Limp Bizkit Disco Elephants
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
Limp Bizkit Behind Blue Eyes Mp3, Flac, Wma
Limp Bizkit Behind Blue Eyes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Behind Blue Eyes Country: US Released: 2003 Style: Pop Rock MP3 version RAR size: 1151 mb FLAC version RAR size: 1732 mb WMA version RAR size: 1280 mb Rating: 4.2 Votes: 880 Other Formats: AUD AAC WMA MMF ASF MPC MIDI Tracklist Hide Credits Behind Blue Eyes (Album Version) 1 4:30 Written By – Pete Townshend Companies, etc. Phonographic Copyright (p) – Flip/Interscope Records Copyright (c) – Flip/Interscope Records Credits Edited By – Dave Holdridge* Engineer – Dave Holdridge*, Elvis Baskette Mixed By – Brendan O'Brien Producer – Fred Durst Notes FOR PROMOTINAL USE ONLY - NOT FOR SALE Barcode and Other Identifiers Matrix / Runout: DISCTRONICS LIMPCDP2 01 Mastering SID Code: IFPI L136 Mould SID Code: IFPI 04AD Other versions Category Artist Title (Format) Label Category Country Year Behind Blue Eyes Interscope 0602498147450 Limpbizkit* 0602498147450 Europe 2003 (CD, Maxi, Enh) Records Behind Blue Eyes Motor / Urban / none Limp Bizkit (CD, Single, Promo, none Germany 2003 Def Jam Group Car) Behind Blue Eyes Interscope 06024 9814743 Limp Bizkit 06024 9814743 Europe 2003 (7") Records Behind Blue Eyes Interscope 0602498147467 Limp Bizkit 0602498147467 Europe 2003 (CD, Single, Car) Records Behind Blue Eyes 06024 9861883 Limp Bizkit (CD, Mini, Single, Motor Music 06024 9861883 Germany 2003 Copy Prot.) Related Music albums to Behind Blue Eyes by Limp Bizkit Limp Bizkit - Rollin' Limp Bizkit - Limp Bizkit - New Old Songs Limp Bizkit - My Generation Limp Bizkit / Dr. Dre & Eminem - N2 Gether Now Limp Bizkit - Gold Cobra Limp Bizkit - If Only We Could Fly Limp Bizkit - Significant Other Limp Bizkit - Results May Vary Limp Bizkit - Chocolate Starfish And The Hot Dog Flavored Water Limp Bizkit - Re-Arranged Limp Bizkit - Three Dollar Bill, Yall$. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Artists and Yamaha
Artists and Yamaha CONTENTS Turning The Artist’s Imagination INTRO CONTENTS 1 ELECTRIC BASSES OTHERS YAMAHA GUITAR DEVELOPMENT 3 RBX4A2/4A2M/5A2 22 GIGMAKER 39 YASH (YAMAHA ARTIST SERVICES HOLLYWOOD) 3 BB INTRO 23 ACCESSORIES/AMP 40 YMC (YAMAHA MUSIC CRAFT) 4 Into Tomorrow’s Music. BB2024/2024X/2025/2025X 25 YAMAHA ARTISTS 41 ELECTRIC GUITARS BB1024/1024X/1025/1025X 27 For over 60 years, we’ve been committed to improving the quality, sound, playability, durability, and design of our instruments. Feedback SG INTRO 5 BB424/424X/425/425X 29 from our valued customers and the professional musicians that use our instruments has always played an instrumental role in our passion SG FEATURES 7 ATTITUDE LTD3 31 for constant improvement. Because we believe that instruments are the tools musicians use to create music, our strive to create the ideal SG1820 9 BB714BS 32 instrument for the player is never ending. SG1820A/1802 11 BBNE2 33 Professional musicians are the most critical when it comes to requests and requirements, and we focus a great deal of time and effort bringing CV820WB 13 TRBJPII 34 their ideas to life. Our purpose is to turn what exists only in their imagination, into something they can hold and use in their hands—fi nding PAC1511MS 14 TRB1006J/1005L/1004J 35 the right type of tone, the perfect attack, or a neck that fi ts better in the hand. PAC212VFM/VQM/112V 15 RBX374/375/270J/170 37 The evolution of Yamaha guitars has always been closely related to our long-standing relationships with the musicians that use them. -
Black Light Burns Cruel Melody Mp3, Flac, Wma
