Black Consciousness and Gender
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Article the South African Nation
The African e-Journals Project has digitized full text of articles of eleven social science and humanities journals. This item is from the digital archive maintained by Michigan State University Library. Find more at: http://digital.lib.msu.edu/projects/africanjournals/ Available through a partnership with Scroll down to read the article. Article The South African nation Ivor Chipkin In 1996 the South African Labour Bulletin made a startling comparison. It suggested that the movement of trade-unions to invest members' contributions in 'investment companies' resembled models for Afrikaner economic empowerment. InparticularNail (New Africa InvestmentLimited), one of the flagships of Black Economic Empowerment, was compared to Rembrandt, one of the flagships of Afrikaner economic power (SALB 1996). What was being juxtaposed here was African and Afrikaner nationalism. Indeed, it was hinted that they were somehow, even if modestly, similar. What was important was the principle of the comparison: that they could be compared at all! Since then, even if it is not commonplace, it is at least not unusual to hear journalists and others draw similarities between them (see, for example, Heribert Adam in the Weekly Mail & Guardian, April 9,1998). Today it is even possible to hear members of government or the ANC hold Afrikaner nationalism up as a model for Black Economic Empowerment (see Deputy Minister of Finance, MB Mpahlwa 2001). In this vein African and Afrikaner nationalism are beginning to receive comparative treatment in the academic literature as well. Christoph Marx in a recent article discusses continuities between the cultural nationalist ideas of Afrikaner nationalism and those of current day Africanism. -
South Africa and the African Renaissance
South Africa and the African Renaissance PETER VALE* AND SIPHO MASEKO On May , immediately prior to the adoption of South Africa’s new con- stitution,Thabo Mbeki, Nelson Mandela’s chosen successor, opened his address to the country’s Constitutional Assembly with the words ‘I am an African!’. In an inclusionary speech, symptomatic of post-apartheid South Africa, Mbeki drew strands of the country’s many histories together. His words evoked great emotion within the assembly chamber, and later throughout the country: across the political spectrum, South Africans strongly associated themselves with the spirit of reconciliation and outreach caught in his words. South Africa’s reunification with the rest of the continent had been a significant sub-narrative within the processes which led to negotiation over the ending of apartheid. That South Africa would become part of the African community was, of course, beyond doubt; what was at issue was both the sequence of events by which this would happen and the conditionalities attached to its happening.The continent’s enthusiasm for the peace process in South Africa was initially uneven: the Organization of African Unity (OAU) summit in June decided to retain sanctions against South Africa although the Nigerian leader, General Ibrahim Babingida, expressed an interest in meet- ing South Africa’s then President, F.W.de Klerk, if such an occasion ‘would help bring about majority rule.’ The political prize attached to uniting South Africa with the rest of the continent explains why South Africa’s outgoing minority government, despite energetic and expensive diplomatic effort, was unable to deliver its own version of South Africa in Africa. -
Women's Reactions to Men's Patriarchal Oppressions in Selected
European Scientific Journal December 2018 edition Vol.14, No.35 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 Women’s Reactions to Men’s Patriarchal Oppressions in Selected Ghanaian Male and Female Novels Theophile Houndjo, (PhD) Akinola Monday Allagbe, (PhD Candidate) University of Abomey-Calavi (UAC), Republic of Benin Doi:10.19044/esj.2018.v14n35p18 URL:http://dx.doi.org/10.19044/esj.2018.v14n35p18 Abstract Social imbalances between men and women are the bedrock of injustices women encounter in the world, particularly in African societies. Patriarchy is identified by womanist and feminist scholars as one of the social practices that give men more privilege and maintain women in peripheral roles. This article examines how female characters in African patriarchal settings of two Ghanaian male and female novels, Asare Adei’s A Beautiful Daughter (2012) and Amma Darko’s The Housemaid (1998) have been able to face/cope with men’s oppressions through womanist and radical feminist theories. The findings have revealed that majority of the female characters are empowered economically and socially in the male and female fictional texts, and this has enabled them to combat men’s patriarchal oppressions. The female characters’ reactions vary from one another. Some of them made use of pacific ways such as dialogue, feminine solidarity or sisterhood in their attempts to address men’s patriarchal oppressions, while others have made use of violence against men and children in their quest for justice and equality. Keywords: Patriarchy, injustice, womanism, radical feminism, women’s reaction Introduction Patriarchy is identified by womanist and feminist scholars as one of the social practices that oppress women. -
