Proquest Dissertations

Total Page:16

File Type:pdf, Size:1020Kb

Proquest Dissertations The palaces of Nevskiy Prospect: A translation about their architectural foundation Item Type text; Thesis-Reproduction (electronic) Authors Savage, David S. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 08:47:26 Link to Item http://hdl.handle.net/10150/291832 NOTE TO USERS This reproduction is the best copy available. UMI THE PALACES OF NEVSKIY PROSPECT A TRANSLATION ABOUT THEIR ARCHITECTURAL FOUNDATION by David Samuel Savage Copyright © David Samuel Savage 2003 A Thesis Submitted to the Faculty of the DEPARTMENT OF RUSSIAN AND SLAVIC STUDIES MASTER OF ARTS WITH A MAJOR IN RUSSIAN In the Graduate College THE UNIVERSITY OF ARIZONA 2003 UMI Number: 1418603 Copyright 2003 by Savage, David Samuel All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 1418603 Copyright 2004 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Ml 48106-1346 2 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. SIGNED: APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: *1"J\ 5 Teresa L, Polowy ^ Date Professor of Russian & Slavic Studies 3 TABLE OF CONTENTS 1. LIST OF ILLUSTRATIONS 4 2. ABSTRACT 7 3. PREFACE; The Palaces of the Nevskiy Prospect 8 Difficulties in Translation 11 A Note on the Major Architects of the Eighteenth Century 14 4. PALACES OF THE NEVSKIY PROSPECT ANICHKOV PALACE Architects and Builders of the Palace 16 5. PALACES OF THE NEVSKIY PROSPECT PALACE OF BELOSELSKIY-BELOZERSKIY Construction of the Palace 44 6. APPENDIX: Floor plans of the Anichkov and Beloselskiy-Belozerskiy Palaces?1 7. REFERENCES 74 4 LIST OF ILLUSTRATIONS All photos are the property of the translator. Anichkov Palace, View from Nevskiy Prospect 17 Anichkov Palace, View from State Courtyard 19 Anichkov Palace, View of Church Dome 19 Anichkov Palace, View form State Courtyard 21 Anichkov Palace, Close-up view from State Courtyard 21 Anichkov Palace, Public Library view from Theatre Square 24 Anichkov Palace, Public Library view from Nevskiy Prospect 24 Anichkov Palace, Office Complex view from Fontanka canal 26 Anichkov Palace, Office Complex view from Nevskiy Prospect 26 Anichkov Palace, State Courtyard Gate 29 Anichkov Palace, State Garden Gate 29 Anichkov Palace, Garden Pavilion view from Theatre Square 31 Anichkov Palace, Garden Pavilion view from garden 31 Anichkov Palace, Garden Pavilion view from Nevskiy Prospect 32 Anichkov Palace, Garden Pavilion view from garden 32 Anichkov Palace, Alexandrine Theatre view from Theatre Square 33 Anichkov Palace, Alexandrine Theatre view from garden 33 Anichkov Palace, View from garden 35 Anichkov Palace, View from garden 35 Anichkov Palace, Winter Garden 37 5 LIST OF ILLUSTRATIONS-continued Anichkov Palace, Dining Room 37 Anichkov Palace, Gold Room 39 Anichkov Palace, Blue Room 39 Anichkov Palace, Theatre and Sports complex "Carnival" 42 Beloselskiy-Belozerskiy Palace, View from Fontanka Canal 45 Beloselskiy-Belozerskiy Palace, View from Anichkov Bridge 45 Beloselskiy-Belozerskiy Palace, Fontanka Fa9ade 47 Beloselskiy-Belozerskiy Palace, Fontanka Facade close-up 47 Beloselskiy-Belozerskiy Palace, Full figure Atlas 49 Beloselskiy-Belozerskiy Palace, Close-up Atlas 49 Beloselskiy-Belozerskiy Palace, Grand Staircase 52 Beloselskiy-Belozerskiy Palace, Grand Staircase 52 Beloselskiy-Belozerskiy Palace, Crimson Drawing Room 54 Beloselskiy-Belozerskiy Palace, Crimson Drawing Room 54 Beloselskiy-Belozerskiy Palace, Green Drawing Room 57 Beloselskiy-Belozerskiy Palace, Reception Room 57 Beloselskiy-Belozerskiy Palace, Dining Room 60 Beloselskiy-Belozerskiy Palace, Dining Room 60 Beloselskiy-Belozerskiy Palace, Picture Gallery 62 Beloselskiy-Belozerskiy Palace, Molding aroimd Theatre entrance 62 Beloselskiy-Belozerskiy Palace Theatre 64 LIST OF ILLUSTRATIONS-continued Beloselskiy-Belozerskiy Palace Library 7 ABSTRACT The thesis consists of a translation of chapters pertaining to the construction and reconstruction of the famous St. Petersburg Anichkov and Beloselskiy-Belozerskiy palaces, detailing the founders, owners, and architects who designed and built them. These translations contain extraordinary and insightfiil information regarding the development of architectural St. Petersburg. The translated chapters also document the many changes that took place over time with each new resident of the palaces and outline the artistic architectural features of each palace. A preface to the thesis details the research and problems encountered in the process of translation. This annotated and photo-illustrated translation describes the architectural innovation inherent in the construction of each palace and illustrates the current state of restoration and repairs being made in order to return these splendid residences to their former glory. The significance of the translated chapters lies