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&Blues GUITAR SHORTY
september/october 2006 issue 286 free jazz now in our 32nd year &blues report www.jazz-blues.com GUITAR SHORTY INTERVIEWED PLAYING HOUSE OF BLUES ARMED WITH NEW ALLIGATOR CD INSIDE: 2006 Gift Guide: Pt.1 GUITAR SHORTY INTERVIEWED Published by Martin Wahl By Dave Sunde Communications geles on a rare off day from the road. Editor & Founder Bill Wahl “I would come home from school and sneak in to my uncle Willie’s bedroom Layout & Design Bill Wahl and try my best to imitate him playing the guitar. I couldn’t hardly get my Operations Jim Martin arms over the guitar, so I would fall Pilar Martin down on the floor and throw tantrums Contributors because I couldn’t do what I wanted. Michael Braxton, Mark Cole, Grandma finally had enough of all that Dewey Forward, Steve Homick, and one morning she told my Uncle Chris Hovan, Nancy Ann Lee, Willie point blank, I want you to teach Peanuts, Mark Smith, Dave this boy how to ‘really’ play the guitar Sunde, Duane Verh and Ron before I kill him,” said Shorty Weinstock. Photos of Guitar Shorty Fast forward through years of late courtesy of Alligator Records night static filled AM broadcasts crackling the southbound airwaves out of Cincinnati that helped further de- Check out our costantly updated website. Now you can search for CD velop David’s appreciative musical ear. Reviews by artists, Titles, Record T. Bone Walker, B.B. King and Gospel Labels, keyword or JBR Writers. 15 innovator Sister Rosetta Tharpe were years of reviews are up and we’ll be the late night companions who spent going all the way back to 1974. -
Al Di Meola New World Sinfonia
This pdf was last updated: Jan/10/2011. Al Di Meola New World Sinfonia Al Di Meola is one of the most prominent virtuosos in contemporary jazz. The upcoming tour will follow the release of the new studio album "Pursuit of Radical Rhapsody" on March 15, 2011 (Universal) which features guests like Charlie Haden, Gonzalo Rubalcaba, Peter Erskine and Barry Miles. A true highlight! Line-up Al Di Meola - guitar Kevin Seddiki - guitar Fausto Beccalossi - accordion Peter Kaszas - drums Plus: Csaba Tot Bagi - technician Laura Wilson - roadmanagement On Stage: 4 Travel Party: 6 Website www.aldimeola.com Biography Al Di Meola's highly celebrated career has spanned a wide range of emotions into a unique style embodying the artists world inspired influences. From the beginning of his solo career, where records like 'Land of the Midnight Sun', 'Elegant Gypsy' and 'Casino' were amongst the highest selling records of any instrumental artist at that time, Al Di Meola continues to make, with respect, startling achievements in music pioneering while the decline of U.S. radio continues to elude most interesting contemporary music.Al Di Meola, again and again, reveals himself as a seasoned gifted contemporary composer and a player of deepening grace and evocative lyricism. He has been continually sited by many of the top prominent Music critics around the world for his virtuosic guitar work and compositions. Al's intrigue with complex rhythmic syncopation combined with provocative lyrical melodies always incorporating, sophisticated harmony at the root of these serious but heart felt works is central and foremost. Influenced greatly by jazz guitarist Larry Coryell, Di Meola had enrolled at Berklee College of Music in Boston, here his marathon practice sessions are still the stuff of legends. -
Frickler Unter Sich
