'The BEST Years

Total Page:16

File Type:pdf, Size:1020Kb

'The BEST Years t when Barbara was there a the first week In couple April, when the record price paid for a director in for his boxer role In of weeks ago. Or can it? picture to being released. "Whiplash" Hollywood. “But what can I do?" moans Dane. Joan tells me that she When I Lorring checked with Veronica Irene Dunne has definitely put her "I have to lose 9 pounds In seven is an Hollywood: having operation on her nose Lake’s studio to find out why she signature to the “Mama” role in days.” Hell lose hls friends If he Ina that she will turn her into backed at the Claire, Not the Author, Follows hopes out, last hour, from “I Remember Mama.” This RKO keeps using that stuff! Beery the heroine, instead of the menace, the Are radio "People Funny” pro- picture is now shaping up quite a (Releaied by North American Newspaper in her Joan is a Alliance.) pictures. great gram In Salt Lake City, they told cast with Barbara Bel Geddes as In Late Raimu’s little and here’s Is One of National’s actress, wishing me-that she did not like the script, the oldest daughter and Oscar Gay her luck with the transformation. and Play she thought it was too late to Homolka repeating his Broadway AMUSEMENTS By Jay Carmody Footsteps I’m told that Lana Turner will change it. It sure made a lot of “Uncle” role. ■ Sheilah Graham not be doing after people mad at the time. The feelings of Playwright George Kelly toward the female sex have By “Coquette” all, though, Charles Boyer is taking his wife not been As and that it has been for Veronica, for the record, was very kindly. every one should know, really, Mr. Kelly has made Wallace Beery is taking time off shelved, to New York for a 10-day whirl. a the time being anyway. obliging as to all matters concerned quite career writing blistering or ironically comic plays about women. to play the baker in Capitol Pic- It’s her first trip in a long time. * * * * with the launching of her His latest, "The Fatal Weakness” falls into the latter category and, oddly tures’ remake of “The Baker’s picture, Then Charles returns here for a “Ramrod.” enough, it suggests that perhaps even now, Mr. Kelly might properly mend Wife!” That, my friends, is the John Garfield turned down picture before taking off for • • • Europe. his attitude. It is quite clear that he is deeply in debt to Ina Claire for casting of the year. The picture is "Nightmare Alley” and the $200,000 Don't go near Dane Clark! He saving "Trie Fatal weakness from to be made in Hungary by Alexan- salary that went with it. “Be- George Stevens received $75,000 for smells to high heaven—literally— own “THE FATAL WEAKNESS." a comedy der Paal. Its woeful weakness as a play. Incidentally, the Raimu cause,” says John, “they wouldn’t his one week of directing the final because Trainer Mushy Callahan Without In three acts starring Ina Claire, written version of the Miss Claire, the drama by Georee Kelly, produced by the Theater Marcel Pagnol story meet my other terms.” What they sequence in "A Miracle Can Hap- rubs him all over with some foul which opened a fortnight at the Guild under the supervision of Lawrence is now being reissued. were he wouldn’t I stuff after the I,aligner and Theresa Helburn. with setting say, but I’d have pen.” would say that this was the strenuous workouts National Theater last a night, prob- by Donald Oerslager. At the National Do you want Gary Cooper for a nightmare if I ever turned down AMUSEMENTS ably would have closed long ago in THE CAST. picture? Gary has changed his mind $200,000. AMUSEMENTS New York. With her, and entirely Mrs. Paul Espensbade_ Ina Claire about until Anna Mary Glldea idling November, and William Wyler has been awarded because of her, "The Fatal Weak- he’ll Mrs. Mabel Wentz_ Jane Seymour HAS A WAY—Dane Clark make a movie now—if he finds its highest citation by the Amer- Penny __ _Jennifer ness” is an entertaining resume of Howard the one, and for Mr. Paul Espenshade_Howard St. John plays the leading role in “That right $300,000 and ican Legion for his contribution to how charming, a brilliant actress Vernon a Hassett John Larson Way With Women,” scheduled percentage of the profits. the rehabilitation for be- can be in even an veterans, uninspired spot cause of the NOW Doocs at the Earle’s next screen Barbara Stanwyck and Robert