DOCSLIB.ORG

October 2, 1975 Worth Looking Into

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
October 2, 1975 Worth Looking Into October 2, 1975 Worth looking into drop-add reply · had to be manually keypunched by our computer center personnel while the . new lorms e liminate all manual labor ToA '~~~~i°~:~~er to the edi tor which except for one person to stand and leed appeared in the Pointer was very the forms into a machine which critical ol the Drop-Add procedure. automatically reads the forms and Several points were raised. amon.g punches the cards lhat are led into the which were lhal t l ) lhe procedure 1s computer . We can process the new made as difficult as possible, ( 2) the forms in 30 hoW's vers~ 150 hours the forms get bigger each i·ear, ( 3 ) t_he old way. That's a la bor gain oflhree lull­ Thursday, October 2 number or required signatures !"· ti me weeks, per semester, or six weeks creases. and (4) Madison, a schoo l with annua lly. In dollars< a t $5.00 per houri UAB presents the film Fritz The Cat, 38,000 students. has a much more !hat translates to $150.00 versus $750 per 7 :30 pm. Program-Banquet Rm.­ simplilied procedure. semester or an annual gain of six weeks U.C. Admission charge. or labor and $1200 in wages, although Toe procedure and t)le_ required some or lhe saving is partially offset by RHC presents MONROE DOC­ signatures are the same this year as the cost of the new forms. Since most TRINE, 8-11 pm. Allen Center !hey have been for the past two or lhree administrative offices have experienced Upper. years. Rather lhan go into great detail a reduction in personnel and budgets, about how lhe whole procedure has been steps lo improve efficiency and Friday, October 3 simplified over the years. it should productivity are Imperative. Toe new suffice to provide an explanation or our UAB Trippers Backpacking in drop-add form is one or a number or current procedure. To drop_ a course measures that we have implemented in Oiequamegon National Forest. requires the signature of the instructor, an eflort lo do the sam~work in less department chairman, and the text Community Folk Dancers Dancing, ti me and at less expense. rental department. Th e instructor's Finally, it was our impression that the 1-10 pm. Beginners are especially 4 signature is required because he she students accepted the change very well . welcome for dance instruction from has recei ved a list of the students Toe form required greater care in filling Hl:30 pm. Wright Lollllge-U.C . registered for each course taught; and out. but we found the forms to be by having lhe opportunity to sign the completed accurately and thoroughly in UAB CoffehouseAuditions, 7 pm-1 drop form , the instructor can maintain all but a lew cases. We,feel that lhe . new am. Coffehouse-U.C. an accurate class roster. rorm successfully met our objecllves, More importantly. !hough. lhe in­ and we greatly appreciate the students· UAB presents the film FRITZ THE structors have wanted their approval to cooperation. CAT, 7 :30 pm. Program-Banquet be part or lhe process. II lhe drop is for Rm.-U.C. Admission charge. academic reasons, the instructor wants David J . Eckholm lhe opportunity to discuss lhe matter It University Theatre presents THE with the student. is an advising role to Associate. Reglslnr SERVANT OF. TWO MASTERS, 8 assist lhe student in making the right pm. Jenkins Theatre. decision. The department chairman controls the class limits- the chairman Saturday, October 4 must know !hat a student is dropping lhe 'Bungled' back UAB Trippers Backpacking in course in order to make a decision on To the Pointer: Chequamegon National Forest. permitting another student to add the course. After the derogatory adjectives directed at me concerning my " Birds UWSP Pointers vs. Eau Claire, 1 :30 Text rPnldl approval is necessary in ordei ~" control the distribution of Bungled" (not my title> letter l !eel pm. Goerke Field. Admission books. A lew years ago, before such compelled to qualify and d.isqua11ty a charge. approval was a step in the procedure, lew or my remarks. text rental was frequenU y runrung short To the person who simply signed their UAB Coffehouse Auditions, 7 pm-1 of books !or courses because students letter " For lhe creatures" l !ail to see am. Coffehouse-U.C. would register for a course, pick up how she or he figures my letter was an books, and later drop lhe course but not ··amateurish attempt at discrediting University Theatre presents THE return lhe books until lhe end or