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NAKEDNESS on MARS by Woodrow Edgar Nichols, Jr
NAKEDNESS ON MARS by Woodrow Edgar Nichols, Jr. INTRODUCTION When Edgar Rice Burroughs wrote A Princess of Mars and its sequels, he was writing the legal pornograpy of the day. He wrote what was the literary equivalent of a peep show, which we know he was fond of from his 1893 Chicago Columbian Exposition midway adventures. (See, ERBzine #1275, chpt. 6.) This is where Little Egypt became an international celebrity. Because no acts of sex are explicitly described in this series, this fact passes mainly unnoticed to the modern reader, but a discerning eye sees on almost every page naked people with their sexual organs fully exposed, female breasts enhanced in leather harnesses, near rape scenes, acts of perverse cruelty and sado-masochistic bondage, including descriptions of violence, beheadings, and dismemberings, that put Kill Bill: Part One to shame. This would have been shocking literature in its day. It was still shocking when C.S. Lewis followed suit in 1944 by having the inhabitants of Perelandra appear as naked as Adam and Eve, without fig leaves. I can only imagine the kind of moral outrage it must have induced in the minds of Puritanical prudes and Victorian moralists, so influential in politics and the arts at the time. I don’t have to imagine too hard. My mother, a typical Victorian prude who hated Hugh Hefner till the day she died, knew all about ERB. When I was in the fifth grade, around ten years old in 1957, I visited with a friend after school one day. My friend’s mother had been an artist for Disney in the days of Fantasia and was the opposite of my mother. -
A Barso O M Glo Ssary
A BARSO O M GLO SSARY DAV ID BRUC E BO ZARTH HTML Version Copyright 1996-2001 Revisions 2003-5 Most Current Edition is online at http://www.erblist.com PD F Version Copyright 2006 C O PYRIGH TS and O TH ER IN FO The m ost current version of A Barsoom G lossary by D avid Bruce Bozarth is available from http://www.erblist.com in the G lossaries Section. SH ARIN G O R DISTRIBUTIN G TH IS FILE This file m ay be shared as long as no alterations are m ade to the text or im ages. A Barsoom G lossary PD F version m ay be distributed from web sites AS LO N G AS N O FEES, CO ST, IN CO ME, O R PRO FIT is m ade from that distribution. A Barsoom G lossary is N O T PU BLIC D O MAIN , but is distributed as FREE- WARE. If you paid to obtain this book, please let the author know w here and how it w as obtained and w hat fee w as charged. The filenam e is Bozarth-ABarsoom Glossary-illus.pdf D o not change or alter the filenam e. D o not change or alter the pdf file. RO LE PLAYERS and GAM E C REATO RS O ver the years I have been contacted by RPG creators for perm ission to use A BARSO O M G LO SSARY for their gam es as long as the inform ation is N O T printed in book form , nor any fees, cost, incom e, or profit is m ade from m y intellectual property. -
REDISCOVERING CIVIL WAR CLASSICS: Jules Verne's Civil War
Civil War Book Review Spring 2007 Article 4 REDISCOVERING CIVIL WAR CLASSICS: Jules Verne's Civil War David Madden Follow this and additional works at: https://digitalcommons.lsu.edu/cwbr Recommended Citation Madden, David (2007) "REDISCOVERING CIVIL WAR CLASSICS: Jules Verne's Civil War," Civil War Book Review: Vol. 9 : Iss. 2 . Available at: https://digitalcommons.lsu.edu/cwbr/vol9/iss2/4 Madden: REDISCOVERING CIVIL WAR CLASSICS: Jules Verne's Civil War Feature Essay Spring 2007 Madden, David REDISCOVERING CIVIL WAR CLASSICS: Jules Verne's Civil War. Jules Verne's Civil War The Blockade Runners (1871) by Jules Verne The Mysterious Island (1875) by Jules Verne North Against South (1887) by Jules Verne Do you know where and when Nemo, inventor and captain of the famed Nautilus submarine, died? I suppose I should first answer your own question: What has that question to do with the American Civil War? You probably didn't know, as I didn't know until a few days ago, that Jules Verne wrote two Civil War novels within ten years of the end of the war: The Blockade Runners (1871) and The Mysterious Island (1875), a sequel to Twenty Thousand Leagues Under the Sea (1870). Twelve years later, this French admirer of President Lincoln and General Grant published a third Civil War novel, North Against South. Answer: It was on Mysterious Island that Captain Nemo died. Although it was later published, illustrated, and is even now in print, The Blockade Runners is often not even listed as one of Verne's nearly 100 books, probably because it is really a 76-page novella first published in a book as an add-on to A Floating City (1871). -
