ROMA ANTICA. VATICANO Introduction on the Right Bank of The
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251 NERVA. September 18, A.D. 96 Saw Domitian Fall Victim to a Palace
r ) 251 NERVA. September 18, A.D. 96 saw Domitian fall victim to a palace plot, Imperial Rome's second dynasty ending in a frantic struggle on the floor of the Imperial cubiculum(Suet. Dam. 17). The resulting situation bore little resemblance to the state of affairs after the death of Nero. Now there were no generals on the march, no legions in revolt. Moreover, a dynasty had ended before and Rome had gone on, there was a precedent. A replacement was found in the seemingly neutral figure of M. Cocceius Nerva and the fraught phase of transition effected with a minimum of public distress. Domitian's had been a well managed murder. Time was not to be on Nerva's side. Aged sixty at his accession, he would not survive his climacteric year. But who at this stage was to know that? Why not build towards a future; had Augustus not died in his 76th year, Tiberius at 77, Vespasian at the end of his sixties? Work on Domitian's numerous building projects could be continued under the new princeps the honour from which would now accrue to Nerva. The Temple of Minerva and possibly also the encompassing Forum Transitorium needed completion. This they got (Martail, 10, 28; Suet., ! i 252 Dom.,5; Statius, Silv., 4,3,9-10; Eutropius7, 23, 5; Auy. Viet., Caes, 12.2; ClL 6. 953, 31213). Nerva thereby gained the honour of overseeing the dedicatory celebrations at the beginning of A.D. 97. Gained also was : J the opportunity to have his name inscribed on the entablature of the temple. -
The Porta Del Popolo, Rome Pen and Brown Ink on Buff Paper
Muirhead BONE (Glasgow 1876 - Oxford 1953) The Porta del Popolo, Rome Pen and brown ink on buff paper. Signed Muirhead Bone at the lower right. 222 x 170 mm. (8 3/4 x 6 5/8 in.) One of the first trips that Muirhead Bone made outside Britain was a long stay of two years - from October 1910 to October 1912 – in central and northern Italy, accompanied by his wife Gertrude and their children. After spending several weeks in Florence, the Bone family settled in Rome in the early months of 1911, and from October 1911 lived in a flat overlooking the Piazza del Popolo. During his time in Italy Bone produced thirty-two copper plates and numerous fine drawings, several of which were sent from Italy to London and Glasgow to be sold by his dealers. A number of Bone’s drawings of Italy were exhibited at the Colnaghi and Obach gallery in London in 1914, to very positive reviews. The present sheet depicts part of the outer façade of the city gate known as the Porta del Popolo, a section part of the Aurelian Walls encircling the city of Rome. The gate was the main entrance to Rome from the Via Flaminia and the north, and was used by most travellers arriving into the city for the first time. Built by Pope Sixtus IV for the Jubilee year of 1475, the Porta del Popolo was remodelled in the 16th century under Pope Pius IV. The Pope had asked Michelangelo to design the new outer façade of the Porta, but the elderly artist passed the commission on to the architect Nanni di Baccio Bigio, who completed the work between 1562 and 1565. -
Falda's Map As a Work Of
The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676. -
Rome - Vatikaan
ROME - VATIKAAN Als je het Sint Pietersplein opstapt besef je het plein en de basiliek helemaal niet zo maar in, het is misschien niet, maar je overschrijdt een staatsgrens. wel degelijk onafhankelijk, met een eigen staatshoofd, Sinds de "grote verzoening" immers van 1929, tussen regering, munt, politie, post, diplomatieke het (toen fascistische) Italië (van Mussolini) en de vertegenwoordiging. Vatikaanstad is trouwens iets Paus (Pius XI), ligt er in hartje Rome een groter dan dit complex: ook de grote basilieken (de onafhankelijke staat van 44 ha. groot en met + 1.000 Maria Maggiore, de Sint Jan van Lateranen en de Sint (bijna uitsluitend mannelijke!) bewoners. Het verdrag Paulus buiten de Muren), enkele palazzi in de stad van Lateranen sloot op die manier de periode af, (zoals bijv. de Cancelleria en de Propaganda Fide), waarin de Paus (sinds de inname van Rome door de het hospitaal "Bambino Gesù" op de Janiculus en het Garibaldisten in 1870) zich de "gevangene van het zomerverblijf van de Paus in Castelgandolfo, zijn Vatikaan" noemde. En om die nieuwe "openheid" ook "extraterritoriaal gebied" voor de Italiaanse staat. in het stadsbeeld duidelijk te maken werd toen de Het is goed om weten, maar als je niet onmiddellijk brede "Via della Conciliazione", de "Straat van de een afspraak hebt met de Paus of zijn administratie, Verzoening", aangelegd. maakt het eigenlijk niet veel uit. Alleen als je je post En ook al heeft het een vrij ouderwetse langs hier wil versturen, moet je weten dat je dan staatsstructuur (je kan het bezwaarlijk een moderne Vatikaanse zegels moet gebruiken, en dat je dat democratie noemen!), en geraak je d'er buiten het enkel hier kan! 1. -
