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HATTIE JACQUES Born Josephine Edwina Jacques on February 7" 1922 She Went on to Become a Nationally Recognised Figure in the British Cinema of the 1950S and 60S
Hattie Jacaues Born 127 High St 1922 Chapter Twelve HATTIE JACQUES Born Josephine Edwina Jacques on February 7" 1922 she went on to become a nationally recognised figure in the British cinema of the 1950s and 60s. Her father, Robin Jacques was in the army and stationed at Shorncliffe Camp at the time of her birth. The Register of Electors shows the Jacques family residing at a house called Channel View in Sunnyside Road. (The register shows the name spelled as JAQUES, without the C. Whether Hattie changed the spelling or whether it was an error on the part of those who printed the register I don’t know) Hattie, as she was known, made her entrance into the world in the pleasant seaside village of Sandgate, mid way between Folkestone to the east and Hythe to the west. Initially Hattie trained as a hairdresser but as with many people of her generation the war caused her life to take a different course. Mandatory work saw Hattie first undertaking nursing duties and then working in North London as a welder Even in her twenties she was of a generous size and maybe as defence she honed her sense of humour after finding she had a talent for making people laugh. She first became involved in show business through her brother who had a job as the lift operator at the premises of the Little Theatre located then on the top floor of 43 Kings Street in Covent Garden. At end of the war the Little Theatre found itself in new premises under the railway arches below Charing Cross Station. -
Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business. -
Pinewood Gives Free Bfi Membership to All of Its Staff to Honour Studio's
PINEWOOD GIVES FREE BFI MEMBERSHIP TO ALL OF ITS STAFF TO HONOUR STUDIO’S 80TH YEAR London, 30th September 2016: Pinewood Studios has long been regarded as a jewel in the crown of the UK’s rich film heritage and as the iconic studio celebrates the start of its 80th anniversary year, it was announced today that all full-time staff across the group will receive free membership to the BFI to honour the date. Amanda Nevill, CEO of the BFI said: “Pinewood is part of our film heritage, and at 80 years old is more active and successful than ever and plays a huge role in the creative success of the UK film industry. We are very excited that they have chosen to mark this special birthday by giving the gift of BFI Membership to every single member of their staff! We so look forward to giving them all a very special 80th years across the BFI Player, BFI Southbank and the BFI London Film Festival. Happy Birthday Pinewood!” Commenting on marking the celebrations, Andrew M. Smith, Corporate Affairs Director for Pinewood Group plc said: “As we enter our 80th year, we felt it fitting to mark the occasion by giving colleagues membership of the BFI. Pinewood is a cornerstone of the film industry here in the UK and we are proud to have helped shape it.” The BFI membership will provide staff with the best way to enjoy the special events, previews and screenings at the BFI London Film Festival, BFI Flare: London LGBT Film Festival and at BFI Southbank all year round with priority booking, no booking fees, exclusive programme guides and 10% off food and drink at BFI Southbank. -
University of Huddersfield Repository
University of Huddersfield Repository Billam, Alistair It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Original Citation Billam, Alistair (2018) It Always Rains on Sunday: Early Social Realism in Post-War British Cinema. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34583/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Submission in fulfilment of Masters by Research University of Huddersfield 2016 It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Alistair Billam Contents Introduction ............................................................................................................................................ 3 Chapter 1: Ealing and post-war British cinema. ................................................................................... 12 Chapter 2: The community and social realism in It Always Rains on Sunday ...................................... 25 Chapter 3: Robert Hamer and It Always Rains on Sunday – the wider context. -
Un Film Di SHANE MEADOWS
