DOCSLIB.ORG

Theodore Dreiser Papers Ms

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Theodore Dreiser papers Ms. Coll. 30 Finding aid prepared by Julie A. Reahard and Lee Ann Draud. Last updated on July 14, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 1992 Theodore Dreiser papers Table of Contents Summary Information....................................................................................................................................4 Biography/History..........................................................................................................................................5 Scope and Contents..................................................................................................................................... 12 Administrative Information......................................................................................................................... 16 Controlled Access Headings........................................................................................................................17 Other Finding Aids......................................................................................................................................18 Collection Inventory.................................................................................................................................... 19 Correspondence......................................................................................................................................19 Miscellaneous correspondence.............................................................................................................. 27 Legal matters..........................................................................................................................................27 TD Writings: Books.............................................................................................................................. 30 TD Writings: Essays..............................................................................................................................99 TD Writings: Short stories.................................................................................................................. 101 TD Writings: Poems............................................................................................................................ 102 TD Writings: Plays.............................................................................................................................. 103 TD Writings: Screenplays and radio scripts....................................................................................... 104 TD Writings: Addresses, lectures, interviews.....................................................................................105 TD Writings: Introductions, prefaces..................................................................................................106 Journals edited by TD......................................................................................................................... 106 Notes written and compiled by TD.....................................................................................................108 TD diaries............................................................................................................................................ 114 Biographical material...........................................................................................................................117 Family members...................................................................................................................................119 Memorabilia......................................................................................................................................... 122 - Page 2 - Theodore Dreiser papers Financial records..................................................................................................................................133 Clippings.............................................................................................................................................. 136 Works by others...................................................................................................................................138 Oversize................................................................................................................................................139 Clippings (originals for microfilm)..................................................................................................... 141 Appendices...........................................................................................................................................144 - Page 3 - Theodore Dreiser papers Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Dreiser, Theodore, 1871-1945 Title Theodore Dreiser papers Call number Ms. Coll. 30 Date circa 1890-1965 (bulk dates 1897-1955) Extent 244 linear feet (503 boxes) Language English Abstract Contains 22 series, including correspondence (118 boxes); legal matters (7 boxes); writings (260 boxes), comprising books, essays, short stories, poems, plays, screenplays, radio scripts, addresses, lectures, interviews, introductions, and prefaces; journals edited by Dreiser (6 boxes); notes (9 boxes); diaries (5 boxes); biographical material (1 box); memorabilia (41 boxes), comprising scrapbooks, photographs (many of which are available online), art work, promotional material, postcards, and miscellanea; financial records (5 boxes); clippings (23 boxes); works by others (12 boxes); and oversize materials (2 boxes). Also includes materials regarding various family members: brother Paul Dresser (8 boxes of correspondence, sheet music and lyric sheets, clippings and memorabilia, and two plays written by Dresser); second wife Helen Dreiser (4 boxes of diaries and other writings); and niece Vera Dreiser (2 boxes of correspondence). - Page 4 - Theodore Dreiser papers Cite as: Theodore Dreiser papers, Kislak Center for Special Collections, Rare Books and Manuscripts, University of Pennsylvania Biography/History During the Congress on Literature at the Chicago World's Fair of 1893, Hamlin Garland expressed America's need for a new kind of literature. Garland called this new literature "veritism" and "local color"—something authentically American rather than derivative of Europe. At the same time, twenty- two-year-old Theodore Dreiser was in Chicago covering the World's Fair as a reporter for the St. Louis Republic. Although Dreiser did not attend the Congress on Literature, he was to play a principal role in the fulfillment of Garland's dream for American literature in the decades that followed. (Herman) Theodore Dreiser (1871-1945) was born in Terre Haute, Indiana on 27 August 1871. He was a sickly child, the ninth in a family of ten surviving children (three older boys had died in infancy). Theodore's mother, Sarah Maria Schänäb, of Czech ancestry, was reared in the Mennonite faith on a farm near Dayton, Ohio. His father, John Paul Dreiser, was a German immigrant, who left Mayen in 1844 at the age of twenty-three to avoid conscription. He eventually traveled to America to follow his trade as a weaver, ending up at a mill in Dayton, Ohio, where he met the then seventeen-year-old Sarah. John Paul Dreiser was a devout Catholic, Sarah Schänäb, somewhat Protestant and decidedly pagan in her approach to the world—she was extremely superstitious and romantic. The couple ran off together and married in 1851, Sarah not quite eighteen, John Paul then twenty-nine. Sarah was immediately disowned by her family, militant anti-Catholics. The couple settled first in Fort Wayne, Indiana and then in Terre Haute, where John Paul became quite successful in the woolen business. There were six children in the family in 1867 when the Dreisers moved to Sullivan, Indiana and John Paul borrowed significantly in the hopes of becoming an independent wool manufacturer. These hopes were destroyed in 1869 when his factory burned to the ground. John Paul was injured severely by falling timber as he tried to save his dream. By the time he recovered and moved his family back to Terre Haute, the Dreisers were deep in debt, for John Paul insisted on paying back every dollar that he owed. Discouraged to the point of despair, he abandoned his career and became obsessed with religion and the salvation of his family. When Theodore Dreiser was born in 1871, his family was settled firmly in the depths of poverty. There were eight older siblings: Paul, Marcus Romanus (known as Rome), Mary Frances (Mame), Emma, Theresa, Sylvia, Al, and Claire. Younger brother Ed would follow two years later. Dreiser's father was only sporadically employed. The older children were out of the home, picking up what work they could, - Page 5 - Theodore Dreiser papers mostly getting into trouble. The family had a reputation in Terre Haute for being behind in their bills with wild sons and flirty daughters. Each morning they knelt around the father as he asked for a blessing for the day, and there was a similar blessing each night. Despite these prayers and stern punishments at the hand of John Paul, it was too late. The older boys ran away from home; the older girls were involved in affairs. The Dreiser family was out of control, abetted by Sarah's leniency toward her children. Young Theodore Dreiser grew up in this environment of uncertainty. He often went to bed
Recommended publications
  • Hoosier Hard Times - Life Was a Strange, Colorful Kaleidoscopic Welter Then

