DOCSLIB.ORG

“You Can Only Deny Me for So Long by Saying That I Don't

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
“You Can Only Deny Me for So Long by Saying That I Don't “YOU CAN ONLY DENY ME FOR SO LONG BY SAYING THAT I DON’T EXIST”: A CRITICAL EXAMINATION OF RACIALIZED FEMMEPHOBIA AND FEMME INVISIBILITY by: Céline Françoise Donelle, B.A. A thesis submitted to the Faculty of Graduate and Post-Doctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts In Women’s and Gender Studies Pauline Jewett Institute of Women’s and Gender Studies Carleton University Ottawa, Ontario © 2017, Céline Françoise Donelle Abstract This is a research project exploring the intersections of femme subjectivity, femmephobia, and race and racism. Specifically, I critique an essentialized understanding of femmephobia which centralizes ‘unmarked’ white femme bodies, and thus silences the experiences of queer racialized femmes. By way of semi-structured interviews with ten queer racialized femmes and an exploration of corporate media representations of racialized queer femmes, this thesis examines how discussions of race and racism are integral to discussions surrounding femmephobia and femme invisibility. I argue both that corporate media productions increase invisibility and erasure for femmes but also how this invisibility and erasure has shaped the experiences of racialized queer femmes in particular. i Acknowledgements First and foremost, thank you to my thesis supervisor, Patrizia Gentile, for the endless guidance, patience, and wisdom. You have taught me that through life’s many adversities, I can get back up and keep writing. That my insecurities are not flaws, but rather building blocks to something greater. This process would have not been the same without you. I would also like to extend thanks to my second reader, Grace Adeniyi Ogunyankin, for her support and insightful feedback throughout the writing process. Thank you to my external examiner, Dan Irving, for offering many valuable and important critiques during my thesis defence. I would also like to thank Tina Barton for her kind words of encouragements, support, and countless edits. I would like to thank my partner, Adella Khan, for the countless support. Your love, through meal preps and pep talks and spontaneous date nights has showed me what it feels like to let love in. You have taught me the importance of hard work but most importantly, the importance of self-care. This last year you have stood by my side through trauma and health issues, all while encouraging me to keep writing. You inspire me to better myself every day. This thesis is as much yours as is it mine. I would like to extend many thanks to my best femme friend, Matthew Conte. Thank you for being a kind and supportive friend throughout this entire process and for letting me vent and cry to you more times than I can count. In you I have found a lifetime friend, a fellow queer angel, and I truly believe, as we would always say during our Masters that, “if this M.A. doesn’t get us anything else in life at least we got this friendship”. These last two years would have not been the same without you. I attribute much of my personal and academic growth to you and our friendship. ii I would like to thank the femmes in my life that have offered me such love, support, and countless laughs throughout these past years: Melissa Conte, Chloe Barker, Mars Ramlogan, and to the year-long friendships that have gotten me to this point: Jeremie Brun, Miguel Robichaud, Carolyne Mellon, Malika Rogosin, Sarah Conway, Stephanie Webber. Merci à ma grande soeur, Véronique Donelle, pour toujours m’avoir encouragé à être une better personne. Pour toujours être la pour me cheerer on. Chtaime beaucoup. Un gros merci à mes parents, Françine Donelle pis Gary Donelle. You have taught me the value of hard work and have raised me to believe in myself no matter what. You have showed me that it does not take countless degrees, or any degrees at all, to understand social injustice and to take action. That I should be proud of who I am and where I came from and to never let anyone make me feel otherwise. Thank you for encouraging me to talk about my research even though many of these words do not translate into Chiac. Even though many of these words you have not heard before. Décoller du Nouveau-Brunswick était une decision pomale difficile but garde mam pis dad! Jlai faite! iii Dedication To all the femmes who have moved mountains. iv Table of Contents CHAPTER ONE: Introduction ................................................................................................... 1 Contextualizing Femme Within My Work ................................................................................. 5 Methodological considerations ................................................................................................... 9 Participants ................................................................................................................................ 