CRANFORD CHRONICLE Thursday, October 23,1986 Where Else but Kings?
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Archaeology and History of Lydia from the Early Lydian Period to Late Antiquity (8Th Century B.C.-6Th Century A.D.)
Dokuz Eylül University – DEU The Research Center for the Archaeology of Western Anatolia – EKVAM Colloquia Anatolica et Aegaea Congressus internationales Smyrnenses IX Archaeology and history of Lydia from the early Lydian period to late antiquity (8th century B.C.-6th century A.D.). An international symposium May 17-18, 2017 / Izmir, Turkey ABSTRACTS Edited by Ergün Laflı Gülseren Kan Şahin Last Update: 21/04/2017. Izmir, May 2017 Websites: https://independent.academia.edu/TheLydiaSymposium https://www.researchgate.net/profile/The_Lydia_Symposium 1 This symposium has been dedicated to Roberto Gusmani (1935-2009) and Peter Herrmann (1927-2002) due to their pioneering works on the archaeology and history of ancient Lydia. Fig. 1: Map of Lydia and neighbouring areas in western Asia Minor (S. Patacı, 2017). 2 Table of contents Ergün Laflı, An introduction to Lydian studies: Editorial remarks to the abstract booklet of the Lydia Symposium....................................................................................................................................................8-9. Nihal Akıllı, Protohistorical excavations at Hastane Höyük in Akhisar………………………………10. Sedat Akkurnaz, New examples of Archaic architectural terracottas from Lydia………………………..11. Gülseren Alkış Yazıcı, Some remarks on the ancient religions of Lydia……………………………….12. Elif Alten, Revolt of Achaeus against Antiochus III the Great and the siege of Sardis, based on classical textual, epigraphic and numismatic evidence………………………………………………………………....13. Gaetano Arena, Heleis: A chief doctor in Roman Lydia…….……………………………………....14. Ilias N. Arnaoutoglou, Κοινὸν, συμβίωσις: Associations in Hellenistic and Roman Lydia……….……..15. Eirini Artemi, The role of Ephesus in the late antiquity from the period of Diocletian to A.D. 449, the “Robber Synod”.……………………………………………………………………….………...16. Natalia S. Astashova, Anatolian pottery from Panticapaeum…………………………………….17-18. Ayşegül Aykurt, Minoan presence in western Anatolia……………………………………………...19. -
Gyã¶Rgy Kepes Papers
http://oac.cdlib.org/findaid/ark:/13030/c80r9v19 No online items Guide to the György Kepes papers M1796 Collection processed by John R. Blakinger, finding aid by Franz Kunst Department of Special Collections and University Archives 2016 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Guide to the György Kepes M1796 1 papers M1796 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: György Kepes papers creator: Kepes, Gyorgy Identifier/Call Number: M1796 Physical Description: 113 Linear Feet (108 boxes, 68 flat boxes, 8 cartons, 4 card boxes, 3 half-boxes, 2 map-folders, 1 tube) Date (inclusive): 1918-2010 Date (bulk): 1960-1990 Abstract: The personal papers of artist, designer, and visual theorist György Kepes. Language of Material: While most of the collection is in English, there is also a significant amount of Hungarian text, as well as printed material in German, Italian, Japanese, and other languages. Special Collections and University Archives materials are stored offsite and must be paged 36 hours in advance. Biographical / Historical Artist, designer, and visual theorist György Kepes was born in 1906 in Selyp, Hungary. Originally associated with Germany’s Bauhaus as a colleague of László Moholy-Nagy, he emigrated to the United States in 1937 to teach Light and Color at Moholy's New Bauhaus (soon to be called the Institute of Design) in Chicago. In 1944, he produced Language of Vision, a landmark book about design theory, followed by the publication of six Kepes-edited anthologies in a series called Vision + Value as well as several other books. -
Exhibitions Photographs Collection
Exhibitions Photographs Collection This finding aid was produced using the Archivists' Toolkit November 24, 2015 Describing Archives: A Content Standard Generously supported with funding from the National Historical Publications and Records Commission (NHPRC) Archives and Manuscripts Collections, The Baltimore Museum of Art 10 Art Museum Drive Baltimore, MD, 21032 (443) 573-1778 [email protected] Exhibitions Photographs Collection Table of Contents Summary Information ................................................................................................................................. 3 Scope and Contents....................................................................................................................................... 4 Arrangement...................................................................................................................................................4 Administrative Information .........................................................................................................................5 Controlled Access Headings..........................................................................................................................5 Collection Inventory...................................................................................................................................... 7 Exhibitions............................................................................................................................................... 7 Museum shop catalog......................................................................................................................... -
