COCA-COLA 1 the Coca-Cola Company Nick White Lourdes
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Product Differentiation and Mergers in the Carbonated Soft Drink Industry
Product Differentiation and Mergers in the Carbonated Soft Drink Industry JEAN-PIERRE DUBE´ University of Chicago Graduate School of Business Chicago, IL 60637 [email protected] I simulate the competitive impact of several soft drink mergers from the 1980s on equilibrium prices and quantities. An unusual feature of soft drink demand is that, at the individual purchase level, households regularly select a variety of soft drink products. Specifically, on a given trip households may select multiple soft drink products and multiple units of each. A concern is that using a standard discrete choice model that assumes single unit purchases may understate the price elasticity of demand. Tomodel the sophisticated choice behavior generating this multiple discreteness,Iuse a household-level scanner data set. Market demand is then computed by aggregating the household estimates. Combining the aggregate demand estimates with a model of static oligopoly, I then run the merger simulations. Despite moderate price increases, I find substantial welfare losses from the proposed merger between Coca-Cola and Dr. Pepper. I also find large price increases and corresponding welfare losses from the proposed merger between Pepsi and 7 UP and, more notably, between Coca-Cola and Pepsi. 1. Introduction With the advent of aggregate brand-level data collected at supermarket checkout scanners, researchers have begun to use structural econo- metric models for policy analysis. The rich content of scanner data enables the estimation of demand systems and their corresponding cross-price elasticities. The areas of merger and antitrust policy have been strong beneficiaries of these improved data. Recent advances in structural approaches to empirical merger analysis consist of combining Iamvery grateful to my thesis committee: David Besanko, Tim Conley, Sachin Gupta, and Rob Porter. -
Carbonated Soft Drinks in the US Through 2025
Carbonated Soft Drinks in the U.S. through 2025: Market Essentials 2021 Edition (To be published September 2021. Data through 2020. Market projections through 2025.) More than 120 Excel tables plus an executive summary detailing trends and comprehensive profiles of leading companies, their brands and their strategies. his comprehensive market research report on the number-two T beverage category examines trends and top companies' For A Full strategies. It provides up-to-date statistics on leading brands, Catalog of packaging, quarterly growth and channels of distribution. It also Reports and offers data on regional markets, pricing, demographics, Databases, advertising, five-year growth projections and more. Go To The report presents the data in Excel spreadsheets, which it supplements with a concise executive summary highlighting key bmcreports.com developments including the impact of the coronavirus pandemic as well as a detailed discussion of the leading carbonated soft drink (CSD) companies. INSIDE: REPORT OVERVIEW A brief discussion of key AVAILABLE FORMAT & features of this report. 2 PRICING TABLE OF CONTENTS Direct Download A detailed outline of this Excel sheets, PDF, PowerPoint & Word report’s contents and data tables. 7 $4,395 To learn more, to place an advance order or to inquire about SAMPLE TEXT AND additional user licenses call: Charlene Harvey +1 212.688.7640 INFOGRAPHICS ext. 1962 [email protected] A few examples of this report’s text, data content layout and style. 13 HAVE Contact Charlene Harvey: 212-688-7640 x 1962 QUESTIONS? [email protected] Beverage Marketing Corporation 850 Third Avenue, 13th Floor, New York, NY 10022 Tel: 212-688-7640 Fax: 212-826-1255 The answers you need Carbonated Soft Drinks in the U.S. -
Strategic Analysis of the Coca-Cola Company
STRATEGIC ANALYSIS OF THE COCA-COLA COMPANY Dinesh Puravankara B Sc (Dairy Technology) Gujarat Agricultural UniversityJ 991 M Sc (Dairy Chemistry) Gujarat Agricultural University, 1994 PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF BUSINESS ADMINISTRATION In the Faculty of Business Administration Executive MBA O Dinesh Puravankara 2007 SIMON FRASER UNIVERSITY Summer 2007 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author APPROVAL Name: Dinesh Puravankara Degree: Master of Business Administration Title of Project: Strategic Analysis of The Coca-Cola Company. Supervisory Committee: Mark Wexler Senior Supervisor Professor Neil R. Abramson Supervisor Associate Professor Date Approved: SIMON FRASER UNIVEliSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "lnstitutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: ~http:llir.lib.sfu.calhandle/l8921112>)and, without changing the content, to translate the thesislproject or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
A Study of the Rap Music Industry in Bogota, Colombia by Laura