12 Chapter Summary ..................................................................................................................... 14 CHAPTER TWO: Situating Racialized Queer Femmes Within Theory .............................. 16 Tensions in Femme Theorizing ................................................................................................ 18 Foundational Texts in Femme Theorizing ................................................................................ 21 Questions of Passing ................................................................................................................. 23 ‘People of Colour Can’t Be Queer’: Passing and Homonormativity ........................................ 30 Forms of Knowing and Learning .............................................................................................. 33 Cultural Theory ......................................................................................................................... 36 CHAPTER THREE: Representations of Racialized Queer Femmes in Contemporary Media ............................................................................................................................................ 48 Corporate Media and Embodying Racialized Queer Femmes .................................................. 50 When Racialized Queer Femmes are Really Bad ..................................................................... 57 Gay Best Friends and Sassy Black Girls: Racialized Queer Femmes as Sidekicks ................. 59 Resisting the Tide: Challenging Racialized Queer Femme Stereotypes .................................. 66 CHAPTER FOUR: Femmephobia, Femme Invisibility, and Experiences of Racialized Queer Femmes ............................................................................................................................. 72 v “We’re Just So Afraid of People Showing Femininity”: Negotiating Femmephobia as Racialized Queer Femmes ........................................................................................................ 73 “Oh but You’ve Never Been with a Woman, How Do You Know You’d Like It?”: “Faking” Femme Subjectivity .................................................................................................................. 76 “Only White People are Queer and Only White People are Trans”: Erasing Racialized Queer Subjectivities ............................................................................................................................. 82 “A Lot of These Prejudices We Didn’t Have and Were Handed Down to Us”: Colonialism and the Discourse of Modernity ...................................................................................................... 87 “Like It’s Gonna Happen Together If It’s Gonna Happen”: The Inseperability of Femmephobia and Racism ........................................................................................................ 94 “We’re Here”: Femme as Political Reclamation ...................................................................... 97 CHAPTER FIVE: Conclusion ................................................................................................. 102 Future Research and Limitations to this Study ....................................................................... 104 Final Thoughts ........................................................................................................................ 106 Appendix A: Certification of Institutional Ethics Approval................................................. 107 Appendix B: Certification of Institutional Ethics Clearance ................................................ 109 Appendix C: Interview Guide .................................................................................................. 111 Appendix D: August 1993 Vanity Fair Cover ....................................................................... 113 Works Cited ............................................................................................................................... 114 vi CHAPTER ONE: Introduction they will say that femininity is not powerful. but i have stopped traffic simply by going outside. i have suspended time. i have made everyone watch. i have shed every category, word, and lie. i have etched myself so deep inside, they will never forget me. i have found a way to live forever. they will say femininity is not powerful. so i will put on my dress. so i will go outside. so i will prove them wrong. —Alok Vaid-Menon, They Will Say My interest in femme invisibility and femmephobia started years ago when I first came out. I have always considered myself a feminine person and
Load more

Recommended publications
  • Human Rights, Sexual Orientation and Gender Identity in the Commonwealth
