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A View from the Bridge Arthur Miller
A View from the Bridge Arthur Miller Tuesday 19 January 2021 Module Introduction: • To develop analysis of contemporary drama texts • To analyse dramatic devices, language and structure and how they contribute to character and theme. • To explore characters, context and themes Learning Purposes this lesson ➢Consider contextual factors to help understand influences on the writer/text ➢Consider how dramatists use dramatic devices for particular effects ➢Consider how the use of setting and stage directions contribute to characterisation. Recap from previous learning Future Learning 1. What play did you recently study? ➢To study Arthur Miller’s A View ➢2. What helps define a tragedy? from the Bridge. ➢3. What are the conventions you ➢To analyse elements of the play associate with a play? such as characterisation, themes and stagecraft. Reading task • Read the worksheet about the writer and the play and then answer the questions on the task sheet. • You have up to 30 minutes for this task • Work in silence (make sure your microphone is muted) • If you have any questions type them into the chat Context and setting Section 1: Arthur Miller 1. Which event affected Arthur Miller’s parents’ business? 2. What did Miller study at university that influenced his life? 3. After his graduation, what work did Miller do apart from writing? 4. What was Miller’s first successful play? 5. For which play did Miller win the Pulitzer Prize? 6. Do you think Miller was considered a political writer? Provide a quotation to support your answer. 7. Which famous actress did Arthur Miller marry? 8. There are a number of references to Timebends. -
Love Ain't Got No Color?
Sayaka Osanami Törngren LOVE AIN'T GOT NO COLOR? – Attitude toward interracial marriage in Sweden Föreliggande doktorsavhandling har producerats inom ramen för forskning och forskarutbildning vid REMESO, Institutionen för Samhälls- och Välfärdsstudier, Linköpings universitet. Samtidigt är den en produkt av forskningen vid IMER/MIM, Malmö högskola och det nära samarbetet mellan REMESO och IMER/MIM. Den publiceras i Linköping Studies in Arts and Science. Vid filosofiska fakulteten vid Linköpings universitet bedrivs forskning och ges forskarutbildning med utgångspunkt från breda problemområden. Forskningen är organiserad i mångvetenskapliga forskningsmiljöer och forskarutbildningen huvudsakligen i forskarskolor. Denna doktorsavhand- ling kommer från REMESO vid Institutionen för Samhälls- och Välfärdsstudier, Linköping Studies in Arts and Science No. 533, 2011. Vid IMER, Internationell Migration och Etniska Relationer, vid Malmö högskola bedrivs flervetenskaplig forskning utifrån ett antal breda huvudtema inom äm- nesområdet. IMER ger tillsammans med MIM, Malmö Institute for Studies of Migration, Diversity and Welfare, ut avhandlingsserien Malmö Studies in International Migration and Ethnic Relations. Denna avhandling är No 10 i avhandlingsserien. Distribueras av: REMESO, Institutionen för Samhälls- och Välfärsstudier, ISV Linköpings universitet, Norrköping SE-60174 Norrköping Sweden Internationell Migration och Etniska Relationer, IMER och Malmö Studies of Migration, Diversity and Welfare, MIM Malmö Högskola SE-205 06 Malmö, Sweden ISSN -
Announcing a VIEW from the BRIDGE
FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street. -
Two Tendencies Beyond Realism in Arthur Miller's Dramatic Works
Inês Evangelista Marques 2º Ciclo de Estudos em Estudos Anglo-Americanos, variante de Literaturas e Culturas The Intimate and the Epic: Two Tendencies beyond Realism in Arthur Miller’s Dramatic Works A critical study of Death of a Salesman, A View from the Bridge, After the Fall and The American Clock 2013 Orientador: Professor Doutor Rui Carvalho Homem Coorientador: Professor Doutor Carlos Azevedo Classificação: Ciclo de estudos: Dissertação/relatório/Projeto/IPP: Versão definitiva 2 Abstract Almost 65 years after the successful Broadway run of Death of a Salesman, Arthur Miller is still deemed one of the most consistent and influential playwrights of the American dramatic canon. Even if his later plays proved less popular than the early classics, Miller’s dramatic output has received regular critical attention, while his long and eventful life keeps arousing the biographers’ curiosity. However, most of the academic works on Miller’s dramatic texts are much too anchored on a thematic perspective: they study the plays as deconstructions of the American Dream, as a rebuke of McCarthyism or any kind of political persecution, as reflections on the concepts of collective guilt and denial in relation to traumatizing events, such as the Great Depression or the Holocaust. Especially within the Anglo-American critical tradition, Miller’s plays are rarely studied as dramatic objects whose performative nature implies a certain range of formal specificities. Neither are they seen as part of the 20th century dramatic and theatrical attempts to overcome the canons of Realism. In this dissertation, I intend, first of all, to frame Miller’s dramatic output within the American dramatic tradition. -
A View from the Bridge
41st Season • 400th Production SEGERSTROM STAGE / MAY 17 - JUNE 26, 2005 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR presents A VIEW FROM THE BRIDGE BY Arthur Miller SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN COMPOSER/SOUND DESIGN Ralph Funicello Angela Balogh Calin Chris Parry Karl Fredrik Lundeberg FIGHT CHOREOGRAPHER ASSISTANT DIRECTOR PRODUCTION MANAGER STAGE MANAGER Ken Merckx Sharyn Case Jeff Gifford *Jamie A. Tucker DIRECTED BY Martin Benson HONORARY PRODUCERS CORPORATE PRODUCER Barbara and William Roberts American Airlines Presented by special arrangement with Samuel French, Inc. A View from the Bridge • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) Alfieri ....................................................................................... Hal Landon Jr.* Eddie ........................................................................................ Richard Doyle* Louis .............................................................................................. Sal Viscuso* Mike ............................................................................................ Mark Brown* Catherine .................................................................................... Daisy Eagan* Beatrice ................................................................................ Elizabeth Ruscio* Marco .................................................................................... Anthony Cistaro* Rodolpho .......................................................................... -
Finding Song Melody Similarities Using a Dna String Matching Algorithm
FINDING SONG MELODY SIMILARITIES USING A DNA STRING MATCHING ALGORITHM A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Master of Science by Jeffrey Daniel Frey May, 2008 Thesis written by Jeffrey Daniel Frey B.S., Kent State University, USA, 1998 M.S., Kent State University, USA, 2008 Approved by ___________________________________ Dr. Johnnie Baker Advisor ___________________________________ Dr. Robert Walker Chair, Department of Computer Science ___________________________________ Dr. Jerry Feezel Dean, College of Arts and Sciences i i TABLE OF CONTENTS Acknowledgements......................................................................................................vii CHAPTER 1 Introduction............................................................................................1 1.1 The Problem...........................................................................................................1 1.2 Solution Concept....................................................................................................1 1.3 Approach................................................................................................................2 1.4 Document Organization..........................................................................................3 CHAPTER 2 The Need for a Solution..........................................................................4 2.1 Copyright Infringement ..........................................................................................4 -
William & Mary Theatre Main Stage Productions