The Art of the Hustle: A Study of the Rap Music Industry in Bogota, Colombia by Laura L. Bunting-Hudson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2017 © 2017 Laura L. Bunting-Hudson All Rights Reserved ABSTRACT The Art of the Hustle: A Study of the Rap Music Industry in Bogota, Colombia Laura L. Bunting-Hudson How do rap artists in Bogota, Colombia come together to make music? What is the process they take to commodify their culture? Why are some rappers able to become socially mobile in this process, while others are less so? What is technology’s role in all of this? This ethnography explores those questions, as it carefully documents the strategies utilized by various rap groups in Bogota, Colombia to create social mobility, commoditize products and to create a different vision of modernity within the hip-hop community, as an alternative to the ideals set forth by mainstream Colombian society. Resistance Art Poetry (RAP), is said to have originated in the United States but has become a form of international music. In conducting ethnographic research from December of 2012 to October 2014, I was able to discover how rappers organize themselves politically, how they commoditize their products and distribute them to create various types of social mobilities. In this dissertation, I constructed models to typologize rap groups in Bogota, Colombia, which I call polities of rappers to discuss how these groups come together, take shape, make plans and execute them to reach their business goals. -
University of Florida Thesis Or Dissertation Formatting
HIP-HOP LIFE AND LIVELIHOOD IN NAIROBI, KENYA By JOHN ERIK TIMMONS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2018 © 2018 John Erik Timmons To my parents, John and Kathleen Timmons, my brothers, James and Chris Timmons, and my wife, Sheila Onzere ACKNOWLEDGMENTS The completion of a PhD requires the support of many people and institutions. The intellectual community at the University of Florida offered incredible support throughout my graduate education. In particular, I wish to thank my committee members, beginning with my Chair Richard Kernaghan, whose steadfast support and incisive comments on my work is most responsible for the completion of this PhD. Luise White and Brenda Chalfin have been continuous supporters of my work since my first semester at the University of Florida. Abdoulaye Kane and Larry Crook have given me valuable insights in their seminars and as readers of my dissertation. The Department of Anthropology gave me several semesters of financial support and helped fund pre-dissertation research. The Center for African Studies similarly helped fund this research through a pre-dissertation fellowship and awarding me two years’ support the Foreign Language and Area Studies Fellowship. Another generous Summer FLAS Fellowship was awarded through Yale’s MacMillan Center Council on African Studies. My language training in Kiswahili was carried out in the classrooms of several great instructors, Rose Lugano, Ann Biersteker, and Kiarie wa Njogu. The United States Department of Education generously supported this fieldwork through a Fulbright-Hays Doctoral Dissertation Research Award. -
Cape Verde and Brazil Musical Connections
Cape Verde and Brazil Musical Connections Juliana Braz Dias Universidade de Brasília / University of Pretoria Introduction The insertion of Brazilian music in contexts outside of the country is no lon- ger a novelty. Indeed, the media often reports on these musical flows. For instance, newspapers and specialized magazines have played a crucial role in highlighting the presence of Brazil on the international stage through reports on Grammy Awards won by Brazilian musicians (namely, Sérgio Mendes, Milton Nascimento, Gilberto Gil, Caetano Veloso e João Gilberto). Another example is the increased visibility of concerts featuring Brazilian artists in other countries, such as the Brazilian Day in New York, which attracts more than a million people to the streets of that city – above all Brazilians, but also North-Americans and migrants from other countries. However, it should be noted that the presence of Brazilian music outside of the country’s borders is not necessarily related to the global cultural indus- try, neither to the impact of recent migration processes. Musical exchanges involving Brazilian musicians have been going on for some time, in multiple ways, following diverse routes and movements of people. In this article, I focus on a particular trajectory that some forms of Brazilian music have taken. I refer to the Atlantic flows that allowed for the arrival of music and musicians from Brazil to Cape Verde, deeply influencing musical productions in the archipelago. Adopting an anthropological ap- proach, I seek to engage with discourses articulated by Cape Verdeans on the role of “Brazilian music” (as they understand it) and its relationship to the music produced in Cape Verde. -
Angola's Oil Industry - a Century of Progress in Exploration and Production*