presenta Un film di SHANE MEADOWS con Thomas Turgoose, Stephen Graham, Joe Hartley, Andrew Shim, Vicky McClure, Joe Gilgun uscita Cinema 26 Agosto 2011 35mm - Colore - 101 minuti www.officineUBU.com Ufficio Stampa - Flavia Corsano 335.5344767 - [email protected] www.flaviacorsano.it CAST THOMAS TURGOOSE SHAUN STEPHEN GRAHAM COMBO JO HARTLEY CYNTHIA ANDREW SHIM MILKY VICKY MCCLURE LOL JOE GILGUN WOODY ROSAMUND HANSON SMELL ANDREW ELLIS GADGET PERRY BENSON MEGGY GEORGE NEWTON BANJO FRANK HARPER LENNY CAST TECNICO Regia e Sceneggiatura SHANE MEADOWS Produttore MARK HERBERT Fotografia DANNY COHEN Costumi JO THOMPSON Montaggio CHRIS WYATT Scenografia MARK LEESE Musiche LUDOVICO EINAUDI Officine UBU - v. Imbonati 4 Milano - tel. 0287383020 - www.officineubu.com - http://tv.officineubu.com 1 Produzione Warp Films Con il sostegno di Film4, UK Film Council, EM Media, Screen Yorkshire In Associazione con Big Arty Productions e Ingenious Film Partners Vendite Internazionali The Works International Distribuzione Italia Officine UBU via Imbonati, 4 - 20159 Milano tel. 0287383020 - fax 0287383024 [email protected] [email protected] www.officineUBU.com Location Nottingham e Grimsby (UK) foto in alta qualità scaricabili da: http://www.officineubu.com/thisisengland-foto.zip trailer, clips, poster, foto media qualità: http://www.officineubu.com/areapress login: user pw: pass PREMI e FESTIVAL Festa del cinema di Roma - Premio Speciale della giuria BAFTA - Miglior Film British Independent Film Award - Best Independent Film & Miglior Attore Emergente Gijón International Film Festiva - Young Audience Award London Film Festival - UK Film Talent Award Mons International Festival of Love Films - Miglior Film Europeo Newport International Film Festival - Miglior Regia Berlino Film Festival - Generation 14+ - In concorso Toronto Film Festival - In concorso Tribeca Film Festival - In concorso Officine UBU - v. -
Thomas Turgoose Och Andrew Shim Från This Is England
2015-11-13 12:16 CET Thomas Turgoose och Andrew Shim från This is England ’90 besöker Stockholm Shane Meadows livsverk This is England - en långfilm och tre miniserier - kan streamas i sin helhet på C More i samband med att senaste miniserien får Sverigepremiär. Dessförinnan besöker två av huvudrollsinnehavarna, Thomas Turgoose och Andrew Shim, Stockholms filmfestival där den nyaste miniserien This is England ’90 körs som maratonvisning med tillhörande Face2Face-intervju. This is England ’90 kommer till C More 1 december, och förhandsvisas innan dess på Stockholms Filmfestival som fredag 20 november får intervjubesök av Thomas Turgoose och Andrew Shim (Shaun och Milky i ”This is England”-sviten). Den 21 november gör Julia Skott en Face2Face-intervju med dem i samband med festivalens maratonvisning av hela This is England ’90 kl 12.00 på biografen Grand. This Is England ’90 , som får svensk premiär på C More, har importerats och distribueras av NonStop Entertainment. Shane Meadows fortsätter med This is England ’90 resan han gav sig in på med filmen ”This is England”, som utspelar sig 1983 bland vilsna brittiska arbetarklassungdomar. Han utvecklade berättelsen i miniserierna ”This is England ’86” och ”This is England ’88. I This is England ’90 sätter Mandela och Saddam rubrikerna medan pottklippningar och säckiga jeans sätter stilen. Man snortar speed eller tar ecstacy, och samlas på raves för att hålla vardagen stången. Thomas Thurgoose spelar åter Shaun, pojken vars pappa dödats i Falklandskriget. Nu är han en trulig skoltrött tonåring, olyckligt kär i Smell ( Rosamund Hanson ). Lol ( Vicky McClure ) jobbar i skolkök medan hennes Woody ( Joe Gilgun ) är hemmapappa åt deras son samt dottern som Lol har med Milky ( Andrew Shim ). -
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CONTENTS History The Council is appointed by the Muster for Staff The Arts Council of Great Britain wa s the Arts and its Chairman and 19 othe r Chairman's Introduction formed in August 1946 to continue i n unpaid members serve as individuals, not Secretary-General's Prefac e peacetime the work begun with Government representatives of particular interests o r Highlights of the Year support by the Council for the organisations. The Vice-Chairman is Activity Review s Encouragement of Music and the Arts. The appointed by the Council from among its Arts Council operates under a Royal members and with the Minister's approval . Departmental Report s Charter, granted in 1967 in which its objects The Chairman serves for a period of five Scotland are stated as years and members are appointed initially Wales for four years. South Bank (a) to develop and improve the knowledge , Organisational Review understanding and practice of the arts , Sir William Rees-Mogg Chairman Council (b) to increase the accessibility of the art s Sir Kenneth Cork GBE Vice-Chairma n Advisory Structure to the public throughout Great Britain . Michael Clarke Annual Account s John Cornwell to advise and co-operate wit h Funds, Exhibitions, Schemes and Awards (c) Ronald Grierson departments of Government, local Jeremy Hardie CB E authorities and other bodies . Pamela, Lady Harlec h Gavin Jantje s The Arts Council, as a publicly accountable Philip Jones CB E body, publishes an Annual Report to provide Gavin Laird Parliament and the general public with an James Logan overview of the year's work and to record al l Clare Mullholland grants and guarantees offered in support of Colin Near s the arts. -
