Luc Sante CV (Pdf)
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City Mouse Or Country Mouse?—Joseph Mitchell’S Interpretation of the City
City Mouse or Country Mouse?—Joseph Mitchell’s Interpretation of the City by Norman Sims Paper presented to the International Association for Literary Journalism Studies 2009 Convention at Northwestern University This paper briefly compares the sensibilities of two New Yorker writers: Joseph Mitchell, a native of North Carolina whose family owned land and was engaged in the tobacco business, and A. J. Liebling, who was a native of New York City. Liebling can be seen as the “city mouse.” In his classic works on the city, Liebling highlighted groups of people—con men, cigar store Indians, boxers and their entourages. Liebling saw people as created and determined by their surroundings. Liebling was at home in the city and he celebrated the traditional benefits of city life, such as the great food of Paris. Mitchell and Liebling were close friends, but there are differences in their work, or at least different tendencies. Mitchell’s works focused on individuals, rather than groups, and he rarely attributed a person’s character or actions to outside forces. While there’s a temptation to treat Mitchell as a “country mouse” whose perspectives were shaped in his rural background, this paper uses interview material to argue that Mitchell was as much a citizen of the city as Liebling. Unlike Liebling, Mitchell always felt he was an outsider in the city, and he tended to portray people whose marginality helped to define them, such as Joe Gould. Literature can be seen as the expression of identity. In fiction, we read for a window on the author’s mind, not for the facts of the world. -
Untitled, Digital Print and Oil on Canvas, 11 ¼ X 9 3/16 In
Authenticity, Originality and the Copy: Questions of Truth and Authorship in the Work of Mark Landis, Elizabeth Durack, and Richard Prince A thesis submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of Master of Arts in the Art History Program of the College of Design, Architecture, Art, and Planning April 2012 by Rebekah Catherine Shipe BA, Lycoming College, 2009 Committee Chair: Morgan Thomas, Ph.D. Reader: Kimberly Paice, Ph.D. Reader: Vincent Sansalone Abstract As contemporary artists transgress accepted definitions of authenticity and challenge ideas of originality and creativity, we must re-evaluate our understanding of these concepts. By focusing on three illuminating case studies, I examine how recent practices complicate basic concepts of authorship and artistic truth. Chapter One explores the case of art forger, Mark Landis (b. 1955), to illuminate the ambiguity of the copy and the paradoxical aura of forgeries in the wake of postmodernism. Focusing on the case of Australian artist Elizabeth Durack (1915-2000), who created and exhibited paintings under the fictitious persona of an Aboriginal artist, Eddie Burrup, Chapter Two links the controversies surrounding her work to key theoretical explorations of aura, reproducibility, and originality. Chapter Three deals with the self-conscious deployment of postmodern notions of originality and authorship in the re-photographed photographs of notorious ‘appropriation artist’ Richard Prince (b. 1949). The thesis aims to draw out a number of key patterns with regard to notions of the copy, authenticity, and originality in contemporary culture: the slipperiness of the line drawn between the fake and the original (for example, a kind of excess of ‘uniqueness’ that carries over into the copy); the material interplay between ‘old’ technologies such as painting and new reproductive (e.g. -
Jewish Quarterly
Wordslinger: Clive Sinclair burst onto the literary CLIVE scene like Wyatt Earp--and then he disappeared. live Sinclair spent most of his life in search ment of Custer’s Last Stand in Montana. (1948-2018) of his “inner cowboy”. He grew up in It was Smolinsky-like detective work that precipitated North London, in the 1950s as a self-styled this pilgrimage. On one of his many trips to local auc- SINCLAIR “Hendonite”. The dullness of suburban life tion-houses to obtain nineteenth-century Americana, was relieved by classical Westerns which Sinclair bought a photograph of a nude woman covered Cshaped his imagination. In the Sinclair household it was only in a thin black veil. He eventually discovered that the universally acknowledged that John Ford’s The Search- photograph was of Josephine Marcus, Wyatt Earp’s Jewish ers (1956), starring John Wayne, was the greatest movie wife for half a century, whose family came from Prussia. ever made. A visit to the Hendon Odeon to see a Hol- His two imagined homelands (Wild West America and lywood Western (after donning a cowboy outfit with Jewish Europe) had collided. The mysterious photograph The Forgotten his younger brother Stewart) was the highlight of the led to the two novellas in Meet the Wife (2002) and to his week. Centre-stage in their home was a photograph of travel bool True Tales of the Wild West (2008). the brothers Sinclair dressed as cowboys aged 8 and 4 (the year when The Searchers first appeared). In most first met Clive Sinclair as a twenty-something Revolutionary school photographs before the age of 11, Sinclair wore graduate student in the early 1980s. -