Discovering a Roman Resort-Coat: the Litus Laurentinum and The
DISCOVERING A ROMAN RESORT-COAST: THE LITUS LAURENTINUM AND THE ARCHAEOLOGY OF 1 OTIUM* Nicholas Purcell St John's College, Oxford I. Introductory Otium - the concept of leisure, the elaborate social and cultural definer of the Roman elite away from its business of political and military power - is famous. We can see in Roman literary texts how the practice of otium patterned everyday experience, and how it was expressed in physical terms in the arrangement, on a large and on a small scale, of all aspects of Roman space. The texts likewise show that much of what we would regard as social life, and nearly all of what we think of as economic, belonged in the domain of otium. The complexities and ambiguities of this material have been much studied.2 Roman archaeology equally needs to be an archaeology of otium, but there has been little attempt to think systematically about what that might entail. Investigating the relationship between a social concept such as otium and the material culture that is the primary focus of archaeology must in the first place involve describing Roman culture in very broad terms. The density of explicit or implicit symbolic meaning, the organisation of space and time, degrees of hierarchy of value or prestige: it is at that level of generalisation that the archaeologist and the cultural historian will find the common denominators that enable them to share in the construction of explanations of Roman social phenomena. In this account, which is based on research into a particular locality, we shall have to limit ourselves to one of these possibilities. -
Rome 2016 Program to SEND
A TASTE OF ANCIENT ROME 17–24 October 2016 Day-by-Day Program Elizabeth Bartman, archaeologist, and Maureen Fant, food writer, lead a unique, in-depth tour for sophisticated travelers who want to experience Rome through the eyes of two noted specialists with a passion for the city, its monuments, and its cuisine. Together they will introduce you to the fascinating archaeology of ancient foodways and to the fundamentals of modern Roman cuisine. Delicious meals, special tastings, and behind-the-scenes visits in Rome and its environs make this week-long land trip an exceptional experience. You’ll stay in the same hotel all week, in Rome’s historic center, with some out-of-town day trips. October is generally considered the absolutely best time to visit Rome. The sun is warm, the nights not yet cold, and the light worthy of a painting. The markets and restaurants are still offering the last of the summer vegetables—such as Rome’s particular variety of zucchini and fresh borlotti beans—as well as all the flavors of fall and winter in central Italy—chestnuts, artichokes, broccoli, broccoletti, chicory, wild mushrooms, stewed and roasted meats, freshwater fish, and so much more. Note: Logistics, pending permissions, and new discoveries may result in some changes to this itinerary, but rest assured, plan B will be no less interesting or delicious. B = Breakfast included L = Lunch included D = Dinner included S = Snack or tasting included MONDAY: WELCOME AND INTRODUCTION You’ll be met at Leonardo da Vinci Airport (FCO) or one of the Rome railroad stations and transferred to our hotel near the Pantheon, our base for the next seven nights. -
Cianci-Molinari Fullpaper