The Nation's Matron: Hattie Jacques and British Post-War Popular Culture
The Nation’s Matron: Hattie Jacques and British post-war popular culture Estella Tincknell Abstract: Hattie Jacques was a key figure in British post-war popular cinema and culture, condensing a range of contradictions around power, desire, femininity and class through her performances as a comedienne, primarily in the Carry On series of films between 1958 and 1973. Her recurrent casting as ‘Matron’ in five of the hospital-set films in the series has fixed Jacques within the British popular imagination as an archetypal figure. The contested discourses around nursing and the centrality of the NHS to British post-war politics, culture and identity, are explored here in relation to Jacques’s complex star meanings as a ‘fat woman’, ‘spinster’ and authority figure within British popular comedy broadly and the Carry On films specifically. The article argues that Jacques’s star meanings have contributed to nostalgia for a supposedly more equitable society symbolised by socialised medicine and the feminine authority of the matron. Keywords: Hattie Jacques; Matron; Carry On films; ITMA; Hancock’s Half Hour; Sykes; star persona; post-war British cinema; British popular culture; transgression; carnivalesque; comedy; femininity; nursing; class; spinster. 1 Hattie Jacques (1922 – 1980) was a gifted comedienne and actor who is now largely remembered for her roles as an overweight, strict and often lovelorn ‘battle-axe’ in the British Carry On series of low- budget comedy films between 1958 and 1973. A key figure in British post-war popular cinema and culture, Hattie Jacques’s star meanings are condensed around the contradictions she articulated between power, desire, femininity and class. -
The Rise of Talk Radio and Its Impact on Politics and Public Policy
Mount Rushmore: The Rise of Talk Radio and Its Impact on Politics and Public Policy Brian Asher Rosenwald Wynnewood, PA Master of Arts, University of Virginia, 2009 Bachelor of Arts, University of Pennsylvania, 2006 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of History University of Virginia August, 2015 !1 © Copyright 2015 by Brian Asher Rosenwald All Rights Reserved August 2015 !2 Acknowledgements I am deeply indebted to the many people without whom this project would not have been possible. First, a huge thank you to the more than two hundred and twenty five people from the radio and political worlds who graciously took time from their busy schedules to answer my questions. Some of them put up with repeated follow ups and nagging emails as I tried to develop an understanding of the business and its political implications. They allowed me to keep most things on the record, and provided me with an understanding that simply would not have been possible without their participation. When I began this project, I never imagined that I would interview anywhere near this many people, but now, almost five years later, I cannot imagine the project without the information gleaned from these invaluable interviews. I have been fortunate enough to receive fellowships from the Fox Leadership Program at the University of Pennsylvania and the Corcoran Department of History at the University of Virginia, which made it far easier to complete this dissertation. I am grateful to be a part of the Fox family, both because of the great work that the program does, but also because of the terrific people who work at Fox. -
This Little Life