Directory of Seminars, Speakers, & Topics
Columbia University | THE UNIVERSITY SEMINARS 2016 2015DIRECTORY OF SEMINARS, SPEAKERS, & TOPICS Contents Introduction . 4 History of the University Seminars . 6 Annual Report . 8 Leonard Hastings Schoff Memorial Lectures Series . 10 Schoff and Warner Publication Awards . 13 Digital Archive Launch . 16 Tannenbaum-Warner Award and Lecture . .. 17 Book Launch and Reception: Plots . 21 2015–2016 Seminar Conferences: Women Mobilizing Memory: Collaboration and Co-Resistance . 22 Joseph Mitchell and the City: A Conversation with Thomas Kunkel And Gay Talese . 26 Alberto Burri: A Symposium at the Italian Academy of Columbia University . 27 “Doing” Shakespeare: The Plays in the Theatre . 28 The Politics of Memory: Victimization, Violence, and Contested Memories of the Past . 30 70TH Anniversary Conference on the History of the Seminar in the Renaissance . .. 40 Designing for Life And Death: Sustainable Disposition and Spaces Of Rememberance in the 21ST Century Metropolis . 41 Calling All Content Providers: Authors in the Brave New Worlds of Scholarly Communication . 46 104TH Meeting of the Society of Experimental Psychologists . 47 From Ebola to Zika: Difficulties of Present and Emerging Infectious Diseases . 50 The Quantitative Eighteenth Century: A Symposium . 51 Appetitive Behavior Festchrift: A Symposium Honoring Tony Sclafani and Karen Ackroff . 52 Indigenous Peoples’ Rights and Unreported Struggles: Conflict and Peace . 55 The Power to Move . 59 2015– 2016 Seminars . 60 Index of Seminars . 160 Directory of Seminars, Speakers, & Topics 2015–2016 3 ADVISORY COMMITTEE 2015–2016 Robert E. Remez, Chair Professor of Psychology, Barnard College George Andreopoulos Professor, Political Science and Criminal Justice CUNY Graduate School and University Center Susan Boynton Professor of Music, Columbia University Jennifer Crewe President and Director, Columbia University Press Kenneth T. -
Unobtainium-Vol-1.Pdf
Unobtainium [noun] - that which cannot be obtained through the usual channels of commerce Boo-Hooray is proud to present Unobtainium, Vol. 1. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We invite you to our space in Manhattan’s Chinatown, where we encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections by appointment or chance. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Please contact us for complete inventories for any and all collections. The Flash, 5 Issues Charles Gatewood, ed. New York and Woodstock: The Flash, 1976-1979. Sizes vary slightly, all at or under 11 ¼ x 16 in. folio. Unpaginated. Each issue in very good condition, minor edgewear. Issues include Vol. 1 no. 1 [not numbered], Vol. 1 no. 4 [not numbered], Vol. 1 Issue 5, Vol. 2 no. 1. and Vol. 2 no. 2. Five issues of underground photographer and artist Charles Gatewood’s irregularly published photography paper. Issues feature work by the Lower East Side counterculture crowd Gatewood associated with, including George W. Gardner, Elaine Mayes, Ramon Muxter, Marcia Resnick, Toby Old, tattooist Spider Webb, author Marco Vassi, and more. -
Photography and Cinema
Photography and Cinema David Campany Photography and Cinema EXPOSURES is a series of books on photography designed to explore the rich history of the medium from thematic perspectives. Each title presents a striking collection of approximately80 images and an engaging, accessible text that offers intriguing insights into a specific theme or subject. Series editors: Mark Haworth-Booth and Peter Hamilton Also published Photography and Australia Helen Ennis Photography and Spirit John Harvey Photography and Cinema David Campany reaktion books For Polly Published by Reaktion Books Ltd 33 Great Sutton Street London ec1v 0dx www.reaktionbooks.co.uk First published 2008 Copyright © David Campany 2008 All rights reserved No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. Printed and bound in China by C&C Offset Printing Co., Ltd British Library Cataloguing in Publication Data Campany, David Photography and cinema. – (Exposures) 1. Photography – History 2. Motion pictures – History I. Title 770.9 isbn–13: 978 1 86189 351 2 Contents Introduction 7 one Stillness 22 two Paper Cinema 60 three Photography in Film 94 four Art and the Film Still 119 Afterword 146 References 148 Select Bibliography 154 Acknowledgements 156 Photo Acknowledgements 157 Index 158 ‘ . everything starts in the middle . ’ Graham Lee, 1967 Introduction Opening Movement On 11 June 1895 the French Congress of Photographic Societies (Congrès des sociétés photographiques de France) was gathered in Lyon. Photography had been in existence for about sixty years, but cinema was a new inven- tion. -
SCAN | Journal of Media Arts Culture