    Hoosier Hard Times - Life Was a Strange, Colorful Kaleidoscopic Welter Then

    one Hoosier Hard Times - Life was a strange, colorful kaleidoscopic welter then. It has remained so ever since. A HOOSIER HOLIDAY since her marriage in 1851, Sarah Schänäb Dreiser had given birth al- most every seventeen or eighteen months. Twelve years younger than her husband, this woman of Moravian-German stock had eloped with John Paul Dreiser at the age of seventeen. If the primordial urge to reproduce weren’t enough to keep her regularly enceinte, religious forces were. For Theodore Dreiser’s father, a German immigrant from a walled city near the French border more than ninety percent Catholic, was committed to prop- agating a faith his famous son would grow up to despise. Sarah’s parents were Mennonite farmers near Dayton, Ohio, their Czechoslovakian ances- tors having migrated west through the Dunkard communities of German- town, Bethlehem, and Beaver Falls, Pennsylvania. Sarah’s father disowned his daughter for marrying a Catholic and converting to his faith. At 8:30 in the morning of August 27, 1871, Hermann Theodor Dreiser became her twelfth child. He began in a haze of superstition and summer fog in Terre Haute, Indiana, a soot-darkened industrial town on the banks of the Wabash about seventy-five miles southwest of Indianapolis. His mother, however, seems to have been a somewhat ambivalent par- ent even from the start. After bearing her first three children in as many years, Sarah apparently began to shrink from her maternal responsibilities, as such quick and repeated motherhood sapped her youth. Her restlessness drove her to wish herself single again.
  • Download File