WILLIAM & MARY THEATRE MAIN STAGE PRODUCTIONS 1926-1927 1934-1935 1941-1942 The Goose Hangs High The Ghosts of Windsor Park Gas Light Arms and the Man Family Portrait 1927-1928 The Romantic Age The School for Husbands You and I The Jealous Wife Hedda Gabler Outward Bound 1935-1936 1942-1943 1928-1929 The Unattainable Thunder Rock The Enemy The Lying Valet The Male Animal The Taming of the Shrew The Cradle Song *Bach to Methuselah, Part I Candida Twelfth Night *Man of Destiny Squaring the Circle 1929-1930 1936-1937 The Mollusc Squaring the Circle 1943-1944 Anna Christie Death Takes a Holiday Papa is All Twelfth Night The Gondoliers The Patriots The Royal Family A Trip to Scarborough Tartuffe Noah Candida 1930-1931 Vergilian Pageant 1937-1938 1944-1945 The Importance of Being Earnest The Night of January Sixteenth Quality Street Just Suppose First Lady Juno and the Paycock The Merchant of Venice The Mikado Volpone Enter Madame Liliom Private Lives 1931-1932 1938-1939 1945-1946 Sun-Up Post Road Pygmalion Berkeley Square RUR Murder in the Cathedral John Ferguson The Pirates of Penzance Ladies in Retirement As You Like It Dear Brutus Too Many Husbands 1932-1933 1939-1940 1946-1947 Outward Bound The Inspector General Arsenic and Old Lace Holiday Kind Lady Arms and the Man The Recruiting Officer Our Town The Comedy of Errors Much Ado About Nothing Hay Fever Joan of Lorraine 1933-1934 1940-1941 1947-1948 Quality Street You Can’t Take It with You The Skin of Our Teeth Hotel Universe Night Must Fall Blithe Spirit The Swan Mary of Scotland MacBeth -
A View from the Bridge Study Guide
STATE THEATRE COMPANY SOUTH AUSTRALIA AND AUSTRALIAN GAS NETWORKS PRESENT A View from the Bridge BY ARTHUR MILLER Study with State SYNOPSIS A View from the Bridge is a two-act play set in Red Hook, a working class shipping port in Brooklyn, New York. Narrated by a lawyer, Alfieri, the story centres on the Carbone family – dock worker Eddie, his wife Beatrice and their niece Catherine. The arrival of Beatrice’s cousins, Rodolpho and Marco, propels the action of the play. As the cousins illegally seek work and a better life in the United States, their presence brings to light the hidden desires of each member of the Carbone family. For more, watch the trailer for the show online: statetheatrecompany.com.au/shows/a-view-from-the-bridge RUNNING TIME Approximately 140 minutes (including 20 minute interval). SHOW WARNINGS Contains adult themes, sexual references, mild coarse language, strong violence and the use of herbal cigarettes. Contents INTRODUCING THE PLAY Creative team ............................... 4-5 An interview with the director ............................... 6-7 An introduction to the life of Arthur Miller ............................... 8-9 Director’s note from Kate Champion ................................ 10 What next? ................................. 11 CHARACTERS & CHARACTERISATION Who is Eddie Carbone?: interview ........................... 12-13 Speaking up: interview ........................... 14-15 Cast Q&A: interviews ........................... 16-17 Exploring the characters ........................... 18-21 What -
Retro-80S-Hits.Pdf
This document will assist you with the right choices of music for your retro event; it contains examples of songs used during an 80’s party. Song Artist Greece 2000 18 If I Could 1927 That's When I Think Of You 1927 I Ran A Flock Of Seagulls Wishing ( If I Had A Photograph Of You) A Flock Of Seagulls Take On Me A Ha Poison Arrow ABC The Look Of Love ABC When Smokey Sings ABC Who Made Who AC/DC You Shook Me All Night Long AC/DC Stand & Deliver Adam & The? Ant Music Adam Ant Goody Two Shoes Adam Ant Classic Adrian Gurvitz Janie's Got A Gun Aerosmith Rag Doll Aerosmith Manhattan Skyline A-Ha Take On Me A-Ha Love Is Alannah Myles Poison Alice Cooper Love Resurrection Alison Moyet Don't Talk To Me About Love Altered Images Take It Easy Andy Taylor Japanese Boy Aneka Obession Animotion Election Day Arcadia Sugar Sugar Archies 0402 277 208 | [email protected] | www.djdiggler.com.au | 21 Higgs Ct, Wynnum West, Queensland, Australia 4178 Downhearted Australian Crawl Errol Australian Crawl Reckless Australian Crawl Shutdown Australian Crawl Things Don't Seem Australian Crawl Love Shack B52's Roam B52's Strobelight B52's Tarzan Boy Baltimora I Want You Back Bananarama Venus Bananarama Heaven Is A Place On Earth Belinda Carlisle Mad About You Belinda Carlisle Imagination Belouis Some Sex I'm A Berlin Take My Breath Away Berlin Key Largo Bertie Higgins In A Big Country Big Country Look Away Big Country Hungry Town Big Pig Lovely Day Bill Withers Dancing With Myself Billy Idol Flesh For Fantasy Billy Idol Hot In The City Billy Idol Rebel Yell Billy -
Konzert: Kim Wilde & Band „Greatest-Hits-Tour“