# 2006/49 dschungel https://jungle.world/artikel/2006/49/frickler-unter-sich Frickler unter sich Von Jan Süselbeck Was ist eigentlich aus den guten, alten Helden an der Fusion-Gitarre geworden? Aktuelle Jazz-CDs üblicher Verdächtiger. von jan süselbeck Unter dem Einfluss von Jimi Hendrix’ »Electric Ladyland« (1968), Miles Davis’ »Bitches Brew« (1969) und den ersten Platten von John McLaughlins Mahavishnu Orchestra zu Beginn der Siebziger war der E-Gitarre im Jazz eine neue Bedeutung zugewachsen. Was jedoch folgte, ist oft genug beklagt worden: Alben wie Al Di Meolas »Land Of The Midnight Sun« (1976) präsentierten muckibudenartige Fingerakrobatik, deren Verblüffungseffekt schnellstens verpuffte und den Eindruck intellektueller Schlichtheit hinterließ. Uli Krug hat in seiner Prog-Rock-Artikelserie in der Jungle World allerdings daran erinnert, dass längst nicht alles Mumpitz war, was seit den späten Sechzigern im Grenzgebiet von Jazz, Klassik, Blues, Folk und Rock entstand, bevor Ende der siebziger Jahre der Punk aufkam und das progressive Genre im Mainstream versandete. Mittlerweile behaupten Bands wie The Mars Volta sogar, ihr aufgefrischter Prog-Rock sei der wahre Punk unserer Tage. Kündigt sich damit etwa auch eine Renaissance des virtuosen Jazzrock-Genres alter Schule an? John McLaughlin beispielsweise produziert nach wie vor fleißig Platten und geriert sich darauf als eine Art Gastgeber nachgewachsener Talente. Auf seiner letzten mit dem albernen Titel »Industrial Zen« (2005) gibt es ein Gastsolo des US-Gitarristen Eric Johnson. Sicher nicht von ungefähr: Ist Johnson doch einer der auch schon nicht mehr ganz so jungen Musiker, in deren Spiel die Anleihen bei Hendrix mit am deutlichsten herauszuhören sind. Johnson bezieht sich damit auf die »gute alte Zeit«, in der auch McLaughlins innovativste Arbeiten entstanden sind. -
Publicacion7135.Pdf
BIBLIOTECA PÚBLICA DE ALICANTE BIOGRAFÍA Roy Haynes nació el 13 de marzo de 1925 en Boston, Massachusetts. A finales de los años cuarenta y principios de los cincuenta, Roy Haynes tuvo la clase de aprendizaje que constituiría el sueño de cualquier músico actual: sentarse en el puesto de baterista y acompañar al gran Charlie Parker. Ahora, cincuenta años después, y tras haber tocado con todos los grandes del jazz: Thelonius Monk, Miles Davis, o Bud Powell, todavía coloca sus grabaciones en la cima de las listas de las revistas especializadas en jazz. Este veterano baterista, comenzó su andadura profesional en las bigbands de Frankie Newton y Louis Russell (1945-1947) y el siguiente paso fue tocar entre 1947 y 1949 con el maestro el saxo tenor, Lester Young. Entre 1949 y 1952, formo parte del quinteto de Charlie Parker y desde ese privilegiado taburete vio pasar a las grandes figuras del bebop y aprender de ellas. Acompañó a la cantante Sarah Vaughan, por los circuitos del jazz en los Estados Unidos entre 1953 y 1958 y cuando finalizó su trabajo grabo con Thelonious Monk, George Shearing y Lennie Tristano entre otros y ocasionalmente sustituía a Elvin Jones en el cuarteto de John Coltrane. Participó en la dirección de la Banda Sonora Original de la película "Bird" dirigida por Clint Eastwood en 1988 y todavía hoy en activo, Roy Haynes, es una autentica bomba dentro de un escenario como pudimos personalmente comprobar en uno de sus últimos conciertos celebrados en España y mas concretamente en Sevilla en el año 2000. En 1994, Roy Haynes recibió el premio Danish Jazzpar, que se concede en Dinamarca. -
Writing the Nation: a Concise Introduction to American Literature