    Download File

    The Outward Turn: Personality, Blankness, and Allure in American Modernism Anne Claire Diebel Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Anne Claire Diebel All rights reserved ABSTRACT The Outward Turn: Personality, Blankness, and Allure in American Modernism Anne Claire Diebel The history of personality in American literature has surprisingly little to do with the differentiating individuality we now tend to associate with the term. Scholars of nineteenth- and twentieth-century American culture have defined personality either as the morally vacuous successor to the Protestant ideal of character or as the equivalent of mass-media celebrity. In both accounts, personality is deliberately constructed and displayed. However, hiding in American writings of the long modernist period (1880s–1940s) is a conception of personality as the innate capacity, possessed by few, to attract attention and elicit projection. Skeptical of the great American myth of self-making, such writers as Henry James, Theodore Dreiser, Gertrude Stein, Nathanael West, and Langston Hughes invented ways of representing individuals not by stable inner qualities but by their fascinating—and, often, gendered and racialized—blankness. For these writers, this sense of personality was not only an important theme and formal principle of their fiction and non-fiction writing; it was also a professional concern made especially salient by the rise of authorial celebrity. This dissertation both offers an alternative history of personality in American literature and culture and challenges the common critical assumption that modernist writers took the interior life to be their primary site of exploration and representation.
  • Strategies in Theodore Dreiser's Trilogy of Desire to Resolve the Division Between the Material and the Spiritual

    Strategies in Theodore Dreiser's Trilogy of Desire to Resolve the Division Between the Material and the Spiritual

    Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 11-9-1994 Strategies in Theodore Dreiser's Trilogy of Desire to Resolve the Division Between the Material and the Spiritual Claas Riese Portland State University Let us know how access to this document benefits ouy . Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the English Language and Literature Commons Recommended Citation Riese, Claas, "Strategies in Theodore Dreiser's Trilogy of Desire to Resolve the Division Between the Material and the Spiritual" (1994). Dissertations and Theses. Paper 4792. 10.15760/etd.6676 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. For more information, please contact [email protected]. '""' ,._... THESIS APPROVAL The abstract and thesis of Claas Riese for the Master of Arts in English were presented Nov. 9, 1994, and accepted by the thesis committee and the department. COMMITTEE APPROVALS: fi I C 1_, . -- cara o , hair . ./ Pe { Nancy f orter ' ~teven Fuller Representative of the Office of Graduate Studies ; I/ . DEPARTMENT APPROVAL: Shelley Ree&: Chafr Department of English ******************************************************** ACCEPTED FOR PORTLAND STATE UNIVERSITY BY THE LIBRARY b on.27' A{l}L?r.n-k+-· /9947 ABSTRACT An abstract of the thesis of Claas Riese for the Master of Arts in English presented Nov. 9, 1994. Title: Strategies in Theodore Dreiser's "Trilogy of Desire" to resolve the division between the material and the spiritual. A study of strategies and attempts in Theodore Dreiser's novels The Financier, The Titan and The Stoic to resolve the conflict between the material and the spiritual.
  • "Red Emma"? Emma Goldman, from Alien Rebel to American Icon Oz

    "Red Emma"? Emma Goldman, from Alien Rebel to American Icon Oz

    Whatever Happened to "Red Emma"? Emma Goldman, from Alien Rebel to American Icon Oz Frankel The Journal of American History, Vol. 83, No. 3. (Dec., 1996), pp. 903-942. Stable URL: http://links.jstor.org/sici?sici=0021-8723%28199612%2983%3A3%3C903%3AWHT%22EE%3E2.0.CO%3B2-B The Journal of American History is currently published by Organization of American Historians. Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/about/terms.html. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/journals/oah.html. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. The JSTOR Archive is a trusted digital repository providing for long-term preservation and access to leading academic journals and scholarly literature from around the world. The Archive is supported by libraries, scholarly societies, publishers, and foundations. It is an initiative of JSTOR, a not-for-profit organization with a mission to help the scholarly community take advantage of advances in technology. For more information regarding JSTOR, please contact [email protected].
  • Anarchy! an Anthology of Emma Goldman's Mother Earth