Angola's Oil Industry - A Century of Progress in Exploration and Production* Tako Koning1 Search and Discovery Article #70174 (2014)** Posted November 30, 2014 *Adapted from oral presentation given at AAPG International Conference & Exhibition, Istanbul, Turkey, September 14-17, 2014 **Datapages © 2014 Serial rights given by author. For all other rights contact author directly. 1Gaffney, Cline & Associates, Bellaire, TX, U.S. ([email protected]) Abstract In 2015 Angola will have experienced a century of oil exploration and production. A variety of wide-ranging, high potential plays have led to a dramatic surge in Angola's oil production. A decade ago, Angola was producing approximately 750,000 bopd (barrels of oil per day) and now production of almost 2.0 million bopd has been achieved. In the late 1700's Portuguese colonialists discovered oil seeps and asphalt deposits at Libongos, about 60 km north of Luanda and shipped some of the oil to Lisbon and Rio de Janeiro to be used as a caulking material to prevent water leakage into their ships. First-ever drilling for oil was in 1915 about 40 km northeast of Luanda. Dande-4 drilled in 1916 was tested at 6 bopd and was subsequently abandoned but it signified the first flow of oil in Angola. In 1956 the Benfica oil field, near Luanda, went on production representing the beginning of oil production in Angola. The first offshore oil field in Angola, Malongo, was discovered in 1968 in the Angola province of Cabinda by the American company, Gulf Oil. In 1996 Elf Petroleum discovered the Girassol oil field on Block 17 in 1,300 meters of water about 140 kilometers off the coast of Angola. -
My Voice Is My Weapon: Music, Nationalism, and the Poetics Of
MY VOICE IS MY WEAPON MY VOICE IS MY WEAPON Music, Nationalism, and the Poetics of Palestinian Resistance David A. McDonald Duke University Press ✹ Durham and London ✹ 2013 © 2013 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ♾ Cover by Heather Hensley. Interior by Courtney Leigh Baker Typeset in Minion Pro by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data McDonald, David A., 1976– My voice is my weapon : music, nationalism, and the poetics of Palestinian resistance / David A. McDonald. pages cm Includes bibliographical references and index. isbn 978-0-8223-5468-0 (cloth : alk. paper) isbn 978-0-8223-5479-6 (pbk. : alk. paper) 1. Palestinian Arabs—Music—History and criticism. 2. Music—Political aspects—Israel. 3. Music—Political aspects—Gaza Strip. 4. Music—Political aspects—West Bank. i. Title. ml3754.5.m33 2013 780.89′9274—dc23 2013012813 For Seamus Patrick McDonald Illustrations viii Note on Transliterations xi Note on Accessing Performance Videos xiii Acknowledgments xvii introduction ✹ 1 chapter 1. Nationalism, Belonging, and the Performativity of Resistance ✹ 17 chapter 2. Poets, Singers, and Songs ✹ 34 Voices in the Resistance Movement (1917–1967) chapter 3. Al- Naksa and the Emergence of Political Song (1967–1987) ✹ 78 chapter 4. The First Intifada and the Generation of Stones (1987–2000) ✹ 116 chapter 5. Revivals and New Arrivals ✹ 144 The al- Aqsa Intifada (2000–2010) CONTENTS chapter 6. “My Songs Can Reach the Whole Nation” ✹ 163 Baladna and Protest Song in Jordan chapter 7. Imprisonment and Exile ✹ 199 Negotiating Power and Resistance in Palestinian Protest Song chapter 8. -
Coca-Cola 2020 World Without Waste Report
2020 World Without Waste Report THE COMPANY Introduction Design Collect Partner What’s Next Assurance Statement Design Make 100% of our packaging recyclable globally by 2025—and We have a responsibility to help solve the global use at least 50% recycled material plastic waste crisis. That’s why, in 2018, we in our packaging by 2030. launched World Without Waste—an ambitious, sustainable packaging initiative that is creating systemic change by driving a circular economy Collect for our bottles and cans. Collect and recycle a bottle or can for each one we sell by 2030. The World Without Waste strategy has signaled a renewed focus on our entire packaging lifecycle—from how bottles and cans are Partner designed and produced to how they’re recycled Bring people together to and repurposed—through a focus on three support a healthy, debris-free environment. fundamental goals: Our sustainability priorities are interconnected, so we approach them holistically. Because packaging accounts for approximately 30% of our overall carbon footprint, our World Without Waste strategy is essential to meeting our Science-Based Target for climate. We lower our carbon footprint by using more recycled material; by lightweighting our packaging; by focusing on refillable, dispensed and Coca-Cola Freestyle solutions; by developing alternative packaging materials, such as advanced, plant-based packaging that requires less fossil fuel; and by investing in local recycling programs to collect plastic and glass bottles and cans so they can become new ones. This is our third World Without Waste progress report (read our 2018 and 2019 reports). Three years into this transformational journey, the global conversation about plastic pollution—and calls for urgent, collaborative action—are intensifying. -
