Conflict Between Individual and Society in Sister Carrie
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Strategies in Theodore Dreiser's Trilogy of Desire to Resolve the Division Between the Material and the Spiritual
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 11-9-1994 Strategies in Theodore Dreiser's Trilogy of Desire to Resolve the Division Between the Material and the Spiritual Claas Riese Portland State University Let us know how access to this document benefits ouy . Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the English Language and Literature Commons Recommended Citation Riese, Claas, "Strategies in Theodore Dreiser's Trilogy of Desire to Resolve the Division Between the Material and the Spiritual" (1994). Dissertations and Theses. Paper 4792. 10.15760/etd.6676 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. For more information, please contact [email protected]. '""' ,._... THESIS APPROVAL The abstract and thesis of Claas Riese for the Master of Arts in English were presented Nov. 9, 1994, and accepted by the thesis committee and the department. COMMITTEE APPROVALS: fi I C 1_, . -- cara o , hair . ./ Pe { Nancy f orter ' ~teven Fuller Representative of the Office of Graduate Studies ; I/ . DEPARTMENT APPROVAL: Shelley Ree&: Chafr Department of English ******************************************************** ACCEPTED FOR PORTLAND STATE UNIVERSITY BY THE LIBRARY b on.27' A{l}L?r.n-k+-· /9947 ABSTRACT An abstract of the thesis of Claas Riese for the Master of Arts in English presented Nov. 9, 1994. Title: Strategies in Theodore Dreiser's "Trilogy of Desire" to resolve the division between the material and the spiritual. A study of strategies and attempts in Theodore Dreiser's novels The Financier, The Titan and The Stoic to resolve the conflict between the material and the spiritual. -
ANALYSIS Dreiser, Th
24 CRITICS DISCUSS Sister Carrie (1900) Theodore Dreiser (1871-1945) “The best novel I had read in MS since I had been reading for the firm, and…it pleased me as well as any novel I have read in any form…. I shall do all in my power to see that the decision is for publication.” Frank Norris to Dreiser (1899) Letters of Theodore Dreiser I, 52, footnote 16 ed. Robert H. Elias (U Pennsylvania 1959) “You know, I don’t like Sister Carrie.” William Dean Howells to Dreiser (1900) “Sister Carrie was so displeasing to one of the members of the firm, or to his wife, that the book, though it came out according to the letter of Dreiser’s contract, was published without enthusiasm and few copies were sold. It had in fact something like the same fate as Crane’s Maggie. But Dreiser’s was, in its naïve decade, the more disturbing book… Readers long accustomed to seeing the lives of women in novels shown under a strict scheme of rewards and punishments were outraged. Such lives as Carrie’s ought not to be told about, even if they happened. Dreiser had no sympathy with a moralism that contradicted his observation. The first attractive woman he had ever seen was his brother Paul’s mistress. One of his sisters had eloped with a married man in Chicago, to New York, and lived in reasonable comfort. Dreiser had lodged at her house for a time and must have used her as more or less his model for Carrie…. -
EPICTETUS AS SOCRATIC MENTOR1 in Tom Wolfe's Most Recent Novel, a Man in Full, a Young Californian, Down on His Luck, Converts A
EPICTETUS AS SOCRATIC MENTOR1 In Tom Wolfe's most recent novel, A Man In Full, a young Californian, down on his luck, converts a macho sixty-year old tycoon, facing financial ruin, to Stoicism.2 The young man, Conrad, has miraculously escaped from the Santa Rita gaol as a result of an earthquake. Shortly before, he had discovered Epictetus in a book called The Stoics, a book he had been sent mistakenly in place of a riveting thriller by his favourite author with the title, The Stoics' Game. He rapidly comes across this passage: T [Zeus] gave you a portion of our divinity, a spark from our own fire, the power to act and not to act, the will to get and the will to avoid. If you pay heed to this, you will not groan, you will blame no man, you will flatter none' (p. 398). Conrad is hooked. An innocent among a bunch of hideous felons, he asks himself: 'What would Epictetus have done with this bunch? What could he have done? How could you apply his lessons two thousand years later, in this grimy gray pod, this pigsty full of beasts who grunted about mother-fuckin this and mother-fuckin that?' (p. 410). Conrad memorises chunks of Epictetus. He refers a series of challenges to Zeus, overcomes a thug twice his size, and radiates Stoic strength. At the end, hired as a male nurse in Atlanta for the massive but now ailing Croker, the about-to-be ruined tycoon, Conrad tells Croker about the Stoic Zeus and Epictetus. -
