495 Foreword 1. a Concept of Qs1a-Synonymity Is Introduced In
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
MATHEMATICS and the DIVINE: a HISTORICAL STUDY Edited by T
MATHEMATICS AND THE DIVINE: AHISTORICAL STUDY Cover illustration by Erich Lessing MATHEMATICS AND THE DIVINE: AHISTORICAL STUDY Edited by T. KOETSIER Vrije Universiteit, Amsterdam, The Netherlands L. BERGMANS Université de Paris IV – Sorbonne, Paris, France 2005 Amsterdam • Boston • Heidelberg • London • New York • Oxford • Paris • San Diego • San Francisco • Singapore • Sydney • Tokyo ELSEVIER B.V. ELSEVIER Inc. ELSEVIER Ltd ELSEVIER Ltd Sara Burgerhartstraat 25 525 B Street, Suite 1900 The Boulevard, Langford Lane 84 Theobalds Road P.O. Box 211, 1000 AE San Diego, CA 92101-4495 Kidlington, Oxford OX5 1GB London WC1X 8RR Amsterdam The Netherlands USA UK UK © 2005 Elsevier B.V. All rights reserved. This work is protected under copyright by Elsevier B.V., and the following terms and conditions apply to its use: Photocopying Single photocopies of single chapters may be made for personal use as allowed by national copyright laws. Permission of the Publisher and payment of a fee is required for all other photocopying, including multiple or systematic copying, copying for advertising or promotional purposes, resale, and all forms of document delivery. Special rates are available for educational institutions that wish to make photocopies for non-profit educational classroom use. Permissions may be sought directly from Elsevier’s Rights Department in Oxford, UK: phone (+44) 1865 843830, fax (+44) 1865 853333, e-mail: [email protected]. Requests may also be completed on-line via the Elsevier homepage (http://www.elsevier.com/locate/permissions). In the USA, users may clear permissions and make payments through the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923, USA; phone: (+1) (978) 7508400, fax: (+1) (978) 7504744, and in the UK through the Copyright Licensing Agency Rapid Clearance Service (CLARCS), 90 Tottenham Court Road, London W1P 0LP, UK; phone: (+44) 20 7631 5555; fax: (+44) 20 7631 5500. -
THE COUDENHOVE-KALERGI PLAN – the GENOCIDE of the PEOPLES of EUROPE? (Excerpts) Identità News Team
RUNNYMEDE GAZETTE A Journal of the Democratic Resistance FEBRUARY 2016 EDITORIAL THE PROPHET REVEALED CONTENTS ENGLISH TRANSLATION OF SELECTIONS OF PRACTICAL IDEALISM (PRAKTISCHER IDEALISMUS) Count Richard Nicolaus Coudenhove-Kalergi; via Balder Blog RICHARD NIKOLAUS VON COUDENHOVE-KALERGI Wikipedia THE COUDENHOVE-KALERGI PLAN – THE GENOCIDE OF THE PEOPLES OF EUROPE? (Excerpts) Identità News Team TACKLING THE EU EMPIRE: A HANDBOOK FOR EUROPE’S DEMOCRATS, WHETHER ON THE POLITICAL RIGHT, LEFT OR CENTRE The Bruges Group WHO REALLY CONTROLS THE WORLD? Prof. Dr. Mujahid Kamran; Global Research; New Dawn Magazine 12 METHODS TO UNPLUG FROM THE MATRIX Phillip J. Watt; Waking Times; via Libertarian Alliance Blog GETTING THE IDEA OF GOVERNMENT AND POLITICAL AUTHORITY OUT OF YOUR MIND Makia Freeman; Activist Post “NEGATIVE” INTEREST RATES AND THE WAR ON CASH Liquidity Watch; Prof. Richard A. Werner; Rawjapan; via Critical Thinking GERMANY JOINS TREND TOWARD CASHLESS SOCIETY: “CASH CONTROLS” BAN TRANSACTIONS OVER €5,000, €500 EURO NOTE Tyler Durden; Activist Post THE COLLAPSE OF THE TOO BIG TO FAIL BANKS IN EUROPE IS HERE Michael Snyder; Activist Post -------------------------------------------------------------------------------- EDITORIAL THE PROPHET REVEALED We often recognise things we cannot name … a sound, a shape, a smell, an idea … Then suddenly, as if from the ether, a name for that perception suddenly appears. Then it is instant recognition … deja vu writ large. It was thus with Coudenhove-Kalergi. Having spent half a lifetime watching an unnamed influence at work … as if I was aware of some underground river undercutting the ground beneath our feet … last year I was at long last able to give it a name. -
ENCANTAMENTO” E DESENCANTAMENTO DO MUNDO No Universo Criativo De BREAKING the WAVES De LARS VON TRIER
