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Section 4.5 – Cultural and Paleontological Resources
4.5 Cultural and Paleontological Resources 4.5 CULTURAL AND PALEONTOLOGICAL RESOURCES This section evaluates the cultural and paleontological resources impacts of the proposed Plan. The information presented was compiled from multiple sources as noted throughout the section. 4.5.1 EXISTING CONDITIONS 4.5.1.1 CULTURAL SETTING Prehistoric Setting The discussion below briefly summarizes the major cultural developments in the region before the arrival of Spanish colonists in 1769. It draws mainly from several decades of archaeological research, which generally recognizes three major periods (Paleoindian, or Paleoamerican; Archaic; and Late Prehistoric), each marked by certain changes in the archaeological record. These archaeological changes appear to reflect a variety of shifts in technology, settlement, and land use. Of the 109 federally recognized Indian tribes in California, 18 are located in San Diego County. The tribal members of today's bands represent four Indian cultural/linguistic groups who have populated this entire region for more than 10,000 years, taking advantage of its abundant natural resources and diverse ecological system for their livelihoods. As described in proposed Plan Appendix G, the four nations are: the Luiseno, Cahuilla, Cupeno, and Kumeyaay. Paleoamerican Period (12,000 to 7,000 Years Before Present [B.P.]) Despite decades of research, the early prehistory of coastal southern California remains poorly understood. The archaeological record does reveal that humans had appeared by about 13,000 years ago on the Channel Islands, where they lived primarily by fishing and shellfishing. These early island components are of interest in that they seem to reflect fully developed maritime economies that were distinct from, but roughly contemporaneous with, the Clovis tradition represented throughout much of interior North America. -
Cassius Carter Centre Stage Darlene Gould Davies
Cassius Carter Centre Stage Darlene Gould Davies Cassius Carter Centre Stage, that old and trusted friend, is gone. The theatre in the round at The Old Globe complex in Balboa Park had its days, and they were glorious. Who can forget “Charlie’s Aunt” (1970 and 1977), or the hilarious 1986 pro- duction of “Beyond the Fringe”? Was there ever a show in the Carter that enchanted audiences more than “Spoon River Anthology” (1969)? A. R. Gurney’s “The Din- ing Room” (1983) was delightful. Craig Noel’s staging of Alan Ayckbourn’s ultra- comedic trilogy “The Norman Conquests” (1979) still brings chuckles to those who remember. San Diegans will remember the Carter. It was a life well lived. Cassius Carter Centre Stage, built in 1968 and opened in early 1969, was di- rectly linked to the original Old Globe Theatre of the 1935-36 California-Pacific International Exposition in Balboa Park. It was not a new building but a renovation of Falstaff Tavern that sat next to The Old Globe.1 In fact, until Armistead Carter Falstaff Tavern ©SDHS, UT #82:13052, Union-Tribune Collection. Darlene Gould Davies has served on several San Diego City boards and commissions under five San Diego mayors, is Professor Emerita of Speech, Language, and Hearing Sciences at San Diego State University, and co-produced videos for the Mingei International Museum. She is currently a member of the Board of Directors of the San Diego Natural History Museum and has served as chair of the Balboa Park Committee. 119 The Journal of San Diego History Falstaff Tavern refreshments. -
MINUTES City of San Diego Park and Recreation Board BALBOA PARK
MINUTES City of San Diego Park and Recreation Board BALBOA PARK COMMITTEE November 6, 2008 Meeting held at: Mailing address is: Balboa Park Club, Santa Fe Room Balboa Park Administration 2150 Pan American Road 2125 Park Boulevard MS39 San Diego, CA 92101 San Diego, CA 92101-4792 ATTENDANCE: Members Present Members Absent Staff Present Jerelyn Dilno Jennifer Ayala Kathleen Hasenauer Vicki Granowitz Laurie Burgett Susan Lowery-Mendoza Mick Hager Mike Singleton Bruce Martinez Andrew Kahng David Kinney Mike McDowell Donald Steele (Arr. 5:40) CALL TO ORDER Chairperson Granowitz called the meeting to order at 5:37 P.M. APPROVAL OF MINUTES MSC IT WAS MOVED/SECONDED