    Human Rights, Sexual Orientation and Gender Identity in The Commonwealth Struggles for Decriminalisation and Change Edited by Corinne Lennox and Matthew Waites Human Rights, Sexual Orientation and Gender Identity in The Commonwealth: Struggles for Decriminalisation and Change Edited by Corinne Lennox and Matthew Waites © Human Rights Consortium, Institute of Commonwealth Studies, School of Advanced Study, University of London, 2013 This book is published under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International (CC BY-NCND 4.0) license. More information regarding CC licenses is available at https:// creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN 978-1-912250-13-4 (2018 PDF edition) DOI 10.14296/518.9781912250134 Institute of Commonwealth Studies School of Advanced Study University of London Senate House Malet Street London WC1E 7HU Cover image: Activists at Pride in Entebbe, Uganda, August 2012. Photo © D. David Robinson 2013. Photo originally published in The Advocate (8 August 2012) with approval of Sexual Minorities Uganda (SMUG) and Freedom and Roam Uganda (FARUG). Approval renewed here from SMUG and FARUG, and PRIDE founder Kasha Jacqueline Nabagesera. Published with direct informed consent of the main pictured activist. Contents Abbreviations vii Contributors xi 1 Human rights, sexual orientation and gender identity in the Commonwealth: from history and law to developing activism and transnational dialogues 1 Corinne Lennox and Matthew Waites 2
    [Show full text]
  • Re-Mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity by Melina Kristine Dabney A
    Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity By Melina Kristine Dabney A thesis submitted to the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Film Studies 2017 This thesis entitled: Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the new Femininity written by Melina Kristine Dabney has been approved for the Department of Film Studies ________________________________________________ (Melinda Barlow, Ph.D., Committee Chair) ________________________________________________ (Suranjan Ganguly, Ph.D., Committee Member) ________________________________________________ (Reiland Rabaka, Ph.D., Committee Member) Date: The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. Dabney, Melina Kristine (BA/MA Film Studies) Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity Thesis directed by Professor Melinda Barlow While there is a substantial amount of scholarship on the depiction of African American women in film and television, this thesis exposes the new formations of African American femininity on screen. African American women have consistently resisted, challenged, submitted to, and remixed racial myths and sexual stereotypes existing in American cinema and television programming. Mainstream film and television practices significantly contribute to the reinforcement of old stereotypes in contemporary black women characters. However, based on the efforts of African American producers like Shonda Rhimes, who has attempted to insert more realistic renderings of African American women in her recent television shows, black women’s representation is undergoing yet another shift in contemporary media.
    [Show full text]
  • Montréal's Gay Village
    Produced By: Montréal’s Gay Village Welcoming and Increasing LGBT Visitors March, 2016 Welcoming LGBT Travelers 2016 ÉTUDE SUR LE VILLAGE GAI DE MONTRÉAL Partenariat entre la SDC du Village, la Ville de Montréal et le gouvernement du Québec › La Société de développement commercial du Village et ses fiers partenaires financiers, que sont la Ville de Montréal et le gouvernement du Québec, sont heureux de présenter cette étude réalisée par la firme Community Marketing & Insights. › Ce rapport présente les résultats d’un sondage réalisé auprès de la communauté LGBT du nord‐est des États‐ Unis (Maine, Vermont, New Hampshire, État de New York, Massachusetts, Rhode Island, Connecticut, Pennsylvanie, New Jersey, Delaware, Maryland, Virginie, Ohio, Michigan, Illinois), du Canada (Ontario et Colombie‐Britannique) et de l’Europe francophone (France, Belgique, Suisse). Il dresse un portrait des intérêts des touristes LGBT et de leurs appréciations et perceptions du Village gai de Montréal. › La première section fait ressortir certaines constatations clés alors que la suite présente les données recueillies et offre une analyse plus en détail. Entre autres, l’appréciation des touristes qui ont visité Montréal et la perception de ceux qui n’en n’ont pas eu l’occasion. › L’objectif de ce sondage est de mieux outiller la SDC du Village dans ses démarches de promotion auprès des touristes LGBT. 2 Welcoming LGBT Travelers 2016 ABOUT CMI OVER 20 YEARS OF LGBT INSIGHTS › Community Marketing & Insights (CMI) has been conducting LGBT consumer research for over 20 years. Our practice includes online surveys, in‐depth interviews, intercepts, focus groups (on‐site and online), and advisory boards in North America and Europe.