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE FILOSOFIA E CIÊNCIAS HUMANAS LARISSA MALFATTI VIEIRA “ENCANTAMENTO” E DESENCANTAMENTO DO MUNDO no universo criativo de BREAKING THE WAVES de LARS VON TRIER CAMPINAS 2018 LARISSA MALFATTI VIEIRA “ENCANTAMENTO” E DESENCANTAMENTO DO MUNDO no universo criativo de BREAKING THE WAVES de LARS VON TRIER Dissertação apresentada ao Instituto de Filosofia e Ciências Sociais, como parte dos requisitos exigidos para obtenção de título de Mestra em Sociologia. Orientador: MÁRIO AUGUSTO MEDEIROS DA SILVA ESTE EXEMPLAR CORRESPONDE À VERSÃO FINAL DA DISSERTAÇÃO DEFENDIDA PELA ALUNA LARISSA MALFATTI VIEIRA, E ORIENTADA PELO PROF. DR. MÁRIO AUGUSTO MEDEIROS DA SILVA. CAMPINAS 2018 Agência(s) de fomento e nº(s) de processo(s): CNPq, 131773/2015-1 ORCID: https://orcid.org/0000-0002-5374-1959 Ficha catalográfica Universidade Estadual de Campinas Biblioteca do Instituto de Filosofia e Ciências Humanas Paulo Roberto de Oliveira - CRB 8/6272 Vieira, Larissa Malfatti, 1989- V673e Vie"Encantamento" e desencantamento do mundo no universo criativo de Breaking the waves de Lars von Trier / Larissa Malfatti Vieira. – Campinas, SP : [s.n.], 2018. VieOrientador: Mário Augusto Medeiros da Silva. VieDissertação (mestrado) – Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas. Vie1. Weber, Max, 1864-1920. 2. Trier, Lars von, 1956-. 3. Cinema. 4. Racionalização. 5. Teoria Social. I. Silva, Mário Augusto Medeiros da, 1982-. II. Universidade Estadual de Campinas. Instituto de Filosofia e Ciências Humanas. -
Award Ceremony Program
%e J. 'Wi{fiam :Ju{6rigftt Prize I for Intemationa{ 'llnderstancfing .9lwarcf Ceremony o/acfav J{ave[ Presicfent of tfie. Czech 2?.g,pu6 fie 1997 :Ju{6riglit Prize Laureate October 3, 1997 Sponsored by The Fulbright Association With Support of The Coca-Cola Foundation Program Welcome Philip 0. Geier President, Fulbright Association Tribute to Vaclav Havel The Honorable Madeleine Albright Secretary of State Presentation of Fulbright Prize and of "Tribute" (Sculpture by Ser,gio Dolfi) Philip O. Geier Neville Isdell Fulbright Prize Address President Vaclav Havel 1997 Laureate Closing Philip O. Geier 'Vdcfav J-lave[ Born in Prague on October 5, 1936, into the family of a prominent businessman, 1997 !fu[6right Prize Laureate Vaclav Havel completed his primary schooling in 1951. His "bourgeois" background limited his educational options, and he worked as a chemical laboratory technician while attending evening classes at a college preparatory school, graduating in 1954. 'Vaclav J-lave[ From 1955 to 1957, he studied at the Economics Faculty of the Czech Technical University in Prague. After finishing his compulsory military service, Vaclav Havel Presiaent of- the Czech 1?.fpu6lic worked as a stagehand at Prague's ABC Theater. In 1960, he began work as a stagehand and then later as an assistant director and dramaturge at Prague's Theater on the Balustrade, where his first plays were produced, including The Garden Party ( 1963), his first major international success. The Fulbright Prize honors President Havel for his promotion of From 1962 to 1966, Vaclav Havel studied dramaturgy at the Academy of Performing Arts in Prague. He was active in the democratization and renewal of culture during the liberty and human dignity in all countries through his writings, his "Prague Spring," which ended with the Warsaw Pact invasion in August 1968. -
Anton Pannekoek: Ways of Viewing Science and Society
STUDIES IN THE HISTORY OF KNOWLEDGE Tai, Van der Steen & Van Dongen (eds) Dongen & Van Steen der Van Tai, Edited by Chaokang Tai, Bart van der Steen, and Jeroen van Dongen Anton Pannekoek: Ways of Viewing Science and Society Ways of Viewing ScienceWays and Society Anton Pannekoek: Anton Pannekoek: Ways of Viewing Science and Society Studies in the History of Knowledge This book series publishes leading volumes that study the history of knowledge in its cultural context. It aspires to offer accounts that cut across disciplinary and geographical boundaries, while being sensitive to how institutional circumstances and different scales of time shape the making of knowledge. Series Editors Klaas van Berkel, University of Groningen Jeroen van Dongen, University