AND CARRIED UNANIMOUSLY TO APPROVE THE MINUTES OF THE OCTOBER 2, 2008 MEETING WITH CORRECTIONS TO REFLECT SINGLTON SECONDING ADOPTION ITEMS 201 AND 202 (KINNEY /DILNO 5-0) ABSTENTION- MCDOWELL REQUESTS FOR CONTINUANCES None NON AGENDA PUBLIC COMMENT Warren Simon, Chairperson of the Balboa Park Decembers Nights Committee, reported that there will be a few changes to this year’s venue. The Restaurant Taste will be located in the Palisades Parking lot adjacent to the Hall of Champions and a synthetic ice skating rink will also be located in the Palisades Parking Lot. The Plaza De Panama will host a spirits garden, and the Moreton Bay Fig Tree will be up-lighted. Shannon Sweeney representing Scott White Contemporary Art reported that the location approved by the Committee for the Bernar Venet sculpture requires a barrier to be placed around it for ADA compliance. Ms. Sweeney stated the barrier would detract from the sculpture and requested that the Committee reconsider placing the sculpture at the original requested location on the turf east of the San Diego Museum of Art. -
Balboa Park Facilities
';'fl 0 BalboaPark Cl ub a) Timken MuseumofArt ~ '------___J .__ _________ _J o,"'".__ _____ __, 8 PalisadesBuilding fDLily Pond ,------,r-----,- U.,..p_a_s ..,.t,..._---~ i3.~------ a MarieHitchcock Puppet Theatre G BotanicalBuild ing - D b RecitalHall Q) Casade l Prado \ l::..-=--=--=---:::-- c Parkand Recreation Department a Casadel Prado Patio A Q SanD iegoAutomot iveMuseum b Casadel Prado Pat io B ca 0 SanD iegoAerospace Museum c Casadel Prado Theate r • StarlightBow l G Casade Balboa 0 MunicipalGymnasium a MuseumofPhotograph icArts 0 SanD iegoHall of Champions b MuseumofSan Diego History 0 Houseof PacificRelat ionsInternational Cottages c SanDiego Mode l RailroadMuseum d BalboaArt Conservation Cente r C) UnitedNations Bui lding e Committeeof100 G Hallof Nations u f Cafein the Park SpreckelsOrgan Pavilion 4D g SanDiego Historical Society Research Archives 0 JapaneseFriendship Garden u • G) CommunityChristmas Tree G Zoro Garden ~ fI) ReubenH.Fleet Science Center CDPalm Canyon G) Plaza deBalboa and the Bea Evenson Fountain fl G) HouseofCharm a MingeiInternationa l Museum G) SanDiego Natural History Museum I b SanD iegoArt I nstitute (D RoseGarden j t::::J c:::i C) AlcazarGarden (!) DesertGarden G) MoretonBay Ag T ree •........ ••• . I G) SanDiego Museum ofMan (Ca liforniaTower) !il' . .- . WestGate (D PhotographicArts Bui lding ■ • ■ Cl) 8°I .■ m·■ .. •'---- G) CabrilloBridge G) SpanishVillage Art Center 0 ... ■ .■ :-, ■ ■ BalboaPar kCarouse l ■ ■ LawnBowling Greens G 8 Cl) I f) SeftonPlaza G MiniatureRail road aa a Founders'Plaza Cl)San Diego Zoo Entrance b KateSessions Statue G) War MemorialBuil ding fl) MarstonPoint ~ CentroCu lturalde la Raza 6) FireAlarm Building mWorld Beat Cultura l Center t) BalboaClub e BalboaPark Activ ity Center fl) RedwoodBrid geCl ub 6) Veteran'sMuseum and Memo rial Center G MarstonHouse and Garden e SanDiego American Indian Cultural Center andMuseum $ OldG lobeTheatre Comp lex e) SanDiego Museum ofArt 6) Administration BuildingCo urtyard a MayS. -
Inspired by Mexico: Architect Bertram Goodhue Introduces Spanish Colonial Revival Into Balboa Park
Inspired by Mexico: Architect Bertram Goodhue Introduces Spanish Colonial Revival into Balboa Park By Iris H.W. Engstrand G. Aubrey Davidson’s laudatory address to an excited crowd attending the opening of the Panama-California Exposition on January 1, 1915, gave no inkling that the Spanish Colonial architectural legacy that is so familiar to San Diegans today was ever in doubt. The buildings of this exposition have not been thrown up with the careless unconcern that characterizes a transient pleasure resort. They are part of the surroundings, with the aspect of permanence and far-seeing design...Here is pictured this happy combination of splendid temples, the story of the friars, the thrilling tale of the pioneers, the orderly conquest of commerce, coupled with the hopes of an El Dorado where life 1 can expand in this fragrant land of opportunity. G Aubrey Davidson, ca. 1915. ©SDHC #UT: 9112.1. As early as 1909, Davidson, then president of the Chamber of Commerce, had suggested that San Diego hold an exposition in 1915 to celebrate the opening of the Panama Canal. When City Park was selected as the site in 1910, it seemed appropriate to rename the park for Spanish explorer Vasco Nuñez de Balboa, who had discovered the Pacific Ocean and claimed the Iris H. W. Engstrand, professor of history at the University of San Diego, is the author of books and articles on local history including San Diego: California’s Cornerstone; Reflections: A History of the San Diego Gas and Electric Company 1881-1991; Harley Knox; San Diego’s Mayor for the People and “The Origins of Balboa Park: A Prelude to the 1915 Exposition,” Journal of San Diego History, Summer 2010. -
