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Japan Ese Pottery Being a Native Report with an Introduction And
S OUTH KENSINGTON MUSEUM ART HANDBOOK JAPANESE POTTERY J A PA N E S E POTT E RY BE IN G A N ATIV E REPORT WITH A N I NTROD U CTION A N D C ATA LOGU E w R N M A . P. A U GUS T US F A KS , . , S A . WITH I LLUSTRATI O N S AN D MARKS ” ’ ‘ ' P ublic/zed f or 1113 Commz z fee of Counc il on E duc alz on BY L . LOND ON : C HA PMA N A N D HA LL, D F . M . E V N S A N D c o . L I M IT E D C RYS T L P L CE A , , A A A , CON TEN TS . H isto ry Tec hnique S hapes and uses o f vases Dec o rati on Marks REPORT A N D CATA LOGU E A nc ient wares Karatsu ware Seto ware Xi- Seto ware Shin o ware Ge m pin ware Oribe ware S eto - Suke ware Seto - Kuro ware I nu- yam a ware Mi no ware Bizen ware vi jA P A N E S E P OTTE R Y. hi araki 0 0 S g ware 0 I ga ware Tamba ware Shito to ware Zeze A sahi ware Takatori ware Hagi ware Matsum o to ware idsum o ware Fujxna ware A kahada ware Minato ware Yanagawa ware T oyo - ura ware Raku ware Ohi ware H oraku ware [A sakusa] Raku ware [To kio] Raku ware [Osaka] Raku ware [Dfihac hi] Raku ware Fushimiware I mado ware Ki6to ( S aikiyo ) fac tories N inseiware A wata ware Kenz an ware Kiyom idz u ware Ye iraku ware O to ware N T T CO E N S . -
Mass-Produced Handmade Ceramics Cynthia Vardhan
Rochester Institute of Technology RIT Scholar Works Theses Thesis/Dissertation Collections 2004 Mass-produced handmade ceramics Cynthia Vardhan Follow this and additional works at: http://scholarworks.rit.edu/theses Recommended Citation Vardhan, Cynthia, "Mass-produced handmade ceramics" (2004). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by the Thesis/Dissertation Collections at RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. ROCHESTER INSTITUTE OF TECHNOLOGY MASS-PRODUCED HANDMADE CERAMICS A THESIS SUBMITTED TO THE FACULTY OF THE COLLEGE OF IMAGING ARTS AND SCIENCES IN CANDIDACY FOR THE DEGREE OF MASTER OF FINE ARTS INDUSTRIAL DESIGN DEPARTMENT BY CYNTHIA VARDHAN ROCHESTER NEW YORK MAY 2004 Approvals Chief Advisor, Professor David Morgan: David Morgan Date: Associate Advisor, Professor Stan Rickel: Stan Rickel Date: Associate Advisor, Professor Julia Galloway: Julia Galloway Date: School Chairperson, Professor Patti Lachance Patti Lachance Date: I I I, Cynthia Vardhan, hereby grant permission to the Wallace Memorial Library of RIT to reproduce my thesis in whole or in part. Any reproduction will not be for commercial use or profit. Date: Cynthia Vardhan 3 '//."1 II Copyright 2003 by Cynthia Vardhan All rights reserved To Aniket Love your experiments (as you would an ugly child) Bruce Mau "An Incomplete Manifesto for Growth" CONTENTS LIST OF ILLUSTRATIONS vi Chapter 1. THESIS SUMMARY 1 Components ofThesis Necessity ofThesis Goals Limitations 2. BACKGROUND OF PRODUCTION METHODS 6 The Handrnade-to-Machine-Made Continuum Current Processes in Use Case Studies My Niche in the Spectrum 3. -
Industrial Arts Courses. It Was Include a Glossary of Ceramic Terms
DOCUMENT RESUME VT 002 002 ED 021 963 By-Hastings, James R., Ed CERAMICS, PROJECT IDEAS FORINDUSTRIAL ARTS. New York State Education Dept.,Albany. Bureau of SecondaryCurriculum Development. Pub Date 66 Note-185p. EDRS Price MF-$0.75 HC-$7.48 UNITS, Descriptors-*CERAMICS, HIGH SCHOOLS,*INDUSTRIAL ARTS, JUNIOR HIGHSCHOOLS, *RESOURCE *STUDENT PROJECTS This book of ceramic projectideas is for teacher orstudent use insecondary industrial arts courses. It wasdeveloped in a workshopby teachers. The content useful projects and unitsof instruction and togiVe direction objectives are to provide Forty-one to ceramics instructionwhich isin keeping with achanging technology. under these units: (1)Hand Forming, (2) SlabConstructing, project plans are presented Extruding, (8) (3) Free Forming, (4) PressMolding, (5) Solid Casting,(6) Slip Casting, (7) Throwing and Turning, and (9)Jiggering. Each unit givesproject plans,student activities, projectprocedures, related technicalinformation, teacher demonstrations, references. Similarly organized units cover13 