of Amsterdam Anton Pannekoek: Ways of Viewing Science and Society Edited by Chaokang Tai, Bart van der Steen, and Jeroen van Dongen Amsterdam University Press Cover illustration: (Background) Fisheye lens photo of the Zeiss Planetarium Projector of Artis Amsterdam Royal Zoo in action. (Foreground) Fisheye lens photo of a portrait of Anton Pannekoek displayed in the common room of the Anton Pannekoek Institute for Astronomy. Source: Jeronimo Voss Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6298 434 9 e-isbn 978 90 4853 500 2 (pdf) doi 10.5117/9789462984349 nur 686 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2019 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
A Film by Kasper Holten Based on Mozart's Don Giovanni
Pressekontakt Filmbüro, Valerio Bonadei, Seefeldstrasse 229, 8008 Zürich, [email protected] , 079 653 65 03 Blenkov & Schønnemann present JUAN A film by Kasper Holten Based on Mozart’s Don Giovanni A visually breathtaking drama; a story of passion, sex, guilt and destruction. Take the journey into the hidden depths of the 21st century Man Pressekontakt Filmbüro, Valerio Bonadei, Seefeldstrasse 229, 8008 Zürich, [email protected] , 079 653 65 03 Title: Juan Director: Kasper Holten Screenplay: Kasper Holten & Mogens Rukov, based on Mozart´s "Don Giovanni" English translation: Christopher Maltman & Henrik Engelbrecht after Lorenzo da Ponte Music: Wolfgang Amadeus Mozart Conductor: Lars Ulrik Mortensen Orchestra: Concerto Copenhagen Production Company: Blenkov & Schønnemann with Eurofilm and Zentropa Producers: Malene Blenkov & Michel Schønnemann Sales Company: Trust Nordisk Cast: Juan: Christopher Maltman- United Kingdom Leporello: Mikhail Petrenko - Russia Donna Anna: Maria Bengtsson - Sweden Elvira: Elizabeth Futral - USA Zerlina: Katija Dragojevic - Sweden Police Chief: Eric Halfvarson - USA Ottavio: Peter Lodahl - Denmark Masetto: Ludvig Lindström - Sweden Principal Photography: July 15th. 2009 Shooting Location: Budapest, Hungary. Budget: 29 mill. DKK / 4 mill Euro Duration: 105 minutes Shooting Format: 16mm Language: Contemporary English Pressekontakt Filmbüro, Valerio Bonadei, Seefeldstrasse 229, 8008 Zürich, [email protected] , 079 653 65 03 Pitch Juan is a famous artist and notorious playboy, thanks to his ability to become just what any woman dreams of. He turns his own life into a megalomanic work of art, playing the game of seduction like no other, driven by a manic restlessness that pushes him forward through an endless stream of conquests, betrayals, sex and eventually murder, with death lurking as the only possible outcome. -
Alternative Claims to the Discovery of Modern Logic: Coincidences and Diversification
Fran¸cois,K., L¨owe, B., Muller,¨ T., Van Kerkhove, B., editors, Foundations of the Formal Sciences VII Bringing together Philosophy and Sociology of Science Alternative claims to the discovery of modern logic: Coincidences and diversification Paul Ziche∗ Departement Wijsbegeerte, Universiteit Utrecht, Janskerkhof 13a, 3512 BL Utrecht, The Netherlands E-mail: [email protected] 1 Multiple and alternative discoveries No discipline could lay stronger claim to clarity and unequivocality than logic. Curiously, though, the historical genesis of modern logic presents a picture riven with rival claims over the discipline’s founding contributions. As will be shown, protagonists from highly different backgrounds assert that the genesis of modern logic—indeed, its very discovery—rests on their contribution. Not only are these claims, to some extent, mutually exclusive, they also cut across standards of scientificity and rationality. By standard narratives of the history of modern logic, some claimants to paternity seem downright obscure and anti-rational. Yet, all these claims are made within a narrow time-frame, and they all refer back to the same developments in mathematics. This makes it impossible to easily dismiss the rival claims. This paper argues that the co-existence of alternative claims concerning the discovery of modern logic, in fact, places the historian in an advanta- geous situation. It might appear as if the alternative claims make the the genesis of modern logic into a story of a multiple discovery, the coincidence of simultaneous discoveries of the same phenomenon. This is, however, not what the historical picture shows. The competing claims, very explicitly placed by the protagonists themselves, rather have to be viewed as stages within an open-ended process that would contribute not to an integrated picture of logic, but generate diversified conceptions of rationality. -
