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FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
July 14–19, 2019 on the Campus of Belmont University at Austin Peay State University
July 14–19, 2019 On the Campus of Belmont University at Austin Peay State University OVER 30 years as Tennessee’s only Center of Excellence for the Creative Arts OVER 100 events per year OVER 85 acclaimed guest artists per year Masterclasses Publications Performances Exhibits Lectures Readings Community Classes Professional Learning for Educators School Field Trip Grants Student Scholarships Learn more about us at: Austin Peay State University does not discriminate on the basis of race, color, religion, creed, national origin, sex, sexual orientation, gender identity/expression, disability, age, status as a protected veteran, genetic information, or any other legally protected class with respect to all employment, programs and activities sponsored by APSU. The Premier Summer Teacher Training Institute for K–12 Arts Education The Tennessee Arts Academy is a project of the Tennessee Department of Education and is funded under a grant contract with the State of Tennessee. Major corporate, organizational, and individual funding support for the Tennessee Arts Academy is generously provided by: Significant sponsorship, scholarship, and event support is generously provided by the Belmont University Department of Art; Community Foundation of Middle Tennessee; Dorothy Gillespie Foundation; Solie Fott; Bobby Jean Frost; KHS America; Sara Savell; Lee Stites; Tennessee Book Company; The Big Payback; Theatrical Rights Worldwide; and Adolph Thornton Jr., aka Young Dolph. Welcome From the Governor of Tennessee Dear Educators, On behalf of the great State of Tennessee, it is my honor to welcome you to the 2019 Tennessee Arts Academy. We are so fortunate as a state to have a nationally recognized program for professional development in arts education. -
<I>Spring Awakening</I>
The Journal of American Drama and Theatre (JADT) https://jadtjournal.org Silence, Gesture, and Deaf Identity in Deaf West Theatre's Spring Awakening by Stephanie Lim The Journal of American Drama and Theatre Volume 33, Number 1 (Fall 2020) ISNN 2376-4236 ©2020 by Martin E. Segal Theatre Center For a woman to bear a child, she must . in her own personal way, she must . love her husband. Love him, as she can love only him. Only him . she must love—with her whole . heart. There. Now, you know everything.[1] Frau Bergman, Spring Awakening In the opening scene of Spring Awakening, Wendla begs her mother to explain where babies come from, to which her mother bemoans, “Wendla, child, you cannot imagine—.” In Deaf West Theatre’s version of the show, Frau Bergman speaks this line while bringing her pinky finger up to her head, palm outward, but Wendla quickly corrects the gesture, indicating that her mother has actually inverted the American Sign Language (ASL) for “imagine,” a word signed with palm facing inward.[2] As part of a larger dialogue that closes with the epigraph above, Bergman’s struggle to communicate about sexual intercourse in both ASL and English is one of many exchanges in which adults find themselves unable to communicate effectively with teenagers. The theme of (mis)communication is also evoked through characters’ refusal to communicate with each other at all, as in the musical number “Totally Fucked.” When Melchior’s teachers demand he confess to having authored the obscene 10-page document, “The Art of Sleeping With” (which they claim hastened the suicide of his best friend Moritz), they reject his attempts to explain. -
New Studio on Broadway: Music Theatre and Acting
® ® 2019 CELEBRATING JIMMY NEDERLANDER James M. Nederlander or “Jimmy,” Chairman of The Nederlander Organization, was the visionary theatrical impresario who built one of the largest private live entertainment companies in the world known for producing and presenting world-class entertainment since 1912. Jimmy started working in the theatre at age 7 sweeping floors for his father, David Tobias (D.T.) Nederlander, in Detroit, Michigan. During a career that spanned over 70 years, Jimmy amassed a network of premier legitimate theatres including nine on Broadway: the Brooks Atkinson, Gershwin, Lunt-Fontanne, Marquis, Minskoff, Nederlander, Neil Simon, Richard Rodgers, and the world famous Palace; in Los Angeles: The Pantages; in London: the Adelphi, Aldwych, and Dominion; and in Chicago: the Auditorium, Broadway Playhouse, Cadillac Palace, and CIBC Theatres, and the Oriental Theatre which this year was renamed the James M. Nederlander Theatre in Jimmy’s honor. He produced over one hundred acclaimed Broadway musicals and plays including Annie, Applause, La Cage aux Folles, Les Liaisons Dangereuses, Me and My Girl, Nine, Noises Off, Peter Pan, Sweet Charity, The Life and Adventures of Nicholas Nickelby, The Will Rogers Follies, Woman of the Year, and many more. “Generous,” “loyal” and “trusted” are just a few of the accolades his friends use to describe him. Jimmy was beloved by the industry and the recipient of many distinguished honors including an Honorary Doctorate of Fine Arts from the University of Connecticut (2014), the Exploring the Arts Foundation Award (2014), the United Nations Foundation Champion Award (2012), The Broadway League’s Schoenfeld Vision for Arts Education Award (2011), the New York Pop’s Man of the Year (2008), and the special Tony Award for Lifetime Achievement (2004). -