    Anarchy! an Anthology of Emma Goldman's Mother Earth

    U.S. $22.95 Political Science anarchy ! Anarchy! An Anthology of Emma Goldman’s MOTHER EARTH (1906–1918) is the first An A n t hol o g y collection of work drawn from the pages of the foremost anarchist journal published in America—provocative writings by Goldman, Margaret Sanger, Peter Kropotkin, Alexander Berkman, and dozens of other radical thinkers of the early twentieth cen- tury. For this expanded edition, editor Peter Glassgold contributes a new preface that offers historical grounding to many of today’s political movements, from liber- tarianism on the right to Occupy! actions on the left, as well as adding a substantial section, “The Trial and Conviction of Emma Goldman and Alexander Berkman,” which includes a transcription of their eloquent and moving self-defense prior to their imprisonment and deportation on trumped-up charges of wartime espionage. of E m m A g ol dm A n’s Mot h er ea rt h “An indispensable book . a judicious, lively, and enlightening work.” —Paul Avrich, author of Anarchist Voices “Peter Glassgold has done a great service to the activist spirit by returning to print Mother Earth’s often stirring, always illuminating essays.” —Alix Kates Shulman, author of Memoirs of an Ex-Prom Queen “It is wonderful to have this collection of pieces from the days when anarchism was an ism— and so heady a brew that the government had to resort to illegal repression to squelch it. What’s more, it is still a heady brew.” —Kirkpatrick Sale, author of The Dwellers in the Land “Glassgold opens with an excellent brief history of the publication.
  • Naturalism, the New Journalism, and the Tradition of the Modern American Fact-Based Homicide Novel

    Naturalism, the New Journalism, and the Tradition of the Modern American Fact-Based Homicide Novel

    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. U·M·I University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml48106-1346 USA 3131761-4700 800!521-0600 Order Number 9406702 Naturalism, the new journalism, and the tradition of the modern American fact-based homicide novel Whited, Lana Ann, Ph.D.
  • Women's Agency, Adoption, and Class in Theodore Dreiser's

    Women's Agency, Adoption, and Class in Theodore Dreiser's

    Fig. 1 1 Women’s Agency, Adoption, and Class in Theodore Dreiser’s Delineator and Jennie Gerhardt Jude Davies, University of Winchester Towards the end of Theodore Dreiser’s novel Jennie Gerhardt (1911), the title character adopts two young children. The first, “a chestnut-haired girl” whom Jennie names Rose Perpetua, is “taken from the Western Home for the Friendless” (394). The second, Harry, is adopted in part as Jennie’s response to her failure to gain a post in “some charitable organization” because “she did not understand the new theory of charity which was then coming into general acceptance and practice—namely, only to help others to help themselves.” Jennie, rather, “believed in giving— and was not inclined to look too closely into the protestations of those who claimed to be poor” (397). In the narrative, Rose Perpetua and Harry become the latest recipients of Jennie’s emotional directness and “giving” nature after the death of her daughter Vesta and her rejection by the love of her life Lester Kane. The adoptions thereby help to fulfill Dreiser’s intention to validate Jennie’s innate and spontaneous generosity of spirit, in contrast to the mores of a “respectable” middle-class that excludes her and condemns her extra-marital sexuality. What has become less clear over time is that the novel particularizes Jennie’s adoptions in relation to very historically specific philosophies of child welfare. Jennie Gerhardt was composed and published during a period when the historical counterparts of the orphanage from which Rose Perpetua was rescued were being challenged and replaced under what was recognizably a “new theory of charity” that emphasized fostering, adoption, and support within the family home.
  • Theodore Dreiser's Ponderation on American Society and Ruination Of