    [Show full text]
  • The Glass Case Modern Literature Published After 1900
    The Glass Case Modern Literature Published After 1900 On-Line Only: Catalogue # 209 Second Life Books Inc. ABAA- ILAB P.O. Box 242, 55 Quarry Road Lanesborough, MA 01237 413-447-8010 fax: 413-499-1540 Email: [email protected] The Glass Case: Modern Literature Terms : All books are fully guaranteed and returnable within 7 days of receipt. Massachusetts residents please add 5% sales tax. Postage is additional. Libraries will be billed to their requirements. Deferred billing available upon request. We accept MasterCard, Visa and American Express. ALL ITEMS ARE IN VERY GOOD OR BETTER CONDITION , EXCEPT AS NOTED . Orders may be made by mail, email, phone or fax to: Second Life Books, Inc. P. O. Box 242, 55 Quarry Road Lanesborough, MA. 01237 Phone (413) 447-8010 Fax (413) 499-1540 Email:[email protected] Search all our books at our web site: www.secondlifebooks.com or www.ABAA.org . 1. ABBEY, Edward. DESERT SOLITAIRE, A season in the wilderness. NY: McGraw-Hill, (1968). First Edition. 8vo, pp. 269. Drawings by Peter Parnall. A nice copy in little nicked dj. Scarce. [38528] $1,500.00 A moving tribute to the desert, the personal vision of a desert rat. The author's fourth book and his first work of nonfiction. This collection of meditations by then park ranger Abbey in what was Arches National Monument of the 1950s was quietly published in a first edition of 5,000 copies ONE OF 10 COPIES, AUTHOR'S FIRST BOOK 2. ADAMS, Leonie. THOSE NOT ELECT. NY: Robert M. McBride, 1925. First Edition.
    [Show full text]
  • Sara Shepard Pretty Little Liars # Mörderisch
    Sara Shepard Pretty Little Liars ● Mörderisch Shepard_Pretty_Mörderisch, Bd. 6.indd 1 20.10.11 09:16 Sara Shepard hat an der New York University studiert und am Brooklyn College ihren Magis- terabschluss im Fach Kreatives Foto: © Daniel Snyder Foto: Schreiben gemacht. Sie wuchs in einem Vorort von Philadelphia auf, wo sie auch heute lebt. Ihre Zeit dort hat die »Pretty Little Liars«-Serie inspiriert, die in 22 Länder verkauft wurde. In- zwischen wird die Bestsellerserie DIE AUTORIN mit großem Erfolg als TV-Serie bei ABC ausgestrahlt. Die Bücher haben sich in den USA inzwischen über 3 Millionen Mal verkauft. Von der Autorin sind außerdem bei cbt erschienen: Pretty Little Liars – Unschuldig (30652, Band 1) Pretty Little Liars – Makellos (30563, Band 2) Pretty Little Liars – Vollkommen (30654, Band 3) Pretty Little Liars – Unvergleichlich (30656, Band 4) Pretty Little Liars – Teuflisch (30775, Band 5) Pretty Little Liars – Herzlos (30776, Band 7) Pretty Little Liars – Vogelfrei (30777, Band 8) Shepard_Pretty_Mörderisch, Bd. 6.indd 2 20.10.11 09:16 Sara Shepard Aus dem Amerikanischen von Violeta Topalova Shepard_Pretty_Mörderisch, Bd. 6.indd 3 20.10.11 09:16 cbt ist der Jugendbuchverlag in der Verlagsgruppe Random House Verlagsgruppe Random House FSC-DEU-0100 Das für dieses Buch verwendete FSC®-zertifizierte Papier München Super Extra liefert Arctic Paper Mochenwangen GmbH. 1. Auflage Erstmals als cbt Taschenbuch Januar 2012 Gesetzt nach den Regeln der Rechtschreibreform © 2009 by Alloy Entertainment and Sara Shepard Die amerikanische Originalausgabe erschien 2009 unter dem Titel »Killer – A Pretty Little Liars Novel« bei Harper Teen, an imprint of Harper Collins Publishers, New York.
