Directory of Seminars, Speakers, & Topics
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City Mouse Or Country Mouse?—Joseph Mitchell’S Interpretation of the City
City Mouse or Country Mouse?—Joseph Mitchell’s Interpretation of the City by Norman Sims Paper presented to the International Association for Literary Journalism Studies 2009 Convention at Northwestern University This paper briefly compares the sensibilities of two New Yorker writers: Joseph Mitchell, a native of North Carolina whose family owned land and was engaged in the tobacco business, and A. J. Liebling, who was a native of New York City. Liebling can be seen as the “city mouse.” In his classic works on the city, Liebling highlighted groups of people—con men, cigar store Indians, boxers and their entourages. Liebling saw people as created and determined by their surroundings. Liebling was at home in the city and he celebrated the traditional benefits of city life, such as the great food of Paris. Mitchell and Liebling were close friends, but there are differences in their work, or at least different tendencies. Mitchell’s works focused on individuals, rather than groups, and he rarely attributed a person’s character or actions to outside forces. While there’s a temptation to treat Mitchell as a “country mouse” whose perspectives were shaped in his rural background, this paper uses interview material to argue that Mitchell was as much a citizen of the city as Liebling. Unlike Liebling, Mitchell always felt he was an outsider in the city, and he tended to portray people whose marginality helped to define them, such as Joe Gould. Literature can be seen as the expression of identity. In fiction, we read for a window on the author’s mind, not for the facts of the world. -
Coffee, Food, and the Crisis of Indonesian Family Relationship in the Poem of Khong Guan Banquette by Joko Pinurbo
Advances in Social Science, Education and Humanities Research, volume 477 Proceedings of the International Conference on Community Development (ICCD 2020) Coffee, Food, and the Crisis of Indonesian Family Relationship in the Poem of Khong Guan Banquette by Joko Pinurbo Ari Ambarwati* Sri Wahyuni University of Islam Malang University of Islam Malang [email protected] [email protected] Susi Darihastining STKIP PGRI Jombang [email protected] Abstract. The abundance of Indonesian is a classic Javanese literary work, containing gastronomic wealth, expressed in literary works, strands of stories and forms of song and a variety of is challenging to discuss and study. The focus of knowledge about various names of foods and this research is the use of gastronomical drinks, which were eaten by ancestors in the metaphors to describe the family relationship's Nusantara era. Serat Centhini, written by Sunan critique in the collection of Joko Pinurbo's Pakubuwono V, Kiai Ngabehi Ranggasusastra, Kiai Khong Guan Banquette. Through the method of Ngabehi Yosodipuro II, and Kiai Ngabehi close reading and gastro-critical reading, it can Sastradipura, in 1814-1823, numbered 12 volumes, be stated that coffee, tea, and food that correlate with a number of pages 3112 [11]. The manuscript with Khong Guan cans (biscuits, wafers, and tells about the adventures of Jayengresmi, traditional snacks typical of Lebaran) are used Jayengsari, and Niken Rancangkapti, exploring the as a metaphor for human life, which crosses Java region, as well as enjoying staple foods, life's problems and reflects on relationship crisis. snacks, and drinks that are different in each place family. -
Certified School List MM-DD-YY.Xlsx
Updated SEVP Certified Schools January 26, 2017 SCHOOL NAME CAMPUS NAME F M CITY ST CAMPUS ID "I Am" School Inc. "I Am" School Inc. Y N Mount Shasta CA 41789 ‐ A ‐ A F International School of Languages Inc. Monroe County Community College Y N Monroe MI 135501 A F International School of Languages Inc. Monroe SH Y N North Hills CA 180718 A. T. Still University of Health Sciences Lipscomb Academy Y N Nashville TN 434743 Aaron School Southeastern Baptist Theological Y N Wake Forest NC 5594 Aaron School Southeastern Bible College Y N Birmingham AL 1110 ABC Beauty Academy, INC. South University ‐ Savannah Y N Savannah GA 10841 ABC Beauty Academy, LLC Glynn County School Administrative Y N Brunswick GA 61664 Abcott Institute Ivy Tech Community College ‐ Y Y Terre Haute IN 6050 Aberdeen School District 6‐1 WATSON SCHOOL OF BIOLOGICAL Y N COLD SPRING NY 8094 Abiding Savior Lutheran School Milford High School Y N Highland MI 23075 Abilene Christian Schools German International School Y N Allston MA 99359 Abilene Christian University Gesu (Catholic School) Y N Detroit MI 146200 Abington Friends School St. Bernard's Academy Y N Eureka CA 25239 Abraham Baldwin Agricultural College Airlink LLC N Y Waterville ME 1721944 Abraham Joshua Heschel School South‐Doyle High School Y N Knoxville TN 184190 ABT Jacqueline Kennedy Onassis School South Georgia State College Y N Douglas GA 4016 Abundant Life Christian School ELS Language Centers Dallas Y N Richardson TX 190950 ABX Air, Inc. Frederick KC Price III Christian Y N Los Angeles CA 389244 Acaciawood School Mid‐State Technical College ‐ MF Y Y Marshfield WI 31309 Academe of the Oaks Argosy University/Twin Cities Y N Eagan MN 7169 Academia Language School Kaplan University Y Y Lincoln NE 7068 Academic High School Ogden‐Hinckley Airport Y Y Ogden UT 553646 Academic High School Ogeechee Technical College Y Y Statesboro GA 3367 Academy at Charlemont, Inc. -