    Theodore Dreiser's Ponderation on American Society and Ruination Of

    Vol. 5, No. 6 Asian Social Science From American Dreams to American Tragedies — Theodore Dreiser’s Ponderation on American Society and Ruination of Morality Chengcheng Zhang & Hui Zhang Foreign Language Teaching & Researching Department, Hebei University Baoding 071002, Hebei Province, China E-mail: [email protected] The research is financed by Hebei University Humanity and Social Science Project. No. XSK0701025 Abstract Theodore Herman Albert Dreiser is one of America's greatest naturalist writers. He believed that human beings are helpless in the grip of instincts and social forces beyond their control, and he judged human society as an unequal contest between the strong and the weak. Both of his masterpieces Sister Carrie (1900) and An American Tragedy (1925), which were mostly based on his personal experience, expanded and clarified those themes. By comparing Theodore Dreiser’s Sister Carrie and An American Tragedy, this thesis analyzes the author’s exploration of the possibilities of 20th century American life with its material profusion and spiritual doubt of the life value. Keywords: American dreams, American tragedies, Comparison, Morality 1. Historical background 1.1 About the author Theodore Herman Albert Dreiser was the ninth of 10 surviving children in a family whose perennial poverty forced frequent moves between small Indiana towns and Chicago in search of a lower cost of living. In 1943, he wrote to one of his friend, “unlike yourself I am biased. I was born poor. For a time in November and December once I went without
  • A Regional Study of Secular and Sectarian Orphanages and Their Response to Progressive Era Child-Saving Reforms, 1880-1930

    A Regional Study of Secular and Sectarian Orphanages and Their Response to Progressive Era Child-Saving Reforms, 1880-1930

    Closer Connections: A Regional Study of Secular and Sectarian Orphanages and Their Response to Progressive Era Child-Saving Reforms, 1880-1930 A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy In the Department of History of the College of Arts and Sciences by Debra K. Burgess B.A. University of Cincinnati June 2012 M.A. University of Cincinnati April 2014 Committee Chair: Mark A. Raider, Ph.D. 24:11 Abstract Closer Connections: A Regional Study of Secular and Sectarian Orphanages and Their Response to Progressive Era Child-Saving Reforms, 1880-1930 by Debra K. Burgess Child welfare programs in the United States have their foundation in the religious traditions brought to the country up through the late nineteenth century by immigrants from many European nations. These programs were sometimes managed within the auspices of organized religious institutions but were also found among the ad hoc efforts of religiously- motivated individuals. This study analyzes how the religious traditions of Catholicism, Judaism, and Protestantism established and maintained institutions of all sizes along the lines of faith- based dogma and their relationship to American cultural influences in the Midwest cities of Cincinnati, Cleveland, and Pittsburgh during the period of 1880-1930. These influences included: the close ties between (or constructive indifference exhibited by) the secular and sectarian stakeholders involved in child-welfare efforts, the daily needs of children of immigrants orphaned by parental disease, death, or desertion, and the rising influence of social welfare professionals and proponents of the foster care system.
  • The Psychology of Literary Allusions in Theodore Dreiser's The

    The Psychology of Literary Allusions in Theodore Dreiser's The

    Citation: Aurangzeb, S., Iqbal, L., & SahibzadaJehanzeb. (2020). Cultural and Historical Progression: The Psychology of Literary Allusions in Theodore Dreiser’s The Financier (Trilogy of Desire). Global Regional Review, V(I), 169-175. https://doi.org/10.31703/grr.2020(V-II).18 URL: http://dx.doi.org/10.31703/grr.2020(V-II).18 DOI: 10.31703/grr.2020(V-II).18 Cultural and Historical Progression: The Psychology of Literary Allusions in Theodore Dreiser’s The Financier (Trilogy of Desire) Sahibzada Aurangzeb* Liaqat Iqbal† Sahibzada Jehanzeb‡ Vol. V, No. II (Spring 2020) | Pages: 169 ‒ 175 p- ISSN: 2616-955X | e-ISSN: 2663-7030 | ISSN-L: 2616-955X The psychology of allusion is often multi-faceted as a reference to an artefact, which could be a character from a literary piece, the quoted words of a character, a place in the country or an event from history. The reference item should be familiar to the readers. The current research identifies literary allusion in The Financer (1912) and the characters referred to Ouida's Tricotrin (1869), Charlotte Bronte’s Jane Eyre (1847), Amelia Edith Huddleston Barr's A Bow of Orange Ribbon (1886), Edward Bulwer Lytton’s Kenelm Chillingly (1874), and William Shakespeare’s Macbeth (1603) which is explained with Abstract reference to the plot of Theodore Dreiser’s Trilogy of Desire: The Financier (1912), The Titan (1914) and The Stoic (1947). The available literature review testified that a thorough evaluation of the allusions within the novel had not been accomplished to date, although these allusions link the literary pieces of the greatest minds in literature.
  • The American Tragedy Murder