The Power of Heritage to the People
How history Make the ARTS your BUSINESS becomes heritage Milestones in the national heritage programme The power of heritage to the people New poetry by Keorapetse Kgositsile, Interview with Sonwabile Mancotywa Barbara Schreiner and Frank Meintjies The Work of Art in a Changing Light: focus on Pitika Ntuli Exclusive book excerpt from Robert Sobukwe, in a class of his own ARTivist Magazine by Thami ka Plaatjie Issue 1 Vol. 1 2013 ISSN 2307-6577 01 heritage edition 9 772307 657003 Vusithemba Ndima He lectured at UNISA and joined DACST in 1997. He soon rose to Chief Director of Heritage. He was appointed DDG of Heritage and Archives in 2013 at DAC (Department of editorial Arts and Culture). Adv. Sonwabile Mancotywa He studied Law at the University of Transkei elcome to the Artivist. An artivist according to and was a student activist, became the Wikipedia is a portmanteau word combining youngest MEC in Arts and Culture. He was “art” and “activist”. appointed the first CEO of the National W Heritage Council. In It’s Bigger Than Hip Hop by M.K. Asante. Jr Asante writes that the artivist “merges commitment to freedom and Thami Ka Plaatjie justice with the pen, the lens, the brush, the voice, the body He is a political activist and leader, an and the imagination. The artivist knows that to make an academic, a historian and a writer. He is a observation is to have an obligation.” former history lecturer and registrar at Vista University. He was deputy chairperson of the SABC Board. He heads the Pan African In the South African context this also means that we cannot Foundation. -
Stakeholder Magazine 3Rd Term 2017 18
ARK NEWS P FREEDOM October - December 2017 TABLE OF CONTENTS Editor’s Comment Chairperson’s remarks CEO’s Foreword Biography HoD Public Participation Ms M Makoela Dialogue with the nation We look back upon a year that has been so significant in terms of the many events that took place. Fulfilling our National Mandate Our mandate is to make Freedom Park visible, thereby growing its number of visitors. Team work, focus and accountability are the hallmark of how we do things. There is greater visibility of Freedom Park and the Park is on demand from other museums in South Africa Corporate Calendar/ Events and foreign governments to share its experience dedicated to peace and freedom. We have implemented a number of key partnerships with like-minded institutions. Freedom Park is Good to know one of the few institutions which deal with sensitive issues of politics and history but which enjoy legitimacy across the wide spectrum of society. The whole concept of Freedom Park and its content is unique in this country and on the continent. It integrates history, culture and spirituality in a special way and the storyline is infused in the design, architecture and landscape. That is why no person who enters Freedom Park can stay unaffected by the experience. This is a place of pilgrimage for all South Africans – every South African must visit Freedom Park once in their life-time. It is open for tourists, domestic and international, and is a treasure of knowledge for school-children and all who want to learn about our history, culture and spirituality as Africans. -
Gerd Brantenberg's Egalias Døtre in Translation
Lexis Journal in English Lexicology 17 | 2021 Humor, creativity and lexical creation Laughing at “normality”: Gerd Brantenberg’s Egalias døtre in translation Luise von Flotow, Ida Hove Solberg and Enora Lessinger Electronic version URL: https://journals.openedition.org/lexis/5429 DOI: 10.4000/lexis.5429 ISSN: 1951-6215 Publisher Université Jean Moulin - Lyon 3 Electronic reference Luise von Flotow, Ida Hove Solberg and Enora Lessinger, “Laughing at “normality”: Gerd Brantenberg’s Egalias døtre in translation”, Lexis [Online], 17 | 2021, Online since 15 August 2021, connection on 20 August 2021. URL: http://journals.openedition.org/lexis/5429 ; DOI: https://doi.org/10.4000/lexis.5429 This text was automatically generated on 20 August 2021. Lexis is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Laughing at “normality”: Gerd Brantenberg’s Egalias døtre in translation 1 Laughing at “normality”: Gerd Brantenberg’s Egalias døtre in translation Luise von Flotow, Ida Hove Solberg and Enora Lessinger Introduction1 1 Introduced to feminist wordplay and neologism in the books I read as I was nursing small children in the late 1970s, I remember laughing till the tears came: Mary Daly’s Gyn/Ecology. The Metaethics of Radical Feminism (1978) was my first exposure to the daringly creative and inventive subversion of conventional language or “malespeak” a subversion she deploys provocatively in the preface and introduction to this book. Her work and other contemporary writers’ disruption of mainstream “malestream” language that had arrogantly placed “man” in first position as the representative of the human race and denigrated women, girls, and female pre-occupations were absolutely hilarious. -