Sister Carrie in Consumer Society As Seen from Deception Within Non-Verbal and Verbal Framework and the Fulfillment of Desires
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CSCanada.net: E-Journals (Canadian Academy of Oriental and Occidental Culture,... Canadian Social Science Vol.3 No.6 December 2007 Sister Carrie in Consumer Society as Seen from Deception Within Non-verbal and Verbal Framework and the Fulfillment of Desires SISTER CARRIE DANS LA SOCIÉTÉ DE CONSOMMATION VUE SOUS L’ANGLE DE LA TROMPERIE DANS LE CADRE NON-VERBAL ET VERBAL ET DE LA SATISFACTION DE DÉSIRS Jin Rong1 Abstract: This essay attempts to analyze the theme of deception which is presented by two forms, one is silence, the other is lie, which are known as the deception within the non-verbal and verbal framework respectively. Widely employed in Sister Carrie, the theme of deception reveals the conflicts between feminine and masculine power through the utterances. In addition, the materialization in the relationship between man and woman especially Carrier and her two lovers is presented in the consumer society. And the protagonists in the novel are tragic products of the inability to communicate with each other and the victims of their desires and consumer society. Key words: Silence, lie, consumer society, desire Résumé: Le présent article tente d’analyser le thème de tromperie qui est présenté sous deux formes dont l’une est le silence et l’autre est le mensonge, qui sont considérés comme la tromperie dans le cadre non-verbal et verbal. Amplement employé dans Sister Carrie, le thème de tromperie révèle les conflits entre les puissances féminine et masculine à travers les paroles. -
Theodore Dreiser's Ponderation on American Society and Ruination Of
Vol. 5, No. 6 Asian Social Science From American Dreams to American Tragedies — Theodore Dreiser’s Ponderation on American Society and Ruination of Morality Chengcheng Zhang & Hui Zhang Foreign Language Teaching & Researching Department, Hebei University Baoding 071002, Hebei Province, China E-mail: [email protected] The research is financed by Hebei University Humanity and Social Science Project. No. XSK0701025 Abstract Theodore Herman Albert Dreiser is one of America's greatest naturalist writers. He believed that human beings are helpless in the grip of instincts and social forces beyond their control, and he judged human society as an unequal contest between the strong and the weak. Both of his masterpieces Sister Carrie (1900) and An American Tragedy (1925), which were mostly based on his personal experience, expanded and clarified those themes. By comparing Theodore Dreiser’s Sister Carrie and An American Tragedy, this thesis analyzes the author’s exploration of the possibilities of 20th century American life with its material profusion and spiritual doubt of the life value. Keywords: American dreams, American tragedies, Comparison, Morality 1. Historical background 1.1 About the author Theodore Herman Albert Dreiser was the ninth of 10 surviving children in a family whose perennial poverty forced frequent moves between small Indiana towns and Chicago in search of a lower cost of living. In 1943, he wrote to one of his friend, “unlike yourself I am biased. I was born poor. For a time in November and December once I went without -
Sister Carrie"
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1986 The Necessary Good: The "True Ethic" of "Sister Carrie" David John Essex College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Essex, David John, "The Necessary Good: The "True Ethic" of "Sister Carrie"" (1986). Dissertations, Theses, and Masters Projects. Paper 1539625356. https://dx.doi.org/doi:10.21220/s2-e426-jw53 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. THE NECESSARY GOOD THE "TRUE ETHIC" OF SISTER CARRIE A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by David Essex 1986 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author Approved, April 1986 William Davis G W IfartUa Elsa Nettels Robert Scholnick ABSTRACT Theodore Dreiser espoused in Sister Carrie a mechanistic or deterministic model for the operations of all the world, including human behavior. Nothing, he believed, was exempt from causality. He was heavily influenced in this belief -
Dreiser and the Wonder and Mystery and Terror of the City
