Dave Grohl: Nothing to Lose Pdf, Epub, Ebook
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Find No MSU Students Using LSD, Dope
Find No MSU Students Using LSD, Dope B y TRINKA CLINE "This,’’ he said, "is a matter of ethics. We feel we know a total enrollment of 750,000 students, returned the Senate’s Feurig credits MSU’s lack of a widespread drug fad partly State News Staff W riter the students capable of LSD production well enough to detect questionaire, indicating around 3,800 students have exper to his confidence in the student body. He said, "Certain persons who might become involved.” No cases of Michigan State students’ using mind drugs or imented with mind drugs—just over one-half of 1 per cent student bodies are quite prone to the use of drugs. It is an Narcotic pushers have been arrested on campus. Here narcotics were included in MSU’s response to a questionaire escape from reality, a temporary escape, that is almost a of the total enrollment. again Feurig reported no extensive problem. He said the submitted by the U.S. Senate in April. By far the largest proportion of estimated cases were social pattern for some groups." University keeps a continuous surveillance for the suppliers, Dr. Jam es S. Feurig, director of Olin Health Center, said credited in the Senate report to the University of California "MSU has not had this to contendwith,” he added, "W hile feeling that elimination of the source is one way to control that while the University knows of no specific cases, a watch in Berkeley—2,500. Two cases of LSD and 30 with other we have a number of this type of student, our student body widespread usage. -
Andy Arleo Université De Nantes (CRINI)
LAURA NYRO’S ELI AND THE THIRTEENTH CONFESSION: TRANSCENDING THE DICHOTOMIES OF THE WOODSTOCK YEARS Andy Arleo Université de Nantes (CRINI) As Wavy Gravy says, if you can remember the sixties, you weren't really there (Van Ronk 141) Introduction1 As a member of the so-called Woodstock Generation, I am aware of the potential pitfalls of writing about this period. As Dave Van Ronk points out in his quote from Merry Prankster Wavy Gravy (Hugh Romney), memories of those times tend to be hazy. On the other hand, research on memory has shown that there is a “reminiscence bump,” that is “people tend to remember disproportionately more events from the period between their adolescence and early adulthood” (Foster 64). In any case, it is clear that memory, whether it is individual and collective, reconstructs past experience, and that my own experience of the era has inevitably flavored the content of this article, making it impossible to aspire completely to the traditional ideals of scholarly distance and detachment. Future generations of cultural analysts will no doubt reassess the Woodstock Years through different lenses. The name “Laura Nyro” may not ring a bell for many readers, as it did not for many of my students, colleagues and friends whom I have informally surveyed. This is understandable since, unlike other singer-songwriter icons of the period (e.g., Bob Dylan, Joni Mitchell, James Taylor), Nyro was never really in the mainstream, although her songs have often been covered by a broad spectrum of singers and bands in a remarkable variety of musical styles, sometimes achieving a fair amount of commercial success. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Scobie on I'm Not There
I’M NOT THERE (1956-2007) Stephen Scobie Je est un autre—Arthur Rimbaud I’m Not There (2007) In this autumn season of 2007, I can see that I am going to be thinking a lot about the Bob Dylan song known as “I’m Not There (1956).” At least, that is the title given to it on most of its early, bootleg appearances. Now that it has finally been officially released, the sub-title date has been dropped—which is a pity (since it added an element of mystery to the song) but also understandable (since no good explanation of the date has ever been given). “I’m Not There” is perhaps the ultimate Dylan bootleg, and has always been a subject for cult idealization as the most obscure of Dylan’s “lost” songs: a major master- piece that almost no one knows, and which indeed seems to conspire actively against being known. Now, it has become the title of Todd Haynes’s movie I’m Not There, “inspired by the music and many lives of Bob Dylan”—“many” being the operative word. The film is already famous for casting six different actors to play aspects of Dylan at different points in his career. If this strategy is a gimmick, it is a successful one: the film is generating vast amounts of advance publicity, much of it based on the photographs of Cate Blanchett looking, uncannily and androgynously, like 1966 Bob. The film is not due for North American release until late November, though it has played in prestigious festivals like Toronto, New York, and Venice. -