2001 Lecture
THE JAMES BACKHOUSE LECTURE 2001 RECONCILING OPPOSITES: REFLECTIONS ON PEACEMAKING IN SOUTH AFRICA Hendrik W van der Merwe The James Backhouse Lectures The lectures were instituted by Australia Yearly Meeting of the Religious Society of Friends (Quakers) on the its establishment of that Yearly Meeting in 1964. James Backhouse and his companion, George Washington Walker were English Friends who visited Australia from 1832 to 1838. They travelled widely, but spent most of their time in Tasmania. It was through their visit that Quaker Meetings were first established in Australia. Coming to Australia under a concern for the conditions of convicts, the two men had access to people with authority in the young colonies, and with influence in Britain, both in Parliament and in the social reform movement. In meticulous reports and personal letters, they made practical suggestions and urged legislative action on penal reform, on the rum trade, and on land rights and the treatment of Aborigines. James Backhouse was a general naturalist and a botanist. He made careful observations and published full accounts of what he saw, in addition to encouraging Friends in the colonies and following the deep concern that had brought him to Australia. Australian Friends hope that this series of Lectures will bring fresh insights into the Truth, and speak to the needs and aspirations of Australian Quakerism. This particular lecture was delivered in Melbourne on 8 January 2001, during the annual meeting of the Society. Colin Wendell-Smith Presiding Clerk Australia Yearly Meeting © Copyright 2001 by the Religious Society of Friends (Quakers) in Australia Incorporated. -
Presentation of National Orders Osefako Makgatho Presidential Guesthouse R Pretoria Tuesday, 8 December 2015
AWARD CEREMONY NATIONAL ORDERS National Orders 2015_inside_REV2.indd 1 2015/11/27 9:51 AM Order of Proceedings PRESENTATION OF NATIONAL ORDERS OSEFAKO MAKGATHO PRESIDENTIAL GUESTHOUSE R PRETORIA TUESDAY, 8 DECEMBER 2015 1. Nominees for the National Orders and guests take their seats 2. Arrival of the His Excellency President Jacob Zuma 3. Rendition of the South African National Anthem and the African Union Anthem 4. Word of welcome by the Programme Director 5. Ceremonial oration by the Grand Patron of National Orders 6. Investiture of the National Orders • THE ORDER OF MENDI FOR BRAVERY • THE ORDER OF IKHAMANGA • THE ORDER OF THE BAOBAB • THE ORDER OF LUTHULI • THE ORDER OF THE COMPANIONS OF OR TAMBO 7. The President, the Chancellor and recipients of National Orders proceed to the credentials room for a photo opportunity 8. The President, Chancellor and recipients of National Orders return to the Banquet hall for Luncheon Grand Patron of National Orders His Excellency President Jacob Zuma Chancellor of National Orders Dr Cassius Lubisi The Advisory Council on National Orders Ms Brigitte Mabandla; Mr Mandla Langa; Dr Glenda Gray; Dr Molefi Oliphant; Dr Lindiwe Mabuza; Prof Malegapuru Makgoba; Ms Mary Burton; Ms Sally Padayachie; Rev Buti Tlhagale; Mr James Motlatsi; Dr Fazel Randera and Ms Nothembi Mkhwebane. ii National Orders 2015_inside_REV2.indd 2 2015/11/27 9:51 AM Recipients THE ORDER OF MENDI FOR BRAVERY THE ORDER OF LUTHULI RBRONZE BRONZE 1. Jetro Ndlovu 18. Kay Moonsamy SILVER SILVER 2. Joseph Morolong (posthumous) 19. William Henry Frankel 3. Caleb Motshabi (posthumous) 20. Johnson Malcomess Mgabela 4. -
Abandoning the Masculine Domain of Leadership to Identify a New Space for Women's Being, Valuing and Doing
University of Wollongong Thesis Collections University of Wollongong Thesis Collection University of Wollongong Year Abandoning the masculine domain of leadership to identify a new space for women’s being, valuing and doing Diann M. Rodgers-Healey University of Wollongong Rodgers-Healey, Diann M, Abandoning the masculine domain of leadership to identify a new space for women’s being, valuing and doing, PhD thesis, Faculty of Education, University of Wollongong, 2008. http://ro.uow.edu.au/theses/782 This paper is posted at Research Online. http://ro.uow.edu.au/theses/782 ABANDONING THE MASCULINE DOMAIN OF LEADERSHIP TO IDENTIFY A NEW SPACE FOR WOMEN’S BEING, VALUING AND DOING A thesis submitted in fulfillment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY from UNIVERSITY OF WOLLONGONG by DIANN M. RODGERS-HEALEY, B.A. (Sydney Uni), Dip. Ed. (Alex Mackie), M.Ed. (ACU) FACULTY OF EDUCATION JANUARY 2008 ACKNOWLEDGEMENTS I would like to sincerely thank Professor Stephen Dinham for journeying with me through this study and for his wisdom, proficiency and constructive feedback. I am also extremely grateful to Associate Professor Narottam Bhindi for his unwavering support and guidance and discussion of broader issues of life. My deepest thanks are also extended to my husband, Philip Healey for supporting me in my lengthy quest in every possible way. Sincere thanks to my father Roy Rodgers for his guidance and for ardently encouraging me to be the best I can be. Thank you to my three young sons, Aaron, Benjamin and Matthew whose smiles and cuddles made the tedious juggle so much easier. -
