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Limp Bizkit Behind Blue Eyes Mp3, Flac, Wma
Limp Bizkit Behind Blue Eyes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Behind Blue Eyes Country: US Released: 2003 Style: Pop Rock MP3 version RAR size: 1151 mb FLAC version RAR size: 1732 mb WMA version RAR size: 1280 mb Rating: 4.2 Votes: 880 Other Formats: AUD AAC WMA MMF ASF MPC MIDI Tracklist Hide Credits Behind Blue Eyes (Album Version) 1 4:30 Written By – Pete Townshend Companies, etc. Phonographic Copyright (p) – Flip/Interscope Records Copyright (c) – Flip/Interscope Records Credits Edited By – Dave Holdridge* Engineer – Dave Holdridge*, Elvis Baskette Mixed By – Brendan O'Brien Producer – Fred Durst Notes FOR PROMOTINAL USE ONLY - NOT FOR SALE Barcode and Other Identifiers Matrix / Runout: DISCTRONICS LIMPCDP2 01 Mastering SID Code: IFPI L136 Mould SID Code: IFPI 04AD Other versions Category Artist Title (Format) Label Category Country Year Behind Blue Eyes Interscope 0602498147450 Limpbizkit* 0602498147450 Europe 2003 (CD, Maxi, Enh) Records Behind Blue Eyes Motor / Urban / none Limp Bizkit (CD, Single, Promo, none Germany 2003 Def Jam Group Car) Behind Blue Eyes Interscope 06024 9814743 Limp Bizkit 06024 9814743 Europe 2003 (7") Records Behind Blue Eyes Interscope 0602498147467 Limp Bizkit 0602498147467 Europe 2003 (CD, Single, Car) Records Behind Blue Eyes 06024 9861883 Limp Bizkit (CD, Mini, Single, Motor Music 06024 9861883 Germany 2003 Copy Prot.) Related Music albums to Behind Blue Eyes by Limp Bizkit Limp Bizkit - Rollin' Limp Bizkit - Limp Bizkit - New Old Songs Limp Bizkit - My Generation Limp Bizkit / Dr. Dre & Eminem - N2 Gether Now Limp Bizkit - Gold Cobra Limp Bizkit - If Only We Could Fly Limp Bizkit - Significant Other Limp Bizkit - Results May Vary Limp Bizkit - Chocolate Starfish And The Hot Dog Flavored Water Limp Bizkit - Re-Arranged Limp Bizkit - Three Dollar Bill, Yall$. -
Limp Bizkit Three Dollar Bill, Yall$ Mp3, Flac, Wma
Limp Bizkit Three Dollar Bill, Yall$ mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Three Dollar Bill, Yall$ Country: Russia Style: Nu Metal MP3 version RAR size: 1579 mb FLAC version RAR size: 1752 mb WMA version RAR size: 1807 mb Rating: 4.3 Votes: 415 Other Formats: AA VOX MP3 VOX DXD APE AA Tracklist 1 Intro 2 Pollution 3 Counterfeit 4 Stuck 5 Nobody Loves Me 6 Sour 7 Stalemate 8 Clunk 9 Faith 10 Stinkfinger 11 Indigo Flow 12 Leech 13 Everything Notes CD comes with a 4-page booklet in a standard jewel case Barcode and Other Identifiers Barcode (Text): 6 06949 01242 7 Barcode (String): 606949012427 Matrix / Runout: LA-021 Other versions Category Artist Title (Format) Label Category Country Year Limp Three Dollar Bill, Interscope Records, INTD-90124 INTD-90124 US 1997 Bizkit Yall$ (CD, Album) Flip Records Interscope Records, Three Dollar Bill, IND 90124, Limp Flip Records , Flip IND 90124, Yall$ (CD, Album, Russia 2000 490 124-2 Bizkit Records , Interscope 490 124-2 Unofficial) Records IND 90124, Limp Three Dollar Bill, Flip Records , IND 90124, Europe 1997 490 124-2 Bizkit Yall$ (CD, Album) Interscope Records 490 124-2 Interscope Records, Limp Three Dollar Bill, Flip Records, ЗАО 490 124-9 490 124-9 Russia 1997 Bizkit Yall$ (CD, Album) "Юниверсал Мьюзик" Three Dollar Bill, Limp 50899 013 Yell$ (Cass, Interscope Records 50899 013 Russia 1997 Bizkit Album, Unofficial) Related Music albums to Three Dollar Bill, Yall$ by Limp Bizkit Limp Bizkit - Significant Other Limp Bizkit - New Old Songs [Explicit Version] limp bizkit - results may vary Limp Bizkit - Star Profile Limp Bizkit - My Generation Limp Bizkit - Rough Limp Bizkit - N 2 Gether Now Limp Bizkit - New Old Songs Limp Bizkit - Icon Limp Bizkit - The Unquestionable Truth (Part 1). -
Epsiode 20: Happy Birthday, Hybrid Theory!