SPRING AWAKENING Is Presented by Special Arrangement with Music Theatre International (MTI)
This production contains mature adult content including profanity and violence. It employs the use of chemical fog and includes the smoking of non-tobacco cigarettes. Before the performance begins, please note the exit closest to your seat. Kindly silence your cell phone, pager and other electronic devices. Photography, as well as the videotaping or other video or audio recording of this production, is strictly prohibited. Food and drink are not permitted in the theater. Thank you for your cooperation. SPRING AWAKENING is presented by special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019. Phone (212)541.4684. Fax (212)397.4684. www.MTIShows.com. Spring Awakening About the Director Stafford Arima was nominated for an Olivier Award as Best Director for his West End production of Ragtime. He recently directed, Carrie (Off-Broadway), Allegiance (The Old Globe) and Bare (Off-Broadway). Sacramento Music Circus productions include: The King and I, Miss Saigon, Ragtime and A Little Night Music. Other works: Altar Boyz (Off-Broadway); Jacques Brel Is Alive and Well and Living in Paris (Stratford Shakespeare Festival), Total Eclipse (Toronto); The Secret Garden (World AIDS Day benefit concert, NYC);The Tin Pan Alley Rag (Off-Broadway); Bowfire (PBS television special); Candide (San Francisco Symphony); A Tribute to Sondheim (Boston Pops); Guys and Dolls (Paper Mill Playhouse); and Bright Lights, Big City (Prince Music Theater, PA). Arima served as associate director for the Broadway productions of Seussical and A Class Act. He studied at York University in Toronto, Canada where he received the Dean’s Prize for Excellence in Creative Work. -
Edward Albee's at Home at The
CAST OF CHARACTERS TROY KOTSUR*............................................................................................................................PETER Paul Crewes Rachel Fine Artistic Director Managing Director RUSSELL HARVARD*, TYRONE GIORDANO..........................................................................................JERRY AND AMBER ZION*.................................................................................................................................ANN JAKE EBERLE*...............................................................................................................VOICE OF PETER JEFF ALAN-LEE*..............................................................................................................VOICE OF JERRY PAIGE LINDSEY WHITE*........................................................................................................VOICE OF ANN *Indicates a member of Actors’ Equity Association, the Union of David J. Kurs Professional Actors and Stage Managers in the United States. Artistic Director Production of ACT ONE: HOMELIFE ACT TWO: THE ZOO STORY Peter and Ann’s living room; Central Park, New York City. EDWARD ALBEE’S New York City, East Side, Seventies. Sunday. Later that same day. AT HOME AT THE ZOO ADDITIONAL PRODUCTION STAFF STARRING COSTUME AND PROPERTIES REHEARSAL STAGE Jeff Alan-Lee, Jack Eberle, Tyrone Giordano, Russell Harvard, Troy Kotsur, WARDROBE SUPERVISOR SUPERVISOR INTERPRETER COMBAT Paige Lindsey White, Amber Zion Deborah Hartwell Courtney Dusenberry Alek Lev -
Sprawak Release 12-8-14 V1CLEAN.Docx.Docx
WALLIS ANNENBERG CENTER FOR THE PERFORMING ARTS, DEAF WEST THEATRE AND CODY LASSEN PRESENT Spring Awakening Book and Lyrics by STEVEN SATER Music by DUNCAN SHEIK Directed by MICHAEL ARDEN 22 Performances Only! May 21 to June 7, 2015 (Press Opening May 28, 2015) (Beverly Hills, CA – January 7, 2015) Wallis Annenberg Center for the Performing Arts (“The Wallis”), Deaf West Theatre and Cody Lassen present the Tony Award-winning musical Spring Awakening for a limited 22-performance engagement Thursday, May 21 to Sunday, June 7, 2015 (press opening May 28) in the Bram Goldsmith Theater. Tickets are now on sale. The innovative and acclaimed production, which enjoyed a sold-out engagement at downtown L.A.’s Rosenthal Theatre in fall 2014, is performed simultaneously in American Sign Language and spoken English by a cast of 25. The Los Angeles Times said that Spring Awakening is “an emotional triumph,” and that “Awakening awakens us to the dormant possibilities of this musical, with