the eertain individuals." This wasn't my SERVANT OF TWO MASl'ERS; 8 semester. Wilh olher ~tudents a dding intent and obviously my letter didn" t pm. Jenkins Theatre. the course, it wasn' t uncommon that 35 accomplish this. I might add !hat since books were checked out for a course in you're obviously so down on discrediti ng Sunday, October 5 which only 30 students were actually others !hat you might better spread registered. your gospel by practicing what you UAB Trippers Backpacking in ln the case of an added course. only preach. Chequamegon National Forest. the department ~hainnan's signature t admit being wrong concerrung and the approval of text ren t.al are common usage of the word antelope and required. The reasoning he re is the use or lhe term class t the proper word is UAB Video of the Vikings vs. Bears same as with a drop. The department family, I believe>. For lhial apnl~i,Pln football game, 12 :30 pm. Cof­ chairman controls th e class si ze and Mi ss Puller !or trying to correct her fehouse-U.C. knows whether or not there is room in when she was already right. th e course to a ll ow a student to add, and To Dr. Long concerning goshawks on University Theatre presents THE text rent.al doesn't want to issue a Buena Vi sta Marsh I will olfer no ex· SERVANT. OF TWO MASTERS, 8 textbook unless the student is oHi cially planation perfaining lo their predations pm. J enkins'l'lrelrtre. adding the course. Past experience on prairie chickens. However, I do know found lha t stude nt s would pick up books U,e distinctions between goshawks and Monday , October 6 for courses in which they weren't marsh hawks, and the student assistant registered because lhey found them who irlentified lhe hawks I saw on Freshmen football vs. St. Norbert's, useful as reference books for other Buena Vista last spring a s goshawks 3:30 pm. CH l 7 courses. Obviously, this practice also was wrong. My point !hough is that all contributed to a shortage or books. student assistants on this project sho_uld RHC presettts the film HARRY & The drop-add procedure. then , know these distinctions since pra1rtt TONTO, 8 pm. Allen Center. requires a maximum or 3signatures for chicken observers (largely CNR and a drop and 2 for an add, not a minimum Biology students) are a sked to report.all of 5 signatures as stated in th e letter to Tue<day , October 7 sightings or raptors on lhe boo~ing the editor. Incidentally, Madison grounds a nd moreover may be required University Film Society presents generall y requires onl y th e depart­ to identjfy these birds in one or more of BANANAS, 7 & 9 :15 pm. Program­ ment's approval <it depenm on the their classes. Banquet Rm - U . C . Admission college in whic h the student is Now to explain my "two _years of charged. enrolled); however , thei r dep.1rtment retice nce" r e mark which un · offices a re consi derably more scattered dcrstandably puzzled !hose lo whom my RHC presents the film HARRY & than ours and Madison has a text book letter was a ddressed: I am a junior an~ TONTO, 8 pm . Debol Center. purchase system so they don't have the while the errors in the museum haven t same problems we have with respect to been there !or two years I probably University Theatre presents THE controlling the inv entory or books. wou ldn"t have had the guts to say SERVANT OF TWO MASTERS, 8 anything about them (or anything else pm. Jenkins Theatre. ~!though our procedure is Ute same on that order> had they been !here. )ly this semester as it was fo r the last point, which may or may not be Wednesday, October 8 several semester , the form did change relevant, is that from now on I inte_nd to We implemented th e use of a machi~ open my moulh ii I see something I University Theatre- presents THE readable (op.scan I form that takes a few SERVANT OF TWO MASTERS, 8 think is wrong. I assure anyone con· mor~ seconds to complete than did the corned !hough, !hat I will be more pm . Jenkins Theatre. previous fo rms. However, the new form careful in the future. ha s roo~ for one drop and one add while Hopelully. a lew things have been UAB Coffeehouse presents PETER the previous form s the student needed straightened out by my writing to the ALSOP,9 - 11 p .m . Coffeehouse - UC. one form for a drop and one for an add. Pointer. I know that with lhc help ol C.J . The reason for the adoption of the new Compiled by Campus and Community Pufler . Mr. " ~'or the creatures," and form s wa s si mply to Sa \'C time and Dr. Long I have -been straightened out Aflairs Editor Mary Plotter.