tools or related- cultural information, and turning box. pieces of equipment such as...a.jiggerarm, stilts, anextrusion press, and a Information concerning the makingof glazes is also included.Supplementary materials include a glossary of ceramic terms, abibliography of books andperiodicals, and indexes to related technical andcultural topics. (EM) i, , U.S. DEPARTMENT OF HEALTH, EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION POSITION OR POLICY. Cetaini,a, wied feaJ FOR INDUSTRIAL ARTS , THE UNIVERSITY OF THE STATE OF NEW YORK The State Education Department Bureau of Secondary Curriculum Development Albany, 1966 THE UNIVERSITY OF THE STATE OF NEW YORK Regents of the University (with years when terms expire) EDGAR W. -
WO 2013/032520 Al 7 March 2013 (07.03.2013) P O P C T
(12) INTERNATIONAL APPLICATION PUBLISHED UNDER THE PATENT COOPERATION TREATY (PCT) (19) World Intellectual Property Organization International Bureau (10) International Publication Number (43) International Publication Date WO 2013/032520 Al 7 March 2013 (07.03.2013) P O P C T (51) International Patent Classification: (81) Designated States (unless otherwise indicated, for every F27D 1/14 (2006.01) kind of national protection available): AE, AG, AL, AM, AO, AT, AU, AZ, BA, BB, BG, BH, BN, BR, BW, BY, (21) International Application Number: BZ, CA, CH, CL, CN, CO, CR, CU, CZ, DE, DK, DM, PCT/US2012/000333 DO, DZ, EC, EE, EG, ES, FI, GB, GD, GE, GH, GM, GT, (22) International Filing Date: HN, HR, HU, ID, IL, IN, IS, JP, KE, KG, KM, KN, KP, 27 July 2012 (27.07.2012) KR, KZ, LA, LC, LK, LR, LS, LT, LU, LY, MA, MD, ME, MG, MK, MN, MW, MX, MY, MZ, NA, NG, NI, (25) Filing Language: English NO, NZ, OM, PE, PG, PH, PL, PT, QA, RO, RS, RU, RW, (26) Publication Language: English SC, SD, SE, SG, SK, SL, SM, ST, SV, SY, TH, TJ, TM, TN, TR, TT, TZ, UA, UG, US, UZ, VC, VN, ZA, ZM, (30) Priority Data: ZW. 13/222,037 31 August 201 1 (3 1.08.201 1) US (84) Designated States (unless otherwise indicated, for every (71) Applicant (for all designated States except US): SENECA kind of regional protection available): ARIPO (BW, GH, CERAMICS CORP. [US/US]; 45 Main Street, Phelps, GM, KE, LR, LS, MW, MZ, NA, RW, SD, SL, SZ, TZ, New York 14532 (US). -
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E3S Web of Conferences 267, 01033 (2021) https://doi.org/10.1051/e3sconf/202126701033 ICESCE 2021 Research on the kiln site protection and utilization of early Yue in Zhejiang based on protection first Shuang Wu1, Shou Lei Gao2* 1 School of History, Culture and Tourism, Guangxi Normal University, Guilin, 541001, China 2 Institute of Architecture and Environment Art, Shanghai Urban Construction Vocational College, Shanghai, 201415, China Abstract. The architectural heritage of handcrafts of Zhenjiang has unrepeatable technological and historical values. This paper aims at obtaining a reliable overview of the occurrence of the kiln sites. Their characteristics and values as architectural heritage of handcrafts will be fully understanding, expounds the problems in the protection and utilization of those kiln sites, then gives different utilization strategies on the priority of the kiln site protection is put forward. analysis of early period Yue wares production technology can help elucidate the relationship between proto- 1 Introduction porcelain manufacture and the later times celadon, also Yue wares is one kind of high fired green glazed ceramics other ceramic production among different regions. Thirdly, produced in Zhejiang, which is the most celebrated and expounds the problems in the protection and utilization of typical examples of celadon in ancient China. For a long those kiln sites, gives different strategies on the kiln site time, Yue wares held a leading position in the using market protection and utilization. of Ci(瓷) wares in China before the white color wares was invented and popularity in northern of China. Broad 2 The distribution of kiln sites speaking, the technique system of Yue wares production had maximum impact on the later ceramic production in The kilns site of celadon producing had been found in China, especially the celadon production and used in 1930s firstly, while all of them are regarded as a later time southern area of China. -