all the goose-bumps and teardrops to prove it.” Patricia Wolff, Interim Artistic Director of The Wallis says, “We are thrilled to welcome to The Wallis Los Angeles’ own Tony-winning Deaf West Theatre, and to share the creativity and joyousness of this brilliant and utterly original production with a broader audience. In Spring Awakening, American Sign Language is not just incorporated but actually choreographed into this emotionally charged musical, creating an organic and beautifully theatrical metaphor, ultimately expanding the theme of adolescent struggle to one that also celebrates the universal human need for communication and connection." James D’Asaro, Interim Producing Director of The Wallis noted, “Our role as lead producer for the transfer of Spring Awakening to our venue points to two of our presenting tenets – to not only partner with the best and most creative theaters in this country and abroad, but to support in the fullest sense visionary and innovative work created in our own Los Angeles theatre community. -
Department of Theatre Frank and Joan Dawson DANCING at LUGHNASA by Brian Friel Michael J
The University of Alabama at Birmingham Theatre UAB 2015-2016 Season Department of Theatre Frank and Joan Dawson DANCING AT LUGHNASA by Brian Friel Michael J. and Mary Anne Freeman Directed by Jack Cannon Mary and Kyle Hulcher The Sirote Theatre and October 14 - 17 at 7:30pm & October 18 at 2:00pm l W.B. Philips, Jr. present STUPID F***ING BIRD by Aaron Posner Directed by Dennis McLemon The Odess Theatre November 11 - 14 & 18- 20 at 7 :30pm & November 21 at 2 :00pm BURIED CHILD by Sam Shepard Directed by Karla Koskinen The Sirote Theatre February 24-27 at 7:30pm & February 28 at 2:00pm THEATRE UAB THIRTEENTH ANNUAL FESTIVAL OF TEN MINUTE PLAYS Produced by Lee Shackleford The Odess Theatre March 13 at 2:00pm & March 14 - 17 at 7:30pm SPRING AWAKENING Music by Duncan Sheik. Book & Lyrics by Steven S ater Directed by Valerie Accetta Musical Direction by Carolyn Violi The Sirote Theatre April 13 - 16 at 7:30pm & April 17 at 2:00pm l ASC Box Office: 975-ARTS. Show information at http://www.uab.edu/cas/theatre/productions The Sirote Theatre J in the Alys Robinson Stephens Performing Arts Center OVATION THEARE UAB Theatre UAB Faculty and Administrative Staff (Sponsored by Theatre Advisory Committee) Kelly De an Allison, Professor .................................. ................... .... ..... .. Chair Openin g nights a l Thea tre UAB are OVATION nights. OVATION UAB featu res refr shme nts and conver ation wit h the director and designers before the show, as well a a p L-performance meet & gre the cast· t with and crew. -
Picture As Pdf
1 Cultural Daily Independent Voices, New Perspectives Deaf West’s Rousing Spring Awakening Sylvie Drake · Wednesday, June 3rd, 2015 Arousing all senses. This may be the choice three-word assessment of the stunning Deaf West Theatre production of Spring Awakening that made the leap from a long run at Inner City Arts to the larger Wallis Annenberg Center in Beverly Hills. Whatever the terms of this arrangement, one can only celebrate the fact that it happened and that, in so doing, it imaginatively took advantage of the height and breadth of the Bram Goldsmith space at The Wallis. Simultaneously, one can only weep at the brevity of its presence there. Even with the just-announced extension, the show will close Sunday, June 14. First, some background. Theatre of the deaf is not a new phenomenon, but it is neither a common nor a particularly ancient one. The first American company to successfully combine deaf and hearing actors on stage was The National Theatre of the Deaf (NTD), established in New England in the late 1960s by David Hays, a Broadway set and lighting designer and avid sailor. Hays had never imagined he would be doing that sort of thing at all. Yet after the success of the Broadway production of The Miracle Worker, Anne Bancroft and Arthur Penn, who had seen from the inside out the effect of the Helen Keller story on general audiences, enticed Hays to get involved in an experiment to do just that. Once inducted, Hays became so enthralled with the concept that he described theatre of the deaf (correctly) as “a major dimensional form of poetry.” He went on to lead the NTD for the next 30 years. -
Audio Mastering for Stereo & Surround