The Japanese Journal of American Studies, No. 19 (2008) Dreiser and the Wonder and Mystery and Terror of the City Kiyohiko MURAYAMA* INTRODUCTION In the summer of 1887, Theodore Dreiser, a gawky 16 year-old boy, left a small town in Indiana and went alone to the rapidly growing Midwestern metropolis of Chicago to seek his fortune. He had to start, however, with tak- ing his fi rst job as a busboy at a seedy restaurant. Seven years later, in No- vember, 1894, he arrived in New York where he struggled to establish himself as a journalist and would-be novelist. Once again, he experienced the harsh- ness of life in the big city, only his sufferings in New York, which drove him to the verge of suicide, were even worse than in Chicago. When he wrote his fi rst novel Sister Carrie, he drew on his experiences of these two metropoli- tan centers. They provided an inexhaustible source of material for his major novels as well as his more overtly autobiographical writings, so much so that he emerged as what might be called the founder of the American city novel. As Blanche Housman Gelfant puts it, “[in] a way, all the assumptions and motifs of modern urban fi ction were implicit in Sister Carrie. It was the ge- neric novel of twentieth-century city fi ction, just as Dreiser was its generic novelist.”1 She further writes that “[he] stands out as a germinal fi gure in American urban fi ction, a fi gure to whom later writers have turned for inspi- ration because they have found in his novels a fi ctional world that is familiar to them, that is the world they themselves have experienced.”2 Copyright © 2008 Kiyohiko Murayama. -
R S S Financialisation of Sex, Class and Power
R S www.irss.academyirmbr.com March 2021 S International Review of Social Sciences Vol. 9 Issue.3 I Financialisation of Sex, Class and Power: Ambitious Frank Cowperwood in Theodore Dreiser’s Trilogy of Desire SAHIBZADA AURANGZEB HEC Scholar (PhD) Qurtuba University of Science and Information Technology Hayat Abad, Peshawar. Email: [email protected] SAHIBZADA JEHANZEB HEC Scholar (PhD) Qurtuba University of Science and Information Technology Hayat Abad, Peshawar. KHYBER KHAN KHATTAK Lecturer in English, Abdul Wali Khan University Mardan. Abstract The paper aims to describe the protagonist as ambitious to become the member of upper class in American society and financial gains by violating ethics for the purpose of power. He struggles and utilizes all sources to achieve his desired goals based on financial success. His involvement in different business activities, his movements from cities to cities and his emotional attachments are focused in Theodore Dreiser’s Trilogy of Desire (1972); The Financier (1912), The Titan (1914) and The Stoic (1947) are subtitled as Trilogy of Desire. The title is consciously selected as it not only deals with three novels but also represents the three main desires of Frank Cowperwood: desire for financial gains, own and appreciate great works of art, and enjoy the company of beautiful women. The perspectives that illuminate the research aim is to explore the effects of financialisation on the power, sex and class. The collected data is analysed through inventory technique by descriptive and interpretative approaches. This research provides contribution for future research to highlight the same characteristics in another literary piece. Keywords: Ambition, Business, Movement, Emotional Attachment, Financialisation. -
A Study of Theodore Dreiser's the Financier, the Titan
http://www.epitomejournals.com Impact Factor 3.656, Vol. III, Issue VII, July 2017, ISSN: 2395-6968 Towards Moralising Capitalism: A Study of Theodore Dreiser’s The Financier, The Titan and The Stoic Dr. Nyaa Hans Ndah The University of Bamenda Higher Teachers‟ Training College Department of English Modern Letters E-mail: [email protected] ABSTRACT Theodore Dreiser is a prominent 20th century American novelist who has elaborately articulated the intricacies of capitalism and the need for reforms in his Cowperwood trilogy. To this effect, this study examines the predicament of the masses in the American capitalist space. The study also investigates the arrogance and affluence that the bourgeois live in, against the backdrop of the misery of the proletariat. Using Alfred Adler‟s individual psychology and the Marxist theoretical approach, the study is based on the premise that in the Cowperwood trilogy, Dreiser castigates the excesses of modern capitalism and in the process, suggests means of moralising this ideology. The study also revealed that capitalism could be reformed through spiritual revivalism, the strengthening of family ties, and a rethinking of the American Dream. KEYWORDS Capitalism, moralisation, proletariat, spiritual revivalism, American Dream 1 NHN Dr. Pramod Ambadasrao Pawar, Editor-in-Chief ©EIJMR, All rights reserved. http://www.epitomejournals.com Impact Factor 3.656, Vol. III, Issue VII, July 2017, ISSN: 2395-6968 RESEARCH PAPER Introduction This article is based on the premise that in the Cowperwood trilogy, Theodore Dreiser is devoted to the cause of castigating the excesses of modern capitalism on the one hand, and on the other hand, making an effort to attempt a solution towards moralising capitalism. -
Sister Carrie