Epsiode 20: Happy Birthday, Hybrid Theory! So, we’ve hit another milestone. I’ve rated for 15+ before like 6am, when it made 20 episodes of this podcast – which becomes a Top 50 countdown. When I was is frankly very silly – and I was trying younger, it was the quickest way to find to think about what I could write about new music, and potentially accidentally to reflect such a momentous occasion. see something that would really scar I was trying to think of something that you, music-video wise. Like that time I was released in the year 2000 and accidentally saw Aphex Twin’s Come to was, as such, experiencing a similarly Daddy music video. momentous 20th anniversary. The answer is, unsurprisingly, a lot of things But because I was tiny and my brain – Gladiator, Bring It On and American was a sponge, it turns out a lot of what Psycho all came out in the year 2000. But I consumed has actually just oozed into I wasn’t allowed to watch any of those every recess of my being, to the point things until I was in high school, and they where One Step Closer came on and I didn’t really spur me to action. immediately sang all the words like I was in some sort of trance. And I haven’t done And then I sent a rambling voice memo a musical episode for a while. So, today, to Wes, who you may remember from we’re talking Nu Metal, baby! Hell yeah! such hits as “making this podcast sound any good” and “writing the theme tune I’m Alex. -
Eminem 1 Eminem
Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005. -
LIMP BIZKIT 2018 Veranstaltungsort Westfalenhalle Beginn 20:00 Uhr
20.06.2018 LIMP BIZKIT 2018 Veranstaltungsort Westfalenhalle Beginn 20:00 Uhr Veranstalter handwerker promotion e.GmbH LIMP BIZKIT Live 2018 Mittwoch, 20.06.2018 – Dortmund, Westfalenhalle Beginn: 20:00 Uhr Support: Blvck Ceiling Große Sommer-Tournee der Nu Metal-Pioniere im Juni 2018 Nach ihrer erfolgreichen Tournee im Sommer 2015 haben LIMP BIZKIT ihre erneute Rückkehr nach Deutschland angekündigt. Die Mitbegründer des Nu Metal sind für sieben Shows im Juni 2018 hierzulande bestätigt. Das Quintett um Frontmann Fred Durst wird am 20. Juni 2018 in der Westfalenhalle in Dortmund zu sehen sein. Der einzige Auftritt in NRW! LIMP BIZKIT gehören zu den innovativsten Bands ihres Genres und sind mit über 40 Millionen verkauften Tonträgern eine der erfolgreichsten dazu. Seit ihrer Gründung 1994 in Jacksonville/Florida beeinflussen LIMP BIZKIT im Laufe der letzten beiden Jahrzehnte eine Unzahl von Nachwuchsmusikern. Ihr innovativer, mitreißender Mix aus peitschenden Rhythmen, massiven Gitarrenwänden und funkigen HipHop-Elementen, der Nu Metal, ist eine Neuinterpretation der Crossover-Musik aus den frühen 90ern. Damals gründet Bandleader Fred Durst mit dem Bassisten Sam Rivers und John Otto am Schlagzeug sein erstes Musikprojekt, einige Monate später stößt Gitarrist Wes Borland hinzu. Mithilfe der befreundeten Band Korn touren sie mit den Deftones und House Of Pain. Von letzteren steigt DJ Lethal von House Of Pain ein. Das im Juli 1997 veröffentlichtes Debüt „Three Dollar Bill, Y’all“ wird mit über zwei Millionen Verkäufen zum überwältigenden Erfolg. Die Nachfolger „Significant Other“ (1999) und „Chocolate Starfish And The Hot Dog Flavored Water“ (2000) verkaufen sich zusammen über 16 Millionen Mal, es folgen drei Grammy-Nominierungen, die Singlehits wie „Nookie“, „Rollin’“, „Take A Look Around“ oder die Coverversion von George Michaels „Faith“ untermauern ihre Stilbreite und Experimentierfreude. -
Nu-Metal As Reflexive Art Niccolo Porcello Vassar College, [email protected]