    [Show full text]
  • Shifting the Media Narrative on Transgender Homicides
    w Training, Consultation & Research to Accelerate Acceptance More SHIFTING THE MEDIA Than NARRATIVE ON TRANSGENDER HOMICIDES a Number MARCH 2018 PB 1 Foreword 03 An Open Letter to Media 04 Reporting Tip Sheet 05 Case Studies 06 Spokespeople Speak Out 08 2017 Data Findings 10 In Memorium 11 Additional Resources 14 References 15 AUTHORS Nick Adams, Director of Transgender Media and Representation; Arielle Gordon, News and Rapid Response Intern; MJ Okma, Associate Director of News and Rapid Response; Sue Yacka-Bible, Communications Director DATA COLLECTION Arielle Gordon, News and Rapid Response Intern; MJ Okma, Associate Director of News and Rapid Response; Sue Yacka-Bible, Communications Director DATA ANALYSIS Arielle Gordon, News and Rapid Response Intern; MJ Okma, Associate Director of News and Rapid Response DESIGN Morgan Alan, Design and Multimedia Manager 2 3 This report is being released at a time in our current political climate where LGBTQ acceptance is slipping in the U.S. and anti-LGBTQ discrimination is on the rise. GLAAD and This report documents The Harris Poll’s most recent Accelerating Acceptance report found that 55 percent of LGBTQ adults reported experiencing the epidemic of anti- discrimination because of their sexual orientation or gender transgender violence in identity – a disturbing 11% rise from last year. 2017, and serves as a companion to GLAAD’s In our online resource for journalist and advocates, the Trump tip sheet Doubly Accountability Project, GLAAD has recorded over 50 explicit attacks by the Trump Administration – many of which are Victimized: Reporting aimed at harming and erasing transgender people, including on Transgender an attempt to ban trans people from serving in the U.S.
    [Show full text]
  • University LGBT Centers and the Professional Roles Attached to Such Spaces Are Roughly
    INTRODUCTION University LGBT Centers and the professional roles attached to such spaces are roughly 45-years old. Cultural and political evolution has been tremendous in that time and yet researchers have yielded a relatively small field of literature focusing on university LGBT centers. As a scholar-activist practitioner struggling daily to engage in a critically conscious life and professional role, I launched an interrogation of the foundational theorizing of university LGBT centers. In this article, I critically examine the discursive framing, theorization, and practice of LGBT campus centers as represented in the only three texts specifically written about center development and practice. These three texts are considered by center directors/coordinators, per my conversations with colleagues and search of the literature, to be the canon in terms of how centers have been conceptualized and implemented. The purpose of this work was three-fold. Through a queer feminist lens focused through interlocking systems of oppression and the use of critical discourse analysis (CDA) 1, I first examined the methodological frameworks through which the canonical literature on centers has been produced. The second purpose was to identify if and/or how identity and multicultural frameworks reaffirmed whiteness as a norm for LGBT center directors. Finally, I critically discussed and raised questions as to how to interrupt and resist heteronormativity and homonormativity in the theoretical framing of center purpose and practice. Hired to develop and direct the University of Washington’s first lesbian, gay, bisexual, and transgender (LGBT2) campus center in 2004, I had the rare opportunity to set and implement with the collaboration of queerly minded students, faculty, and staff, a critically theorized and reflexive space.
    [Show full text]
  • Pretty Little Liars | Dialogue Transcript | S5:E14
    CREATED BY I. Marlene King BASED ON THE BOOKS BY Sara Shepard EPISODE 5.14 “Through a Glass, Darkly” Everyone is more convinced than ever that Alison is responsible for Mona's death. But with an airtight alibi, the girls try a different route. WRITTEN BY: Joseph Dougherty | Lijah Barasz DIRECTED BY: Chad Lowe ORIGINAL BROADCAST: January 5, 2015 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. EPISODE CAST Troian Bellisario ... Spencer Hastings Ashley Benson ... Hanna Marin Tyler Blackburn ... Caleb Rivers Lucy Hale ... Aria Montgomery Ian Harding ... Ezra Fitz Laura Leighton ... Ashley Marin (credit only) Shay Mitchell ... Emily Fields Janel Parrish ... Mona Vanderwaal Sasha Pieterse ... Alison DiLaurentis Lindsey Shaw ... Paige McCullers Keegan Allen ... Toby Cavanaugh Drew Van Acker ... Jason DiLaurentis Cody Christian ... Mike Montgomery Roma Maffia ... Linda Tanner Sydney Penny ... Leona Vanderwaal Nolan North ... Peter Hastings Meg Foster ... Carla Grunwald P a g e | 1 1 00:00:02,794 --> 00:00:04,171 [BELL TOLLING] 2 00:00:17,267 --> 00:00:19,520 They know that thing is empty, right? 3 00:00:19,728 --> 00:00:22,648 It's a casket, Em. It still weighs a ton. 4 00:00:22,981 --> 00:00:24,858 Mona's mom put keepsakes in it. 5 00:00:25,234 --> 00:00:28,820 Stuffed animals, photo albums, her old retainer.
