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Working Mothers and the Postponement of Women's
SUK_FINAL PROOF_REDLINE.DOCX (DO NOT DELETE) 3/13/2021 4:13 AM WORKING MOTHERS AND THE POSTPONEMENT OF WOMEN’S RIGHTS FROM THE NINETEENTH AMENDMENT TO THE EQUAL RIGHTS AMENDMENT JULIE C. SUK* The Nineteenth Amendment’s ratification in 1920 spawned new initiatives to advance the status of women, including the proposal of another constitutional amendment that would guarantee women equality in all legal rights, beyond the right to vote. Both the Nineteenth Amendment and the Equal Rights Amendment (ERA) grew out of the long quest to enshrine women’s equal status under the law as citizens, which began in the nineteenth century. Nearly a century later, the ERA remains unfinished business with an uncertain future. Suffragists advanced different visions and strategies for women’s empowerment after they got the constitutional right to vote. They divided over the ERA. Their disagreements, this Essay argues, productively postponed the ERA, and reshaped its meaning over time to be more responsive to the challenges women faced in exercising economic and political power because they were mothers. An understanding of how and why *Professor of Sociology, Political Science, and Liberal Studies, The Graduate Center of the City University of New York, and Florence Rogatz Visiting Professor of Law (fall 2020) and Senior Research Scholar, Yale Law School. Huge thanks to Saul Cornell, Deborah Dinner, Vicki Jackson, Michael Klarman, Jill Lepore, Suzette Malveaux, Jane Manners, Sara McDougall, Paula Monopoli, Jed Shugerman, Reva Siegel, and Kirsten Swinth. Their comments and reactions to earlier iterations of this project conjured this Essay into existence. This Essay began as a presentation of disconnected chunks of research for my book, WE THE WOMEN: THE UNSTOPPABLE MOTHERS OF THE EQUAL RIGHTS AMENDMENT (2020) , but the conversations generated by law school audiences nudged me to write a separate essay to explore more thoroughly how the story of suffragists’ ERA dispute after the Nineteenth Amendment affects the future of constitutional lawmaking. -
View of the Many Ways in Which the Ohio Move Ment Paralled the National Movement in Each of the Phases
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While tf.; most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or "target” for pages apparently lacking from the document photographed is "Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. If copyrighted materials were deleted you will find a target note listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in "sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
Lorne Bair :: Catalog 21
LORNE BAIR :: CATALOG 21 1 Lorne Bair Rare Books, ABAA PART 1: AFRICAN-AMERICAN HISTORY & LITERATURE 2621 Daniel Terrace Winchester, Virginia USA 22601 (540) 665-0855 Email: [email protected] Website: www.lornebair.com TERMS All items are offered subject to prior sale. Unless prior arrangements have been made, payment is expected with order and may be made by check, money order, credit card (Visa, MasterCard, Discover, American Express), or direct transfer of funds (wire transfer or Paypal). Institutions may be billed. Returns will be accepted for any reason within ten days of receipt. ALL ITEMS are guaranteed to be as described. Any restorations, sophistications, or alterations have been noted. Autograph and manuscript material is guaranteed without conditions or restrictions, and may be returned at any time if shown not to be authentic. DOMESTIC SHIPPING is by USPS Priority Mail at the rate of $9.50 for the first item and $3 for each additional item. Overseas shipping will vary depending upon destination and weight; quotations can be supplied. Alternative carriers may be arranged. WE ARE MEMBERS of the ABAA (Antiquarian Bookseller’s Association of America) and ILAB (International League of Antiquarian Book- sellers) and adhere to those organizations’ standards of professionalism and ethics. PART ONE African American History & Literature ITEMS 1-54 PART TWO Radical, Social, & Proletarian Literature ITEMS 55-92 PART THREE Graphics, Posters & Original Art ITEMS 93-150 PART FOUR Social Movements & Radical History ITEMS 151-194 2 PART 1: AFRICAN-AMERICAN HISTORY & LITERATURE 1. CUNARD, Nancy (ed.) Negro Anthology Made by Nancy Cunard 1931-1933. London: Nancy Cunard at Wishart & Co., 1934. -
Crystal Eastman