Vassar College Digital Window @ Vassar Senior Capstone Projects 2016 Affective masculinities and suburban identities: Nu-metal as reflexive art Niccolo Porcello Vassar College, [email protected] Follow this and additional works at: http://digitalwindow.vassar.edu/senior_capstone Recommended Citation Porcello, Niccolo, "Affective masculinities and suburban identities: Nu-metal as reflexive art" (2016). Senior Capstone Projects. Paper 580. This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. ! ! ! ! ! ! ! ! ! ! ! AFFECTIVE!MASCULINITES!AND!SUBURBAN!IDENTITIES:!! NU2METAL!AS!REFLEXIVE!ART! ! ! ! ! ! Niccolo&Dante&Porcello& April&25,&2016& & & & & & & Senior&Thesis& & Submitted&in&partial&fulfillment&of&the&requirements& for&the&Bachelor&of&Arts&in&Urban&Studies&& & & & & & & & _________________________________________ &&&&&&&&&Adviser,&Leonard&Nevarez& & & & & & & _________________________________________& Adviser,&Justin&Patch& Porcello 1 This thesis is dedicated to my brother, who gave me everything, and also his CD case when he left for college. Porcello 2 Table of Contents Acknowledgements .......................................................................................................... 3 Chapter 1: Click Click Boom ............................................................................................. -
The Ucsd Ari)
SPORTS HIATUS A.S. Council at a Glance 1 Opinion 4 Kills for kids letters to the Editor 5 Women's Wilde at heart Hiatus Calendar 10 volleyball donates a court at a Sex, intrigue and society highlight "Gross Indecency; The 3 Trials of Thursday Coupons 11 Mexico school. Oscar Wilde" at San Diego's Diversionary Theatre. page 9 C1assifieds 16 page 20 1iversity Archivist (2) Attn : Sandy 0175-S THE UCSD ARI) THURSDAY, JANUARY 30, 2003 A.S. considers Price UCSD facilities fail Kaplan survey Cener ice cream parlor MeAT conditions ranked fourth to la t l1ext to hear plan By MATT SCHRADER 1ll.lke ... urc our chance .. of g-eltlllg' trrhulcd to L'C~ f)'" poor I.lnklll:!, UCAB Sen ior Staff Wr iter IntO med ,chool ,Iren't hIgher" "\ \ 'c s[.lrted 1l1lILh lOll I.ltc, ,III ()ther~ have compl.lIn~d lhat the extr.1 lc,t \la, p,l.,.,ed OU[ Inti By CLAYTON WORFOLK \ til Isorr Board "'"ppons Ice Kaplan -Ih t Prcp Jnnounced on f.lcrlllles are lI1adequ,lle due to the hlamed on ,I student II ho h.lll 1\111 ,I> 2 1 wa~ If It wcre her fJult," ,.1Id ,I ,tudent Senior Staff Writer ere.11ll ule.l'" III lhe g.lIl1C roo III \, Jan. IhH UCSD amongst out"de dl<,trJCllOllS of t.lkll1g the lCM rello\'atlOIl .Il1d lh.1l the COlll l1l1tl ee lhe fll'c-worst location, In the 111 .1 \'cry puhlrt hUlldll1g on campu,. who filed ,I l'I)lllplJlI1t .Igalll'>[ the In .1 Spl,tI,11 pre,clll.HulIl to lhl' \\111 Sllhlllll .1 for II l.I I propo,.d to country for ,tudents 10 [Jkc the "l'eter. -
October 8, 2003 Civil Engineering Technology Hosts Open House Ing
Des Moines Area Community College, Boone Campus Volume 3, Issue 3 October 8, 2003 Civil Engineering Technology hosts open house ing. Laura Griffin Students in the program take courses Banner Staff in surveying, global positioning systems, construction materials and design, high- The Civil Engineering Technology way design, computer aided drafting, Materials Lab held an open house on mathematics and human relations. Sept. 30. Students have a paid internship in their Faculty and staff were greeted by Renee second year of the program to give them White, CET instructor, who showed them experience. A CET graduate gets paid around the lab. between $14 to $18 per hour. Visitors to the CET lab are met at the Civil engineers survey, inspect and front door by Kelli Bennett at the recep- design highways and bridges. They also tion desk. Also in the building is a com- test soil and structural materials. puter lab, and two regular classrooms, one The Civil Engineering Technology pro- with dual monitors, a conference room, gram is part of the Accelerated Career a materials laboratory area, two spacious Education program. offices and rest rooms. Steve Rittger teaches the math and Vending machines inside the entrance automated design courses. Rittger teaches provide snacks for students and faculty in the classroom with the dual monitors. who are there during the day. “The programs we use require a lot of Tracey Kingsley, a freshman in the pro- screen space for multiple tools and views,” gram, said, “I am excited because when Rittger said, about why dual monitors are I graduate from the Civil Engineering used. -