in the fact that they contribute important cultural and historic information to English-language readers about the architectural history of St Petersburg in its three-hundredth year. 8 PREFACE "The Palaces of the Nevskiy Prospect" The Nevskiy Prospect, St. Petersburg's main thoroughfare, is a road that embraces the past, the present, and the future. It was laid out in two sections, the first leading away from the Alexander Nevskiy Lavra [Monastery] where it intersects at Insurrection Square with the road to Novgorod; the second section makes a short turn or "dog leg" and continues to the Admiralty where it meets the Neva River. According to a Russian saying: "If you have not seen a friend for a while, you should take a walk down the Nevskiy Prospect and you will surely meet him." This quaint aphorism coincides with the mystical qualities that Russians attach to things of which they are fond. The history, beauty, and architecture of the Nevskiy Prospect and its palaces produce a euphoric perception of this street, which has attracted my attention and held my interest since the very first time I walked its length. The book Palaces of the Nevskiy Prospect edited by A.V. Laks (St Petersburg: Izdatel'stvo. "Beloe and Chemoe," 2002) is a history of three of the palaces on Nevskiy Prospect built in the eighteenth century: Anichkov, Beloselskiy-Belozerskiy, and Stroganov. The Anichkov Palace is the topic of four chapters each written by different authors, while a single author wrote all five chapters on the Beloselskiy-Belozerskiy Palace. The first chapter translated, "Architects and Builders of the Palace," written by V.I. Axelrod and N.N. Demicheva, is about Anichkov Palace which was built and altered many times by numerous architects, the most notable being F.B. Rastrelli and K. Rossi. 9 The second chapter translated "Construction of the Palace," written by M.P. Tselyadt, is about the Palace Beloselskiy-Belozerskiy, built predominately by A.I. Shtakenshneider. I decided against translating chapters on the Stroganov Palace due to its current restoration and limited accessibility. I chose particular chapters to translate because the subject matter was important to my long-term studies. These chapters unite history, art, architecture, and culture together in describing the foundation of the palaces. The Anichkov and Beloselskiy-Belozerskiy palaces are set on opposite embankments of the Fontanka Canal where it intersects Nevskiy Prospect. Anichkov has gone through the most changes and there is little extant of the historical parts of the palace, although a few rooms have been restored. The most relevant information conveyed in the Anichkov chapter, "Architects and Builders," recounts in detail the development of the architectural ensemble located in the center of St Petersburg through a succession of architects who, while changing the face of downtown, endowed the palace with the latest technical advancements of the day. Beloselskiy-Belozerskiy Palace, on the other hand, was not inhabited by a lineage of owners and because so many of the grand rooms of the palace were maintained, it continues to appropriately reflect the elaborate detail of the grand reception rooms of the eighteenth century aristocracy. World War II did not destroy the palaces on Nevskiy Prospect
Recommended publications
  • The Tsar's New Year's Eve Ball
    The Tsar’s New Year’s Eve Ball A small, intimate group tour through St. Petersburg and Moscow The social season in Imperial St. Petersburg began in autumn and ended with the coming of Lent in March. If you know your Tolstoy then you will remember that it was a blinding social whirl, but one in which some occasions could not be missed – a new opera at the Mariinsky, a ball at which absolutely everybody who was anybody would attend, and a concert at the Philharmonic. Well, you can put your book down, come with us and live for a little while the lives of the Stroganovs, and the Yusupovs, because although the fashions have changed and the carriages are now in the museums, the season in St. Petersburg still very much exists. The Basics 7 nights in extraordinary, deluxe hotels in the center of each city Expertly planned small group touring with top local guides Entrance Fees to all the sites mentioned in the program 24-hour, English-speaking local assistance in case of emergency or changes Highlights of Exeter’s Tsar’s Ball Tour View the snow-covered gardens of Pavlovsk Palace from your private troika sled (weather permitting) Walk the uncrowded halls of the Hermitage with an expert guide Attend the event of the season – the Tsar’s Gala Ball at Catherine Palace Experience privately guided tours of the Diamond Vaults and the Armory Museum at the Kremlin Easy to Combine with: Copenhagen or Stockholm Berlin or Munich Vienna, Prague or Budapest Day 1 December 28 Wednesday St.