Comparative Study of Black and Gray Body Celadon Shards Excavated from Wayaoyang Kiln in Longquan, China
Microchemical Journal 126 (2016) 274–279 Contents lists available at ScienceDirect Microchemical Journal journal homepage: www.elsevier.com/locate/microc Comparative study of black and gray body celadon shards excavated from Wayaoyang kiln in Longquan, China Hongying Duan a,b,⁎, Dongge Ji a,b, Yinzhong Ding a,b, Guangyao Wang c, Jianming Zheng d, Guanggui Zhou e, Jianmin Miao a,b a Key Scientific Research Base of Ancient Ceramics (the Palace Museum), State Administration of Cultural Heritage, Beijing 100009, China b Conservation Department, the Palace Museum, Beijing 100009, China c Department of Objects and Decorative Arts, the Palace Museum, Beijing 100009, China d Zhejiang Provincial Cultural Relics Archaeological Research Institute, Hangzhou, Zhejiang 310014, China e The Museum of Longquan City, Longquan, Zhejiang 323700, China article info abstract Article history: Longquan celadon is one of the most valuable treasures in Chinese ceramic history. Representative products are Received 8 August 2015 Ge ware (Ge meaning elder brother, black body celadon) and Di ware (Di meaning younger brother, gray body Received in revised form 12 December 2015 celadon) of the Song Dynasty (960–1279 A.D.). In this study, Ge and Di ware shards excavated from Wayaoyang Accepted 12 December 2015 kiln site in Longquan were collected and studied. Chemical and crystallite composition, microstructure, body and Available online 19 December 2015 glaze thickness, firing temperature and glaze reflectance spectrum were observed and examined. Differences in Keywords: raw materials and manufacturing technology between Ge and Di ware were studied. Based on the results and Longquan Ge ware historical background, it was speculated that some Ge wares from Wayaoyang kiln site might be the test products Longquan Di ware of jade-like black body celadon for the imperial court. -
MEACAP: Survey of Technical and Management-Based Mitigation
MEACAP – D7a Technical and management-based mitigation measures in agriculture – June 2005 SIXTH FRAMEWORK PROGRAMME PRIORITY 8: Policy-Oriented Research SPECIFIC TARGETED RESEARCH PROJECT n°SSPE-CT-2004-503604 Impact of Environmental Agreements on the CAP Document number: MEACAP WP3 D7a Dissemination level: public Survey of technical and management-based mitigation measures in agriculture Author: A. Weiske Author’s Organisation(s): Institute for Energy and Environment (IE) Date: June 2005 1 MEACAP – D7a Technical and management-based mitigation measures in agriculture – June 2005 TABLE OF CONTENTS Introduction............................................................................................................... 7 1 Measures related to livestock and poultry farming ....................................... 9 1.1 Animal breeding and husbandry ................................................................................. 9 1.1.1 Livestock breeding ................................................................................................ 9 1.1.2 Artificial insemination........................................................................................... 9 1.1.3 Planned selection of male/female at insemination (embryo and sperm sexing) . 10 1.1.4 Twinning ............................................................................................................. 11 1.1.5 Lifetime efficiency (calves, cattle, cows / meat, milk) ....................................... 11 1.1.6 Multi use of cows (milk, calves and meat)......................................................... -
Production and Trade of Porcelain in China, 1000-1500