    The American Tragedy Murder

    HARVEYSLAKE.ORG The American Tragedy Murder Official Detective Stories presents The American Tragedy Murder By Grant Frobisher On July 31, the body of twenty‐six year old Freda Theodore Dreiser had published the most monumental of his novels, An American Tragedy, in 1925. He based it on an McKechnie of Edwardsville turned up in Harvey’s Lake at actual case that had unfolded in the vicinity of Herkimer, New Myers Grove, near Sandy Beach. Two teenagers in a rowboat, York, between 1905 and 1908. A murdered woman, Grace Nathan Schoenburn and his girlfriend, saw the body floating Brown, was found with a bruise on her forehead in Big Moose face down; it was also spotted from the shore by a five year Lake. Investigators learned that she and a man named old girl, Betty DaCosta. Chester Gillette were lovers, that she was pregnant by him, Shortly thereafter police arrested Robert Allan Edwards, and that he wished to marry another, and wealthier, woman. age twenty‐three, also of Edwardsville, and charged that he Gillette was found guilty and electrocuted at Auburn had bludgeoned the pregnant McKechnie with a blackjack in Penitentiary in March 1908. order to be free to marry the younger, wealthier and prettier The All‐American looking Robert Edwards, better known Margaret Crain, a native of upstate New York. as Bobby, was a young man whose aspirations for a college Page 1 HARVEYSLAKE.ORG The American Tragedy Murder degree had been sidetracked by the Depression. He had to life. drop out of Mansfield State Teachers’ College and take a job On the evening of July 30, Edwards and McKechnie drove as a mine surveyor with the Kingston Coal Company.
  • Conflict Between Individual and Society in Sister Carrie

    Conflict Between Individual and Society in Sister Carrie

    ISSN 1923-1555[Print] Studies in Literature and Language ISSN 1923-1563[Online] Vol. 9, No. 1, 2014, pp. 117-123 www.cscanada.net DOI:10.3968/5252 www.cscanada.org Conflict Between Individual and Society in Sister Carrie BAI Jingang[a],* [a]College Foreign Languages Department, Chifeng University, Chifeng, Although we saw it as a masterpiece, it was suppressed China. * until 1912. Corresponding author. The violent attacks upon Sister Carrie in the early th Received 15 April 2014; accepted 26 June 2014 part of 20 century were caused by its presentation of a Publish online 27 August 2014 woman who had “sinned” and not been punished for it. Worse yet, she did not even become aware that she was Abstract sinning, and simply did what she had to do to make life In Sister Carrie, Dreiser drew a vivid picture of American more tolerable—to gain a little good future with the only life in the late 19th century. In this paper, the author tried to gift at her command. There was no agonized struggle with give a detailed analysis of Carrie’s rise and Hurstwood’s her conscience in Carrie when she decided to become fall, and pointed out the description of all these things Drouet’s mistress, similarly there was no serious moral indicated that there was a conflict between individual and problems involved when she decided to leave him for society that, to Carrie, she wanted to leave countryside a more sensitive and intelligent man .The only internal for big cities for a better life through her own effort, conflict was occasioned by an act of unkindness rather but couldn’t refuse the help and attraction from others than a sexual misdeed.