Load more

Recommended publications
  • Wild Kingdom'
    MONDAY MEMO from DAN KNIGHT, Bozell & Jacobs, Omaha TV's vanishing sponsor breed survives well in `Wild Kingdom' The competitive jungle of television ily show that is both entertaining and copy are keyed to the map so that today, with all of its economic snares educational. We've received nothing students can quickly see just where in and rigors, still cannot crush out that but favorable response from the view- the world each program originates. hardy species, the program sponsor. ing public and our staff." Wildlife The comic books, also printed in For example, the nation's largest officials like it too, he notes, because color and in the style of "Mark Trail," health and accident insurance company the show does much to help preserve are built around adventures of the pro- and a team of dedicated zoologists and our natural resources. gram's stars and are distributed to photographers have consistently been Mutual of Omaha's Wild Kingdom schools as well. The comic books can be winning good will and good prospects consistently has been one of the top - imprinted by the local NBC -TV affiliate on NBC -TV every Sunday at 5 p.m. rated shows on weekend daytime tele- station or by the local Mutual of Omaha through their program, Mutual of vision. Nielsen figures for the 1965 -66 representative. Omaha's Wild Kingdom. Last week season credit the program with an There are several other promotion the show also won the Emmy award average audience of some 16 million pieces prepared for the program, in- as "the outstanding program achieve- armchair explorers each week.
    [Show full text]
  • Sunday Nights with Walt Everything I Know I Learned from “The Wonderful World of Disney”
    Sunday Nights with Walt Everything I Know I Learned from “The Wonderful World of Disney” Richard Rothrock Theme Park Press The Happiest Books on Earth www.ThemeParkPress.com Contents Introduction vii 1 “And Now Your Host, Walt Disney” 1 2 A Carousel of Color 9 3 A Carousel of American History 21 4 Adventures in Nature 49 Commercial Break: Making Mom’s Pizza 69 5 Life Lessons and Journeys with Our Pets and Horses 71 6 A Carousel of Fabulous, Faraway Places 89 7 Walt and His Park 109 8 The Show after Walt 119 Commercial Break: Fads and Evolutions 125 9 Solving a Mystery 129 10 Growing Up 143 11 Discovering the Classics 165 Commercial Break: Rich’s Top Ten 177 12 Learning the Ropes of Romance 179 13 Embracing the Future 191 Afterword 209 Acknowledgements 213 About the Author 215 About Theme Park Press 217 Introduction Growing up in the 1960s and 1970s, Sunday nights at my house were different from the other nights of the week. It was the only night when my mother made pizza. It was the only night of the week when we could drink soda. It was the only night of the week when we could have candy for dessert. Iit was the only night of the week when we were allowed to eat dinner in front of the television. And the only shows we ever watched were Mutual of Omaha’s Wild Kingdom and The Wonderful World of Disney. (Mom sent us to bed as soon as Bonanza started.) For almost the entirety of my childhood, The Wonderful World of Disney was always there, even as I grew from a boy to a young man of eighteen, and even as my family moved from the small towns and farms of rural Indiana to the coal and steel towns of West Virginia to the towering spires of the Motor City in Michigan.
    [Show full text]
  • Marlin Perkins Papers (S0516)
    Marlin Perkins Papers (S0516) Collection Number: S0516 Collection Title: Marlin Perkins Papers Dates: 1873-1991 Creator: Perkins, Marlin, 1905-1986 Abstract: The Marlin Perkins Papers consist of newspaper clippings, correspondence, zoo animal feeding records, business contracts, equipment lists, maps, archaeological records, publications, and zoological findings, conservation and ecological writings, scrapbooks, photographs, and film. The materials in this collection are related to Marlin Perkins’ involvement in national and international zoos, wildlife and nature conservation, Mutual of Omaha’s Wild Kingdom, Zoo Parade, and various other dealings involving wildlife. Collection Size: 17.4 cubic feet (350 folders, 2854 photographs, 32 16mm films, 29 audio cassettes, 14 audio disks, 16 items) Language: Collection materials are in English. Repository: The State Historical Society of Missouri Restrictions on Access: Collection is open for research. This collection is available at The State Historical Society of Missouri Research Center-St. Louis. If you would like more information, please contact us at [email protected]. Collections may be viewed at any research center. Restrictions on Use: The Donor has given and assigned to the University all rights of copyright, which the Donor has in the Materials and in such of the Donor’s works as may be found among any collections of Materials received by the University from others. Preferred Citation: [Specific item; box number; folder number] Marlin Perkins Papers (S0516); The State Historical Society of Missouri Research Center-St. Louis [after first mention may be abbreviated to SHSMO-St. Louis]. Donor Information: The papers were donated to the University of Missouri by Carol Perkins on June 27, 1990 (Accession No.