Production and Trade of Porcelain in China, 1000-1500 Shelagh Vainker Ashmolean Museum, Oxford Email: [email protected] Just as the Song dynasty (960-1279) has been identified by economic historians as a peak after which no significant developments took place, so it is a period of culmination in the manufacture of ceramics. Between the 10th and 12th centuries, green, black or white high- fired wares that had been produced for centuries were made with finer bodies, smoother and more complex glazes and in a greater range of shapes than ever before, and in unprecedented quantities. They also became admired and moreover collected as objects of aesthetic, cultural and monetary value, a practice that had previously been restricted to works of art such as calligraphy and painting, or to the jades and bronze vessels associated with high antiquity and the authority to rule. This was also however the period in which was established China’s most enduring and famous kiln site, Jingdezhen. To that extent the period is not only a technological peak, but a pivotal one during which the centre of the ceramics industry began its shift from north to south China. At the time when the northern kilns were producing pieces for the imperial court and wares that would be adopted into the canon of connoisseur’s collectibles, southern kilns were making pots for everyday local use, and for export. In many instances, these imitated the northern wares in both technology and style; all were part of a country-wide industry with a distribution of manufacturing centres that was unprecedented and has not been repeated, for it is notable that during the pre-eminence of the north in potting, the south was also rich in kiln sites and products, while once the shift south had occurred no significant industry continued in north China. -
OCCASION This Publication Has Been Made Available to the Public on The
OCCASION This publication has been made available to the public on the occasion of the 50th anniversary of the United Nations Industrial Development Organisation. DISCLAIMER This document has been produced without formal United Nations editing. The designations employed and the presentation of the material in this document do not imply the expression of any opinion whatsoever on the part of the Secretariat of the United Nations Industrial Development Organization (UNIDO) concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries, or its economic system or degree of development. Designations such as “developed”, “industrialized” and “developing” are intended for statistical convenience and do not necessarily express a judgment about the stage reached by a particular country or area in the development process. Mention of firm names or commercial products does not constitute an endorsement by UNIDO. FAIR USE POLICY Any part of this publication may be quoted and referenced for educational and research purposes without additional permission from UNIDO. However, those who make use of quoting and referencing this publication are requested to follow the Fair Use Policy of giving due credit to UNIDO. CONTACT Please contact [email protected] for further information concerning UNIDO publications. For more information about UNIDO, please visit us at www.unido.org UNITED NATIONS INDUSTRIAL DEVELOPMENT ORGANIZATION Vienna International Centre, P.O. Box 300, 1400 Vienna, Austria Tel: (+43-1) 26026-0 · www.unido.org · [email protected] 1.0 22 iii; 2 0 111111.1 11111~~ 25 4 111111. 1:1111. -
Crafting the Elements Brochure
Fairfield University DigitalCommons@Fairfield Crafting the Elements: Ceramic Art of Modern Crafting the Elements: Ceramic Art of Modern Japan - Ephemera Japan 2016 Crafting the Elements Brochure Fairfield University Art Museum Tomoko Nagakura Follow this and additional works at: https://digitalcommons.fairfield.edu/craftingtheelements-ephemera Recommended Citation Fairfield University Art Museum and Nagakura, Tomoko, "Crafting the Elements Brochure" (2016). Crafting the Elements: Ceramic Art of Modern Japan - Ephemera. 