Konzert: Kim Wilde & Band „Greatest-Hits-Tour“ Samstag, 29. Oktober 2022, 20.00 Uhr Ein zweifaches Jubiläum macht Kim Wildes Konzertreise im Herbst 2022 zu einem besonderen Event: Die britische Pop-Ikone hat ihren 60. Geburtstag hinter sich und ist zudem seit über 40 Jahren im Musikbusiness! „Greatest Hits“ sind jene speziellen Shows überschrieben, die wegen der Corona-Pandemie zwei Jahre später als ursprünglich geplant stattfinden! Der Tourtitel wurde aus gutem Grund gewählt, kann Kim Wilde doch mit jeder Menge Charts-Erfolgen aufwarten. Diese reichen von „Kids in America“, ihrem Mega-Seller zum Karrierestart 1981, gefolgt von „Chequered Love“, dem millionenfach verkauften „Cambodia“ über „View from a Bridge“, „The Second Time“, der Coverversion „You Keep me Hangin’ on“ bis hin zu „You Came“, „Never trust a Stranger“, „Four Letter Word“, „Can’t get enough (of your Love)“ oder „Anyplace, anywhere, anytime“. Nachdem die mit vielen Preisen ausgezeichnete „Bardot der Popmusik“ Ende 2019 im kleinen Team eine erfolgreiche Akustik-Tour in Deutschland absolvierte, ist sie nun wieder hierzulande unterwegs – allerdings mit Rockband! Eintrittskarten zu Kim Wildes „Greatest Hits“- Gastspielen sind im Vorverkauf erhältlich. Wichtig: Die für 2020 sowie 2021 gekauften Tickets behalten ihre Gültigkeit! Nachdem Kimberly Smith, wie Kim Wilde mit bürgerlichem Namen heißt, am 18. November 2021 ihren 61. Geburtstag gefeiert hat, macht sie sich und ihren zahlreichen Fans mit der „Greatest Hits“-Tournee ein großes Geschenk. Bei der Blondine gibt es nämlich -
This Dissertation Has Been 61—5100 M Icrofilm Ed Exactly As Received
This dissertation has been 61—5100 microfilmed exactly as received LOGAN, Winford Bailey, 1919- AN INVESTIGATION OF THE THEME OF THE NEGATION OF LIFE IN AMERICAN DRAMA FROM WORLD WAR H TO 1958. The Ohio State University, Ph.D., 1961 Speech — Theater University Microfilms, Inc., Ann Arbor, Michigan AN INVESTIGATION OF THE THSiE OF THE NEGATION OF LIFE IN AMERICAN DRAMA FROM WORLD WAR II TO 1958 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Winford Bailey Logan* B.A.* M.A. The Ohio State University 1961 Approved by Adviser Department of Speech CONTENTS CHAPTER PAGE I. INTRODUCTION 1 II. A BACKGROUND OF PHILOSOPHICAL NEGATION 5 III. A BASIS OF JUDGMENT: THE CHARACTERISTICS AND 22 SYMPTOMS OF LIFE NEGATION IV. SERIOUS DRAMA IN AMERICA PRECEDING WORLD WAR II i+2 V. THE PESSIMISM OF EUGENE O'NEILL AND AN ANALYSIS 66 OF HIS LATER PLAYS VI. TENNESSEE WILLIAMS: ANALYSES OF THE GLASS MENAGERIE. 125 A STREETCAR NAMED DESIRE AND CAMINO REAL VII. ARTHUR MILLER: ANALYSES OF DEATH OF A SALESMAN 179 AND A VIEW FRCM THE BRIDGE VIII. THE PLAYS OF WILLIAM INGE 210 IX. THE USE OF THE THEME OF LIFE NEGATION BY OTHER 233 AMERICAN WRITERS OF THE PERIOD X. CONCLUSIONS 271 BIBLIOGRAPHY 289 AUTOBIOGRAPHY 302 ii CHAPTER I INTRODUCTION Critical comment pertaining to present-day American theatre frequently has included allegations that thematic emphasis seems to lie in the areas of negation. Such attacks are supported by references to our over-use of sordidity, to the infatuation with the psychological theme and the use of characters who are emotionally and mentally disturbed, and to the absence of any element of the heroic which is normally acknowledged to be an integral portion of meaningful drama. -
A View from the Bridge
Otterbein University Digital Commons @ Otterbein 2003-2004 Season Productions 2001-2010 1-29-2004 A View From the Bridge Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/production_2003-2004 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "A View From the Bridge" (2004). 2003-2004 Season. 3. https://digitalcommons.otterbein.edu/production_2003-2004/3 This Book is brought to you for free and open access by the Productions 2001-2010 at Digital Commons @ Otterbein. It has been accepted for inclusion in 2003-2004 Season by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. m j Otterbein College N.'&DanceoTheatre ^ance • ••• A View from l4‘'r; the Bridge a by Arthur Miller \\ ' , # ' ’f>' ■ \- I rI ■ i -' • 1* ' “• eaturing Guest Actor Mark Mann - /*/f "r.: 'i*' ■ ' ..■■■ ■• ;■> . ■; 'tv- Directed by Dennis Romer Scenic Design by Stephanie Gerckens * ^ Costume Design by Ruth Boyd C Lighting Design by Sheryl Warren Sound Design by David Mead & Dana White Jan. 29 -Feb. 7, 2004 Cowan Hall 30 S Grove Street Westerville, OH. 43081 Cast Louis............................................................................ ........................................ Rob HiUe Mike............................................................................. ............................Daniel Everidge Alfieri..........................................................................