The Making of the Panama-California Exposition, 1909-1915 by Richard W
The Journal of San Diego History SAN DIEGO HISTORICAL SOCIETY QUARTERLY Winter 1990, Volume 36, Number 1 Thomas L. Scharf, Editor The Making of the Panama-California Exposition, 1909-1915 by Richard W. Amero Researcher and Writer on the history of Balboa Park Images from this article On July 9, 1901, G. Aubrey Davidson, founder of the Southern Trust and Commerce Bank and Commerce Bank and president of the San Diego Chamber of Commerce, said San Diego should stage an exposition in 1915 to celebrate the completion of the Panama Canal. He told his fellow Chamber of Commerce members that San Diego would be the first American port of call north of the Panama Canal on the Pacific Coast. An exposition would call attention to the city and bolster an economy still shaky from the Wall Street panic of 1907. The Chamber of Commerce authorized Davidson to appoint a committee to look into his idea.1 Because the idea began with him, Davidson is called "the father of the exposition."2 On September 3, 1909, a special Chamber of Commerce committee formed the Panama- California Exposition Company and sent articles of incorporation to the Secretary of State in Sacramento.3 In 1910 San Diego had a population of 39,578, San Diego County 61,665, Los Angeles 319,198 and San Francisco 416,912. San Diego's meager population, the smallest of any city ever to attempt holding an international exposition, testifies to the city's extraordinary pluck and vitality.4 The Board of Directors of the Panama-California Exposition Company, on September 10, 1909, elected Ulysses S. -
Since Africa,Our First 2009 Production WORKING in the Copley Auditorium
Welcome UPCOMING Dear Friends, Welcome to Since Africa,our first 2009 production WORKING in the Copley Auditorium. March 7 - April 12,2009 Two years ago,when I first saw Seema Sueko’s Old Globe Theatre production of Since Africa,I was so moved by Mia OOO McCullough’scompelling story that I knew we OPUS had to share it with our audiences and invited March 21 - April 26,2009 Seema to direct a new production at The Old The Old Globe Arena Stage Globe this season. at the James S.Copley Auditorium, San Diego Museum of Art Since Africa joins a season of plays that offer enlightened and varied takes on life in America:Tony Award-winning playwright John Guare’smasterpiece Six Degrees OOO of Separation,the world premiere of Cornelia,a rousing true-life tale;and a new THEPRICE vision of the classic musical Working from the creator of Wicked,are all beautiful May 9 - June 14,2009 stories about who we are and what we value. The Old Globe Arena Stage at the James S.Copley Auditorium, We know that like many things that are important in your life — you value San Diego Museum of Art theatre — and this theatre to be specific.Now,more than ever,if you are at all able to,we ask you to make a gift to The Old Globe in support of our artistic OOO and education programs.As we endeavor to keep the level of production at the CORNELIA standard you expect,we must make certain that our finances are healthy. We May 16 - June 21,2009 must also strive to maintain our important programs that reach thousands of Old Globe Theatre young people each year.In fact,Charity Navigator,the premier evaluator of non- OOO profit organizations,ranks The Old Globe in the top 6% of non-profit organiza- tions in the United States and designates The Globe as “exceptional" by giving us 2009Summer four consecutive four-star ratings based on sound use of funds for programs and SHAKESPEARE overall organizational health. -
The Southwest on Display at the Panama- California Exposition, 1915
