-quality products by blending traditional craftsmanship with advanced digital technology. The quality of sound produced by a Yamaha musical instrument reflects the long years of accumulated technical expertise and the skilled craftsmanship of the Company. The goal of Yamaha is to inspire people with the joy of music performed on musical instruments that capture the heart and soul of both the player and audience. * ‘Kando’ (is a Japanese word that) signifies an inspired state of mind. Our musical instruments capture the heart and soul of both the player and audience. Forward-looking statements The plans and strategies regarding Yamaha’s future prospects presented in this annual report have been drawn up by the Company’s management based on information available at the current time and, therefore, are subject to risks and uncertainties. Accordingly, our actual performance may differ significantly from our predictions depending on changes in the operating and economic environments, demand trends, the value of key currencies, such as the U.S. dollar and the Euro, technological advancements and developments in intellectual property litigation. Contents 02 To Our Stakeholders 04 Key Figures 06 Yamaha at a Glance 10 Management Vision 2013 Yamaha Medium-Term Management Plan 16 The Yamaha Group explains its business plan by providing an overview and description of major first-year results of its three-year medium-term management plan entitled “Yamaha Management Plan 125 (YMP125),” which started in April 2010.
    [Show full text]
  • December 2001
    Volume 25, Number 12 Cover photo by Alex Solca P.O.D.'s Wuv On their latest, Satellite, Wuv and his pals in P.O.D. prove loudness is next to godliness. by Ken Micallef 66 Blue Man Group's Tim Alexander UPDATE Even drum stars get the blues. Ex-Primus Sum 41's Steve Jocz groundbreaker Tim Alexander shifts gears New Found Glory's Cyrus Bolooki and joins the coolest show off Broadway. Alex Solca by Mike Haid 82 Cheap Trick's Bun E. Carlos Old 97's Philip Peeples The Eagles' Captain Beyond's Bobby Caldwell Local H's Brian St. Clair Scott F. Crago Poison's Rikki Rockett His first Eagles rehearsal left Scott 22 Crago with anything but a peaceful, easy 100 feeling. That was then; this is now. by Robyn Flans REFLECTIONS JOE MORELLO ON... Acoustic Vs. Electronic ...Buddy, Gene, Buhaina, Papa Jo, and the rest of jazz drumming's royalty. In The Studio by Rick Mattingly There's one simple rule in the brave 30 new studio world: Those who adapt will 114 survive. MD asks top pros for their take on the sitch. by Mike Haid PERCUSSION TODAY BLAST! Golf Rocks! With the success of this drum-crazy theater per- formance, pretty soon even your aunt Edna will We summoned The Gods Of know what a triple paradiddle is. Lissa Wales : Drumdom, and the celebration of by Lauren Vogel Weiss The Brotherhood Of The Stick began. And we saw it was good. Very good, 132 148 Alex Solca by Ted Bonar MD Giveaway Win A Cadeson Limited-Edition 98 Chinese Water Color Drumkit (#002!) and Istanbul Agop Mel Lewis Signature Cymbals Education 140 OFF THE RECORD 144 DRUM SOLOIST 160 ELECTRONIC
    [Show full text]
  • Download Limp Bizkit Nookie Free
    Download limp bizkit nookie free click here to download Dear Internet Archive Supporter, I ask only once a year: please help the Internet Archive today. We're an independent, non-profit website that the entire world depends on. Most can't afford to donate, but we hope you can. If everyone chips in $25, we can keep this going for free. For the price of a book, we. Watch the video, get the download or listen to Limp Bizkit – Nookie for free. Nookie appears on the album Significant Other. "Nookie" is the first single released from the album Significant Other by Limp Bizkit. It was nominated for "Best Hard Rock Performance" at the Grammy Awards. One of the reasons lead singer. Download Limp Bizkit Nookie free midi and other Limp Bizkit free midi. Download Limp Bizkit Nookie (2) free midi and other Limp Bizkit free midi. Limp Bizkit is an American rap rock band from Jacksonville, Florida, formed in Their lineup consists of Fred Durst (lead vocals), Sam Rivers (bass, backing vocals), John Otto (drums, percussion), and Wes Borland (guitars, backing vocals). Their music is marked by Durst's angry vocal delivery and Borland's sonic ​Fred Durst · ​Wes Borland · ​Stampede of the Disco · ​Limp Bizkit discography. Stream Limp Bizkit - Nookie (Gio Nailati Remix) *Free Download in Buy Link* by Top Remixes from desktop or your mobile device. Search results for “Limp Bizkit – Nookie”. Everything · SoundCloud Go+ tracks · Tracks · People · Albums · Playlists · Legal ⁃ Privacy ⁃ Cookies ⁃ Imprint ⁃ Popular searches. Language: English (US). Found SoundCloud Go+ results. Upgrade to hear full tracks →.