A Denial the Death of Kurt Cobain the Seattle Police Department
A Denial The Death of Kurt Cobain The Seattle Police Department Substandard Investigation & The Repercussions to Justice by Bree Donovan A Capstone Submitted to The Graduate School-Camden Rutgers, The State University, New Jersey in partial fulfillment of the requirements for the degree of Masters of Arts in Liberal Studies Under the direction of Dr. Joseph C. Schiavo and approved by _________________________________ Capstone Director _________________________________ Program Director Camden, New Jersey, December 2014 i Abstract Kurt Cobain (1967-1994) musician, artist songwriter, and founder of The Rock and Roll Hall of Fame band, Nirvana, was dubbed, “the voice of a generation”; a moniker he wore like his faded cardigan sweater, but with more than some distain. Cobain‟s journey to the top of the Billboard charts was much more Dickensian than many of the generations of fans may realize. During his all too short life, Cobain struggled with physical illness, poverty, undiagnosed depression, a broken family, and the crippling isolation and loneliness brought on by drug addiction. Cobain may have shunned the idea of fame and fortune but like many struggling young musicians (who would become his peers) coming up in the blue collar, working class suburbs of Aberdeen and Tacoma Washington State, being on the cover of Rolling Stone magazine wasn‟t a nightmare image. Cobain, with his unkempt blond hair, polarizing blue eyes, and fragile appearance is a modern-punk-rock Jesus; a model example of the modern-day hero. The musician- a reluctant hero at best, but one who took a dark, frightening journey into another realm, to emerge stronger, clearer headed and changing the trajectory of his life. -
THE INTERNATIONAL MAGAZINE of the AVEDIS ZILDJIAN COMPANY Welcome To
ZL326 THE INTERNATIONAL MAGAZINE OF THE AVEDIS ZILDJIAN COMPANY welcome to Z Time2011 edition issue 33 2011 Z Time Page two News & Events Page six Greatest Cymbal of All Time Page ten Legends Page fourteen Gen 16 Craigie Zildjian Page sixteen On the Road Page twenty Moving Forward Product Info Intro There are so many exciting new things going on here at Zildjian that I couldn’t wait to share this year’s Z-Time with you. 2011 represents our breakthrough into the digital Page twenty-one music making realm. Our new Gen16 product line is the result of our effort to bring our Cast Cymbals knowledge of cymbals and their sounds to the modern digital environment. You can learn more about this initiative on pages 14 and 15 or at our new website www.zildjian.com. Page fifty-five Sheet Cymbals Whether your music making is acoustic, digital, or both, our desire is to be there no matter where your music takes you. I sincerely hope you enjoy the journey. Page sixty-one Drumsticks Best regards, Page sixty-five Gear Page sixty-eight Scrapbook Craigie & Debbie Zildjian Contributing photographers: Sayre Berman Hadas Naoju Nakamura John Stephens cover artist: Volker Beushausen Heinz Kronberger Kacper Diana Nitschke Levi Tecofsky Dominic Howard - Joris Bulckens Kaminski Jimmy Katz Mario Pires Melissa Terry Muse Tina Korhonen Bernard Rosenberg Andreas Ulvo James Cumpsty photo: Calum Doris Scott Legato Tao Ruspoli JonVanDaal Richard Ecclestone Robert Downs Hyejin, Lee Bianca Scharroo Neil Zlozower Sergey Dudin H.J Lee Ronny Sequeira Ludwig Drums graphic designer: M.v.d. -
AXS TV Canada Schedule for Mon. October 15, 2018 to Sun. October 21, 2018