AUDIO MASTERING FOR STEREO & SURROUND 740 BROADWAY SUITE 605 NEW YORK NY 10003 www.thelodge.com t212.353.3895 f212.353.2575 EMILY LAZAR, CHIEF MASTERING ENGINEER EMILY LAZAR CHIEF MASTERING ENGINEER Emily Lazar, Grammy-nominated Chief Mastering Engineer at The Lodge, recognizes the integral role mastering plays in the creative musical process. Combining a decisive old-school style and sensibility with an intuitive and youthful knowledge of music and technology, Emily and her team capture the magic that can only be created in the right studio by the right people. Founded by Emily in 1997, The Lodge is located in the heart of New York City’s Greenwich Village. Equipped with state-of-the art mastering, DVD authoring, surround sound, and specialized recording studios, The Lodge utilizes cutting-edge technologies and attracts both the industry’s most renowned artists and prominent newcomers. From its unique collection of outboard equipment to its sophisticated high-density digital audio workstations, The Lodge is furnished with specially handpicked pieces that lure both analog aficionados and digital audio- philes alike. Moreover, The Lodge is one of the few studios in the New York Metropolitan area with an in-house Ampex ATR-102 one-inch two-track tape machine for master playback, transfer and archival purposes. As Chief Mastering Engineer, Emily’s passion for integrating music with technology has been the driving force behind her success, enabling her to create some of the most distinctive sounding albums released in recent years. Her particular attention to detail and demand for artistic integrity is evident through her extensive body of work that spans genres and musical styles, and has made her a trailblazer in an industry notably lack- ing female representation. -
Bellamie Bachleda Bellamie Bachleda Is a Creative Talent Who Has Been Writing, Directing and Acting for Over Ten Years
Bellamie Bachleda Bellamie Bachleda is a creative talent who has been writing, directing and acting for over ten years. She worked in numerous video and film productions and taught drama and storytelling workshops and classes at the schools, camps, and festivals. In 2017, she and a group of splendid #deaftalent co-founded a non-profit theatre company, Deaf Austin Theatre, where she is currently a co-artistic director. Michelle A. Banks Michelle A. Banks, a native of Washington, DC, is an award-winning actress, writer, director, producer, choreographer, motivational speaker, and teacher. After Michelle received her Bachelor of Arts degree in Drama Studies from the State University of New York at Purchase, she founded Onyx Theatre Company in New York City, the first deaf theatre company in the United States for people of color. Her work with Onyx for eleven years earned the Cultural Enrichment Award from Gallaudet University and the Distinguished Service Award from New York Deaf Theatre. Michelle’s most recent producing/directing credits: Gallaudet University’s A Raisin in the Sun, Look Through My Eyes, Silent Scream, Z: A Christmas Story, What It’s Like? (One Man Show) and In Sight and Sound: De(A)F Poetry I, II, & III. Her acting appearances include Sole, The C.A. Lyons Project, Soul Food, Girlfriends, and Big River. Received the Laurent Clerc Award from Gallaudet University in 2017. Fred Michael Beam Fred Michael Beam is the outreach coordinator for Sunshine 2.0. He is an experienced performer with acting credits that include Nicholas in By the Music of the Spheres at the Goodman Theater, Harry in Harry the Dirty Dog at the Bethesda Academy of Performing Arts; Witness in Miracle Workers and Stranger in Mad Dancer at the Arena Stage in Washington, DC; Fall Out Shelter, The Dirt Maker, and The Underachiever at the Kennedy Center; the title character in Othello at Gallaudet University; and Steve in A Streetcar Named Desire at SignRise Cultural Arts in Washington, DC. -
Merrily We Roll Along BRENT SCHINDELE*
CAST OF CHARACTERS AARON LAZAR*...................................................................FRANKLIN SHEPARD Paul Crewes Rachel Fine Artistic Director Managing Director DONNA VIVINO*.............................................................................MARY FLYNN AND WAYNE BRADY*.....................................................................CHARLEY KRINGAS Cody Lassen AMIR TALAI*............................................................................JOE JOSEPHSON in association with Robert Laurita, Aaron Sanko, Invisible Wall Productions/ Diego Kolankowsky, Kari Lynn Hearn WHITNEY BASHOR*.....................................................................BETH SPENCER PRODUCTION OF SAYCON SENGBLOH*................................................................GUSSIE CARNEGIE MAXIMUS BRANDON VERSO................................................................FRANK JR. KEVIN PATRICK DOHERTY*.........................................................................TYLER Merrily We Roll Along BRENT SCHINDELE*................................................................................TERRY ERIC B. ANTHONY*................................................................................SCOTTY MUSIC AND LYRICS BOOK BY LAURA DICKINSON*..................................................................................DORY Stephen Sondheim George Furth SANDY BAINUM*..........................................................................................RU JENNIFER FOSTER*........................................................................BARTENDER