Harry Seidler: Modernist Press Kit Page 1
Harry Seidler: Modernist Press Kit Page 1 press kit Original Title: HARRY SEIDLER MODERNIST Year of Production: 2016 Director: DARYL DELLORA Producers: CHARLOTTE SEYMOUR & SUE MASLIN Writers: DARYL DELLORA with IAN WANSBROUGH Narrator: MARTA DUSSELDORP Duration: 58 MINS Genre: DOCUMENTARY Original Language: ENGLISH Country of Origin: AUSTRALIA Screening Format: HD PRO RES & BLU-RAY Original Format: HD Picture: COLOUR & B&W Production Company: FILM ART DOCO World Sales: FILM ART MEDIA Principal Investors: ABC TV, SCREEN AUSTRALIA, FILM VICTORIA, SCREEN NSW & FILM ART MEDIA Harry Seidler: Modernist Press Kit Page 2 SYNOPSES One line synopsis An insightful retrospective of Harry Seidler’s architectural vision One paragraph synopsis Harry Seidler: Modernist is a retrospective celebration of the life and work of Australia's most controversial architect. Sixty years of work is showcased through sumptuous photography and interviews with leading architects from around the world. Long synopsis At the time of his death in 2006, Harry Seidler was Australia's best-known architect. The Sydney Morning Herald carried a banner headline "HOW HE DEFINED SYDNEY" and there were obituaries in the London and the New York Times. Lord Richard Rogers, of Paris Pompidou Center fame, describes him as one of the world's great mainstream modernists. This film charts the life and career of Harry Seidler through the eyes of those that knew him best; his wife of almost fifty years Penelope Seidler; his co-workers including Colin Griffiths and Peter Hirst who were by his side over four decades; and several well-placed architectural commentators and experts including three laureates of the highest honour the world architectural community bestows, the Pritzker Prize: Lord Norman Foster, Lord Richard Rogers and our own Glenn Murcutt. -
Sunday, October 6
SUNDAY, OCTOBER 6 Key for Suggested Activities Alumni Parent/Guardian Current Student Kids 呂 Community Member Additional Payment Required Morning / Afternoon Drop-In 9:00 a.m. – Coffee with the Parents Council 10:00 a.m. When your student goes off to college, you can still get involved. At MICA, we welcome the support from our community of parents. Join fellow MICA parents and meet the Parents Council for coffee and snacks and learn more about how you can be involved as a parent at MICA! 10:00 a.m. – Free Shuttle to Fells Point 3:00 p.m. Travel to one of Baltimore’s oldest and most historic neighborhoods. Fell’s Point is best known for hosting a broad array of restaurants, stores, theaters, and coffee shops. This vibrant waterfront neighborhood is quintessential Baltimore! Shuttles 呂 depart from Main Building on the hour and half-hour. Shuttles depart Fells Point (S. Broadway Street and Aliceanna Street) on the hour and half-hour. 11:00 a.m. – On-Campus Brunch 1:00 p.m. We’re opening up our student cafeteria to the public for an easy, on-campus brunch option for all guests! Brunch is not included with registration, and must be purchased separately. 呂 11:00 a.m. – Joe Basile Remembrance Event 1:00 p.m. Join us for a celebration of the life and career of Joe Basile, whose 24-year tenure in MICA's art history and liberal arts department impacted hundreds of MICA artists and designers. 12:00 p.m. – Student Gallery Exhibitions 5:00 p.m. -
Raya Bodnarchuk This Is a True Picture of How It Was
Raya Bodnarchuk This is a True Picture of How it Was ALPER INITIATIVE FOR WASHINGTON ART Raya Bodnarchuk This is a True Picture of How it Was February 16 – August 8, 2021 American University Museum at the Katzen Arts Center Washington, DC ALPER INITIATIVE FOR WASHINGTON ART Table of Contents Foreword 5 Raya Bodnarchuk in Conversation with Jack Rasmussen 9 Biography 22 Exhibition Images 25 Dedication 50 Moon Shadows and Reflections, January 17, 2014. 2 | RAYA BODNARCHUK Foreword Raya Bodnarchuk has been an essential part of the arts ecosystem in Washing- ton since Glen Echo Park was reborn by the National Park Service as a Center for the Arts in 1974. She became one of its first Artists in Residence and gave fourteen years working and teaching in that community. Her imagery was, and still is, closely identified with Glen Echo Park, appearing on publications, posters, and banners for many years. Then, for thirty-two years, she was a fac- ulty member during the golden age of the Corcoran College of Art & Design. Together with her extensive exhibition career and public commissions, Raya has been at the center of what was good in Wash- ington over the past half century. Through it all, Raya never wavered from her com- mitment to her art and to the craft of art, or from passing along her knowledge of making and her modeling of what it means to be a true artist to the next generation. It seems that Bruce Nauman got it right when he titled several of his works from the late sixties The True Artist is an Amazing Luminous Fountain. -