    [Show full text]
  • Wild Kingdom
    Mutual of Omaha’s Wild Kingdom Mutual of Omaha’s Wild Kingdom, which premiered on network television on Jan. 6, 1963, is one of the most loved and respected wildlife programs in television history. It took viewers to the far corners of the world and studied wild animals in their natural habitats. The show pioneered the format now common to nature shows, which builds a suspenseful story around the very real challenges faced by the hosts and camera crews in the wild. Hosting duties were handled by Marlin Perkins, who was joined by several field correspondents, including subsequent hosts Jim Fowler and Peter Gros. Mutual of Omaha’s Wild Kingdom was seen on network prime-time television until 1971, when it was syndicated on the Mutual of Omaha National Syndication Network. More than 200 local television stations joined the network, enabling the show to reach the largest audience in its history. Wild Kingdom, which received 41 major awards including four Emmys, remained in production through 1985 and in syndication through the mid-1990s. Wild Kingdom played a prominent role in Mutual of Omaha’s overall brand revitalization effort, which began in 2001. In that year, the company launched the Mutual of Omaha’s Wild Kingdom Kids’ Summit, a nationwide essay contest that challenged young people to brainstorm ideas to help save threatened and endangered species. The contest, which selected one child from each state to attend the Wild Kingdom Kids’ Summit, was held annually through 2005. In 2002, Mutual of Omaha’s Wild Kingdom returned to television with an all-new series of one-hour specials on the Animal Planet network.
    [Show full text]
  • Danger! Danger! Danger!, Or When Animals Might Attack: the Adventure Activist Genre
    Portland State University PDXScholar School of Film Faculty Publications and Presentations School of Film 2005 Danger! Danger! Danger!, or When Animals Might Attack: The Adventure Activist Genre Mark L. Berrettini Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/ta_fac Part of the Film and Media Studies Commons Let us know how access to this document benefits ou.y Citation Details Berrettini, M. L. (2005). 'Danger! Danger! Danger!, or When Animals Might Attack: The Adventure Activist Genre,' Scope: On-line Journal of Film Studies. www.scope.nottingham.ac.uk/ This Article is brought to you for free and open access. It has been accepted for inclusion in School of Film Faculty Publications and Presentations by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Scope | Issue 1| Articles ABOUT | SUBMISSION GUIDELINES | EDITORIAL BOARD | ADVISORY BOARD | PREVIOUS ISSUES Issue 1: Articles 'Danger! Danger! Danger!' or When Animals Might Attack: Adventure Activism and Wildlife Film and Television Mark L. Berrettini, University of Northern Colorado, USA In the Animal Planet series The Crocodile Hunter and Peter Lynch's 1996 documentary Project Grizzly, Steve Irwin, the Crocodile Hunter and Troy Hurtubise, the subject of Lynch's film, reason that action-packed, close encounters with animals are the mainstay of their respective work. Irwin states at the end of an episode titled "Steve's Story": I have to get right, fair smack into the action because this day has come where the audience, you, need to come with me and be there with that animal because if we can touch people with wildlife then they want to save it.
    [Show full text]
  • Wild Kingdom with Peter Gros Mutual of Omaha
    HOT SEASON FOR YOUNG PEOPLE 2012-2013 TEACHER GUIDEBOOK Wild Kingdom with Peter Gros Mutual of Omaha Photo by Megan Keating Regions Bank A Note from our Sponsor For over 125 years Regions has been proud to be a part of the Middle Tennessee community, growing and thriving as our area has. From the opening of our doors on September 1, 1883, we have committed to this community and our customers. One area that we are strongly committed to is the education of our students. We are proud to support TPAC’s Humanities Outreach in Tennessee Program. What an important sponsorship this is – reaching over 25,000 students and teachers – some students would never see a performing arts production with- out this program. Regions continues to reinforce its commitment to the communities it serves and in ad- dition to supporting programs such as HOT, we have close to 200 associates teaching financial literacy in classrooms this year. Thank you, teachers, for giving your students this wonderful opportunity. They will certainly enjoy the experience. You are creating memories of a lifetime, and Regions is proud to be able to help make this op- portunity possible. Jim Schmitz Executive Vice President Area Executive Middle Tennessee Area Dear Teachers, Mutual of Omaha’s Wild Kingdom has been educating viewers since 1963 by taking families to the far corners of the world every Sunday afternoon on television. Wild Kingdom has been recognized with 41 major awards, including 4 Emmys and an endorsement by the national PTA for television recommended for family viewing. Wild Kingdom’s Peter Gros will use his window into the animal world while sharing his travel experiences and his educational tales.