The Journal of San Diego History SAN DIEGO HISTORICAL SOCIETY QUARTERLY Fall 1990, Volume 36, Number 4 Richard W. Crawford, Editor The Southwest on Display at the Panama- California Exposition, 1915 By Richard W. Amero Images from the Article After five years of unrelenting effort, San Diego celebrated the official opening of the Panama- California Exposition in Balboa Park on January 1, 1915. At midnight, December 31, President Woodrow Wilson, in Washington, D.C., pressed a Western Union telegraph key. The signal turned on every light on the grounds and touched off a display of fireworks. The gates to the Exposition swung open. A crush of from 31,836 to 42,486 people on the grounds cheered, waved banners, threw confetti, sang "I Love You California," and snake-danced their way to the Isthmus, or fun street.1 Among the guests who took part in the official but sparsely attended ceremonies, beginning at 11:30 the following morning, were Secretary of the Treasury William G. McAdoo, Commander of the U.S. Pacific fleet Rear Admiral T.B. Howard, Director-General of the Pan-American Union John Barrett, and Spanish delegate Count del Valle de Salazar.2 In his speech to the guests, wearied from the festivities of the night before, Gilbert Aubrey Davidson, president of the Panama-California Exposition Company, declared the Exposition's purpose was to build an empire extending from the back country of the Pacific slope to the west shores of the Missouri River.3 At one point Davidson said: Here is pictured in this happy combination of splendid temples, the story of the friars, the thrilling tale of the pioneers, the orderly conquest of commerce, coupled with the hopes of an El Dorado where life can expand in this fragrant land of opportunity. -
Balboa Park Plaza De Panama Project Project No
Response to Comments Final Environmental Impact Report for the Balboa Park Plaza de Panama Project Project No. 233958 SCH No. 2011031074 May 3, 2012 The City of San Diego BALBOA PARK PLAZA DE PANAMA PROJECT Response to Comments The Draft Environmental Impact Report (EIR) public review period was January 23, 2012 to March 8, 2012. Several requests to extend the public review were received, and the public review period was extended to March 22, 2012. During this period, 197 comment letters were received from agencies, organizations, and individuals. A copy of each comment letter is included in the Final EIR along with corresponding responses. Letters are arranged by commenter type, with agency comments first, organization comments second, and individual comments third. Within those groups, comment letters are arranged alphabetically. Each comment letter is assigned an alphabetic letter and each comment is assigned a number. As part of the Notice of Preparation (NOP) process, the City solicited alternatives for inclusion in the EIR. Based on this public input, the EIR fully addressed 13 alternatives and considered but rejected an additional 8 alternatives. Thus, the City provided consideration of a reasonable range of alternatives, including those suggested by the public. In some instances, the alternatives suggested by the public did not contain detailed descriptions or certain aspects were ambiguous; therefore, certain assumptions were made and identified in the alternatives analysis. In other instances, modifications were made to alternatives suggested by the public in order to ensure that the EIR included a reasonable range of alternatives. During public review of the Draft EIR, several commenters suggested additional alternatives or modifications to alternatives. -
Discover San Diego
6/21/13 3:46 PM 3:46 6/21/13 2 Cover.indd Map Offical 2013 2013 SD Convis Map_Helvetica Neue.indd 2 Neue.indd Map_Helvetica Convis SD 2013 6/24/13 5:09 PM 5:09 6/24/13 4/17/13 3:49 PM 3:49 4/17/13 1 RichardWalker_SDMap13v2.indd www.TheOldGlobe.org Group Sales (619) 238-0043 x2408 238-0043 (619) Sales Group www.TheOldGlobe.org richardwalkers.com (619) 23-GLOBE (619) District Assessment Funds, the County and Port of San Diego. San of Port and County the Funds, Assessment District (234-5623) from the Living Coast Discovery Center. Discovery Coast Living the from bers, the San Diego Tourism Promotion Corporation with City of San Diego Tourism Marketing Marketing Tourism Diego San of City with Corporation Promotion Tourism Diego San the