ANNUAL REPORT 2006 the International Writing Program At
ANNUAL REPORT 2006 The International Writing Program at The University of Iowa 1 Greetings, I am pleased to send you the annual report of the International Writing Program (IWP), which for nearly forty years has offered a unique residency for professional writers from around the world. The literary community created by the IWP, a community of poets, fiction writers, essayists, playwrights and screenwriters from more than 120 countries, stands as a testament to the myriad ways in which service to the word, in every language, can help to bridge differences between peoples and nations divided. Only connect—the governing idea of the program—means that we devote the fall to connecting writers to readers, translators, students and people from every background. And this report offers a glimpse into some of the connections that last year’s writers made. I am also pleased to tell you that the IWP is evolving in a dynamic fashion. In 2006 we hosted our first symposium on the Greek island of Paros, bringing together writers from every corner of the earth to discuss what we hold in common. A Greek film maker made a documentary about the symposium and an e-book of the essays written for the occasion is in the works. As I write these lines we are preparing not only for another symposium, on the subject of justice, but also for a tour of the Middle East designed to introduce some of America’s most prominent writers to their counterparts in Syria, Jordan, Israel and the West Bank. In the spring of 2008, in partnership with the University of Iowa’s Young Writers Studio, we will launch a project called Between the Lines, bringing a dozen high school students from six Arabic-speaking countries to take part in a summer writing workshop, which we expect to deepen our connection to this strategic part of the world, creating new networks of writers and readers. -
By Joseph Mitchell Originally Published in the New Yorker, April 13, 1940
The Old House at Home by Joseph Mitchell Originally published in The New Yorker, April 13, 1940 McSorley’s occupies the ground floor of a red-brick tenement at 15 Seventh Street, just off Cooper Square, where the Bowery ends. It was opened in 1854 and is the oldest saloon in New York City. In eighty-eight years it has had four owners—an Irish immigrant, his son, a retired policeman, and his daughter—and all of them have been opposed to change. It is equipped with electricity, but the bar is stubbornly illuminated with a pair of gas lamps, which flicker fitfully and throw shadows on the low, cobwebby ceiling each time someone opens the street door. There is no cash register. Coins are dropped in soup bowls—one for nickels, one for dimes, one for quarters, and one for halves—and bills are kept in a rosewood cashbox. It is a drowsy place; the bartenders never make a needless move, the customers nurse their mugs of ale, and the three clocks on the walls have not been in agreement for many years. The clientele is motley. It includes mechanics from the many garages in the neighborhood, salesmen from the restaurant-supply houses on Cooper Square, truck-drivers from Wanamaker’s, internes from Bellevue, students from Cooper Union, and clerks from the row of second-hand bookshops just north of Astor Place. The backbone of the clientele, however, is a rapidly thinning group of crusty old men, predominantly Irish, who have been drinking there since they were youths and now have a proprietary feeling about the place. -
THE POLITICS of REPRODUCTION FORMATIONS: ADOPTION, KINSHIP, and CULTURE Emily Hipchen and John Mcleod, Series Editors the Politics of Reproduction