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Brustbild oder Kopf des Demos Objekttyp: Chapter Zeitschrift: Revue suisse de numismatique = Schweizerische numismatische Rundschau Band (Jahr): 7 (1897) PDF erstellt am: 02.10.2021 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch — 320 — Linken ; Buie von vorn mit Turmkrane, mit Lanze in der Linken. Vgl. MionnetSuppl. VI 257,iiU(Catal. ofIonia p. 175,5) ; vgl. auch Mionnet III100, 712 (Catal. of Ionia p. 177, 12). Suppl. VI 259, 1153. b) r. IOV. OVH. MAIIMOC KAI. Brustbild des Maximus mit Lorbeer und Gewand rechtshin. fl. MHTPOnOJ AeiT|ON TON eN und im Abschnitt IONIA. Stehender unbärtiger Demos im kurzen Chiton, mit Chlamys und Stiefeln rechtshin, mit der Linken auf das Scepter gestützt, die Rechte der Buie reichend ; diese linkshin mit Scepter im linken Ann. -
Minimalism 1 Minimalism
Minimalism 1 Minimalism Minimalism describes movements in various forms of art and design, especially visual art and music, where the work is stripped down to its most fundamental features. As a specific movement in the arts it is identified with developments in post–World War II Western Art, most strongly with American visual arts in the late 1960s and early 1970s. Prominent artists associated with this movement include Donald Judd, John McLaughlin, Agnes Martin, Dan Flavin, Robert Morris, Anne Truitt, and Frank Stella. It is rooted in the reductive aspects of Modernism, and is often interpreted as a reaction against Abstract expressionism and a bridge to Postmodern art practices. The terms have expanded to encompass a movement in music which features repetition and iteration, as in the compositions of La Monte Young, Terry Riley, Steve Reich, Philip Glass, and John Adams. Minimalist compositions are sometimes known as systems music. (See also Postminimalism). The term "minimalist" is often applied colloquially to designate anything which is spare or stripped to its essentials. It has also been used to describe the plays and novels of Samuel Beckett, the films of Robert Bresson, the stories of Raymond Carver, and even the automobile designs of Colin Chapman. The word was first used in English in the early 20th century to describe the Mensheviks.[1] Minimalist design The term minimalism is also used to describe a trend in design and architecture where in the subject is reduced to its necessary elements. Minimalist design has been highly influenced by Japanese traditional design and architecture. In addition, the work of De Stijl artists is a major source of reference for this kind of work. -
Wie Integriert Man Rom in Die Polis? Der Kult Des Senats in Kleinasien*
WIE INTEGRIERT MAN ROM IN DIE POLIS? DER KULT DES SENATS IN KLEINASIEN* Günther Schörner Integration: Akteure und Handlungen Möchte man Integration im Imperium Romanum untersuchen, so ist nicht nur zu analysieren, auf welche Weise die Provinzen und ihre Bewohner in das Römische Reich integriert wurden, sondern auch, wie Rom selbst in das provinziale Umfeld integriert wurde.1 In diesem Fall wird nicht nach reichsweiter Integration, sondern nach lokal begrenzter, je nach politi- scher Organisation oft nach Integration auf städtischer Ebene gefragt. Dabei sollte man sich nicht darauf beschränken festzustellen, was inte- griert wurde, da die Frage nach dem Wie mindestens genau so wichtig ist, das heißt welche Aktionen erfolgten und wer diese veranlasste. Im Folgenden sollen Akteure und Handlungen einer solchen Integration an einem konkreten Beispiel aufgezeigt werden, nämlich der Integration der spezifisch römischen Institution ‘Senat’ in den kultischen Kontext kleinasiatischer Poleis. Es stehen dabei weniger Fragen der Kultausübung im Mittelpunkt, sondern vielmehr die Prozeduren und Aktionen sowohl auf römischer als auch auf kleinasiatischer Seite, die unternommen werden, um für eine dezidiert römische Institution wie den Senat Platz innerhalb der Poleis zu schaffen, d. h. ihn in dieses spezifisch sozio-kulturelle Umfeld einzubinden. * Ich danke den Organisatoren des Workshops Impact of Empire, vor allem S. Benoist, S. Demougin, und O. Hekster für die Einladung nach Lille. Wichtige Thesen dieses Vortrags wurden bereits in Amsterdam, Erfurt und Würzburg vorgetragen. Für Diskussionsbeiträge danke ich A. Chankowski (Lille), L. de Blois (Nijmegen), S. Demougin (Paris), J. Fabricius (Berlin), M. Meyer (Wien), F. Naerebout (Leiden), J. Rüpke (Erfurt) und Th. Schäfer (Tübingen). 1 Zum Begriff der Integration: G. -