way he used Harold I Opm 10:15 un. f-. of writing. to flutter a handkerchief, Miss * attraction. Taylor, after thawing out in the Russey.in "The Best Years of Our Claire endows these with a kind of It is she to whom audiences may South France for 10 days, will Lives.” be for a fascination. blithely grateful pleasant have a couple of weeks in the Swiss Fred is UrnSheridan how she sfiould feel about the poor MacMurray joining the evening, with perhaps just a pinch The situation Then in llw Warner Sensation quite unoriginal other woman in the case. Alps. they will take another cement immortals in the forecourt f; of gratitude bestowed upon the around which “The Fatal Weakness” chance on and of The emotional processes by which London, will be Grauman’s Chinese Theater. author who lured her out of five is built is that one of the husband there for the of And these problems are disposed of put opening Barbara’s they hope to get Claudette Prentiss years’ retirement. who goes philandering at 52 and picture, “The Other Love.” [Nora no strain whatever upon Miss It cant Colbert, his co-star in “The Egg This very thought may have oc- finds that he has lost just enough possibly be as cold as and Claire’s expertness. It is no trick agall it was I,” to Join him in the goo. m Kelt Brace cured to Mr. in the course to this time. Kelly agility get caught at all for her to reveal the intuitive // of directing “The Fatal Weakness,” He is caught, of course, by the other — | SMiir awareness with which a wife % behnett// which is produced by the Theater woman, which means that his wife watches her husband look in a Where _AMUSEMENTS Guild, a smart old admirer of Miss is'left the As the and When Ala Now it holding bag. wife, mirror. It is even less of a trick I lowing fatosata | Claire's. Miss Claire makes bag-holding Current lor her to show feminine suscepti- Theater Attractions CwutHatiM Hill, Tins. Em., Mir. 1$, 1:30 * * * * graceful enough that other women bility to a rhyming couplet about CmM st Rvuiia Plukti! might be tempted to try it them- and Time of Showing The fatal weakness of the female love, or what a women get out selves. jab upon which the Kelly comedy of the marriage ceremony phrase, Stage. dwells is its incurable romanticism. ‘‘The Fatal Weakness” is almost “forsaking all others.” National—“The Fatal Weakness”; THE BIG HITS! HOROWITZ OF ► her one never 8:30 Only wAiImIm *NMr>ni Thli Sum Women, he says, are hopelessly in exclusively play, that These are the elements of a fine p.m. i QijiU*V her off the so la iKifil—$2.40. $3, $3.50, lid. in i Doors Open 10:30 im. love with love, even when the emo- permits stage far that old jest which she makes the finer, Screen. she Mrs. 1108 C all's) NA.715I tion involves a woman’s very own cannot call back through an and through which she should make Capitol—"The Bachelor’s Daugh- Demy's, (Camp' 11 I husband and another female. Kelly open bedroom door or from the Kelly take back some of those ters”; a.m., 1:45, 4:30. 7:15 and Dceglas FAIBBlHKS.il. of the 9:55 in R.K.0.'s y laughs at this, no doubt sardon- foyer family apartment. things he has said about women. pm. Stage shows: 12:45, 3:30, 6:15 and 9 TODAY'S NEIGHBORHOOD MOVIES ically; but Miss Claire just seems It is a gay and engaging portrait, * * * * pm. ^NATIONAL SYMPHONY Columbia—"The rSINBAD the to be laughing with it and demon- with just the right wistful touches, Hie quite stock associates of Miss Lady in the HANS XINDLER, Conductor SAILOR1! CARD! IMA >’**> * N- c. s.e. 11 IfAHUL1JIA that it is brave, and wist- that she of a fe- Claire in “The Fatal Weakness” Lake”; a.m„ 1:05, 3:15, 5:20, 7:30 Morch 12—8:30 Cont from 8:45 p M 'st.rating paints fluttery Tomorrow, P.M. Ik Maureen y. Walter "IP I’M LUCKY.” VIVIAN BLAINE, PERRY WARNER BROS/ THEATERS look better than usual the aura and 9:40 p.m. ful, and maybe basically important male who, after 28 years of mar- in. (All Subscription Series) COMO. Plus "LIGHT HOUSE.” JOHN Far additional inferautien pkaae Earle—“Nora LITE!.. to the species going. riage, must make a series of impor- she throws across the Espenshade Prentiss”; 10:30 a.m., theater! direct ar call Upablle MM. keeping ^b’hadtslezak All Time Sehedalea Glean In Warner room. The *12:40, 2:55, 5:10, 7:20 and 9:35 Orchestral 2103 po’Av*-N W- Rl-01(4 This attifude of hers is not able tant decisions.