E.W. Beth Als Logicus
E.W. Beth als logicus ILLC Dissertation Series 2000-04 For further information about ILLC-publications, please contact Institute for Logic, Language and Computation Universiteit van Amsterdam Plantage Muidergracht 24 1018 TV Amsterdam phone: +31-20-525 6051 fax: +31-20-525 5206 e-mail: [email protected] homepage: http://www.illc.uva.nl/ E.W. Beth als logicus Verbeterde electronische versie (2001) van: Academisch Proefschrift ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magni¯cus prof.dr. J.J.M. Franse ten overstaan van een door het college voor promoties ingestelde commissie, in het openbaar te verdedigen in de Aula der Universiteit op dinsdag 26 september 2000, te 10.00 uur door Paul van Ulsen geboren te Diemen Promotores: prof.dr. A.S. Troelstra prof.dr. J.F.A.K. van Benthem Faculteit Natuurwetenschappen, Wiskunde en Informatica Universiteit van Amsterdam Plantage Muidergracht 24 1018 TV Amsterdam Copyright c 2000 by P. van Ulsen Printed and bound by Print Partners Ipskamp. ISBN: 90{5776{052{5 Ter nagedachtenis aan mijn vader v Inhoudsopgave Dankwoord xi 1 Inleiding 1 2 Levensloop 11 2.1 Beginperiode . 12 2.1.1 Leerjaren . 12 2.1.2 Rijpingsproces . 14 2.2 Universitaire carriere . 21 2.2.1 Benoeming . 21 2.2.2 Geleerde genootschappen . 23 2.2.3 Redacteurschappen . 31 2.2.4 Beth naar Berkeley . 32 2.3 Beth op het hoogtepunt van zijn werk . 33 2.3.1 Instituut voor Grondslagenonderzoek . 33 2.3.2 Oprichting van de Centrale Interfaculteit . 37 2.3.3 Logici en historici aan Beths leiband . -
Ld1 in PURSUIT of TRUTH
IN PURSUIT OF TRUTH Essays on the Philosophy of Karl Popper on the Occasion of His 80th Birthday Edited by PA UL LEVINSON \ with Fore words by (t 21). Isaac Asimov and Helmut Schmidt Chancellor, Federal Republic of Germany I1b2. f'.- t4 z;-Ld1 HUMANITIES PRESS INC. Atlantic Highlands, NJ 248 liv PURSUIT OP TROT/I hope and no proof is Stoicism and Judeo-Christian religion, in which irrationalism and stoicism alternate. Yet there is no inconsistency in the philosophy of hope without proof, especially as a moral injunction to oiler the benefit of doubt wherever at all possible. Now, the philosophy of hope without proof is not exactly Popper's. It began with T. H. Huxley, the famous militant Darwinian, and H. C. Wells. Its best expression is in Bertrand Russell's Free A Popperian Harvest0 Man's Worship," the manifesto of hope born out of despair, clinging to both despair and reason most heroically. This famous paper, published in Russell's W. W. BARTLEY, III Philosophical Essays of 1910, is a sleeper. It was hardly noticed by It is by its methods rather than its subject-matter that philosophy contemporaries and followers, yet now it is the expression of current religion, is to be distinguished from other arts or sciences. ofcurrent scientific ethos. Here, I think, Popper's philosophy of science gave it A. J. Ayer, 1955' substance. Philosophers arc as free as others to use any method in searching Or perhaps Russell's "Free Man's Worship" gives Popper's philosophy of truth. There is no tnethod peculiar to philosophy. -
Musicians from Marlboro Joseph Lin, Violin Francisco Fullana, Violin Pei-Ling Lin, Viola Ahrim Kim, Cello Jay Campbell, Cello Zoltán Fejévári, Piano