University of Nsw Harry Seidler Unsw Talk 1 Interactions
UNIVERSITY OF NSW HARRY SEIDLER UNSW TALK 1 INTERACTIONS: ARCHITECTURE AND THE VISUAL ARTS 10 APRIL 1980 INTRODUCTION [0.00] Sydney architect, Harry Seidler, was appointed visiting professor in architecture at the University of New South Wales for the first semester of 1980. He was born in Vienna in 1923. After studies in England he graduated from the University of Manitoba in Canada. Later, he did post graduate work at Harvard University under the founder of the Bauhaus, Walter Gropius, and studied design under the painter, Josef Albers. In 1948 Seidler started to practice in Sydney and the many buildings he has completed since then have earned him an international reputation. Amongst his best known buildings is Sydney’s Blues Point Tower, Australia Square and the MLC Centre and Canberra’s Trade Group offices. A recent overseas work is the Australian Embassy in Paris. In this lecture Seidler deals with the interactions between all the visual arts and architecture and the historic basis for this interdependence which he feels should be a guiding and motivating force in architectural design. Modern architecture, as we have come to understand it, has had a history of just over three quarters of a century now. In spite of that, it cannot be said that there is any consensus of opinion about its viability. There’s always been a reluctance on the part of those who practise it and those who criticise it to state any dogma. Those dogmas that have been stated such as “This new architecture is functional, it is logical, it responds to the new technology” are rather obvious and rather facile descriptions of what it’s really all about. -
Friday, October 4
FRIDAY, OCTOBER 4 Key for Suggested Activities Alumni Parent/Guardian Current Student Kids 呂 Community Member Additional Payment Required Morning / Afternoon / Daylong 9:00 a.m. – Undergraduate Classroom Visits 3:00 p.m. Stop in to see a MICA class in action! We’ll have selected recommendations for parents, alumni, and all attendees. 呂 10:00 a.m. – 11:00 Campus Tour a.m. Haven’t been on campus in a while? Explore MICA’s expanded footprint in Bolton Hill, from The Gateway to the Mount Royal Station. 呂 11:00 a.m. – Entrepreneurship Initiatives at MICA and Beyond 12:30 p.m. Learn about two of MICA’s most exciting programs focused on creative entrepreneurship: our Up/Start venture competition and the Baltimore 呂 Creatives Acceleration Network (BCAN). 1:00 p.m. – Campus Tour 2:00 p.m. Haven’t been on campus in a while? Explore MICA’s expanded footprint in Bolton Hill, from The Gateway to the Mount Royal Station. 呂 10:00 a.m. – Norman Carlberg Exhibition 5:00 p.m. Norman Carlberg (1928 - 2018) was hired to become MICA's Director of the Rinehart School of Sculpture in 1962 after studying under Director Josef Albers 呂 at Yale University. Over the next 36 years, under Carlberg's tutelage, the school dramatically shifted perspectives, moving from a provincial, figurative-based academy into an internationally esteemed school focused on contemporary art. This exhibition of Carlberg's work - sculpture, photographs, and prints - has been generously loaned by his family, to celebrate his legacy at MICA and to share his genius with his friends, most of whom are his former students, as well as MICA alumni and the Baltimore Community. -
Allen East and West:" a Pretty Dreary Place!
Allen East and West: "A Pretty Dreary Place! by Diane Schwartz Trinity in 1957 for a total cost of added that the change is a long- beds was unanticipated, and ocl. tnit'sthisi procSdgre^puld •Vfirm 1 p "We think it's a pretty dreary $65,000. According to Tilles, they range objective, and to a great place," said Elinor Tilles, cured during the last week of the" ffie^pTaWringy''-paWringy »ndfegiYfrli&sJ »nd»fegiYfrli&sJnn - were originally used for faculty extent would be determined by the summer and the beginning of the centivei" " for students to follow assistant dean for college housing before being converted to college's budget. semester as students cancelled residences, in reference to Allen through with their signed housing student residences. A final decision would be made housing agreements. She said she contracts. East and West. A tentative plan to The conversion involved the by Tilles, Smith, Robert did not know if this was the start of discontinue their use as student Smith said that he would like to removal of kitchen facilities from Pedemonti, treasurer-comptroller, a trend that would continue for try for more singles ac- dorms is under consideration. the apartments. In recent years, and Riel Crandall, director of other years. She said she does want Students currently residing in comodations if the school ever does other changes have been made, buildings and grounds, with the to "loosen up" present housing acquire additional buildings. He the dorms expressed including the construction of fire approval of Theodore Lockwood, accomodations, and reduce the dissatisfaction with the buildings.