Recommended publications
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • April 07Cal.Pmd
    April ’07 EXHIBITS In the Main Gallery 4 WEDNESDAY 11 WEDNESDAY 17 TUESDAY 24 TUESDAY JUDITH HUTTNER: Inner Sanctum, water- A BIRTHDAY TRIBUTE TO BETTE DAVIS: A BIRTHDAY TRIBUTE TO BETTE COOKING WITH GRANNY OR GRAMPY: SHAKESPEARE, PART I: Aspects of Love. colors, through April 26. Sponsored by the William Wyler’s Jezebel (1938-103 min.). A DAVIS: What Ever Happened to Baby Jane Register beginning April 17 for a workshop This literary dash through several of the Art Advisory Council. Southern belle (Bette, winning her second (1962-133 min.). Aging, demented child on Saturday, May 12 at 11 a.m. You don’t Bard’s plays will explore the many splen- In the Photography Gallery Oscar) goes too far to make her fiancé star Baby Jane Hudson (Davis) torments have to be a grandparent to attend this fun, dors, as well as the many frustrations, in- (Henry Fonda) jealous. Clements Ripley, her sister Blanche (Joan Crawford), a hands-on “cooking” workshop with the spe- herent in male/female relationships. Join MARK BERGHASH: I’s Closed I’s Open: Abem Finkel and John Huston scripted, from former movie actress crippled in an auto ac- cial child or children in your life. Chef Frank Shakespeare scholar John Broza, retired The Inner Self, through April 30. Look for the play by Owen Davis, Sr. Max Steiner cident. Lukas Heller scripted this suspense Miale will show how to make classic no-bake Schreiber English Department Chairman, a slide talk with Mark Berghash on Mon- composed the score. 12 noon. classic, from Henry Farrell’s novel, for pro- snacks such as Rice Krispie Treats, s’mores for an enthusiastic and authoritative explo- day, April 16 at 7:30 p.m.
    [Show full text]
  • Police Stage Large Dlrug Raid
    PAGE TEN-B - MANCHESTER EVENING HERAU). Mam Ik-sUt . ( ■.iiii I' i i I VI- m mvi! Inside today Area MB Dear Abb>- 9R Buiinet. 2B Food IB SHOP YOUR MANCHESTER NEW CAR DEALERS Cliurrliei . 5A Obiluane. 6A Clav...... MB Opinion 4A COmirt 9B Sp«rt<i 54B In Weekend CB Convac. Oillecton' Comer, Forum ol the Art* and Televi- IPIRIESIIDtIIITi EIW TIIIDt^ iion Proftrami '7 ) C V . /■ V - 1 . Good Morning Havt A Good Day Police stage large dlrug raid Manchester Police made the three others were arrested on the policewomen in the restrooms of the served a search and seizure warrant and an on going investigation by the largest drug raid in its history Friday street, all for possession of drugs and establishment. Those who were about 7: 30 p.m., signed by Judge Police Department, Police Chief night at the Pinball Wizard, a popular some for disorderly conduct as of 10 arrested were loaded on a bus Nicholas Armanlano of the Common Robert Lannan. who was on the scene Outside today youth hang-out at 541 Main St., near p.m. About 15 more were waiting to waiting outside. Pleas C< lurt 12 Friday all night, said All key police per­ The establishment, which has been The rjiid was the result of many sonnel were involved in the raid, in Q ear nights and sunny days through the center. be searched. Complete body searches were a favorite hang-out of youths for on-going complaints in recent months eluding 10 detectives and about 10 FEBRUARY 11th thru FERRUARY 20th Sunday.