3. https://digitalcommons.fairfield.edu/craftingtheelements-ephemera/3 This item has been accepted for inclusion in DigitalCommons@Fairfield by an authorized administrator of DigitalCommons@Fairfield. It is brought to you by DigitalCommons@Fairfield with permission from the rights- holder(s) and is protected by copyright and/or related rights. You are free to use this item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses, you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Haku-yō Ho Hei (White Glazed Rectangular Vase), 1960 Henko “Samui Iro” (Vessel “Cold Color”), ca. 1990 CRAFTING THE ELEMENTS 20. S Hamadatoneware, Shōji glazed (1894-1978) 26. Stoneware Mori Tōgaku (b. 1937) Ceramic Art of Modern Japan from the Collection of 11 ¾ x 5 ½ inches (30 x 14 cm) 10 x 8 inches (25.4 x 20.3 cm) CRAFTING THE Carol and Jeffrey Horvitz [Twisted Pot, White Kohiki Glaze], 2009 [Vase, Pale Green Glaze on Porcelain], 2008 21. -
Blue-And-White Porcelain Also Known As Porcelain Ware in Underglazed Blue
HONG KONG HERITAGE SERIES MADE IN HONG KONG Blue-and-white Porcelain also known as porcelain ware in underglazed blue www.heritage.gov.hkwww.heritage.gov.hk www.amo.gov.hkwww.amo.gov.hk www.heritage.gov.hk www.cnc.org.hkwww.cnc.org.hk www.amo.gov.hk www.cnc.org.hk Blue-and-white History and culture are not something farfetched. The above picture Porcelain piece shows a blue-and-white porcelain bowl unearthed in Hong Kong. It was originally made in the Wun Yiu Kiln Site at Tai Po. The Wun Yiu Kiln Site was in operation during the Ming and Qing dynasties and the early Republic period. At its height, the kilns pro- duced over 400,000 pieces of porcelain per year, and its products were sold to as far as Malaysia. Today, at the Wun Yiu Exhibition, one can still see these pieces of cultural relics that bore witness to the early cultural and economic developments of Hong Kong. Kaolinite , also named “ porcelain stone ” Kaolinite clay , also named “ porcelain clay ” Both are the main ingredients for making porcelain. They share the same chemical composition of aluminium silicate hydrox- ide, Al2Si2O5(OH)4 , which is a clay mineral. Their difference is that kaolinite is a rock material, while kaolinite clay is the silt formed from weathered kaolinite. In as early as the Neolithic period, the Chinese has been making use of kaolinite clay. Dur- ing the Yuan dynasty, the town of Jingdezhen has already mas- tered techniques to produce blue-and-white porcelain. Kaolinite was first discovered and put into application in China, thus China is regarded as the country which invented porcelain. -
Richard Hensley Spotlight: Cynthia Bringle Technical: Reduction Misnomer
Cover: Richard Hensley Spotlight: Cynthia Bringle Technical: Reduction Misnomer Bailey Gas and Electric Kilns Manual and Programmable ETL Certified Gas Kilns “We love our Bailey AutoFire kiln!” Not just for how good the glazes look, but how easy and reliable it is to fire using the computer. We programmed it to start in the early morning before we arrived, and were done firing before noon. Each firing has looked great! Our Guild appreciates the generous time and support Bailey provided to learn about firing this wonderful kiln and look forward to many more great economical firings! Bailey has filled in so many gaps in our knowledge about gas reduction firing and given us the confidence to fire logically rather than by the “kiln gods”! Canton Ceramic Artists Guild, Canton Museum of Art Bailey “Double Insulated” Top Loaders, have 32% less heat loss compared to conven- tional electric kilns. Revolutionary Design There are over 12 outstanding features that make the Bailey Thermal Logic Electric an amazing design. It starts with the Bailey innovative “Quick-Change” Element Holder System. And there’s much more. Look to Bailey innovation when you want the very best products and value. Top Loaders, Front Loaders, & Shuttle Electrics. ETL Certified Bailey Pottery Equip. Corp., PO Box 1577, Kingston, NY 12402 Professionals Know www.baileypottery.com Toll Free: (800) 431-6067 Direct: (845) 339-3721 Fax: (845) 339-5530 the Difference. 2 march 2016 www.ceramicsmonthly.org www.ceramicsmonthly.org march 2016 3 DIDEM ERTon GL AZINGM IO N T L WAYS use V IBRANAD T OLORS ,C but when I do, I use AMACO VELVET UNDERGL AZES.