System Energy and Recycling : a Study of the Beverage Industry
LIBRARY OF THE UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN 510.84 *o.2>30 ' AUG. 51.976 Ihe person charging this material is re- sponsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for disciplinary action and may result in dismissal from the University. UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN itffr PR IPR ran at * i i L . dr JUL 1980 JUN 1 DEC * & fflP L161 — O-1096 0. w fcu< i ENGINEERING LIBRARY .^3 y^ SHY OF ILLINOIS CONFERENCE ROD!, ;3ANA, ILLINOIS lutation UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN URBANA, ILLINOIS 61801 Digitized by the Internet Archive in 2012 with funding from University of Illinois Urbana-Champaign http://archive.org/details/systemenergyrecyOOhann CAC Document No. 23 Revised SYSTEM ENERGY AND RECYCLING: A STUDY OF THE BEVERAGE INDUSTRY By Bruce Hannon Assistant Professor of General Engineering and Staff Member with Center for Advanced Computation Center for Advanced Computation University of Illinois at Urbana- Champaign Urbana, Illinois 61801 January 5, 1972 Revised March .17, 1973 ABSTRACT An energy analysis has been performed on the soft drink, beer and milk container systems. The study shows that the energy required to de- liver a unit of beverage to the consumer is about three times more in throwaway glass containers than in returnable bottles or bimetallic cans. The energy cost of recycling glass (collecting, separating and remelting) is greater than the comparable cost of mining materials for new bottles. All aluminum cans are about 38% more energy intensive than bimetallic cans. -
Fiscal and Economic Impacts of Beverage Excise Taxes Imposed by Maine Public Law 629 *
FISCAL AND ECONOMIC IMPACTS OF BEVERAGE EXCISE TAXES IMPOSED BY MAINE PUBLIC LAW 629 * SOE Staff Paper #575 October 2008 Todd Gabe Associate Professor School of Economics, University of Maine Executive Summary: The purpose of this study is to examine the fiscal and economic impacts of the new and increased taxes on malt liquor (i.e., beer), wine and soft drinks imposed by Public Law 629. By fiscal impacts, we mean the increase in beverage taxes that would be paid by households and businesses. Our analysis suggests that Public Law 629 would lead to an estimated $40.7 million in additional beverage taxes per year. Economic impacts refer to the changes in statewide economic activity (e.g., sales revenue, employment and income) that would occur as a result of the increased beverage taxes. Here, we find that – including multiplier effects – Public Law 629 would lead to an estimated statewide reduction in sales revenue of $26.3 million per year, with an accompanying loss of 395 full- and part-time jobs that provide $8.8 million in income (i.e., wages and salaries). Empirical results presented in this study are based on actual data and, in some cases, figures that are estimated using information from government and beverage industry sources. In addition, findings from published academic studies are used to make assumptions about the extent to which the beverage excise taxes imposed by Public Law 629 will raise retail prices and, in turn, how strongly consumers will respond to these price hikes. Results presented in this report are meant to be one piece of information, considered along with other economic and non-economic issues, used to inform the debate about Public Law 629. -
Pricing Strategy for Soft Drink Industry Submitted To
IBS Executive Batch 2009-10 Pricing Strategy for Soft Drink Industry Submitted to: Submitted By: Amit Kumar (09ESHYD003) Ashwin Bhadviya (09ESHYD008) Deepa Patnaik (09ESHYD012) Jinson Rajgopalan (09ESHYD016) A Project for Accounting for Decision Making Table of Contents Introduction .................................................................................................................................................. 3 Entry Barriers in Soft Drink Market .......................................................................................................... 3 SWOT Analysis: ......................................................................................................................................... 4 Various Cola Brands Products Available: ............................................................................................... 5 Pricing Strategy .......................................................................................................................................... 6 Coke – Price ............................................................................................................................................ 6 Pepsi – Price ........................................................................................................................................... 6 Pricing strategy for Buyer and Suppliers ................................................................................. 6 Effect of Competition and Price War on Industry Profits:........................................................