    [Show full text]
  • Blue Whale Gala
    Blue Whale Gala In celebration of our environment and the individuals and organizations making important contributions to conserving Earth’s resources, the Aquarium of the Pacific will present the prestigious Ocean Conservation Award to Jack Dangermond and Jim Fowler. Jack Dangermond is the founder and president of GIS (geographic information systems) services and software firm Esri. He is an environmental scientist, entrepreneur, and pioneer in using data to create a better future. He studied environmental science at California State Polytechnic University, Pomona, urban planning at the University of Minnesota, and landscape architecture at Harvard. He has served on NASA’s Science and Technology Advisory Committee, and the University Consortium for Geographic Information Science (UCGIS) elected Dangermond as one of its 2012 fellows. His honors include the British Cartographic Society Medal received in 2013, the United Nations’ Champions of the Earth Award in 2013, The Economist magazine’s Innovation Award in 2012, and the National Geographic Society’s Alexander Graham Bell Medal in 2010. Dangermond also has an interest in education and has worked to make GIS and spatial analysis tools an integral part of elementary education. In 2012 Esri launched the Ocean GIS Initiative to provide effective mapping tools and techniques to better understand the ocean. This will aid in responding to disasters like oil spills and tsunamis and assist in the implementation of the U.S. National Ocean Policy. The initiative will focus on ocean science and resource management by analyzing five main areas: research and exploration, ecosystems and environment, coastal protection and marine spatial planning, fisheries and aquaculture management, and recreation and adventure.
    [Show full text]
  • JIM FOWLER - FRIEND of PATUXENT by Matthew C
    JIM FOWLER - FRIEND OF PATUXENT by Matthew C. Perry During the 1960s, nature shows on television were not as numerous and available as they are now. For those of us that loved nature, the program “Wild Kingdom” was a must see on a weekly basis every Sunday night from 1963 to 1971. The show was sponsored by Mutual of Omaha and starred Dr. Marlin Perkins, Director of the Saint Louis (Missouri) Zoological Park, and his affable sidekick, Jim Fowler. Dr. Perkins usually had a suit on as he narrated the show, but Fowler looked like he had just returned from an African safari with very stylish field clothes. If there was a large snake or an alligator to capture Jim was quick to go into action, while Dr. Perkins stayed out of the fray, but with confidence that Jim would be successful in any capture of any critter. It became a common joke of the show with Dr. Perkins stating, “I’ll wait here….” My first involvement with Jim Fowler was in 1981, when he agreed to give some biologists from Patuxent a personal tour of the wildlife areas of Wild World on Central Avenue (now Six Flags). We loaded into a hay wagon pulled by a tractor with Jim having a good time as guide. At that time Wild World had many large animals including African lions, African elephants, and other exciting exotic wildlife for the visitors. These animals were moved from the park when new management put more emphasis on amusement rides and water slides, with less emphasis unfortunately on wildlife viewing and conservation.
    [Show full text]
  • Roundtable Review of Wired Wilderness: Technologies of Tracking and the Making of Modern Wildlife , by Etienne Benson
    Full citation: Hamblin, Jacob D., ed. Roundtable Review of Wired Wilderness: Technologies of Tracking and the Making of Modern Wildlife , by Etienne Benson. H-Net Environment Roundtable Reviews 3, no.1 (2013). https://www.h-net.org/~environ/roundtables/env-roundtable-3-1.pdf. Copyright: Copyright © 2011 H-Net: Humanities and Social Sciences Online H-Net permits the redistribution and reprinting of this work for nonprofit, educational purposes, with full and accurate attribution to the author, web location, date of publication, H-Environment, and H-Net: Humanities & Social Sciences Online. H-Environment Roundtable Reviews Volume 3, No. 1 (2013) Roundtable Review Editor: www.h-net.org/~environ/roundtables Jacob Darwin Hamblin Publication date: January 10, 2013 Etienne Benson, Wired Wilderness: Technologies of Tracking and the Making of Modern Wildlife (Baltimore: Johns HopKins, 2010). ISBN: 978-0801897108. Hardcover. 264 pp. Stable URL: http://www.h-net.org/~environ/roundtables/env-roundtable-3-1.pdf Contents Introduction by Jacob Darwin Hamblin, Oregon State University 2 Comments by Sara Dant, Weber State University 4 Comments by Michael Lewis, Salisbury University 7 Comments by Robert M. Wilson, Syracuse University 12 Author’s Response by Etienne Benson, Max Planck Institute 15 About the Contributors 21 Copyright © 2013 H-Net: Humanities and Social Sciences Online H-Net permits the redistribution and reprinting of this worK for nonprofit, educational purposes, with full and accurate attribution to the author, web location, date of publication, H-Environment, and H-Net: Humanities & Social Sciences Online. H-Environment Roundtable Reviews, Vol. 3, No. 1 (2013) 2 Introduction by Jacob Darwin Hamblin, Oregon State University ne of the jarring elements of the blockbuster sci-fi film The Hunger Games was the setting of its quasi-gladiatorial combat.