Revista de Estudios Norteamericanos, n! 4 ( 1996), pp. 129- 137 REAL AND IMAGINARY CITIES IN DREISER'S SISTER CARRIE DAN FYFE Universidad de Las Palmas de Gran Canarias Richard Hofstadter once wrote that «The United States was bom in the country and has moved to the city»(The Age of Reform, 23). What he meant, 1 think, is that America has clung to rural values-the Agrarian myth-in spite of the fact that it has been developing, from the very beginning, into a commercial society. Thomas Jefferson idealized the simple virtues of the yeoman ata time when «[t]he farmer himself, in most cases, was in fact inspired to make money»(Hofstadter, 23). For Hofstadter, «the agrarian myth represents a kind of homage that Americans have paid to the fancied innocence of their origins»(24). In America there has always been a confusion of the real and the ideal. By the end ofthe nineteenth century in the United States the Industrial Revolution held sway; and American cities such as New York and Chicago were symbols of possibility for a rural population ofAmeri can dreamers in pursuit ofhappiness- a pursuit that so often carne to be identified with wealth and status, material success, yet which often ended in failure. By the tum of the century America's cities had been growing rapidly, and not without problems: One of the keys to the American mind at the end of the old century and the beginning ofthe new was thatAmerican cities were filling up in very considera ble part with small-town or rural people. -
7. Trilogy of Desire
Univerzita Karlova v Praze Pedagogická fakulta Katedra Anglického jazyka a literatury Success and Failure in Selected Novels of Theodore Dreiser Autor: Josef Novotný Vedoucí práce: Doc. PhDr. Josef Grmela, CSc. Praha 2010 4 Čestné prohlášení Prohlašuji, že jsem zadanou diplomovou práci vypracoval sám s p řisp ěním vedoucího práce a používal jsem pouze literaturu v práci uvedenou. Dále prohlašuji, že nemám námitek proti p ůjčování nebo zve řej ňování mé diplomové práce nebo jejích částí se souhlasem katedry. Datum: 31.3.2010 ………………..…………………… podpis diplomanta 5 Pod ěkování Cht ěl bych pod ěkovat Doc. PhDr. Josefu Grmelovi, CSc., vedoucímu mé diplomové práce, za vedení, zájem, p řipomínky a čas, který mi v ěnoval. 6 Contents 1. PREFACE................................................................................................................ 8 2. DREISER’S YOUTH ........................................................................................... 10 3. THE “GENIUS”.................................................................................................... 14 4. SISTER CARRIE ................................................................................................. 23 4.1. SUCCESS OF CAROLINE MEEBER ...................................................................... 26 4.2. THE FALL OF HURSTWOOD .............................................................................. 31 5. JENNIE GERHARDT.......................................................................................... 36 6. AN AMERICAN TRAGEDY ............................................................................. -
Sister Carrie and an American Tragedy 3
SISfER CARRIE AND AN AMERICAN TRAGEDY: THE PUBLISHERS' JUDGMENTS A Thesis Presented to the Graduate Faculty School of Humanities Morehead State University In Partial Fulfillment of the Requirements for the Degree Master of Arts in English by Barbara A. Martin May 1981 Accepted by the faculty of the School of Humanities, Morehead State University, in partial fulfillment of the requirements for the Master of Arts degree. ~or of Thesi Master's Cammi t tee '--~~"SiRo-~---"-"...<"-{-~-'--"~.:.D_,...""--==---' Chairman d..A_;.117 TABLE OF CONTENTS Page INTRODUCTION 1 CHAPTER I. Corresponding Elements in Sister Carrie and An American Tragedy 3 II. Changing Literary Tastes 24 III. Conclusion 44 BIBLIOGRAPHY 47 SISTER CARRIE AND AN AMERICAN TRAGEDY: THE PUBLISHERS' JUDGMENTS Barbara A. Martin, MA Morehead State University, 1980 Theodore Dreiser's literary career spans a time of change in social, political, and economic elements in American society, espe- cially 1900-1925. These changes appear to be shown through a shift in publishers' attitudes as evidenced by their rejection of Sister Carrie in 1900 and their acceptance of An American Tragedy in 1925. Sister Carrie was rejected for publication by Harper's weekly and Harper and Brothers. It was accepted by Walter Page for Doubleday, Page; however, Doubleday refused to publish the novel because he considered it pornographic. When forced by Dreiser, Doubleday pub lished the novel but refused to promote its sale. Later, Dreiser submitted An American Tragedy for publication and the novel was readily accepted by Liveright who promoted its sale with an essay contest offering $500 as first prize. The purpose of this thesis is to discover why Sister Carrie was rejected in 1900 and An American Tragedy accepted twenty-five years later.