Black Light Burns Cruel Melody mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Cruel Melody Country: US Released: 2007 Style: Electro, Goth Rock MP3 version RAR size: 1390 mb FLAC version RAR size: 1273 mb WMA version RAR size: 1864 mb Rating: 4.4 Votes: 555 Other Formats: VQF WMA AU VOX MOD AC3 MIDI Tracklist Hide Credits Mesopotamia 1 4:29 Mixed By – Ross Robinson, Ryan Boesch 2 Animal 4:08 Lie 3 4:21 Bass – Danny LohnerProgrammed By [Additional] – Charlie Clouser Coward 4 4:36 Bass, Guitar – Danny LohnerVocals [Additional] – Sonny Moore Cruel Melody 5 5:00 Vocals [Additional] – Carina Round 6 The Mark 3:13 I Have A Need 7 4:24 Bass – Sam Rivers Guitar – Danny Lohner 8 4 Walls 3:51 9 Stop A Bullet 3:37 10 One Of Yours 4:51 New Hunger 11 Cello – John Krovoza, Matt Cooker*, Richard Dodd Viola – Leah KatzViolin – Daphne Chen, 5:24 Eric Gorfain I Am Where It Takes Me 12 Cello – John Krovoza, Matt Cooker*, Richard Dodd Drums – Wes BorlandViola – Leah 6:09 KatzViolin – Daphne Chen, Eric GorfainVocals [Additional] – Johnette Napolitano Iodine Sky 13 8:30 Mixed By – Wes Borland Credits Drums, Percussion – Josh Freese Engineer – Critter*, Josh Eustis* Engineer [Additional] – Danny Lohner, Wes Borland Lead Vocals, Guitar, Bass, Programmed By, Percussion, Synthesizer, Piano, Electric Piano [Rhodes], Violin, Cello – Wes Borland Mixed By – Tom Lord-Alge (tracks: 2 to 12) Performer [Live Bass] – Sean Fetterman Performer [Live Drums] – Marshall Kilpatric Performer [Live Guitar] – Nick Annis Performer [Live Vocals, Guitar] -
Limp Bizkit Three Dollar Bill, Yall$ Mp3, Flac, Wma
Limp Bizkit Three Dollar Bill, Yall$ mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Three Dollar Bill, Yall$ Country: Russia Style: Nu Metal MP3 version RAR size: 1579 mb FLAC version RAR size: 1752 mb WMA version RAR size: 1807 mb Rating: 4.3 Votes: 415 Other Formats: AA VOX MP3 VOX DXD APE AA Tracklist 1 Intro 2 Pollution 3 Counterfeit 4 Stuck 5 Nobody Loves Me 6 Sour 7 Stalemate 8 Clunk 9 Faith 10 Stinkfinger 11 Indigo Flow 12 Leech 13 Everything Notes CD comes with a 4-page booklet in a standard jewel case Barcode and Other Identifiers Barcode (Text): 6 06949 01242 7 Barcode (String): 606949012427 Matrix / Runout: LA-021 Other versions Category Artist Title (Format) Label Category Country Year Limp Three Dollar Bill, Interscope Records, INTD-90124 INTD-90124 US 1997 Bizkit Yall$ (CD, Album) Flip Records Interscope Records, Three Dollar Bill, IND 90124, Limp Flip Records , Flip IND 90124, Yall$ (CD, Album, Russia 2000 490 124-2 Bizkit Records , Interscope 490 124-2 Unofficial) Records IND 90124, Limp Three Dollar Bill, Flip Records , IND 90124, Europe 1997 490 124-2 Bizkit Yall$ (CD, Album) Interscope Records 490 124-2 Interscope Records, Limp Three Dollar Bill, Flip Records, ЗАО 490 124-9 490 124-9 Russia 1997 Bizkit Yall$ (CD, Album) "Юниверсал Мьюзик" Three Dollar Bill, Limp 50899 013 Yell$ (Cass, Interscope Records 50899 013 Russia 1997 Bizkit Album, Unofficial) Related Music albums to Three Dollar Bill, Yall$ by Limp Bizkit Limp Bizkit - Significant Other Limp Bizkit - New Old Songs [Explicit Version] limp bizkit - results may vary Limp Bizkit - Star Profile Limp Bizkit - My Generation Limp Bizkit - Rough Limp Bizkit - N 2 Gether Now Limp Bizkit - New Old Songs Limp Bizkit - Icon Limp Bizkit - The Unquestionable Truth (Part 1). -
The Sexual Politics of Meat by Carol J. Adams
THE SEXUAL POLITICS OF MEAT A FEMINISTVEGETARIAN CRITICAL THEORY Praise for The Sexual Politics of Meat and Carol J. Adams “A clearheaded scholar joins the ideas of two movements—vegetari- anism and feminism—and turns them into a single coherent and moral theory. Her argument is rational and persuasive. New ground—whole acres of it—is broken by Adams.” —Colman McCarthy, Washington Post Book World “Th e Sexual Politics of Meat examines the historical, gender, race, and class implications of meat culture, and makes the links between the prac tice of butchering/eating animals and the maintenance of male domi nance. Read this powerful new book and you may well become a vegetarian.” —Ms. “Adams’s work will almost surely become a ‘bible’ for feminist and pro gressive animal rights activists. Depiction of animal exploita- tion as one manifestation of a brutal patriarchal culture has been explored in two [of her] books, Th e Sexual Politics of Meat and Neither Man nor Beast: Feminism and the Defense of