THE GERTRUDE CLARKE WHITTALL FOUNDATION iN tHE LIBRARY oF CONGRESS MUSICIANS FROM MARLBORO JOSEPH LIN, VIOLIN FRANCISCO FULLANA, VIOLIN PEI-LING LIN, vIOLA AHRIM KIM, cELLO JAY CAMPBELL, cELLO zOLTÁn FEJÉVÁRI, PIANO Friday, May 6, 2016 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building In 1935 Gertrude Clarke Whittall gave the Library of Congress five Stradivari instruments and three years later built the Whittall Pavilion in which to house them. The GERTRUDE CLARKE WHITTALL FOUNDATION was established to provide for the maintenance of the instruments, to support concerts (especially those that feature her donated instruments), and to add to the collection of rare manuscripts that she had additionally given to the Library. This concert is co-presented with THE BILL AND MARY MEYER CONCERT SERIES FREER GALLERY OF ART AND ARTHUR M. SACKLER GALLERY PART OF NATIONAL CHAMBER MUSIC MONTH & EUROPEAN MONTH OF CULTURE PRESENTED IN ASSOCIATION WITH THE EMBASSY OF FINLAND & THE DELEGATION OF THE EUROPEAN UNION TO THE UNITED STATES Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. -
Address Delivered at the University of Copenhagen on the Occasion of the Award of the Sonning Prize to Bertrand Russell, 19 April 1960
ADDRESS DELIVERED AT THE UNIVERSITY OF COPENHAGEN ON THE OCCASION OF THE AWARD OF THE SONNING PRIZE TO BERTRAND RUSSELL, 19 APRIL 1960 L H [In Bertrand and Edith Russell went to Copenhagen for his award of the Sonning Prize on April. They made a three-day trip of it. On the first day they enjoyed a drive around Copenhagen with Vice-Chancellor Carl Iversen as their guide. Next day was the ceremony at the University of Copenhagen. They departed on the th. By all accounts the trip was a welcome break from Russell’s usual round of speaking, writing and meeting on nuclear disarmament. The prize helped, too, for it was a monetary one: , kroner, of which Russell donated five percent, or £, through Mrs. Niels Bohr, to the Anne Frank Committee in Denmark’s fund for refugee children in Israel. Soon after the Russells’ return occurred the U- inci- dent, and then the failure of the Paris Summit on May. With the deterioration in international relations their lives became more hectic. Russell kept two speeches in his honour from the event: the speech introducing him at the prize-giving ceremony, and the vice-chancellor’s shorter speech in pres- enting the award. Russell referred to the latter as “very delightful” and told Iversen that he and Edith “looked forward to reading these at leisure”. They are kept with the Sonningprisen award bound in red leather along with related photographs. Russell was only the second recipient of the Sonning Prize. He followed Albert Schweitzer, with Niels Bohr succeeding Russell in . -
This Volume on the Vienna Circle's Influence in the Nordic Countries
Vol. 8, no. 1 (2013) Category: Review essay Written by Carlo Penco This volume on the Vienna Circle’s influence in the Nordic countries gives a very interesting presentation of an almost forgotten landmark. In the years preceding the Second World War, European philosophy was at the high point of its intellectual vitality. Everywhere philosophical societies promoted a dense network of connections among scholars, with international meetings and strong links among individuals and associations. In this context, the Vienna Circle emerges as one of the many, also if probably the most well-known, centres of diffusion of a new style of philosophy, closely linked to the new logic and with a strongly empiricist attitude. At the same time, empiricism, formal logic and psychology constituted (and still constitute) the common background of most of the Nordic philosophers, a background which permitted them to develop connections with Vienna’s cultural environment (well known also for the work of psychologists such as Sigmund Freud, but also Charlotte and Karl Bühler). This piece of history, although limited to the connection between Nordic philosophy and Vienna Circle, helps to clarify the history of European philosophy, and the sharp difference of Nordic philosophy in respect of the development of philosophy in Southern and Central Europe in the half a century following the Second World War. The editors say in the introduction: . one of the least known networks of the Vienna Circle is the “Nordic connection”. This connection had a continuing influence for many of the coming decades, beginning with the earliest phase of the Vienna Circle and continuing with a number of adaptations and innovations well into contemporary times.