    [Show full text]
  • The Rita Williams Popular Song Collection a Handlist
    The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy
    [Show full text]
  • Jack Oakie & Victoria Horne-Oakie Films
    JACK OAKIE & VICTORIA HORNE-OAKIE FILMS AVAILABLE FOR RESEARCH VIEWING To arrange onsite research viewing access, please visit the Archive Research & Study Center (ARSC) in Powell Library (room 46) or e-mail us at [email protected]. Jack Oakie Films Close Harmony (1929). Directors, John Cromwell, A. Edward Sutherland. Writers, Percy Heath, John V. A. Weaver, Elsie Janis, Gene Markey. Cast, Charles "Buddy" Rogers, Nancy Carroll, Harry Green, Jack Oakie. Marjorie, a song-and-dance girl in the stage show of a palatial movie theater, becomes interested in Al West, a warehouse clerk who has put together an unusual jazz band, and uses her influence to get him a place on one of the programs. Study Copy: DVD3375 M The Wild Party (1929). Director, Dorothy Arzner. Writers, Samuel Hopkins Adams, E. Lloyd Sheldon. Cast, Clara Bow, Fredric March, Marceline Day, Jack Oakie. Wild girls at a college pay more attention to parties than their classes. But when one party girl, Stella Ames, goes too far at a local bar and gets in trouble, her professor has to rescue her. Study Copy: VA11193 M Street Girl (1929). Director, Wesley Ruggles. Writer, Jane Murfin. Cast, Betty Compson, John Harron, Ned Sparks, Jack Oakie. A homeless and destitute violinist joins a combo to bring it success, but has problems with her love life. Study Copy: VA8220 M Let’s Go Native (1930). Director, Leo McCarey. Writers, George Marion Jr., Percy Heath. Cast, Jack Oakie, Jeanette MacDonald, Richard “Skeets” Gallagher. In this comical island musical, assorted passengers (most from a performing troupe bound for Buenos Aires) from a sunken cruise ship end up marooned on an island inhabited by a hoofer and his dancing natives.
    [Show full text]
  • Emmy Award Winners
    CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp.
    [Show full text]
  • Films with 2 Or More Persons Nominated in the Same Acting Category
    FILMS WITH 2 OR MORE PERSONS NOMINATED IN THE SAME ACTING CATEGORY * Denotes winner [Updated thru 88th Awards (2/16)] 3 NOMINATIONS in same acting category 1935 (8th) ACTOR -- Clark Gable, Charles Laughton, Franchot Tone; Mutiny on the Bounty 1954 (27th) SUP. ACTOR -- Lee J. Cobb, Karl Malden, Rod Steiger; On the Waterfront 1963 (36th) SUP. ACTRESS -- Diane Cilento, Dame Edith Evans, Joyce Redman; Tom Jones 1972 (45th) SUP. ACTOR -- James Caan, Robert Duvall, Al Pacino; The Godfather 1974 (47th) SUP. ACTOR -- *Robert De Niro, Michael V. Gazzo, Lee Strasberg; The Godfather Part II 2 NOMINATIONS in same acting category 1939 (12th) SUP. ACTOR -- Harry Carey, Claude Rains; Mr. Smith Goes to Washington SUP. ACTRESS -- Olivia de Havilland, *Hattie McDaniel; Gone with the Wind 1941 (14th) SUP. ACTRESS -- Patricia Collinge, Teresa Wright; The Little Foxes 1942 (15th) SUP. ACTRESS -- Dame May Whitty, *Teresa Wright; Mrs. Miniver 1943 (16th) SUP. ACTRESS -- Gladys Cooper, Anne Revere; The Song of Bernadette 1944 (17th) ACTOR -- *Bing Crosby, Barry Fitzgerald; Going My Way 1945 (18th) SUP. ACTRESS -- Eve Arden, Ann Blyth; Mildred Pierce 1947 (20th) SUP. ACTRESS -- *Celeste Holm, Anne Revere; Gentleman's Agreement 1948 (21st) SUP. ACTRESS -- Barbara Bel Geddes, Ellen Corby; I Remember Mama 1949 (22nd) SUP. ACTRESS -- Ethel Barrymore, Ethel Waters; Pinky SUP. ACTRESS -- Celeste Holm, Elsa Lanchester; Come to the Stable 1950 (23rd) ACTRESS -- Anne Baxter, Bette Davis; All about Eve SUP. ACTRESS -- Celeste Holm, Thelma Ritter; All about Eve 1951 (24th) SUP. ACTOR -- Leo Genn, Peter Ustinov; Quo Vadis 1953 (26th) ACTOR -- Montgomery Clift, Burt Lancaster; From Here to Eternity SUP.