The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XLII-2/W15, 2019 27th CIPA International Symposium “Documenting the past for a better future”, 1–5 September 2019, Ávila, Spain THE TRACES OF THE PAST: INFORMATIVE TOOLS FOR THE RECONSTRUCTION OF AURELIAN WALLS IN RIONE TESTACCIO M.G. Cianci 1, M. Molinari 1 1 Roma Tre University, Dept. Architecture, Rome, Italy - (mariagrazia.cianci, matteo.molinari)@uniroma3.it Commission II, WG II/8 KEY WORDS: Aurelian Walls, Testaccio, Analysis, GIS, Mapping ABSTRACT: Rome has a great cultural heritage, formed by the stratification of styles and political influences from different eras. The different eras and architectural styles that have defined the city in the two millennia of history, make each part unique in its kind. This succession of changes has by necessity led to the denial of some archaeologies that in past ages were pivotal points in the development of the ancient city. The research presented here is intended to analyze and reconstruct the archeology of the river stretch of the Aurelian Walls on the Lungotevere Testaccio partly disappeared from the architectural landscape of the city. The research was set in two main phases, the first based on the two-dimensional study of the lost fabric, focusing on the cartographic study and the digitization of them in the GIS environment. The second one still under development foresees the digitalization of the three- dimensional elements detected and the insertion of these within the dedicated platforms. 1. INTRODUCTION construction of new infrastructures have imposed arbitrary choices that have given a new face to the city. -
Twenty-Four Italy, Rome, & Vatican City Historical Maps & Diagrams
Twenty-Four Italy, Rome, & Vatican City Historical Maps & Diagrams From the Roman Republic to the Present Compiled by James C. Hamilton for www.vaticanstamps.org (November 2019), version 2.0 This collection of maps is designed to provide information about the political and religious geography of Europe, Italy, Rome, and Vatican City from the era of the Roman Republic to the present day. The maps include the following: 1. Plan of the Ancient City of Rome with the Servian and Aurelian Walls and location of Mons Vaticanus (Vatican Hill). 2. Map of Roman Republic and Empire, 218 B.C and 117 A.D. 3. Europe during the reign of Emperor Augustus, 31 B.C. to 14 A.D. 4. Palestine at the time of Jesus, 4 B.C to 30 A.D. 5. Diocletian’s division of the Roman Empire (r. 284-305). 6. Roman Empire at the death of Constantine I (337). 7. European kingdoms at the death of Charlemagne (814). 8. Divisions of the Carolingian Emopire (843) and the Donation of Pepin (756). 9. Europe and the Mediterranean, ca. 1190 (High Middle Ages). 10. Central Europe and the Holy Roman Empire under the Hohenstauffen Dnyasty (1079-1265). 11. Map of Italy in ca. 1000 12. Map of the Crusader States, ca. 1135 13. Map of Medieval Cluniac and Cisterciam Monasteries. 14. Map of Renaissance Italy in 1494. 15. Map of religious divisions in Europe after the Reformation movements. 16. Map of Europe in 1648 after the Peace of Westphalia (end of the ‘wars of religion’). 17. Italy in 1796, era of the wars of the French Revolution and Napoleon 18. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Funerary Ritual and Urban Development in Archaic Central Italy Permalink https://escholarship.org/uc/item/5w54r8pb Author Evans, Jennifer Marilyn Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Funerary Ritual and Urban Development in Archaic Central Italy By Jennifer Marilyn Evans A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Classical Archaeology in the Graduate Division of the University of California, Berkeley Committee in charge: Professor J. Theodore Peña, Chair Professor Christopher Hallett Professor Dylan Sailor Professor Nicola Terrenato Professor Carlos Noreña Spring 2014 Copyright 2014, Jennifer Marilyn Evans Abstract Funerary Ritual and Urban Development in Archaic Central Italy by Jennifer Marilyn Evans Doctor of Philosophy in Classical Archaeology University of California, Berkeley Professor J. Theodore Peña, Chair This dissertation examines the evidence for burial in archaic Rome and Latium with a view to understanding the nature of urban development in the region. In particular, I focus on identifying those social and political institutions that governed relations between city‐ states at a time when Rome was becoming the most influential urban center in the area. I examine the evidence for burial gathered primarily from the past four decades or so of archaeological excavation in order to present first, a systematic account of the data and second, an analysis of these materials. I reveal that a high degree of variation was observed in funerary ritual across sites, and suggest that this points to a complex system of regional networks that allowed for the widespread travel of people and ideas. -
Quo Vadis a Narrative of the Time of Nero by Henryk Sienkiewicz</H1>