    [Show full text]
  • Black Women, Natural Hair, and New Media (Re)Negotiations of Beauty
    “IT’S THE FEELINGS I WEAR”: BLACK WOMEN, NATURAL HAIR, AND NEW MEDIA (RE)NEGOTIATIONS OF BEAUTY By Kristin Denise Rowe A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of African American and African Studies—Doctor of Philosophy 2019 ABSTRACT “IT’S THE FEELINGS I WEAR”: BLACK WOMEN, NATURAL HAIR, AND NEW MEDIA (RE)NEGOTIATIONS OF BEAUTY By Kristin Denise Rowe At the intersection of social media, a trend in organic products, and an interest in do-it-yourself culture, the late 2000s opened a space for many Black American women to stop chemically straightening their hair via “relaxers” and begin to wear their hair natural—resulting in an Internet-based cultural phenomenon known as the “natural hair movement.” Within this context, conversations around beauty standards, hair politics, and Black women’s embodiment have flourished within the public sphere, largely through YouTube, social media, and websites. My project maps these conversations, by exploring contemporary expressions of Black women’s natural hair within cultural production. Using textual and content analysis, I investigate various sites of inquiry: natural hair product advertisements and internet representations, as well as the ways hair texture is evoked in recent song lyrics, filmic scenes, and non- fiction prose by Black women. Each of these “hair moments” offers a complex articulation of the ways Black women experience, share, and negotiate the socio-historically fraught terrain that is racialized body politics
    [Show full text]
  • Vorwärts – Und Nicht Vergessen!
    Fernsehen 14 Tage TV-Programm 19.04. bis 02.05.2018 Zum 200. Geburtstag: „Karl Marx – Der deutsche Prophet“ am 28.4. auf ARTE und am Tag der Arbeit im ZDF Vorwärts – und nicht vergessen! Twin Peaks Hass-Youtuber Die lang ersehnte Fortsetzung Letztlich geht es doch der Kultserie auf DVD wieder nur ums Geld tipTV_0918_01_Titel [P]_19421842.indd 1 12.04.18 16:52 FERNSEHEN 19.04. – 02.05.2018 TELEVISOR Dummfug VON LUTZ GÖLLNER Barack Obama ist ein CIA-Agent, dem die Transvestitin Michelle zur Seite gestellt wurde. Die Regierung versprüht mittels Passagierflugzeu- ge chemische Kampfstoffe, Impf- programme dienen zur Bevölke- rungsreduktion. Deutschland ist ENTERTAINMENT HOME UNIVERSAL eine Firma. Und die Erde ist eine FOTO Scheibe. Woher ich das alles weiß? Na, von unzähligen Youtube-Videos, die über soziale Plattformen in alle Welt verbreitet werden. Und auch ZDF UND JULIE VRABELOVA wenn einige der Urheber bereits FOTO Straftaten begangen haben, bisher Karl Marx (Mario Adorf, re.) und seine Tochter Eleanor (Sarah Hostettler) wurde das Phänomen eher belä- chelt. Und Youtube macht sich ei- DOKU-DRAMA nen schmalen Fuß: „Hey, wir vertei- len das nur, wir können und wollen keine Meinungen zensieren.“ Am 4. April hat es Youtube nun Der greise Grummler selbst getroffen: Die vegane Aktivis tin und Youtube-Bloggerin Arte und ZDF würdigen den großen Philosophen zum Nasim A. drang in die Firmenzen- 200. Geburtstag mit „Karl Marx – Der deutsche Prophet“ trale nahe San Francisco ein und eröffnete das Feuer auf die Ange- stellten. Drei Menschen wurden m 5. Mai jährt sich Karl Marx’ nicht nur die Armut im Londoner Exil, verletzt, anschließend gab sich A.