THE POLITICS OF REPRODUCTION FORMATIONS: ADOPTION, KINSHIP, AND CULTURE Emily Hipchen and John McLeod, Series Editors The Politics of Reproduction Adoption, Abortion, and Surrogacy in the Age of Neoliberalism Edited by Modhumita Roy and Mary Thompson THE OHIO STATE UNIVERSITY PRESS COLUMBUS Copyright © 2019 by Th e Ohio State University. Th is edition licensed under a Creative Commons Attribution-NonCommercial-NoDerivs License. Library of Congress Cataloging-in-Publication Data is available online at catalog.loc.gov. Cover design by Nathan Putens Text design by Juliet Williams Type set in Adobe Minion Pro Th e paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. We dedicate this volume to the memory of our fathers, Richard E. Thompson Jr. (1924–2011) and Birendra Narayan Roy (1926–2011), and to our mothers, Barbara J. Thompson and Pranati Roy, with love and thanks. CONTENTS Acknowledgments ix INTRODUCTION MODHUMITA ROY AND MARY THOMPSON 1 CHAPTER 1 Precarity and Disaster in Jesmyn Ward’s Salvage the Bones: A Reproductive Justice Reading MARY THOMPSON 25 CHAPTER 2 Privileging God the Father: The Neoliberal Theology of the Evangelical Orphan Care Movement VALERIE A. STEIN 42 CHAPTER 3 White Futures: Reproduction and Labor in Neoliberal Times HEATHER MOONEY 61 CHAPTER 4 One Woman’s Choice Is Another Woman’s Disobedience: Seguro Popular and Threats to Midwifery in Mexico ROSALYNN VEGA 82 CHAPTER 5 The Work/Life -
Portrait of a Trevor Graduate Engaged Collaborator Creative, Flexible Thinker Global Citizen
Shafi Rubbani ’18 Clodagh McCloskey ’96 “Trevor is a place where you will find “Why I teach has everything to do a new favorite subject every year.” with how I felt about my Trevor teachers!” Shafi is a “lifer,” having attended Trevor from Pre-K through There is no greater compliment an alum can give than 12th grade. In his time at Trevor, Shafi was Senior Editor of to return to her alma mater as a member of the faculty. the yearbook, a peer writing advisor, and a French tutor. Clodagh has been a teacher at Trevor since 2008. She He also earned a second-degree black belt in martial arts, currently teaches 3rd grade, where she puts to daily use which he studied in Trevor’s AfterSchool program for 13 her teaching goal (for which she credits Trevor): “I strive years. Now a freshman at Harvard University, he plans to to bring to my students a connection that both challenges pursue a degree in mathematics toward the ultimate goal them as learners and reaches them as humans.” Clodagh of earning his PhD, and possibly a double major—either attended Trevor from 4th through12th grade. Her Master’s in computer science or drama. As for his great interest in degree is from Hunter College School of Education and drama, Shafi credits Mr. Smith, Grades 9–12 Drama teacher her BA, where she also studied modern dance and creative and advisor. writing, is from Bennington College. Portrait of a Trevor Graduate engaged collaborator creative, flexible thinker global citizen Margaret Connors McQuade ’85 Malcolm Lee ’84 “The Day School fostered a real love of learning. -
History and Emotions Is Elsa Morante, Goliarda Sapienza and Elena
NARRATING INTENSITY: HISTORY AND EMOTIONS IN ELSA MORANTE, GOLIARDA SAPIENZA AND ELENA FERRANTE by STEFANIA PORCELLI A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2020 © 2020 STEFANIA PORCELLI All Rights Reserved ii Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante by Stefania Porcell i This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ________ ______________________________ Date [Giancarlo Lombardi] Chair of Examining Committee ________ ______________________________ Date [Giancarlo Lombardi] Executive Officer Supervisory Committee: Monica Calabritto Hermann Haller Nancy Miller THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante By Stefania Porcelli Advisor: Giancarlo Lombardi L’amica geniale (My Brilliant Friend) by Elena Ferrante (published in Italy in four volumes between 2011 and 2014 and translated into English between 2012 and 2015) has galvanized critics and readers worldwide to the extent that it is has been adapted for television by RAI and HBO. It has been deemed “ferocious,” “a death-defying linguistic tightrope act,” and a combination of “dark and spiky emotions” in reviews appearing in popular newspapers. Taking the considerable critical investment in the affective dimension of Ferrante’s work as a point of departure, my dissertation examines the representation of emotions in My Brilliant Friend and in two Italian novels written between the 1960s and the 1970s – La Storia (1974, History: A Novel) by Elsa Morante (1912-1985) and L’arte della gioia (The Art of Joy, 1998/2008) by Goliarda Sapienza (1924-1996). -
Book of Abstracts 19 International Congress International Association