Quo Vadis A Narrative of the Time of Nero by Henryk Sienkiewicz Quo Vadis A Narrative of the Time of Nero by Henryk Sienkiewicz This eBook was produced by David Reed QUO VADIS A Narrative of the Time of Nero by Henryk Sienkiewicz Translated from the Polish by Jeremiah Curtin TO AUGUSTE COMTE, Of San Francisco, Cal., MY DEAR FRIEND AND CLASSMATE, I BEG TO DEDICATE THIS VOLUME. page 1 / 853 JEREMIAH CURTIN INTRODUCTORY IN the trilogy "With Fire and Sword," "The Deluge," and "Pan Michael," Sienkiewicz has given pictures of a great and decisive epoch in modern history. The results of the struggle begun under Bogdan Hmelnitski have been felt for more than two centuries, and they are growing daily in importance. The Russia which rose out of that struggle has become a power not only of European but of world-wide significance, and, to all human seeming, she is yet in an early stage of her career. In "Quo Vadis" the author gives us pictures of opening scenes in the conflict of moral ideas with the Roman Empire,--a conflict from which Christianity issued as the leading force in history. The Slays are not so well known to Western Europe or to us as they are sure to be in the near future; hence the trilogy, with all its popularity and merit, is not appreciated yet as it will be. The conflict described in "Quo Vadis" is of supreme interest to a vast number of persons reading English; and this book will rouse, I think, more attention at first than anything written by Sienkiewicz hitherto. -
Rome-English
STIG ALBECK TRAVEL TO ROME DOWNLOAD FREE TRAVEL GUIDES AT BOOKBOON.COM NO REGISTRATION NEEDED Download free books at BookBooN.com 2 Rome © 2010 Stig Albeck & Ventus Publishing ApS All rights and copyright relating to the content of this book are the property of Ventus Publishing ApS, and/or its suppliers. Content from ths book, may not be reproduced in any shape or form without prior written permission from Ventus Publishing ApS. Quoting this book is allowed when clear references are made, in relation to reviews are allowed. ISBN 978-87-7061-439-9 2nd edition Pictures and illustrations in this book are reproduced according to agreement with the following copyright owners Stig Albeck & Rome. The stated prices and opening hours are indicative and may have be subject to change after this book was published. Download free books at BookBooN.com 3 Rome CHAPTER Download free books at BookBooN.com 4 Rome Travelling to Rome Travelling to Rome www.romaturismo.com www.comune.roma.it www.enit.it Rome is the Eternal City, to which tourists will come back again and again to make new discoveries. As the centre of the Roman Empire, Rome's history is second to none, and everywhere around the 7 hills of Rome this becomes apparent. All roads lead to Rome; and just as well, because going there once is not enough. The Romans, the climate, the history and the gastronomy make for a lovely southern atmosphere to be remembered forever. The buildings of antique Rome, the Colosseum and Forum Romanum being the most well known, are unique, but later periods have also left behind some worthwhile attractions. -
The City Boundary in Late Antique Rome Volume 1 of 1 Submitted By
1 The City Boundary in Late Antique Rome Volume 1 of 1 Submitted by Maria Anne Kneafsey to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Classics in December 2017. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………………… 2 Abstract This thesis examines the changing meaning and conceptualisation of the city boundary of Rome, from the late republic and imperial periods into late antiquity. It is my aim in this study to present a range of archaeological and historical material from three areas of interest: the historical development of the city boundary, from the pomerium to the Aurelian wall, change and continuity in the ritual activities associated with the border, and the reasons for the shift in burial topography in the fifth century AD. I propose that each of these three subject areas will demonstrate the wide range of restrictions and associations made with the city boundary of Rome, and will note in particular instances of continuity into late antiquity. It is demonstrated that there is a great degree of continuity in the behaviours of the inhabitants of Rome with regard to the conceptualisation of their city boundary. The wider proposal made during the course of this study, is that the fifth century was significant in the development of Rome – archaeologically, historically, and conceptually – but not for the reasons that are traditionally given.