Overcoming Variability in Consumer Response to Advertising Music
Results May Vary: Overcoming Variability in Consumer Response to Advertising Music Lincoln G. Craton and Geoffrey P. Lantos Stonehill College Richard C. Leventhal Ashford University ABSTRACT Although listening to music seems effortless, it actually involves many separate psychological mechanisms. This article describes and extends the multimechanism framework proposed by Juslin and colleagues, highlighting how the operation of psychological mechanisms leads to two general types of variability in consumer response to advertising music. First, the risk of between-consumer variability (individual differences) in musical response is moderate or high for most mechanisms, and it often depends on each individual’s particular history of exposure to music (listening biography). Second, within-consumer variability occurs when different mechanisms have contrasting effects, so that an individual consumer’s musical response is often mixed (e.g., guilty pleasures, bittersweet feelings, pleasurable sadness). Both types of variability can negatively impact advertising objectives (message reception, recall, acceptance, brand attitudes, etc.). The article offers preliminary suggestions for how marketers can use a multimechanism approach to successfully incorporate music in commercials and reduce the risk of unanticipated consumer responses. It ends with proposals for further research. © 2016 Wiley Periodicals, Inc. Business is booming in the field of music percep- Scope and Goals of the Article tion and cognition (hereafter, music cognition). Re- search activity is surging (Levitin, 2010), member- According to Levitin and Tirovolas (2010, p. 599), ship in the Society for Music Perception and Cognition (SMPC) is rising, and “after a long drought” (Ashley, Music cognition . is the scientific study of those 2010, p. 205) new introductory textbooks are emerg- mental and neural operations underlying music lis- ing (e.g., Honing, 2009; Tan, Pfordrescher, & Harre´ tening, music making, dancing (moving to music), 2010; Thompson, 2015). -
Total Tracks Number: 1108 Total Tracks Length: 76:17:23 Total Tracks Size: 6.7 GB
Total tracks number: 1108 Total tracks length: 76:17:23 Total tracks size: 6.7 GB # Artist Title Length 01 00:00 02 2 Skinnee J's Riot Nrrrd 03:57 03 311 All Mixed Up 03:00 04 311 Amber 03:28 05 311 Beautiful Disaster 04:01 06 311 Come Original 03:42 07 311 Do You Right 04:17 08 311 Don't Stay Home 02:43 09 311 Down 02:52 10 311 Flowing 03:13 11 311 Transistor 03:02 12 311 You Wouldnt Believe 03:40 13 A New Found Glory Hit Or Miss 03:24 14 A Perfect Circle 3 Libras 03:35 15 A Perfect Circle Judith 04:03 16 A Perfect Circle The Hollow 02:55 17 AC/DC Back In Black 04:15 18 AC/DC What Do You Do for Money Honey 03:35 19 Acdc Back In Black 04:14 20 Acdc Highway To Hell 03:27 21 Acdc You Shook Me All Night Long 03:31 22 Adema Giving In 04:34 23 Adema The Way You Like It 03:39 24 Aerosmith Cryin' 05:08 25 Aerosmith Sweet Emotion 05:08 26 Aerosmith Walk This Way 03:39 27 Afi Days Of The Phoenix 03:27 28 Afroman Because I Got High 05:10 29 Alanis Morissette Ironic 03:49 30 Alanis Morissette You Learn 03:55 31 Alanis Morissette You Oughta Know 04:09 32 Alaniss Morrisete Hand In My Pocket 03:41 33 Alice Cooper School's Out 03:30 34 Alice In Chains Again 04:04 35 Alice In Chains Angry Chair 04:47 36 Alice In Chains Don't Follow 04:21 37 Alice In Chains Down In A Hole 05:37 38 Alice In Chains Got Me Wrong 04:11 39 Alice In Chains Grind 04:44 40 Alice In Chains Heaven Beside You 05:27 41 Alice In Chains I Stay Away 04:14 42 Alice In Chains Man In The Box 04:46 43 Alice In Chains No Excuses 04:15 44 Alice In Chains Nutshell 04:19 45 Alice In Chains Over Now 07:03 46 Alice In Chains Rooster 06:15 47 Alice In Chains Sea Of Sorrow 05:49 48 Alice In Chains Them Bones 02:29 49 Alice in Chains Would? 03:28 50 Alice In Chains Would 03:26 51 Alien Ant Farm Movies 03:15 52 Alien Ant Farm Smooth Criminal 03:41 53 American Hifi Flavor Of The Week 03:12 54 Andrew W.K. -