    [Show full text]
  • World of Disney: Dilemmas of Authenticity in Visual Culture About Nature Erin M
    University of Vermont ScholarWorks @ UVM UVM Honors College Senior Theses Undergraduate Theses 2014 The ondeW rful (Natural) World of Disney: Dilemmas of Authenticity in Visual Culture About Nature Erin M. White University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/hcoltheses Recommended Citation White, Erin M., "The ondeW rful (Natural) World of Disney: Dilemmas of Authenticity in Visual Culture About Nature" (2014). UVM Honors College Senior Theses. 4. https://scholarworks.uvm.edu/hcoltheses/4 This Honors College Thesis is brought to you for free and open access by the Undergraduate Theses at ScholarWorks @ UVM. It has been accepted for inclusion in UVM Honors College Senior Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. The Wonderful (Natural) World of Disney: Dilemmas of Authenticity in Visual Culture About Nature Erin White Senior Honors Thesis Department of Anthropology University of Vermont May 2014 Thesis Committee Adviser: Dr. Luis Vivanco, Department of Anthropology Chair: Dr. Sarah Nilsen, Department of Film and Television Studies Reader: Dr. Scott Matter, Department of Anthropology 1 Table of Contents Acknowledgements ..................................................................................................................... 2 Chapter One .................................................................................................................................... 3 Introduction Chapter Two ...............................................................................................................................
    [Show full text]
  • Tv's Wildest Host
    TV'S WILDEST HOST Before Marty Stouffer's Wild America was born, nature lovers watched Marlin Perkins' Wild Kingdom. Jacques Cousteau's Undersea World was another wildlife favorite, as well as Lorne Greene's Last of the Wild and Bill Burrud's Animal World. Even Walt Disney got into the act as one of the earliest natural history filmmakers. Now, only Stouffer's Wild America remains as the latest and possibly the most popular of them all. Stouffer took the standards of the business, shook them up, broke all the rules, and created an outstanding and innovative program that's been among the top-rated regular series on PBS every year for the past decade. What Stouffer's predecessors taught him was good. What he came up with himself is even better. While most nature programs traveled the globe to film the exotic and unusual creatures in far away places, Stouffer chose to stay close to home. He had a hunch that American viewers were eager to see what kind of wildlife their own country had to offer. So, figuring that less is more, Stouffer scaled the Animal Kingdom down to size and focused only on the creatures of North America. He also realized that even an eager audience has a limited attention span. Accordingly, he developed his program length to an untraditional half hour, and thereby created a format that was easier to develop and allowed more experimentation in subject matter. A program such as "Beautiful Blues," about all the places the color blue is found in nature, could never have filled an hour long program, but is perfectly suited for a shorter format.
    [Show full text]
  • Animal Television Pioneer &Wild Kingdom Ambassador Educating Families on Conservation & Wildlife
    Animal Television Pioneer &Wild Kingdom Ambassador Educating Families on Conservation & Wildlife For over four decades, Peter Gros has entertained, educated, and enlightened millions of people with his major contributions to promoting wildlife conservation and fostering a greater appreciation for animals, though his work in television, park management, and now as a global ambassador. One of the last pioneers of television wildlife programs, Gros, who first starred on Mutual of Omaha’s Wild Kingdom in 1986, has been charged, clawed, kicked, bitten, gnawed, and knocked senseless by the wild animals he has dedicated his life to protecting. His work helped bring a part of the unknown, natural world – the “wild kingdom” – into the living rooms of others, shedding misconceptions about that world while inspiring one’s love for all animals and the precious planet. Gros, who has appeared with legendary TV personalities that include Johnny Carson, Jay Leno, Marv Griffin, and Larry King, has been on hundreds of local, national, and international television shows. The wildlife expert often shares fascinating stories while offering useful tips on how one can embrace nature and the wildlife in their own backyard. He supplies positive insights into successful conservation projects and enjoys highlighting which species have been removed from the endangered list. Gros, a legend in his field, engages audiences with amazing stories about close-up encounters with danger He also dazzles people with the presentation of in-studio/on-stage wildlife, showing
    [Show full text]