    [Show full text]
  • Towering Towering
    ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV VOLUME 7, NUMBER 10 Spidey’s Man! page 20 TOWERING ACHIEVEMENTS Howard Shore scores the second Lord of the Rings MAN of THE HOURS Philip Glass writes for Virginia Woolf WILD SIDES Adaptation & Punch-Drunk Love SOUND of SILENTS The Alloy Orchestra chimes in CD REVIEWS Music you haven’t heard— or heard of! 10> 7225274 93704 $4.95 U.S. • $5.95 Canada FSMCD Vol. 5, No. 20 • Released by Special Arrangement with Turner Classic Movies Music Never So Few by Hugo Friedhofer with 7 Women by Elmer Bernstein Hugo Friedhofer and Elmer Bernstein worked only occasionally at M-G-M, but each scored a feature film for the studio set in Asia. This CD fea- tures the premiere releases of Never So Few (1959) and 7 Women (1966), respectively, each filled with exotic melody and instrumentation. Never So Few is a WWII romance/adventure starring Frank Sinatra as the leader of a U.S. army unit in Southeast Asia. Known as a “Rat Pack” production (it also starred Peter Lawford) and directed by John Sturges, the film is perhaps most noteworthy for giving Steve McQueen his break on the silver screen. Hugo Friedhofer’s score features a dynamic main title with a throbbing ostinato followed by a mournful trumpet solo evoking the losses of war. Friedhofer was no stranger to the war genre and provided a brew of wartime suspense and also romance, as Sinatra romances the voluptuous Gina Lollobrigida. The setting is highlighted by enchanting, Thai-flavored colors. 7 Women is the last film directed by the legendary John Ford.
    [Show full text]
  • Master Class with Roger Avary: Selected Filmography
    Master Class with Roger Avary: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Films Discussed or Mentioned during the Master Class The Rules of Attraction. Dir. Roger Avary, 2002, U.S.A. and Germany. 101mins. Production Co.: Kingsgate Films / Roger Avary Filmproduktion GmbH. American Psycho. Dir. Mary Harron, 2000, 102 mins. U.S.A. Production Co.: Am Psycho Productions / Edward R. Pressman Films / Lions Gate Films / Muse Productions / P.P.S. Films / Quadra Entertainment / Universal Pictures. Reservoir Dogs. Dir. Quentin Tarantino, 1992, U.S.A. 99 mins. Production Co.: Live Entertainment / Dog Eat Dog Productions Inc. Cube 2: Hypercube. Dir. Andrzj Sekula, 2002, Canada. 95 mins. Production Co.: Ghost Logic / Lions Gate Films. Apocalypse Now. Dir. Francis Ford Coppola, 1979, 153 mins. Production Co.: Zoetrope Studios. All That Heaven Allows. Dir. Douglas Sirk, 1955, U.S.A. 89 mins. Production Co.: Universal International. Killing Zoe. Dir. Roger Avary, 1993, France and U.S.A. 96 mins. Production Co.: Davis-Films / Live Entertainment / PFG Entertainment. True Romance. Dir. Tony Scott, 1993, U.S.A. 120 mins. Production Co.: Morgan Creek Productions / Davis-Films / August Entertainment.
    [Show full text]