39Th Annual J.P. Morgan Healthcare Conference January 11, 2021 Nasdaq/AIM: HCM Safe Harbor Statement & Disclaimer
39th Annual J.P. Morgan Healthcare Conference January 11, 2021 Nasdaq/AIM: HCM Safe harbor statement & disclaimer The performance and results of operations of the Chi-Med Group contained within this presentation are historical in nature, and past performance is no guarantee of future results. This presentation contains forward-looking statements within the meaning of the “safe harbor” provisions of the U.S. Private Securities Litigation Reform Act of 1995. These forward-looking statements can be identified by words like “will,” “expects,” “anticipates,” “future,” “intends,” “plans,” “believes,” “estimates,” “pipeline,” “could,” “potential,” “first-in-class,” “best-in-class,” “designed to,” “objective,” “guidance,” “pursue,” or similar terms, or by express or implied discussions regarding potential drug candidates, potential indications for drug candidates or by discussions of strategy, plans, expectations or intentions. You should not place undue reliance on these statements. Such forward-looking statements are based on the current beliefs and expectations of management regarding future events, and are subject to significant known and unknown risks and uncertainties. Should one or more of these risks or uncertainties materialize, or should underlying assumptions prove incorrect, actual results may vary materially from those set forth in the forward-looking statements. There can be no guarantee that any of our drug candidates will be approved for sale in any market, or that any approvals which are obtained will be obtained at any particular -
Federal Communications Commission DA 02-208 Before the Federal
Federal Communications Commission DA 02-208 Before the Federal Communications Commission Washington, D.C. 20554 In the Matter of ) ) ) Entercom Seattle License, LLC ) File No. EB-01-IH-0395 ) NAL/Acct. No. 200232080005 Licensee of Station KNDD(FM), ) FRN 0003-2457-19 Seattle, Washington ) Facility ID # 34530 ) ) NOTICE OF APPARENT LIABILITY FOR FORFEITURE Adopted: January 25, 2002 Released: January 28, 2002 By the Chief, Enforcement Bureau: I. INTRODUCTION 1. In this Notice of Apparent Liability for Forfeiture (“NAL”), we find that Entercom Seattle License, LLC (“Entercom”), licensee of Station KNDD(FM), Seattle, Washington, apparently violated 18 U.S.C. § 1464 and 47 C.F.R. § 73.3999, by willfully and repeatedly broadcasting indecent language. Based upon our review of the facts and circumstances in this case, we conclude that Entercom is apparently liable for a forfeiture in the amount of fourteen thousand dollars ($14,000). II. BACKGROUND 2. The Commission received a complaint that KNDD(FM) broadcast indecent material on May 30, 31 and June 1, 2001. The complainant described the material broadcast, and after reviewing the complaint, we issued a letter of inquiry to the licensee. 3. Entercom submitted a response and included a transcript of the material at issue in the complaint. In this regard, Entercom states that it used the approximate times of the broadcasts, as noted by the complainant, on the dates cited in the complaint in order to prepare the transcript using tapes of the broadcasts maintained by the station. See Attachment.1 Entercom argues that the subject matter and the language used in the complained of broadcasts is not actionably indecent.