    [Show full text]
  • To Download The
    Dr. Erika R. Hamer DC, DIBCN, DIBE Board Certified Chiropractic Neurologist Practice Founder/Owner Family Chiropractic Care in Ponte Vedra Beach & Nocatee Town Center Dr. Erika R. Hamer DC, DIBCN, DIBE NOCATEE Initial Visit and Exam Board Certified Initial Visit and Exam - Valued at $260! Chiropractic Neurologist RESIDENT Valued at $260! Practice Founder/Owner SPECIAL *Offer alsoalso valid valid for for reactivating reactivating patients - those not Family Chiropractic Care seenpatients at the- those office not in seen the at previous the office six months. Serving St. Johns County for 17 Years in the previous six months. www.pontevedrawellnesscenter.com In Network for Most Insurance Companies Nocatee Town Center/834-2717 205 Marketside Ave., #200, Ponte Vedra, FL 32081 Most Insurance Companies THE PATIENT AND ANY OTHER PERSON RESPONSIBLE FOR PAYMENT HAS THE RIGHT TO REFUSE TO PAY, CANCEL PAYMENTPonte OR BE REIMBURSEDVedra Beach/273-2691 FOR PAYMENT FOR ANY SERVICE, EXAMINATION OR 4 x 2” ad TREATMENT WHICH IS PERFORMED AS A RESULT OF AND WITHIN 72 HOURS OF RESPONDING TO THE ADVERTISEMENT FOR THE FREE, DISCOUNTED FEE, OR REDUCED FEE SERVICE, EXAMINATION OR TREATMENT. CAN NOT BE COMBINED. MAY NOT BE VALID FOR FEDERAL PROGRAMS INCLUDING MEDICARE . WITH THIS AD AND ONE TIME USE ONLY. CANNOT BE APPLIED RETROACTIVELY100 Corridor TO ALREADY Rd BOOKED South, APPOINTMENTS. # 220, Ponte OFFER VedraEXPIRES 3/01/2021.Beach, FL 32082 YourYour Community Community Voice Voice for 50 for Years 50 Years PONTE VEDVEDRARA Nocatee Town Center/834-2717 RRecorecordderer 205 Marketside Ave, #200, Ponte Vedra, FL 32081 THE PATIENT AND ANY OTHER PERSON RESPONSIBLE FOR PAYMENT HAS THE RIGHT TO REFUSE TO PAY, CANCEL PAYMENT OR BE REIMBURSED FOR PAYMENT FOR ANY SERVICE, EXAMINATION OR TREATMENT WHICH IS PERFORMED AS A RESULT OF AND WITHIN 72 HOURS OF RESPONDING E TRA TO THE ADVERTISEMENT FOR THE FREE, DISCOUNTED FEE, OR REDUCED FEE SERVICE, EXAMINATION OR TREATMENT.
    [Show full text]
  • Film Locations in San Francisco
    Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros.
    [Show full text]
  • Many Stars Have Graced Our Stage Over the Years!
    MANY STARS HAVE GRACED OUR STAGE OVER THE YEARS! Joseph Abaldo Maureen Brennan Boyd Crawford Felicia Finley Cedric Hardwicke Maude Adams Eileen Brennan Hume Cronyn Pat Finley Dean Harens Edie Adams Lisa Brescia Zamah Cunningham Fannie Flagg Valerie Harper Clay Aiken Lloyd Bridges John Dall Bramwell Fletcher Helen Harrelson Katherine Alexander Florence Britton Doris Dalton Mary Fogarty Noel Harrison Jennifer Allen Barbara Britton James Daly Jennifer Fogarty Jack Hartley Steve Allen Millicent Brower Alexandria Danilova Joan Fontaine Lillian Harvey Sara Allgood Joe E. Brown Helmut Dantine Paul Ford Lilian Harvey Donald Ameche Susan Browning Lili Darvas Robert Forster Signe Hasso Rosemary Ames Carol Bruce Claude Dauphin John Forsythe Hurd Hatfield Maureen Anderman Dorathe Burgess Ann B. Davis Lillian Foster Jeffrey Hayden Glenn Anders Billie Burke Bette Davis Hunter Foster Helen Hayes Nancy Anderson Mike Burstyn Mark Dawson Kay Francis George Hearn Dana Andrews Robert Burton June Dayton Arlene Francis Eileen Heckart Christine Andrews Charles Busch Rachel de Benedet Frederic Franklin David Hedison Margaret Anglin Spring Byington Sandra Deel Bonnie Franklin Tom Helmore Raul Aranas Gaylea Byrne Dolores Del Rio Pauline Frederick Violet Heming Eve Arden Carter Calvert Gabriel Dell Augusta French A.J. Herbert Else Argal Elaine Cancilla Jeffry Denman Betty Furness Eileen Herlie Richard Arlen Alexandra Carlisle Sandy Dennis Helen Gallagher Jerry Herman Matthew Ashford Kitty Carlisle Bob Denver Rita Gam Irene Hervey Elizabeth Ashley Tullio Carminati Colleen Dewhurst James Ganon Michael Higgins John Astin Art Carney Mia Dillon Reginald Gardiner Chelsie Hightower Mary Astor Leslie Caron Anton Dolin Peggy Ann Garner John Hillner Daisy Atherton Carleton Carpenter Donal Donnelly Kathy Garver Judd Hirsch William Atherton David Carroll Tim Donoghue Larry Gates Christian Hoff Conrad Bain Leo G.