    [Show full text]
  • St Petersburg 8
    Plan Your Trip 12 ©Lonely Planet Publications Pty Ltd St Petersburg “All you’ve got to do is decide to go and the hardest part is over. So go!” TONY WHEELER, COFOUNDER – LONELY PLANET Regis St Louis, Simon Richmond Contents PlanPlan Your Your Trip Trip page 1 4 Welcome to Top Itineraries ���������������20 Travelling to Moscow ����36 St Petersburg ������������������ 4 If You Like� ����������������������22 Museums St Petersburg’s Month by Month ������������24 & Galleries �������������������37 Top 10 ������������������������������� 6 With Kids ������������������������26 Eating ���������������������������39 What’s New �������������������� 13 Money-Saving Tips �������28 Drinking Need to Know �����������������14 & Nightlife ������������������ 43 Visas �������������������������������29 First Time Entertainment ������������ 46 St Petersburg �����������������16 Tours & Activities �����������31 Shopping ��������������������� 48 Getting Around �������������� 18 Visiting on a Cruise �������34 Explore St Petersburg 50 Historic Heart ����������������54 Vasilyevsky Island ������� 143 Day Trips from Sennaya & Kolomna ���104 Petrograd & St Petersburg ������������ 173 Vyborg Sides ��������������� 154 Smolny & Sleeping ���������������������186 Vosstaniya ��������������������121 Understand St Petersburg 197 St Petersburg History ������������������������� 200 Arts �������������������������������226 Today ���������������������������� 198 Architecture ����������������� 219 Literature ���������������������236 Survival Guide 241 Transport ���������������������242
    [Show full text]
  • Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
    Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town.
    [Show full text]
  • Imperial Saint Petersburg, from Peter the Great to Catherine II 17 July – 12 September 2004 Grimaldi Forum Monaco – Espace Ravel
    Imperial Saint Petersburg, from Peter the Great to Catherine II 17 July – 12 September 2004 Grimaldi Forum Monaco – Espace Ravel The exhibition Imperial Saint Petersburg, from Peter the Great to Catherine II is produced by the Grimaldi Forum Monaco with the support of ABN AMRO Bank and of Amico Società di Navigazione SpA. Curator: Brigitte de Montclos, curator-in-chief of Heritage Display design: François Payet Around the exhibition… Swan Lake by the Kirov Ballet: 16, 17 and 18 July 2004 – Salle des Princes; the entire company (orchestra and dancers) totalling 200 performers. Free Russian electro-pop and rock concerts: every Thursday at 11pm from 22 July to 19 August 2004. Including Frau Muller, Messer Chups and Lydia Kavina – Alexandroïd (RFI 2003 prize) – DJ Vadim and the Russian Percussions – The Ukranians – O.L.F. Olga Joestvenskaya and Moscow Grooves Institute. And the Saturday September 11st – Ozone cocktail. Practical information Grimaldi Forum: 10 avenue Princesse Grace, Monaco – Espace Ravel. Opening hours: Daily from 10am to 8pm, late opening Thursdays 10am to 10pm and the Tuesdays July 20th, August 10th, August 17th and Wednesday 28th July. Grimaldi Forum Ticket Office: Tel. +377 99 99 30 00 - Fax +377 99 99 30 01, and FNAC ticket outlets. Website: www.grimaldiforum.mc Email: [email protected] Admission: Full price: €10. Reduced price for groups (over 10 people): €8. Students (under 25) with student card: €8. Children up to age 11: free. Exhibition Communication: PARIS: Micheline Bourgoin – Tel. +33 (0)6 07 57 78 24 MONACO: Hervé Zorgniotti - Nathalie Pinto – Tel. +377 99 99 25 03 Saint Petersburg's tricentenary celebrations are over.