Wiki Loves Monuments: The world's largest photography competition is now open! Photograph a historic site, learn more about our history, and win prizes. Crystal Eastman From Wikipedia, the free encyclopedia Crystal Eastman Crystal Eastman, feminist and political activist Crystal Catherine Eastman Born June 25, 1881 Marlborough, Massachusetts Died July 8, 1928 (aged 47) Nationality American Occupation Lawyer Feminism, socialism, Congressional Union for Woman Suffrage, The Liberator, and as a co-founder of both Known for the Women's International League for Peace and Freedom and American Union Against Militarism Spouse(s) Wallace Benedict, Walter Fuller Children Jeffrey Fuller and Annis Fuller Samuel Elijah Eastman and Annis Parent(s) Bertha Ford Relatives Max Eastman (brother) Crystal Catherine Eastman (June 25, 1881 – July 8, 1928)[1] was an American lawyer, antimilitarist, feminist, socialist, and journalist. She is best remembered as a leader in the fight for women's suffrage, as a co-founder and co-editor with her brother Max Eastman of the radical arts and politics magazine The Liberator, co-founder of the Women's International League for Peace and Freedom, and co-founder in 1920 of the American Civil Liberties Union. In 2000 she was inducted into the National Women's Hall of Fame in Seneca Falls, New York. Contents 1 Early life and education 2 Social efforts 3 Emancipation 4 Peace efforts 5 Marriage and family o 5.1 Post-War o 5.2 Death 6 Legacy 7 Work o 7.1 Papers o 7.2 Publications 8 Footnotes 9 See also o 9.1 People o 9.2 Political groups o 9.3 Other 10 Additional reading 11 External links Early life and education Crystal Eastman was born in Marlborough, Massachusetts, on June 25, 1881, the third of four children. -
Michael Gold & Dalton Trumbo on Spartacus, Blacklist Hollywood
LH 19_1 FInal.qxp_Left History 19.1.qxd 2015-08-28 4:01 PM Page 57 Michael Gold & Dalton Trumbo on Spartacus, Blacklist Hollywood, Howard Fast, and the Demise of American Communism 1 Henry I. MacAdam, DeVry University Howard Fast is in town, helping them carpenter a six-million dollar production of his Spartacus . It is to be one of those super-duper Cecil deMille epics, all swollen up with cos - tumes and the genuine furniture, with the slave revolution far in the background and a love tri - angle bigger than the Empire State Building huge in the foreground . Michael Gold, 30 May 1959 —— Mike Gold has made savage comments about a book he clearly knows nothing about. Then he has announced, in advance of seeing it, precisely what sort of film will be made from the book. He knows nothing about the book, nothing about the film, nothing about the screenplay or who wrote it, nothing about [how] the book was purchased . Dalton Trumbo, 2 June 1959 Introduction Of the three tumultuous years (1958-1960) needed to transform Howard Fast’s novel Spartacus into the film of the same name, 1959 was the most problematic. From the start of production in late January until the end of all but re-shoots by late December, the project itself, the careers of its creators and financiers, and the studio that sponsored it were in jeopardy a half-dozen times. Blacklist Hollywood was a scary place to make a film based on a self-published novel by a “Commie author” (Fast), and a script by a “Commie screenwriter” (Trumbo). -
Hungarian Studies Review, 29, 1-2 (1992): 7-27
A Communist Newspaper for Hungarian-Americans: The Strange World of the Uj Elore Thomas L. Sakmyster On November 6, 1921 the first issue of a newspaper called the Uj Elore (New Forward) appeared in New York City.1 This paper, which was published by the Hungarian Language Federation of the American Communist Party (then known as the Workers Party), was to appear daily until its demise in 1937. With a circulation ranging between 6,000 and 10,000, the Uj Elore was the third largest newspaper serving the Hungarian-American community.2 Furthermore, the Uj Elore was, as its editors often boasted, the only daily Hungarian Communist newspaper in the world. Copies of the paper were regularly sent to Hungarian subscri- bers in Paris, Berlin, Vienna, Moscow, Buenos Aires, and, on occasion, even smuggled into Budapest. The editors and journalists who produced the Uj Elore were a band of fervent ideologues who presented and inter- preted news in a highly partisan and utterly dogmatic manner. Indeed, this publication was quite unlike most American newspapers of the time, which, though often oriented toward a particular ideology or political party, by and large attempted to maintain some level of objectivity. The main purpose of Uj Elore, as later recalled by one of its editors, was "not the dissemination of news but agitation and propaganda."3 The world as depicted by writers for the Uj Elore was a strange and distorted one, filled with often unintended ironies and paradoxes. Readers of the newspaper were provided, in issue after issue, with sensational and repetitive stories about the horrors of capitalism and fascism (especially in Hungary and the United States), the constant threat of political terror and oppression in all countries of the world except the Soviet Union, and the misery and suffering of Hungarian-American workers. -