    [Show full text]
  • 1948-02-20, [P ]
    d Friday, February 20,1948 TOLEDO UNION JOURNAL Page Five “My Girl Tisa” Esther Williams ■y ■v Battling 7 lie Keys ''-n ‘ '■! / ' * HOLLYWOOD — Esther Williams is trying to dupli­ cate her speed in the swim­ ming pool on a typewriter. The amphibious Metro- Goldwyn-Mayer star, re­ Fortune Tn Jewels cently returned from a per­ Teen-Agers Find Hollywood sonal appearance tour in Screen-Tested AVith connection with the Tech­ Barbara Stanwyck nicolor musical, “This Time Land Of Opportunity HOLLYWOOD — A fortune For Keeps,” is battling a January 1 deadline. HOLLYWOOD—Hollywood is the teen-agers best booster. in jewels to be worn by Barbara % In no other field of professional activity do ambitious adol­ Stanwyck in Hal Wallis’ “Sorry, Scheduled for summer escents get so many opportunities of putting their talents to work release> Miss Williams’ with such profitable results in keeping the piggy bank full. The Wrong Humber” was screen- 41 / fy. Ok' AA-Aa^A^A book, “Or Would You tested at Paramount when a Rather Be A Fish?” must movie-makers have long made a jractice of keeping their talent reach publishers Doubleday, scouts on the lookout fo promis­ quarter of a million dollars in Doran and Company, be­ ing teen-age material for future T7i roiving Gurred diamonds and other precious stardom. stones were photographed. 0 "W'J fore the New Year. Petite Wanda Hendrix, whose A guide to swimming, A heavy squad of studio five feet, two inches hardly ta. the book covers all angles measure up to her large abilities % police was stationed on Stage 7 of the aquatic art.
    [Show full text]
  • He Was Jeffrey Hunter — the Handsome, Talented Leading Man from Milwaukee Who Set Young Girls' Hearts to Throbbing. but He Was Also Just Plain Hank — My Friend
    A Friendship Remembered He was Jeffrey Hunter — the handsome, talented leading man from Milwaukee who set young girls' hearts to throbbing. But he was also just plain Hank — my friend. by Don Kreger In spite of my feelings of guilt and re- morse at leaving Nancy, I also felt excited As the Santa Fe Super Chief pulled out of and exhilarated. I was going to Holly- Union Station in Chicago, I opened the wood. I didn't know what would happen envelope Nancy had given me at the there, but it didn't matter. It would be an farewell party the night before. adventure. I would be going someplace I Inside was the most beautiful love let- had never been before. ter I had ever read. It was dated March Of course, I was also a dumb kid of 23, 16, 1950. so what did I know? There was also a clever homemade Why Hollywood? Well, when you're a greeting card with a drawing of two poo- radio major from Northwestern and you dles on the cover. The bigger poodle was want to make a name for yourself, there standing at a railroad track with a mortar- aren't that many choices. You can stay in board on his head, suitcases all around Chicago or go to New York or Hollywood. him, and a diploma on one of the suit- I didn't want to stay in Chicago, I didn't cases. The smaller poodle was looking know anybody in New York and Hank was forlornly at the bigger poodle and crying.
    [Show full text]