    [Show full text]
  • Cultural Heritage, Cinema, and Identity by Kiun H
    Title Page Framing, Walking, and Reimagining Landscapes in a Post-Soviet St. Petersburg: Cultural Heritage, Cinema, and Identity by Kiun Hwang Undergraduate degree, Yonsei University, 2005 Master degree, Yonsei University, 2008 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 Committee Page UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Kiun Hwang It was defended on November 8, 2019 and approved by David Birnbaum, Professor, University of Pittsburgh, Department of Slavic Languages and Literatures Mrinalini Rajagopalan, Associate Professor, University of Pittsburgh, Department of History of Art & Architecture Vladimir Padunov, Associate Professor, University of Pittsburgh, Department of Slavic Languages and Literatures Dissertation Advisor: Nancy Condee, Professor, University of Pittsburgh, Department of Slavic Languages and Literatures ii Copyright © by Kiun Hwang 2019 Abstract iii Framing, Walking, and Reimagining Landscapes in a Post-Soviet St. Petersburg: Cultural Heritage, Cinema, and Identity Kiun Hwang, PhD University of Pittsburgh, 2019 St. Petersburg’s image and identity have long been determined by its geographical location and socio-cultural foreignness. But St. Petersburg’s three centuries have matured its material authenticity, recognizable tableaux and unique urban narratives, chiefly the Petersburg Text. The three of these, intertwined in their formation and development, created a distinctive place-identity. The aura arising from this distinctiveness functioned as a marketable code not only for St. Petersburg’s heritage industry, but also for a future-oriented engagement with post-Soviet hypercapitalism. Reflecting on both up-to-date scholarship and the actual cityscapes themselves, my dissertation will focus on the imaginative landscapes in the historic center of St.
    [Show full text]
  • The City's Memory: Texts of Preservation and Loss in Imperial St. Petersburg Julie Buckler, Harvard University Petersburg's Im
    The City’s Memory: Texts of Preservation and Loss in Imperial St. Petersburg Julie Buckler, Harvard University Petersburg's imperial-era chroniclers have displayed a persistent, paradoxical obsession with this very young city's history and memory. Count Francesco Algarotti was among the first to exhibit this curious conflation of old and new, although he seems to have been influenced by sentiments generally in the air during the early eighteenth century. Algarotti attributed the dilapidated state of the grand palaces along the banks of the Neva to the haste with which these residences had been constructed by members of the court whom Peter the Great had obliged to move from Moscow to the new capital: [I]t is easy to see that [the palaces] were built out of obedience rather than choice. Their walls are all cracked, quite out of perpendicular, and ready to fall. It has been wittily enough said, that ruins make themselves in other places, but that they were built at Petersburg. Accordingly, it is necessary every moment, in this new capital, to repair the foundations of the buildings, and its inhabitants built incessantly; as well for this reason, as on account of the instability of the ground and of the bad quality of the materials.1 In a similar vein, William Kinglake, who visited Petersburg in the mid-1840s, scornfully advised travelers to admire the city by moonlight, so as to avoid seeing, “with too critical an eye, plaster scaling from the white-washed walls, and frost-cracks rending the painted 1Francesco Algarotti, “Letters from Count Algarotti to Lord Hervey and the Marquis Scipio Maffei,” Letter IV, June 30, 1739.
    [Show full text]
  • Download Tour Itinerary
    Comprehensive introduction to the Romanovs and their collections Several guided visits exploring the Hermitage Palace Museum Visits to a number of the Hermitage ‘Reserve Collections’ & two Treasuries Peterhof, Tsarskoe Selo & Pavlosk - the most enchanting of the country palaces Very comfortable 5* Astoria Hotel close to the Hermitage & Nevsky Prospekt Gallery of Ancient Paintings, Winter Palace, The Hermitage Travellers who have been to St Petersburg are often overwhelmed by a visit to the Hermitage Palace Museum and the Imperial Palaces outside the city. Huge in scale, lavish in decoration, extraordinary in terms of the number, range and quality of contents, they can seduce and frustrate in equal measure – particularly so if visited during the ‘peak’ months from April to October. Led by Dame Rosalind Savill (formerly Director of The Wallace Collection in London) and Tom Duncan, our visit is designed both for someone who may be planning a first visit and, equally, for those who may have been to St Petersburg in the past and encountered these palaces on an ‘introductory’ basis. If you would like to spend time discovering them without crowds, in an unhurried and scholarly fashion, with rarely granted private access within the Hermitage and the country palaces, this may very well be the visit for you - truly, a ‘connoisseur’s’ visit. The Hermitage was originally built as a ‘winter’ Palace for Peter the Great in the early eighteenth century. However, the core of the present structure is the fourth such palace on this site. It was built for the Empress Elizabeth by the Italian architect, Bartolomeo Rastrelli, between 1754 and 1762.