Press Conference at the National Women's Hall of Fame of Hon
10-07-00: PRESS CONFERENCE AT THE NATIONAL WOMEN'S HALL...NET RENO ATTORNEY GENERAL OF THE UNITED STATES NEW YORK PRESS CONFERENCE AT THE NATIONAL WOMEN'S HALL OF FAME OF HON. JANET RENO ATTORNEY GENERAL OF THE UNITED STATES Saturday, October 7, 2000 New York Chiropractic College Athletic Center 2360 State Route 89 Seneca Falls, New York 9:38 a.m. P R O C E E D I N G S CHAIR SANDRA BERNARD: Good morning and welcome to the National Women's Hall of Fame Honors Weekend and Induction Ceremony. I am Sandra Bernard, Chair of the weekend's events. Today, before a sell-out crowd, we will induct 19 remarkable women into the Hall of Fame. Now, those of you who are history buffs may know that the idea to form a Hall to honor, in perpetuity, the contributions to society of American women started, like so many other good things in Seneca Falls have, over tea. And just like the tea party that spawned the Women's Rights Convention, the concept of a National Women's Hall of Fame was an idea whose time has come. http://www.usdoj.gov/archive/ag/speeches/2000/10700agsenecafalls.htm (1 of 11) [4/20/2009 1:10:27 PM] 10-07-00: PRESS CONFERENCE AT THE NATIONAL WOMEN'S HALL...NET RENO ATTORNEY GENERAL OF THE UNITED STATES NEW YORK Our plans for the morning are to tell you a bit more about the mission, the moment and the meaning, and then to introduce you to the inductees. -
New Masses Index 1926 - 1933 New Masses Index 1934 - 1935 New Masses Index 1936
NEW MASSES INDEX 1936 NEW MASSES INDEX NEW MASSES INDEX 1936 By Theodore F. Watts Copyright 2007 ISBN 0-9610314-0-8 Phoenix Rising 601 Dale Drive Silver Spring, Maryland 20910-4215 Cover art: William Sanderson Regarding these indexes to New Masses: These indexes to New Masses were created by Theodore Watts, who is the owner of this intellectual property under US and International copyright law. Mr. Watts has given permission to the Riazanov Library and Marxists.org to freely distribute these three publications… New Masses Index 1926 - 1933 New Masses Index 1934 - 1935 New Masses Index 1936 … in a not for profit fashion. While it is my impression Mr. Watts wishes this material he created be as widely available as possible to scholars, researchers, and the workers movement in a not for profit fashion, I would urge others seeking to re-distribute this material to first obtain his consent. This would be mandatory, especially, if one wished to distribute this material in a for sale or for profit fashion. Martin H. Goodman Director, Riazanov Library digital archive projects January 2015 Patchen, Rebecca Pitts, Philip Rahv, Genevieve Taggart, Richard Wright, and Don West. The favorite artist during this two-year span was Russell T. Limbach with more than one a week for the run. Other artists included William Gropper, John Mackey, Phil Bard, Crockett Johnson, Gardner Rea, William Sanderson, A. Redfield, Louis Lozowick, and Adolph Dehn. Other names, familiar to modem readers, abound: Bernarda Bryson and Ben Shahn, Maxwell Bodenheim, Erskine Caldwell, Edward Dahlberg, Theodore Dreiser, Ilya Ehrenberg, Sergei Eisenstein, Hanns Eisler, James T. -
The Aesthetic Diversity of American Proletarian Fiction
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2001 The aesthetic diversity of American proletarian fiction Walter Edwin Squire University of Tennessee Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Recommended Citation Squire, Walter Edwin, "The aesthetic diversity of American proletarian fiction. " PhD diss., University of Tennessee, 2001. https://trace.tennessee.edu/utk_graddiss/6439 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Walter Edwin Squire entitled "The aesthetic diversity of American proletarian fiction." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in English. Mary E. Papke, Major Professor We have read this dissertation and recommend its acceptance: Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Walter Squire entitled "The Aesthetic Diversity of American Proletarian Fiction." I have examined the final copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in English. -
PIONEERS of WOMEN’S RIGHTS in MANHATTAN Gale A