bers, Comprising of 316 acres, it offers protection to several endangered species. Best viewing is is viewing Best species. endangered several to protection offers it acres, 316 of Comprising 619-231-7777 - mem our by part in Funded industries. convention/meeting and tourism regional the motes 619.409.5900 • 91910 Vista Chula Drive, Point Gunpowder 1000 M2 . ......................... stuary E efuge R Wildlife ational N Marsh Sweetwater - pro that organization marketing destination non-profit a is Authority Tourism Diego San The Heather Ayers, Ken Barnett and Jefferson Mays in A Gentleman’s Guide to Love and Murder. Photo by Henry DiRocco. Henry by Photo Murder. and Love to Guide Gentleman’s A in Mays Jefferson and Barnett Ken Ayers, Heather This 20,000-seat outdoor concert venue is open April through November. -
The Trees of Balboa Park by Nancy Carol Carter
The Trees of Balboa Park By Nancy Carol Carter Landscape architect Samuel H. Parsons, Jr. noted with enthusiasm the growth of trees and shrubs in City Park when he returned to San Diego in 1910. Five years had elapsed since his New York firm had submitted a comprehensive master plan for the layout of the 1,400 acres set aside as a park in 1868, but mostly left in a natural state for the next few decades. Parsons had returned to San Diego because the city had decided to host an international exposition in 1915. He was hired this time to assess progress on City Park’s master plan and to suggest improvements in all of San Diego’s parks. He thought San Diego had made good progress in engi- neering roads and otherwise fulfilling the landscape plan of City Park.1 His formal report to the park commissioners, submitted June 28, 1910, includes a description of trees and other plantings in the park. By the time Parsons wrote this report, City Park had been in existence for forty-two years and was estimated to contain about 20,000 healthy trees and shrubs. The park commission kept careful records of 2,357 shrubs and vines planted in 1909, but earlier landscape records are sketchy.2 In 1902, Parsons had suggested that the mesas be left open to preserve the stunning views stretching from the mountains to the ocean. “Overplanting is a common mistake everywhere,” he said, “A park is too often perverted to a sort of botanical garden, where a heterogeneous lot of plants are gathered together and massed in a haphazard fashion.”3 He was trying to help San Diegans understand the difference between a park and botanical garden and perhaps obliquely com- menting on the hodgepodge of homegrown efforts to develop the park before 1910. -
San Diego History Center Is a Museum, Education Center, and Research Library Founded As the San Diego Historical Society in 1928
The Jour nal of Volume 56 Winter/Spring 2010 Numbers 1 & 2 • The Journal of San Diego History San Diego History 1. Joshua Sweeney 12. Ellen Warren Scripps 22. George Washington 31. Florence May Scripps 2. Julia Scripps Booth Scripps Kellogg (Mrs. James M.) 13. Catherine Elizabeth 23. Winifred Scripps Ellis 32. Ernest O’Hearn Scripps 3. James S. Booth Scripps Southwick (Mrs. G.O.) 33. Ambrosia Scripps 4. Ellen Browning Scripps (Mrs. William D.) 24. William A. Scripps (Mrs. William A.) 5. Howard “Ernie” Scripps 14. Sarah Clarke Scripps 25. Anna Adelaide Scripps 34. Georgie Scripps, son 6. James E. Scripps (Mrs. George W.) (Mrs. George C.) of Anna and George C. 7. William E. Scripps 15. James Scripps Southwick 26. Baby of Anna and Scripps 8. Harriet Messinger 16. Jesse Scripps Weiss George C. Scripps 35. Hans Bagby Scripps (Mrs. James E.) 17. Grace Messinger Scripps 27. George H. Scripps 36. Elizabeth Sweeney 9. Anna Scripps Whitcomb 18. Sarah Adele Scripps 28. Harry Scripps (London, (Mrs. John S., Sr.) (Mrs. Edgar B.) 19. Jessie Adelaide Scripps England) 37. John S. Sweeney, Jr. 10. George G. Booth 20. George C. Scripps 29. Frederick W. Kellogg 38. John S. Sweeney, Sr. 11. Grace Ellen Booth 21. Helen Marjorie 30. Linnie Scripps (Mrs. 39. Mary Margaret Sweeney Wallace Southwick Ernest) Publication of The Journal of San Diego History is underwritten by a major grant from the Quest for Truth Foundation, established by the late James G. Scripps. Additional support is provided by “The Journal of San Diego Fund” of the San Diego Foundation and private donors.