    [Show full text]
  • 2 Booklet 5 Day.Indd
    I love you, Peter’s great creation, Saint Petersburg is one of the most beautiful cities in I love your view of stern and grace, The Neva wave’s regal procession, the world, the cultural capital of Russia, the nation’s im- The grayish granite – her bank’s dress, portant business and academic centre. The airy iron-casting fences, The gentle transparent twilight, The city was founded by Peter I on the 16th (27th) of The moonless gleam of your nights May, 1703 as an outpost on the Neva’s banks. For a restless, long time Saint Petersburg remained the capital of the When I so easy read and write Without a lamp in my room lone, Russian Empire. From the moment of its foundation to And seen is each huge buildings’ stone this day the city has remained the centre of culture and Of the left streets, and is so bright The Admiralty spire’s fl ight… art. Famous architects of that time participated in con- struction and creation of the architectural image of Saint A. S. Pushkin, a fragment from the poem Petersburg. Among them were: George Mattarnovi, “The Bronze Horseman” Jean-Baptiste Le Blond, Domenico Trezzini, and Giaco- mo Quarenghi. In the course of its existence, the city changed its name three times. At the beginning of the World War I (1914) it became Petrograd. In 1924 it was renamed Leningrad in honor of V. I. Lenin at the workers’ initia- tive. In 1991 the historical name of Saint Petersburg was given back to the city. Saint Petersburg is often called Venice of the North, as it is located on the islands of the Neva River estuary, and the rivers and canals, the number of which amounts to over 90, give it a special charm in any time of the year.
    [Show full text]
  • Places to See in Saint Petersburg, Russia
    1 Must see places in Saint Petersburg ❏ Hermitage ❏ Russian museum ❏ Kunstkamera ❏ Peter and Paul fortress ❏ St.Isaac cathedral ❏ Church of the Savior on Spilled Blood ❏ Kazan cathedral ❏ Trinity cathedral ❏ Smolny convent ❏ Bronze Horseman, Peter the Great monument ❏ Summer Garden ❏ Mikhailovsky Garden ❏ Singer Building (House of Books) ❏ Admiralty building ❏ Mariinsky theater ❏ St.Petersburg metro; Admiralteyskaya, Avtovo, Bukharestskaya stations ❏ Peterhof; palace, park, fountains. Day trip from St.Petersburg ❏ Tsarskoye Selo; Catherine palace and park, Amber room. Day trip from St.Petersburg Must do things in Saint Petersburg ❏ Walk through the city center ❏ Take a boat tour ❏ Watch Palace bridge opening at night ❏ Admire the city from St.Isaac cathedral colonnade ❏ Stroll through the Nevsky avenue ❏ Watch ballet or opera ❏ Visit suburbs; Peterhof, Tsarskoye Selo ❏ Explore St.Petersburg metro ❏ Visit city museums; Hermitage, Russian museum ❏ Try Russian food; pelmeni, pancakes (blini), pies (pierogi) etc. stingynomads.com 2 More attractions in Saint Petersburg ❏ Nikolsky cathedral ❏ Alexander Nevsky cemetery ❏ Marble Palace ❏ Stroganov Palace ❏ Mikhailovsky castle ❏ Mikhailovsky theater ❏ Alexandrinsky theater ❏ Mosque ❏ Philharmonic Hall ❏ Court Chapel ❏ Yeliseev Merchant’s Shop ❏ Bankovsky bridge ❏ Anichkov bridge ❏ Veliky Novgorod, oldest Russian town. A day trip from St.Petersburg Off the beaten track in St.Petersburg ❏ Faberge museum ❏ Grand Maket Rossiya (Russia Layout) ❏ Street Art museum ❏ Erarta Modern Art museum ❏ Cruiser
    [Show full text]
  • Legami Culturali Tra La Russia E L'italia in Architettura
    SCUOLA SUPERIORE PER MEDIATORI LINGUISTICI (Decreto Ministero dell’Università 31/07/2003) Via P. S. Mancini, 2 – 00196 - Roma TESI DI DIPLOMA DI MEDIATORE LINGUISTICO (Curriculum Interprete e Traduttore) Equipollente ai Diplomi di Laurea rilasciati dalle Università al termine dei Corsi afferenti alla classe delle LAUREE UNIVERSITARIE IN SCIENZE DELLA MEDIAZIONE LINGUISTICA Legami culturali tra la Russia e l’Italia in architettura RELATORE: CORRELATORI: prof.ssa Adriana Bisirri prof. Alfredo Rocca prof.ssa Claudia Piemonte prof.ssa Eleonora Malykhina CANDIDATA: OLGA MOSKALEVA MATRICOLA: 1826 ANNO ACCADEMICO 2015/2016 Ad Angelo Dulizia «L’indelebile importanza che gli architetti italiani hanno lasciato sia nel Cremlino di Mosca che nella città di San Pietroburgo è la migliore testimonianza di come l’Italia e la Russia siano unite da una tradizione di amicizia ricca e profonda» GIORGIO NAPOLITANO INDICE SEZIONE ITALIANA Introduzione ................................................................................................ 