Intimations of Immortality
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INTIMATIONS OF IMMORTALITY: SEMIOLOGIES OF AGEING AND THE LINEAMENTS OF ETERNITY IN MODERN AND CONTEMPORARY PROSE PhD Thesis, Lancaster University April 2012 Lucy Anne Perry ProQuest Number: 11003746 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003746 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 DECLARATION * This thesis is my own work. It has not been submitted for the award of a higher degree elsewhere. Lucy Anne Perry April 2012. CONTENTS; Acknowledgements ................................................................................................................................................ i Abstract ..................................................................................................................................................................ii Introduction: A Genealogy of Anti-Ageing.........................................................................................................1 i) Historicising Anti-Ageing: Medical and Cultural Antecedents............................................. 3 ii) The Literature of Age: Intimations of Immortality............................................................... 22 Chapter 1: Irresistible Entropy: The Aesthetics of Failure and the Compulsion to Incapacity in the Works of Samuel Beckett ............................................................................................................................................... 47 i) Dramaturgical Bodies..............................................................................................................53 ii) Trilogy Bodies......................................................................................................................... 71 iii) Conclusion: Ageing and Mortality as ‘Mechanical Fatality’............................................... 99 Chapter 2: The Prosthetic Vision of Age: Semiologies of Age and the Illusion of Transcendence in Modem and Contemporary Prose................................................................................................................................... 103 i) Affliction and Theatricality.................................................................................................. 109 ii) Architecture and Domestic Fumishings...............................................................................125 iii) Puppetry, Alterity, and Simulacral Youth........................................................................... 138 iv) Conclusion: Ageing and its Semiological Transcendence................................................. 157 Chapter 3: Mimetic Form and the Evocation of Alterity: Subjectivity and Linguistic Dysfunction in Contemporary Alzheimer’s Fiction................................................................................................................. 159 i) Ars Moriendi: The Abyss and Salvation of Mimetic Form................................................ 169 ii) Pathological Forgetting and Insidious Fictionalities...........................................................192 iii) Conclusion.............................................................................................................................217 Chapter 4: Liturgies of a Fiction: Anti-Ageing and the Semiotics of Realism in Contemporary Science Fiction................................................................................................................................................................222 i) Postmodern Timelessness: Prolongevity Medicine and the Commodification of Immortality........................................................................................................................... 225 ii) Ageless Humans and Senescing Machines: Posthumanity and the Mimesis of Decay in Oryx and Crake and The Possibility of an Island..............................................................244 iii) Conclusion.............................................................................................................................279 Conclusion: Intimations of Immortality..........................................................................................................281 Bibliography..................................................................................................................................................... 303 Acknowledgements I would like to thank my parents and my brother John for their love and unequivocal support of all my academic ventures. I cannot begin to explain how much my family have helped me; any words that I write here and sentiments I express can only trivialise what these three people have done for me through the years and how dearly I love them. I would also like to thank Aroosa Kanwal, for the many hours spent in the office laughing and philosophising, for her insights on the works of Samuel Beckett, and for the stranger conversations and sillier moments that have brought us closer together; Tony Pinkney, for his help and friendship, his guidance, kindness and support through some of the most difficult times in my undergraduate and postgraduate years; my supervisor Dr Michael Greaney for his insights and fastidiousness; and my dearest friend in the world, the prodigious, unmanageable, and truly delightful Xavier Aldana Reyes, who has so consistently kept me going and kept me cheerful during the times I thought light-heartedness impossible. I would like to dedicate this thesis to Prof. Keith Hanley, for his constant encouragement, sincerity, extraordinary kindness, and unequivocal support, for which my mere expression of thanks does not suffice. LP i ABSTRACT This thesis is an examination of the semiologies of age in modem and contemporary prose. The chapters that follow emerge from my continuing interest in how anti-senescence medicine, gerontophobia, and the commodification of immortality in discourses of consumerism have impacted literary representations of time, organic decay, and the meaning of death. Each chapter deals in different ways with the question of how to represent mortality in the context of a culture incredulous of ageing and the laws of nature, and a populace seeking to aestheticise, medicalise, and verbalise its way out of the ageing process. Paradoxical though it is, I argue that Anglo-American culture’s jejune and oneiric fantasies of immortality, rejuvenation, and perpetual youth are not located in science fiction, mythos, extropian philosophy, or trans-/posthumanist discourse, but in the literature of ageing and the very spectacle of decay. The contemporary literature of ageing offers a clear thematic preoccupation with the pathos of mortality and senility. However, at the same time, the conventional or canonical indices of decay and decline are replete with counterrealist inflections and semiotic echoes of immortality. From the prose and dramaturgy of Samuel Beckett to post-2000 Alzheimer’s fiction, the literature of ageing, I argue, transforms the depreciation of old age readily into its ideality, and makes the reader cognisant of the realities in which we, as members of a culture at once ageing demographically and anti-ageing ideologically, currently operate. INTRODUCTION: A GENEALOGY OF ANTI-AGEING ‘Oh that there were a medicine curing age...’1 Regimen o f Health o f Salerno (eleventh century) This thesis examines how western discourses of ageing have impacted on representations of time, organic decay, and the meaning of death in contemporary Anglophone literature. In each of its four chapters I address the question of whether there can be a stable semiology of ageing in the context of a culture incredulous of mortality and the laws of nature, habituated to anti-ageing ideologies, and expectant of their reification. I will examine the ways in which literature, from the works of Samuel Beckett to post-2000 Alzheimer’s fiction, has responded to or been affected by developments in geriatric and prolongevity medicine; gerontophobia and age prejudice; demographic change2 and ‘uncharted territory in which we find ourselves both as aging individuals and as an aging nation;’3 and the blandishments, sophistry, and cultural saliency of anti-ageing. Paradoxically, humanity has never been more familiar with immortality than in the era where medical and scientific capability render unavoidable, and even extend, the period of life that most inescapably reminds us of ourmortality : old age. Put simply, it is the success of ananti-ageing culture that gives rise to an ageing one. As Mike Hepworth notes, ‘ours is probably the most age-conscious period in human history,’4 but it is one defined also by its wilful and adroit repression of the realities of age, by the jejune attempts to aestheticise one’s way out of ageing, and by humanity’s libidinal fear of death -as exemplified in the ideological imperialism of anti-ageing. 'Cited by Harold Maxwell et al., A Histoiy of Medicine (USA: Alfred A. Knopf Inc., 1947), p. 313. 2 The UK Actuary’s Department predicts that the ‘UK population over 100