    [Show full text]
  • Genre Trouble in Radclyffe Hall's the Well of Loneliness
    This is a repository copy of An ‘ordinary novel’: genre trouble in Radclyffe Hall's The Well of Loneliness. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/99000/ Version: Accepted Version Article: Roche, H (2018) An ‘ordinary novel’: genre trouble in Radclyffe Hall's The Well of Loneliness. Textual Practice, 32 (1). pp. 101-117. ISSN 0950-236X https://doi.org/10.1080/0950236X.2016.1238001 © 2016 Informa UK Limited, trading as Taylor & Francis Group. This is an Accepted Manuscript of an article published by Taylor & Francis in Textual Practice on 03 November 2016, available online: http://www.tandfonline.com/10.1080/0950236X.2016.1238001. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ An ‘ordinary novel’: Genre Trouble in Radclyffe Hall’s The Well of Loneliness Author Hannah Roche Affiliations University of Leeds; Harry Ransom Center, The University of Texas at Austin Contact information Email: [email protected] Postal address: School of English, University of Leeds, Woodhouse Lane, Leeds, LS2 9JT Telephone: 07841 480842 Acknowledgments This work was supported by the Arts and Humanities Research Council under Grant AH/K503095/1 and Grant AH/L01534X/1.
    [Show full text]
  • Pocket Product Guide 2006
    THENew Digital Platform MIPTV 2012 tm MIPTV POCKET ISSUE & PRODUCT OFFILMGUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSC onnect to Seller - Buy Product MIPTVDaily Editions April 1-4, 2012 - Unabridged MIPTV Product Guide + Stills Cher Ami - Magus Entertainment - Booth 12.32 POD 32 (Mountain Road) STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE MIPTV PRODUCT GUIDE 2012 Mountain, Nature, Extreme, Geography, 10 FRANCS Water, Surprising 10 Francs, 28 Rue de l'Equerre, Paris, Delivery Status: Screening France 75019 France, Tel: Year of Production: 2011 Country of +33.1.487.44.377. Fax: +33.1.487.48.265. Origin: Slovakia http://www.10francs.f - email: Only the best of the best are able to abseil [email protected] into depths The Iron Hole, but even that Distributor doesn't guarantee that they will ever man- At MIPTV: Yohann Cornu (Sales age to get back.That's up to nature to Executive), Christelle Quillévéré (Sales) decide. Office: MEDIA Stand N°H4.35, Tel: + GOOD MORNING LENIN ! 33.6.628.04.377. Fax: + 33.1.487.48.265 Documentary (50') BEING KOSHER Language: English, Polish Documentary (52' & 92') Director: Konrad Szolajski Language: German, English Producer: ZK Studio Ltd Director: Ruth Olsman Key Cast: Surprising, Travel, History, Producer: Indi Film Gmbh Human Stories, Daily Life, Humour, Key Cast: Surprising, Judaism, Religion, Politics, Business, Europe, Ethnology Tradition, Culture, Daily life, Education, Delivery Status: Screening Ethnology, Humour, Interviews Year of Production: 2010 Country of Delivery Status: Screening Origin: Poland Year of Production: 2010 Country of Western foreigners come to Poland to expe- Origin: Germany rience life under communism enacted by A tragicomic exploration of Jewish purity former steel mill workers who, in this way, laws ! From kosher food to ritual hygiene, escaped unemployment.
    [Show full text]