The Black Sash, Vol. 16, No. 7
The Black Sash, Vol. 16, No. 7 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org/. Page 1 of 41 Alternative title The Black SashThe Black Sash Author/Creator The Black Sash (Johannesburg) Contributor Duncan, Sheena Publisher The Black Sash (Johannesburg) Date 1973-11 Resource type Journals (Periodicals) Language English Subject Coverage (spatial) South Africa Coverage (temporal) 1973 Source Digital Imaging South Africa (DISA) Relation The Black Sash (1956-1969); continued by Sash (1969-1994) Rights By kind permission of Black Sash. Format extent 39 page(s) (length/size) Page 2 of 41 SASHVol. 16. No. 7Nov. 1973Price: 40cThe Black Sash magazine Page 3 of 41 BLACK SASH OFFICE BEARERSIlEADQUARTERSNational President: Mrs. -
The Economics and Politics of Auditing Government Budgets for Their Gender Impacts, 2000
Hawke Institute Working Paper Series No 16 WHERE THERE IS NO VISION THE PEOPLE PERISH: REFLECTIONS ON THE AFRICAN RENAISSANCE Mbulelo Vizikhungo Mzamane Hawke Institute, University of South Australia Magill, South Australia 2001 © Mbulelo Mzamane and the Hawke Institute, University of South Australia 2001 The Hawke Institute University of South Australia St Bernards Road Magill South Australia 5072 Australia www.hawkecentre.unisa.edu.au/institute ISSN 1443-9298 ISBN 0 86803 815 6 WHERE THERE IS NO VISION THE PEOPLE PERISH: REFLECTIONS ON THE AFRICAN RENAISSANCE Mbulelo Vizikhungo Mzamane* Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I rise. Maya Angelou AFRICAN RENAISSANCE: MYTH OR REALITY? Since 1994 South Africans have had an endless volley of buzzwords unleashed on them, sometimes little more than sloganeering and empty rhetoric passing for originality and profundity. ‘African renaissance’ is perhaps the catchiest of these new phrases to enter the lexicon of most South Africans. The expression itself reflects in some quarters a new orthodoxy, which has been embraced by politicians, academics and the nouveau riche. One of Thabo Mbeki’s earliest public references to the African renaissance appears in his speech as deputy president—reproduced in his collection of speeches Africa: the time has come (1998: 201)—delivered at the Summit on Attracting Capital to Africa that was organised by the Corporate Council on Africa in Chantilly, Virginia, 19–22 April 1997, in which he said: Those who have eyes to see let them see. The African renaissance is upon us. As we peer through the looking glass darkly, this may not be obvious. -
Re-Thinking Masculinity: Discourses of Gender and Power in Two Workplaces
Re-Thinking Masculinity: Discourses of Gender and Power in Two Workplaces. Matthew Shepherd Thesis submitted in partial fulfilment of the requirement for the degree of Doctor of Philosophy Department of Geography, University of Sheffield. September 1996 Re-Thinking Masculinity: Discourses of Gender and Power in Two Workplaces. Matthew Shepherd Abstract The proliferation of academic studies of men and 'masculinity' in the last twenty years has mirrored the growth of feminist studies of women and gender relations. This thesis reflects upon these theoretical developments and examines the expression of 'masculinity' amongst employees in two contrasting workplaces in Yorkshire. Adopting a Foucauldian approach, it is suggested that 'masculinity' should be analysed as a set of practices which create, maintain and reinforce inequalities between the sexes and that their achievement is situationally contingent. From this perspective, masculinity can only be understood within a framework of power, conceptualised as relational, productive and existent only in its exercise. Critical evaluation of the 'masculinity' literature demonstrates that conventional conceptualisations of 'masculinity' have produced methodological impasses, of which the most problematic is the conflation of 'masculinity' with the study of men. The thesis proposes an alternative framework which recognises that discourses of 'masculinity' relate to the words and actions of women as well as of men and that 'masculin~y' is most profitably understood as a series of discourses - transcending the scale of the individual - which set out the 'rules', expectations and conditions within which everyday gender relations take place. The empirical investigation of these ideas adopts a qualitative approach. In-depth, repeated interviews focusing upon participants' work experiences and home lives were carried out with men and women from the two workplaces - an academic department within a university and a manufacturer of metal products.