Writing the Nation A CONCISE INTRODUCTION TO AMERIcaN LITERATURE 1 8 6 5 TO P RESENT Amy Berke, PhD Robert R. Bleil, PhD Jordan Cofer, PhD Doug Davis, PhD Writing the Nation A CONCISE INTRODUCTION TO AMERIcaN LITERATURE 1 8 6 5 TO P RESENT Amy Berke, PhD Robert R. Bleil, PhD Jordan Cofer, PhD Doug Davis, PhD Writing the Nation: A Concise Introduction to American Literature—1865 to Present is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorporated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a reasonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. -
Piers Plowman, Book, and the Testimonial Body 115
INTERVENTIONS: NEW STUDIES IN MEDIEVAL CULTURE Ethan Knapp, Series Editor FICTIONS OF EVIDENCE Witnessing, Literature, and Community in the Late Middle Ages Jamie K. Taylor THE OHIO STATE UNIVERSITY PRESS COLUMBUS Copyright © 2013 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Taylor, Jamie K., 1975– Fictions of evidence : witnessing, literature, and community in the late Middle Ages / Jamie K. Taylor. p. cm. — (Interventions: new studies in medieval culture) Includes bibliographical references and index. ISBN 978-0-8142-1223-3 (cloth : alk. paper) — ISBN 978-0-8142-9324-9 (cd) 1. English literature—Middle English, 1100–1500—History and criticism. 2. Witnesses in lit- erature. 3. Witnesses. 4. Witness bearing (Christianity) I. Title. II. Series: Interventions : new studies in medieval culture. PR255.T39 2013 820.9'001—dc23 2012044198 Cover design by AuthorSupport.com Text design by Juliet Williams Type set in Adobe Minion Pro Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. 9 8 7 6 5 4 3 2 1 contents Acknowledgments vii List of Abbreviations x Introduction Witness Testimony and Literary Production in the Later Middle Ages 1 Chapter One The Face of a Saint and the Seal of a King 24 Chapter Two Silence, Testimony, and the Case of Susanna 55 Chapter Three Neighbors, Witnesses, and Outlaws in the Fourteenth and Fifteenth Centuries 86 Chapter Four Piers Plowman, Book, and the Testimonial Body 115 Chapter Five Witnessing, Presence, and Lollard Communities 151 Coda Witnessing the Middle Ages 189 Works Cited 199 Index 213 acknowledgments I AM FORTUNATE to have many colleagues and friends who have shown me innumerable kindnesses while I researched and wrote this book. -
Al Di Meola Éÿ³æ¨‚Űˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ‘ & Æ—¶É—´È¡¨)
Al Di Meola 音樂專輯 串行 (专辑 & 时间表) The Guitar Trio https://zh.listvote.com/lists/music/albums/the-guitar-trio-3284101/songs Elegant Gypsy https://zh.listvote.com/lists/music/albums/elegant-gypsy-942498/songs The Rite of Strings https://zh.listvote.com/lists/music/albums/the-rite-of-strings-7760935/songs Land of the Midnight Sun https://zh.listvote.com/lists/music/albums/land-of-the-midnight-sun-964229/songs Scenario https://zh.listvote.com/lists/music/albums/scenario-7430717/songs Orange and Blue https://zh.listvote.com/lists/music/albums/orange-and-blue-7099765/songs Splendido Hotel https://zh.listvote.com/lists/music/albums/splendido-hotel-4049950/songs Kiss My Axe https://zh.listvote.com/lists/music/albums/kiss-my-axe-6417002/songs Casino https://zh.listvote.com/lists/music/albums/casino-4035915/songs Electric Rendezvous https://zh.listvote.com/lists/music/albums/electric-rendezvous-5357477/songs World Sinfonia https://zh.listvote.com/lists/music/albums/world-sinfonia-8036219/songs Heart of the Immigrants https://zh.listvote.com/lists/music/albums/heart-of-the-immigrants-5692430/songs Cielo e Terra https://zh.listvote.com/lists/music/albums/cielo-e-terra-5119592/songs Di Meola Plays Piazzolla https://zh.listvote.com/lists/music/albums/di-meola-plays-piazzolla-5270048/songs Tirami Su https://zh.listvote.com/lists/music/albums/tirami-su-7809093/songs Cosmopolitan Life https://zh.listvote.com/lists/music/albums/cosmopolitan-life-4036606/songs World SinfonÃa III – The Grande https://zh.listvote.com/lists/music/albums/world-sinfon%C3%ADa-iii-%E2%80%93-the- -