This Little Life This Little Life Introduction . 15 Production notes . 17 Cast and production credits . 18 Interviews with the cast: . Kate Ashfield plays Sadie . 19 David Morrissey plays Richie . 21 This Little Life 14 Introduction This Little Life Kate Ashfield, David Morrissey and Peter Mullan charged with balancing his emotions for Luke with star in This Little Life, winner of the prestigious his momentous medical responsibilities. Dennis Potter Screenwriting Award. This Little Life is a film jointly commissioned by BBC Films and the Rosemary Kay’s screenplay was awarded the BBC’s Film Council’s New Cinema Fund for BBC Two. Dennis Potter Screenwriting Award, a scheme set up in 1995 to nurture and encourage the work of Directed by Sarah Gavron, winner of the RTS Best new writers with talent and personal vision. This New Director Award for her film Losing Touch,This Little Life is an adaptation of Kay’s novel Between Little Life is the moving story of a premature baby’s Two Eternities, a fictional memoir based on the fragile existence and a mother’s supreme trust and author’s own experiences during her son’s tragic betrayal. premature birth. Luke is born prematurely, weighing only one pound Jane Tranter, BBC Controller of Drama and four ounces. He is too small to be cradled in Commissioning, says:“This Little Life is a powerful his mother’s arms but can be held in the palm of piece of work that is part of the BBC’s ongoing, her hand. Everything possible is done to keep him practical commitment not just to finding and alive, but what does her son want and what will nurturing new talent, but also to getting their work medical science allow? Luke’s mother, Sadie, made and seen.” desperately wants him to have a voice and, through her friendship with a young boy, mother and son David Thompson, Head of BBC Films, says:“The find a way to talk. -
Pocket Product Guide 2006
THENew Digital Platform MIPTV 2012 tm MIPTV POCKET ISSUE & PRODUCT OFFILMGUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSC onnect to Seller - Buy Product MIPTVDaily Editions April 1-4, 2012 - Unabridged MIPTV Product Guide + Stills Cher Ami - Magus Entertainment - Booth 12.32 POD 32 (Mountain Road) STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE MIPTV PRODUCT GUIDE 2012 Mountain, Nature, Extreme, Geography, 10 FRANCS Water, Surprising 10 Francs, 28 Rue de l'Equerre, Paris, Delivery Status: Screening France 75019 France, Tel: Year of Production: 2011 Country of +33.1.487.44.377. Fax: +33.1.487.48.265. Origin: Slovakia http://www.10francs.f - email: Only the best of the best are able to abseil [email protected] into depths The Iron Hole, but even that Distributor doesn't guarantee that they will ever man- At MIPTV: Yohann Cornu (Sales age to get back.That's up to nature to Executive), Christelle Quillévéré (Sales) decide. Office: MEDIA Stand N°H4.35, Tel: + GOOD MORNING LENIN ! 33.6.628.04.377. Fax: + 33.1.487.48.265 Documentary (50') BEING KOSHER Language: English, Polish Documentary (52' & 92') Director: Konrad Szolajski Language: German, English Producer: ZK Studio Ltd Director: Ruth Olsman Key Cast: Surprising, Travel, History, Producer: Indi Film Gmbh Human Stories, Daily Life, Humour, Key Cast: Surprising, Judaism, Religion, Politics, Business, Europe, Ethnology Tradition, Culture, Daily life, Education, Delivery Status: Screening Ethnology, Humour, Interviews Year of Production: 2010 Country of Delivery Status: Screening Origin: Poland Year of Production: 2010 Country of Western foreigners come to Poland to expe- Origin: Germany rience life under communism enacted by A tragicomic exploration of Jewish purity former steel mill workers who, in this way, laws ! From kosher food to ritual hygiene, escaped unemployment. -
2 November 2012 Page 1 of 7 SATURDAY 27 OCTOBER 2012 Benedict
Radio 4 Extra Listings for 27 October – 2 November 2012 Page 1 of 7 SATURDAY 27 OCTOBER 2012 Benedict. Richard Mills - a vulnerable old man - is attacked and burgled. SAT 05:00 Old Dog and Partridge (b007w3j9) He seems lonely so Detective Inspector Gwen Danbury decides SAT 00:00 Philip K Dick - Of Withered Apples (b007jplz) Episode 4 to introduce him to her mother, Joan... As a beautiful woman picks its last withered apple, a dying A ladykiller woos Mrs Drummond and Nicola is determined to Sue Rodwell's three-part detective mystery stars Annette ancient tree is determined to survive. Read by William find the right present for her dad Jack's birthday. Badland as DI Gwen Danbury, Stephanie Cole as Joan Danbury, Hootkins. Joe Turner’s six-part sitcom stars Michael Williams as Jack, Ian Hogg as Richard Mills, Richard Frame as Darren Peters and SAT 00:30 Ben Moor - Undone (b00pkvk9) Lisa Coleman as Nicola, Cherry Morris as Mrs Drummond, John Duttine as Detective Sergeant Henry Jacobs Series 3 Simon Greenall as Andy and Finetime Fontayne as Arthur. Director: Rosemary Watts Unending Producer: Liz Anstee First broadcast on BBC Radio 4 in 2002. The Notting Hill Carnival sees the potential end of the worlds First broadcast on BBC Radio 4 in January 1999. SAT 14:00 Listen to Les (b01nh8zx) and new weirdness. Ben Moor's comic sci-fi saga with Alex SAT 05:30 Up the Garden Path (b00803k9) From 10/03/1985 Tregear. Series 2 Les Dawson with tales of Britain's first space hero, and the SAT 01:00 Sherlock Holmes (b00kkdkp) Arrivals and Departures Cosmo show discusses birds.