Animals. Adams argues that factory farming is part of a whole culture of oppression and insti- tutionalized violence. Th e treatment of animals as objects is parallel to and associated with patriarchal society’s objectifi cation of women, blacks, and other minorities in order to routinely exploit them. Adams excels in constructing unexpected juxtapositions by using the language of one kind of relationship to illuminate another. Employing poetic rather than rhetorical techniques, Adams makes powerful connec- tions that encourage readers to draw their own conclusions.” —Choice “A dynamic contribution toward creating a feminist/animal rights theory.” —Animals’ Agenda “A cohesive, passionate case linking meat-eating to the oppression of animals and women . -
Epsiode 20: Happy Birthday, Hybrid Theory!
Epsiode 20: Happy Birthday, Hybrid Theory! So, we’ve hit another milestone. I’ve rated for 15+ before like 6am, when it made 20 episodes of this podcast – which becomes a Top 50 countdown. When I was is frankly very silly – and I was trying younger, it was the quickest way to find to think about what I could write about new music, and potentially accidentally to reflect such a momentous occasion. see something that would really scar I was trying to think of something that you, music-video wise. Like that time I was released in the year 2000 and accidentally saw Aphex Twin’s Come to was, as such, experiencing a similarly Daddy music video. momentous 20th anniversary. The answer is, unsurprisingly, a lot of things But because I was tiny and my brain – Gladiator, Bring It On and American was a sponge, it turns out a lot of what Psycho all came out in the year 2000. But I consumed has actually just oozed into I wasn’t allowed to watch any of those every recess of my being, to the point things until I was in high school, and they where One Step Closer came on and I didn’t really spur me to action. immediately sang all the words like I was in some sort of trance. And I haven’t done And then I sent a rambling voice memo a musical episode for a while. So, today, to Wes, who you may remember from we’re talking Nu Metal, baby! Hell yeah! such hits as “making this podcast sound any good” and “writing the theme tune I’m Alex. -
Language Contact and US-Latin Hip Hop on Youtube
City University of New York (CUNY) CUNY Academic Works Publications and Research York College 2019 Choutouts: Language Contact and US-Latin Hip Hop on YouTube Matt Garley CUNY York College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/yc_pubs/251 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Choutouts: Language contact and US-Latin hip hop on YouTube Matt Garley This paper presents a corpus-sociolinguistic analysis of lyrics and com- ments from videos for four US-Latinx hip hop songs on YouTube. A ‘post-varieties’ (Seargeant and Tagg 2011) analysis of the diversity and hybridity of linguistic production in the YouTube comments finds the notions of codemeshing and plurilingualism (Canagarajah 2009) useful in characterizing the language practices of the Chicanx community of the Southwestern US, while a focus on the linguistic practices of com- menters on Northeastern ‘core’ artists’ tracks validate the use of named language varieties in examining language attitudes and ideologies as they emerge in commenters’ discussions. Finally, this article advances the sociolinguistics of orthography (Sebba 2007) by examining the social meanings of a vast array of creative and novel orthographic forms, which often blur the supposed lines between language varieties. Keywords: Latinx, hip hop, orthography, codemeshing, language contact, language attitudes, language ideologies, computer-mediated discourse. Choutouts: contacto lingüístico y el hip hop latinx-estadounidense en YouTube. Este estudio presenta un análisis sociolingüístico de letras de canciones y comentarios de cuatro videos de hip hop latinx-esta- dounidenses en YouTube. -
Eminem 1 Eminem
Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005.