AXS TV Canada Schedule for Mon. October 15, 2018 to Sun. October 21, 2018 Monday October 15, 2018 7:00 PM ET / 4:00 PM PT 8:00 AM ET / 5:00 AM PT John Mayer With Special Guest Buddy Guy The Big Interview John Mayer’s soulful lyrics, convincing vocals, and guitar virtuosity have gained him worldwide Dwight Yoakam - Country music trailblazer takes time from his latest tour to discuss his career fans and Grammy Awards. John serenades the audience with hits like “Neon”, “Daughters” and and how he made it big in the business far from Nashville. “Your Body is a Wonderland”. Buddy Guy joins him in this special performance for the classic “Feels Like Rain”. 9:00 AM ET / 6:00 AM PT The Big Interview 9:00 PM ET / 6:00 PM PT Emmylou Harris - Spend an hour with Emmylou Harris, as Dan Rather did, and you’ll see why she The Life & Songs of Emmylou Harris: An All-Star Concert Celebration is a legend in music. Shot in January 2015, this concert features performances by Emmylou Harris, Alison Krauss, Conor Oberst, Daniel Lanois, Iron & Wine, Kris Kristofferson, Lucinda Williams, Martina McBride, 10:00 AM ET / 7:00 AM PT Mary Chapin Carpenter, Mavis Staples, Patty Griffin, Rodney Crowell, Sara Watkins, Shawn The Life & Songs of Emmylou Harris: An All-Star Concert Celebration Colvin, Sheryl Crow, Shovels & Rope, Steve Earle, The Milk Carton Kids, Trampled By Turtles, Vince Shot in January 2015, this concert features performances by Emmylou Harris, Alison Krauss, Gill, and Buddy Miller. Conor Oberst, Daniel Lanois, Iron & Wine, Kris Kristofferson, Lucinda Williams, Martina McBride, Mary Chapin Carpenter, Mavis Staples, Patty Griffin, Rodney Crowell, Sara Watkins, Shawn 11:00 PM ET / 8:00 PM PT Colvin, Sheryl Crow, Shovels & Rope, Steve Earle, The Milk Carton Kids, Trampled By Turtles, Vince Rock Legends Gill, and Buddy Miller. -
AXS TV Schedule for Mon. June 29, 2020 to Sun. July 5, 2020 Monday
AXS TV Schedule for Mon. June 29, 2020 to Sun. July 5, 2020 Monday June 29, 2020 7:20 PM ET / 4:20 PM PT 8:00 AM ET / 5:00 AM PT AXS TV Insider Rock Legends Featuring highlights and interviews with the biggest names in music. Earth, Wind & Fire - Earth, Wind & Fire is an American band that has spanned the musical genres of R&B, soul, funk, jazz, disco, pop, rock, Latin and African. They are one of the most successful 7:30 PM ET / 4:30 PM PT bands of all time. Leading music critics cast fresh light on their career. Rock Legends Journey - Journey is an American rock band that formed in San Francisco in 1973, composed of 8:30 AM ET / 5:30 AM PT former members of Santana and Frumious Bandersnatch. The band has gone through several Rock & Roll Road Trip With Sammy Hagar phases; its strongest commercial success occurred between 1978 and 1987. Sunset Strip - Sammy heads to Sunset Blvd to reminisce at the Whisky A-Go-Go before visit- ing with former Mötley Crüe drummer Tommy Lee at his house. After cooking together and Premiere exchanging stories, the guys rock out in Tommy’s studio. 8:00 PM ET / 5:00 PM PT Nothing But Trailers 9:00 AM ET / 6:00 AM PT Sometimes the best part of the movie is the preview! Watch some of the best trailers, old and The Big Interview new, during this special presentation. Dwight Yoakam - Country music trailblazer takes time from his latest tour to discuss his career and how he made it big in the business far from Nashville. -
Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ �������������������������� -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
30 YEARS of CRAFT BEER
ROSE FESTIVAL KICKS OFF – SEE LIFE, B1 PortlandTribuneTHURSDAY, MAY 22, 2014 • TWICE CHOSEN THE NATION’S BEST NONDAILY PAPER • PORTLANDTRIBUNE.COM • PUBLISHED TUESDAY AND THURSDAY ■ Portland beer pioneers built buzz that revolutionized industry Water plan swamped; city pledges to change Voters turn county over to Kafoury, return most incumbents to offi ce The Tribune Mayor Charlie Hales admits he was surprised by the lopsided defeat of the proposed Portland Public Water District at Tuesday’s Ben Dobler election. It lost by a 3-to-1 margin. of Widmer But Hales says that does not mean the City Council can return to business as usual when it Brothers stirs comes to running the Water Bureau and the Bu- a tank at the reau of Environmental Services. brewery’s pilot “I heard throughout the campaign that Port- location at the landers want us to improve the management of the Moda Center. water and sewer bureaus. I think the margin of victory means they trust us to do a better job, but we have to deliver,” Hales said as he watched the results in a Pearl District sports bar. After the outcome was Story by Jennifer Anderson clear, Hales reaffirmed Photos by Jonathan House that he will appoint a blue City toasts ribbon commission to study options for increas- isa Morrison remem- “Beer O’Clock!” and author and ing public oversight of the bers when a customer co-author of several books about two bureaus, including some proposed before and came into her bar dur- Portland and Pacifi c Northwest during the campaign by the City Club of Portland, L ing a recent remodel craft brews.