Alice in Chains
08001 – Raval Ta Joie 12 Stones\2002 12 Stones 2 Pac\1996 All Eyez on Me 2 Pac\1996 All Eyez on Me\CD 1 2 Pac\1996 All Eyez on Me\CD 2 2 Raumwohnung\Kommt zusammen [Remix] 2'’ - Valentin Alsina 220 Volt\220 Volt [1983] 220 Volt\Eye To Eye [1989] 220 Volt\Mind over Muscle [1985] 220 Volt\Power Games [1984] 220 Volt\The Electric Messengers [1985] 3 Doors Down - Away from the Sun [2002 Uiversal] 3 Doors Down - The Better Life 3 Doors Down\2005 Seventeen Days 311\2003 Evolver 311\311 [1995 Vocano] 311\From Chaos [2001 Volcano] 311\Grassroots [1994 Volcano] 311\Music [1993 Volcano] 311\Soundsystem [1999 Volcano] 311\Transistor [1997 Volcano] 36 Crazyfists\2004 A Snow Capped Romance 45 Dip - The Acid Lounge 4hero - Two Pages 50 Cent\2003 Get Rich or Die Tryin' 59 Times The Pain - Music For Hardcorepunx 7for4 [Germany - Instrumental Prog]\2001 Contact 7for4\2004 Time 808 State - Ex-el 808 State - Gorgeous 88 Fingers Louie - Back On The Streets 9 Lazy 9 - Paradise Blown 98 Mute - Slow Motion Riot A Blaze My Sorrow\1995 If Emotion Still Burns A Blaze My Sorrow\Anger, Hate And Fury [2002] A Blaze My Sorrow\The Plague [1998] A Forest Mighty Black - Mellowdramatic [1998] A Global Threat - Until We Die A Guy Called Gerald - Essence A Life Once Lost - Open Your Mouth For The A Life Once Lost - The Fourth Plague A New Found Glory & Midtown - Self Titled 7'' A New Found Glory\New Found Glory [2000] A New Found Glory\Sticks and Stones [2002] A Perfect Circel - Limited Edition Bonus CD A Perfect Circle - B-Sides and Rareties A Perfect Circle – Live At Keller Auditorium A Perfect Circle\2003 Thirteenth Step A Political – Punk Ia A Ghetto A Silver Mt. -
FIJAZZ2013.Pdf
BIBLIOTECA PÚBLICA DE ALICANTE AL DI MEOLA ■ BIOGRAFÍA Al DiMeola (Jersey City, 22 de julio de 1954), guitarrista estadounidense de jazz. Di Meola, de origen italo-americano (verdadero nombre Al Laurence Dimeola), es uno de los grandes representantes de la fusión jazzística, en su caso tanto con el rock como con las llamadas músicas del mundo, fruto de su interés por otras tradiciones musicales extrañas al ámbito occidental. Es considerado un virtuoso tanto con la guitarra eléctrica como con la acústica. DiMeola estudió durante un breve período en la Berklee School of Music en Boston a comienzos de los años setenta, antes de reemplazar en 1974 al guitarrista Bill Connors en el grupo de fusión Return to Forever (un grupo que incluía instrumentalistas como el teclista Chick Corea y el bajista Stanley Clarke). Con su presencia, el grupo obtuvo un gran éxito comercial, con discos como Where Have I Known Before, de 1974; No Mystery, de 1975, y Romantic Warrior de 1976, que llevó a que DiMeola iniciase carrera en solitario. Su carrera está repleta de brillantes ejemplos de discos de jazz fusión basados en la guitarra: 1976: Land of the Midnight Sun, 1977: Elegant Gypsy y Casino, 1979: Splendido Hotel. Obtuvo gran repercusión musical el trío que formó con otros dos guitarristas, John McLaughlin y Paco de Lucía, para grabar en 1980 Friday Night in San Francisco. A lo largo de los años 80 y 90, Di Meola aumentó su prestigio, tocando con artistas como Paul Simon, Jean Luc Ponty, Stanley Jordan, Chick Corea, Stanley Clarke, Paco de Lucía, y John McLaughlin.