:: SCAN | journal of media arts culture :: Scan Journal vol 2 number 3 december 2005 Lost City Found: an interview with Luc Sante Peter Doyle Luc Sante’s books Low life: Lures and Snares of Old New York (1991) and Evidence (1992) both helped produce and partook of a much broader awakening of interest in hitherto neglected cultural histories of cities of the New World. In lucid, imaginative but unforced prose, Low life maps the simultaneously familiar and wildly exotic undercultures of late nineteenth century New York - the grifters, drifters, dopers, prostitutes, orphans, con men, gangsters, sexual adventurers, bohemians and eccentrics, and the tenements, alleys, saloons, clubs, brothels and tea pads they inhabited. Evidence revisits that physical territory via a series of NYPD homicide photographs from the early twentieth century. Rigorously considered, yet expressed in clear poetic prose, Evidence offers subtle textual meditations on the photograph at large and the forensic photograph in particular. These two works, with their keen attention to the fabric of the everyday, and their broader sympathies for fringe and outsider cultures have significantly contributed to an awakening of interest in cultural histories of New York and of cities in general. Sante’s Factory of Facts (1998) weaves personal memoir, family memoir and broad ‘ethno-history’ into a meditation on language, cultural ancestry and selfhood. Sante has written regularly for The New York Review of Books since the 1980s, in which appeared his important essay ‘My Lost City’ (That essay has been more recently anthologised in Best American Essays 2004). This interview was conducted via email in the aftermath of Sante’s visit to Sydney in late 2004, during which he delivered a keynote address at Macquarie University Media Department’s Ghost Town Seminar. -
Fall2011.Pdf
Grove Press Atlantic Monthly Press Black Cat The Mysterious Press Granta Fall 201 1 NOW AVAILABLE Complete and updated coverage by The New York Times about WikiLeaks and their controversial release of diplomatic cables and war logs OPEN SECRETS WikiLeaks, War, and American Diplomacy The New York Times Introduction by Bill Keller • Essential, unparalleled coverage A New York Times Best Seller from the expert writers at The New York Times on the hundreds he controversial antisecrecy organization WikiLeaks, led by Julian of thousands of confidential Assange, made headlines around the world when it released hundreds of documents revealed by WikiLeaks thousands of classified U.S. government documents in 2010. Allowed • Open Secrets also contains a T fascinating selection of original advance access, The New York Times sorted, searched, and analyzed these secret cables and war logs archives, placed them in context, and played a crucial role in breaking the WikiLeaks story. • online promotion at Open Secrets, originally published as an e-book, is the essential collection www.nytimes.com/opensecrets of the Times’s expert reporting and analysis, as well as the definitive chronicle of the documents’ release and the controversy that ensued. An introduction by Times executive editor, Bill Keller, details the paper’s cloak-and-dagger “We may look back at the war logs as relationship with a difficult source. Extended profiles of Assange and Bradley a herald of the end of America’s Manning, the Army private suspected of being his source, offer keen insight engagement in Afghanistan, just as into the main players. Collected news stories offer a broad and deep view into the Pentagon Papers are now a Iraq, Afghanistan, Pakistan, and the messy challenges facing American power milestone in our slo-mo exit from in Europe, Russia, Asia, the Middle East, and Africa. -
Pieces 1990 - 2005 Pdf, Epub, Ebook
KILL ALL YOUR DARLINGS: PIECES 1990 - 2005 PDF, EPUB, EBOOK Luc Sante,Greil Marcus | 304 pages | 18 Oct 2007 | Puncture Publications | 9781891241536 | English | Portland, United States Kill All Your Darlings: Pieces 1990 - 2005 PDF Book Added to Watchlist. Call us on or send us an email at. Jan 23, David rated it really liked it Shelves: anthologies-and-collections , read-in , unexpectedly-terrific. If he were in my arts weekly, I'd read him every week and it probably wouldn't change my consumption patterns at all. My thoughts on why Luc Sante is annoying TK. If I pitched you a story about the Beat generation led by Harry Potter, the new Harry Osborne, a guy from X-Men and the guy from Boardwalk Empire with half his face missing, I'm sure the reaction would be pretty great. Would like to read his other book, Low Life. May 20, Paul Bryant rated it liked it Shelves: autobiography-memoir. Permissions Librarian Erin Darke Apr 01, Valentine Valentino rated it really liked it. View 2 comments. Kill Your Darlings repeats the initial reaction to Carr's response to Ginsberg's complicated life, "Perfect. Color: Color. If this item isn't available to be reserved nearby, add the item to your basket instead and select 'Deliver to my local shop' at the checkout, to be able to collect it from there at a later date. When he's on which is most of the time here , he creates vivid images and ideas that perfectly describe what he's talking about -- whether it be New York, the invention of the blues, Bob Dylan, or visual art. -