Book of Abstracts of the 19th International Congress of the International Association for Cross-Cultural Psychology Edited by Franziska Deutsch, Lidet Tadesse, Natalie Schnelle, Jessica Price, and Klaus Boehnke Preface This Book of Abstracts of the 19th International Congress of Cross-Cultural Psychology con- tains the abstracts of all contributions accepted to the congress by the International and the Local Scientific Committee of the congress. The International Scientific Committee comprised of Shalom Schwartz, Hebrew University, Jerusalem, Chair ([email protected]), Bilge Ataca, Bogaziçi University, Istanbul, Turkey ([email protected]), Veronica Benet-Martinez, University of California at Riverside, USA ([email protected]), Marwan Dwairy, Emeq Yezreel Academic College/Oranim Academic College, Israel ([email protected]), Márta Fülöp, Hungarian Academy of Sciences, Hungary ([email protected]), Erhabor S. Idemudia, University of Limpopo, Sovenga, South Africa ([email protected]), Henning Jen- sen, Universidad de Costa Rica, Costa Rica ([email protected]), Emiko Kashima, LaTrobe University, Melbourne, Australia ([email protected]), Shinobu Kitayama, University of Michigan, Ann Arbor, USA ([email protected]), Ramesh C. Mishra, Banaras Hindu University, Varanasi, India ([email protected]), Christiane Spiel, Universität Wien, Austria ([email protected]), Evert van de Vliert, Rijksuniversiteit Groningen, The Netherlands ([email protected]), Tom Weisner, University of California at Los Angeles, -
Examining the Magazine Industry Standard
POINT OF VIEW: EXAMINING THE MAGAZINE INDUSTRY STANDARD A Thesis presented to the Faculty of the Graduate School at the University of Missouri In Partial Fulfillment of the Requirements for the Degree Master of Arts by CRISTINA DAGLAS John Fennell, Thesis Supervisor MAY 2009 © Copyright by Cristina Daglas 2009 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled POINT OF VIEW : EXAMINING THE MAGAZINE INDUSTRY STANDARD presented by Cristina Daglas, a candidate for the degree of master of arts, and hereby certify that, in their opinion, it is worthy of acceptance. Professor John Fennell Professor Jennifer Rowe Professor Amanda Hinnant Professor Maureen Stanton ACKNOWLEDGEMENTS I am immensely grateful to my thesis chair, John Fennell, who believed in both the necessity for and the feasibility of this research. When many doubted the ability to interview prominent magazine professionals, John provided support and guidance while always keeping setbacks and successes in perspective. John has been a mentor from first semester of graduate school when I enrolled in his writing course, and I am so pleased that I could pursue a topic I am incredibly passionate about with his guidance. However, this research would naturally not be what it is without the rest of my fabulous committee. Jennifer Rowe, my other mentor, adviser and friend, was an invaluable resource, as she provided big-picture edits, line edits and, most importantly, support. Amanda Hinnant provided advice in the earliest days of thesis conception as well as the scholarly perspective necessary in any academic work. Maureen Stanton was also a wonderful resource, imparting an outside, nonfiction mindset that added another dimension to this journalistic thesis. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
The Pennsylvania State University the Graduate School College of the Liberal Arts
The Pennsylvania State University The Graduate School College of the Liberal Arts PASSING, PASSAGES, AND PASSKEYS: POST-CIVIL RIGHTS SATIRISTS UNLOCK THE MASTER’S HOUSE A Dissertation in English By Mahpiua-Luta Deas © 2012 Mahpiua-Luta Deas Submitted in Partial Fulfillment Of the Requirements For the Degree of Doctor of Philosophy December 2012 ii The dissertation of Mahpiua-Luta Deas was reviewed and approved by the following: Aldon L. Nielsen The George and Barbara Kelly Professor of American Literature Dissertation Adviser Chair of Committee Linda F. Selzer Associate Professor of English Shirley Moody Assistant Professor of English Lovalerie King Associate Professor of English Director of the Africana Research Center Garrett A. Sullivan Professor of English Director of Graduate Studies, English *Signatures are on file in the Graduate School. iii ABSTRACT In the post-civil rights era, which is marked by the eradication of legalized racial boundaries, racial passing should be unnecessary and obsolete. Yet contemporary satirists have found satiric portrayals of racial passing to be productive on two levels. On a plot-level, they use passing to interrogate contemporary racial subjectivity and to both explore racial advances and to critique persistent racial inequities. On a structural level, they write fiction that challenges the prescriptive and restrictive aesthetic criteria that they believe African American fiction is required to meet. Ultimately, this fiction offers dynamic critiques of contemporary racial identity and textual production. These authors use satire to examine how the fictional depiction of racial identities/bodies informs, depends on, and dictates the textual body and vice versa. The purpose of the study is to draw on two parallel contemporary literary theories, racial passing and satire, in order to analyze the works of five of the most important and recognized contemporary satiric writers of the post-civil rights generation: Percival Everett, Paul Beatty, Mat Johnson, Trey Ellis, and Adam Mansbach.