A WALKING TOUR PIONEERS OF WOMEN’S RIGHTS IN MANHATTAN Gale A. Brewer MANHATTAN BOROUGH PRESIDENT Brewer_WomensHistory_Final.indd 1 2/25/20 4:08 PM One Hundred Years of Voting A century has passed since American suffragists girded for their final push to win the ballot for women in every corner of the United States. Under the skilled and persistent direction of Carrie Chapman Catt, and spurred by the energy of Alice Paul’s National Woman Party, the 19th Amendment won approval on August 26, 1920. In this pamphlet, we find reminders of the struggles and achievements of New York women who spoke, marched, and even fought for the vote and the full panoply of rights. These were women who marched to Albany in the winter, or demonstrators who were jailed for their protests in Washington. Crystal Eastman, a young activist, spoke a large truth when she said, after ratification, “Now we can begin.” To complete one task is to encounter the next. Indeed, even after a hundred years we must still seek to complete the work of attaining women’s equality. Sincerely, Gale A. Brewer, Manhattan Borough President Brewer_WomensHistory_Final.indd 2 2/25/20 4:08 PM Sojourner Truth Preacher for Abolition and Suffrage Old John Street Chapel 1 Sojourner Truth was born Isabella Baumgold and lived as a Dutch-speaking slave in upstate New York. With difficulty, she won her freedom, moved to New York City, and joined the Methodist Church on John Street. She then changed her name to Sojourner Truth and spent the rest of her long life speaking against slavery and for women’s rights. -
Tamwag Fawf000053 Lo.Pdf
A LETTER FROM AMERICA By Pam Flett- WILL be interested in hearing what you think of Roosevelt’s foreign policy. When he made the speech at Chicago, I was startled and yet tremendously thrilled. It certainly looks as if something will have to be done to stop Hitler and Mussolini. But I wonder what is behind Roosevelt's speech. What does he plan to do? And when you get right down to it, what can we do? It’s easy to say “Keep out of War,” but how to keep out? TREAD in THE FIGHT that the ‘American League is coming out with a pamphlet by Harty F. Ward on this subject—Neutrality llready and an American sent in Peace my order. Policy. You I’ve know you can hardly believe anything the newspapers print these days_and I’m depending gare end ors on hare caer Phiets. For instance, David said, hational, when we that read i¢ The was Fascist_Inter- far-fetched and overdone. But the laugh’s for on him, everything if you can that laugh pamphlet at it- Fe dered nigiae th fact, the pamphiot is more up- iendalainow than Fodey'eipener eso YOUR NEXT YEAR IN ART BUT I have several of the American League pamphlets—Women, War and Fascism, Youth Demands WE'VE stolen a leaf from the almanac, which not only tells you what day it is but gives you Peace, A Blueprint for Fascism advice on the conduct of life. Not that our 1938 calendar carries instructions on planting-time (exposing the Industrial Mobiliza- tion Plan)—and I’m also getting But every month of it does carry an illustration that calls you to the struggle for Democracy and Why Fascism Leads to War and peace, that pictures your fellow fighters, and tha gives you a moment’s pleasure A Program Against War and Fascism. -
In 1910, Crystal Eastman Was One of the Most Conspicuous Progressive Reformers in America
In 1910, Crystal Eastman was one of the most conspicuous progressive reformers in America. By the 1920s, her ardent suffragism, insistent anti-militarism, gregarious internationalism, and uncompromising feminism branded her “the most dangerous woman in America” and led to her exile in England. Yet a century later, her legacy in shaping several defining movements of the modern era–labor, feminism, free speech, peace–is unquestioned. A founder of the ACLU and Woman’s Peace Party, Eastman was a key player in a constellation of high- stakes public battles from the very beginning of her career. She first found employment investigating labor conditions–an endeavor that would produce her iconic publication, Work Accidents and the Law, (1910), a catalyst for the first workers’ compensation law. Crystal conducted her research of Pittsburgh area work places in 1906-07. She would go on to fight for the rights of women, penning the Equal Rights Amendment with Alice Paul. As a pacifist in the First World War era, she helped to found the Civil Liberties Bureau, which evolved into the ACLU. With her brother, the writer Max Eastman, she frequented the radical, socialist circles of Greenwich Village. She was also a radical of the politics of private life, bringing attention to cutting-edge issues such as reproductive rights, wages for housework, and single motherhood by choice. The social justice issues to which Eastman dedicated her life – gender equality and human rights, nationalism and globalization, political censorship and media control, worker benefits and family balance, and the monumental questions of war, sovereignty, force, and freedom – remain some of the most consequential questions of our own time.