By Joseph Mitchell Originally Published in the New Yorker, April 13, 1940
The Old House at Home by Joseph Mitchell Originally published in The New Yorker, April 13, 1940 McSorley’s occupies the ground floor of a red-brick tenement at 15 Seventh Street, just off Cooper Square, where the Bowery ends. It was opened in 1854 and is the oldest saloon in New York City. In eighty-eight years it has had four owners—an Irish immigrant, his son, a retired policeman, and his daughter—and all of them have been opposed to change. It is equipped with electricity, but the bar is stubbornly illuminated with a pair of gas lamps, which flicker fitfully and throw shadows on the low, cobwebby ceiling each time someone opens the street door. There is no cash register. Coins are dropped in soup bowls—one for nickels, one for dimes, one for quarters, and one for halves—and bills are kept in a rosewood cashbox. It is a drowsy place; the bartenders never make a needless move, the customers nurse their mugs of ale, and the three clocks on the walls have not been in agreement for many years. The clientele is motley. It includes mechanics from the many garages in the neighborhood, salesmen from the restaurant-supply houses on Cooper Square, truck-drivers from Wanamaker’s, internes from Bellevue, students from Cooper Union, and clerks from the row of second-hand bookshops just north of Astor Place. The backbone of the clientele, however, is a rapidly thinning group of crusty old men, predominantly Irish, who have been drinking there since they were youths and now have a proprietary feeling about the place. -
Advance Program Notes an Onstage Conversation with Zadie Smith, Author Tuesday, March 19, 2019, 7:30 PM
Advance Program Notes An Onstage Conversation with Zadie Smith, author Tuesday, March 19, 2019, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. An Onstage Conversation with Zadie Smith, author Moderated by Lucinda Roy, Alumni Distinguished Professor, Department of English at Virginia Tech Presented in partnership with the Department of English Visiting Writers Series and the Women’s Center at Virginia Tech in celebration of its 25th anniversary Biography ZADIE SMITH Novelist Zadie Smith was born in North London in 1975 to an English father and a Jamaican mother. She read English at Cambridge before graduating in 1997. Her acclaimed first novel,White Teeth (2000), is a vibrant portrait of contemporary multicultural London, told through the stories of three ethnically diverse families. The book won a number of awards and prizes, including the Guardian First Book Award, the Whitbread First Novel Award, the Commonwealth Writers Prize (Overall Winner, Best First Book), and two BT Ethnic and Multicultural Media Awards (Best Book/Novel and Best Female Media Newcomer). It was also shortlisted for the Mail on Sunday/John Llewellyn Rhys Prize, the Orange Prize for Fiction and the Author’s Club First Novel Award. White Teeth has been translated into over 20 languages and was adapted for Channel 4 television for broadcast in autumn 2002 and for the stage in November 2018. Smith’s The Autograph Man (2002), a story of loss, obsession, and the nature of celebrity, won the 2003 Jewish Quarterly Wingate Literary Prize for Fiction. -
CANNES 2014 Press Report
CANNES 2014 THE BLUE ROOM by Mathieu Amalric Press report Quotes Selected Reviews Trades reviews Positive reviews Interviews Press & Twitter reactions Quotes “Mathieu Amalric has simultaneously carved out a career as an accomplished filmmaker with a handful of features that are as idiosyncratic as they are intriguing” THE HOLLYWOOD REPORTER “Based on the Georges Simenon novel, this brilliantly controlled movie tracks a love affair gone wrong with wit, heat, cool and economy. Each edit is as sharp as the blade of a guillotine, and as unforgiving” THE NEW YORK TIMES “Cannes favourite - and former Bond villain - Mathieu Amalric follows the success of burlesque On Tour with a slightly anti-climatic adult crime drama based on a Georges Simenon book” THE GUARDIAN “Novel The Blue Room, which director-star Mathieu Amalric has made into a film that is splendidly taut, forcefully understated and, at just 76 minutes, blessedly concise. It earns admiration both for the mood it creates and for the melodramatic excesses it avoids” TIME Selected Reviews Trades reviews THE HOLLYWOOD REPORTER - POSITIVE review by Jordan Mintzer http://www.hollywoodreporter.com/review/blue-room-la-chambre-bleue- 699849 SCREEN INTERNATIONAL – POSITIVE review by Jonathan Romney http://www.screendaily.com/reviews/the-latest/the-blue- room/5071933.article Selected Reviews Positive reviews HUFFINGTON POST (USA) - P0SITIVE review (+ interview of Mathieu Amalric) by Karin Badt http://www.huffingtonpost.com/karin-badt/mathieu-amalrics-the- blue_b_5343442.html INDIEWIRE (USA)