12 1. Presupposti per l’inizio delle relazioni con l’Italia............................ 16 1.1. Il carattere dell’architettura russa nel XII secolo .............................. 16 1.2. Il Cremlino di Mosca prima dell’inizio di collaborazione con i maestri italiani ....................................................................................................... 19 2. I rapporti italo-russi in architettura nei secoli XV – XVI ................... 21 2.1. L’arrivo a Mosca di Fioravanti. La ricostruzione della
    [Show full text]
  • St. Petersburg Is Recognized As One of the Most Beautiful Cities in the World. This City of a Unique Fate Attracts Lots of Touri
    I love you, Peter’s great creation, St. Petersburg is recognized as one of the most I love your view of stern and grace, beautiful cities in the world. This city of a unique fate The Neva wave’s regal procession, The grayish granite – her bank’s dress, attracts lots of tourists every year. Founded in 1703 The airy iron-casting fences, by Peter the Great, St. Petersburg is today the cultural The gentle transparent twilight, capital of Russia and the second largest metropolis The moonless gleam of your of Russia. The architectural look of the city was nights restless, When I so easy read and write created while Petersburg was the capital of the Without a lamp in my room lone, Russian Empire. The greatest architects of their time And seen is each huge buildings’ stone worked at creating palaces and parks, cathedrals and Of the left streets, and is so bright The Admiralty spire’s flight… squares: Domenico Trezzini, Jean-Baptiste Le Blond, Georg Mattarnovi among many others. A. S. Pushkin, First named Saint Petersburg in honor of the a fragment from the poem Apostle Peter, the city on the Neva changed its name “The Bronze Horseman” three times in the XX century. During World War I, the city was renamed Petrograd, and after the death of the leader of the world revolution in 1924, Petrograd became Leningrad. The first mayor, Anatoly Sobchak, returned the city its historical name in 1991. It has been said that it is impossible to get acquainted with all the beauties of St.
    [Show full text]
  • Changing Experiences
    Considered the central square of Moscow, the Red Square is one of Russia’s most vibrant public spaces and was the location of the country’s most important historical and political events since the 13th century. PABLO1980 / CONTRIBUTOR / SHUTTERSTOCK.COM A Visit to Woman Catherine of the the Great’s World With women-centric travel by Jennifer Eremeeva skyrocketing, one female-run, female-only travel company is offering the chance for life- Russia changing experiences. By Angela Caraway-Carlton 90 • l’hiver 2019 • readelysian.com readelysian.com • l’automne 2019 • 91 Aerial view of the Winter Palace and Aleksandr Column in Palace Square as seen through the triumphal chariot, a symbol of military glory, beyond ascertaining which languages she faith. Russia had weathered a 200-year atop the arch of the General Staff Building. could speak. This was less of a concern DROZDIN VLADIMIR / SHUTTERSTOCK.COM occupation by the Tatar Mongols, and the than her ability to give birth to an heir. Had civilizing influences of the Renaissance and Elizabeth inquired, she might have learned Reformation had passed the country by. that Princess Sophia was unusually bright In the subsequent two centuries, there had and well trained by a dedicated governess been frequent violent uprisings, civil strife who had honed and developed Sophia’s and numerous succession crises. Catherine the Great, portrait painting keen mind and natural curiosity, instilling in profile by Fyodor Rokotov, 1763. Sophia was following in the footsteps in Sophia rigorous study habits that would of another Princess Sophia who had left serve the princess well in the years to come.
    [Show full text]