106June Crossword 2019 Astrology
Vic Skeptics June 2019 Crossword Theme – Astrology by Roy Arnott & Ken Greatorex (With standard and cryptic clues) 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 Standard clues: pp 2 – 4 Cryptic clues: pp 5 – 7 Solution: p 8 2 STANDARD CLUES ACROSS: 4. A chart of the heavens cast for a particular moment in time, as seen from a particular place on the Earth's surface [9] 7. In astrology, a “killing planet” which cuts off the light and influence of nearby bodies [9] 8. A time of equal day and equal night occurring twice a year [7] 11. The only inanimate sign in the Zodiac [5] 12. Procurer [4] 13. Rims [5] 15. Existing at the beginning [7] 16. The Water Carrier [8] 18. The convention that the Earth, rather than the Sun is at the centre of the Solar System [9] 19. Regularly and predictably repeated [6] 22. Proceed [2] 23. Written text of a play or film [6] 26. Description of the moon when more than half of its illuminated surface is visible [7] 28. The Fish (derived from the ichthyocentaurs, who in Greek mythology aided Aphrodite when she was born from the sea) [6] 30. Fire, water, air & earth collectively in astrology; They relate to three of the signs of the zodiac each [8] 31. -
The English Editions of Five Weeks in a Balloon
Submitted November 29, 2013 Published January 17, 2014 Proposé le 29 novembre 2013 Publié le 17 janvier 2014 The English Editions of Five Weeks in a Balloon Arthur B. Evans Introduction The following note is intended as a supplement to my earlier and more comprehensive study entitled “Jules Verne’s English Translations” and “A Bibliography of Jules Verne’s English Translations.” It was first published in Science Fiction Studies (vol. 32.1 [March 2005]: 80-141) and can be found online at http://www.depauw.edu/sfs/covers/cov95.htm and on Zvi Har’El’s Jules Verne website at http://jv.gilead.org.il/evans/. Whereas that study offered a broad-based introduction to the English-language editions of Verne’s Voyages extraordinaires (building upon the pioneering work of the late Walter James Miller; see http://www.verniana.org/volumes/01/HT ML/VerneSmiles.html), the goals of this note are more modest. It seeks only to examine the available English translations of one single novel—Cinq semaines en ballon (1863) aka Five Weeks in a Balloon—and to decide which one is the best, judged according to criteria that are both quantitative and qualitative in nature. Publishing such a note in this issue of Verniana seems especially appropriate since the year 2013 marks the one hundred-fiftieth anniversary of the original publication of Verne’s novel in France. To date, there exist seven different English translations of Verne’s Cinq semaines en ballon. They first appeared in the following editions: 139 140 Verniana – Volume 6 (2013-2014) Title Year Publisher Translator Reprint Used Five Weeks in a Balloon 1869 New York: Appleton William Lackland Worthington, 1882 London: Chapman & Pocket Classics, Alan Five Weeks in a Balloon 1870 Hall ? Sutton, 1995 Frederick London: Ward, Lock & Amadeus Five Weeks in a Balloon 1875 Tyler 1921 Malleson Five Weeks in a Balloon 1876 London: Routledge ? Didier, 1954 Five Weeks in a Balloon 1877 London: Goubaud ? Hutchinson, 1893 London: Dent Five Weeks in a Balloon 1926 Arthur Chambers New York: Dutton London: Hanison I.O. -
The Chessmen of Mars
THE CHESSMEN OF MARS Edgar Rice Burroughs This public-domain (U.S.) text was prepared by Judy Boss, Omaha, NE. The Project Gutenberg edition (“cmars12”) was subse- quently converted to LATEX using Guten- Mark software and re-edited (for formatting only) by Ron Burkey. Report problems to [email protected]. Revision C1 differs from C in that “—-” has everywhere been replaced by “—”. Revision: C1 Date: 01/27/2008 Contents PRELUDE. JOHN CARTER COMES TO EARTH 1 CHAPTER I. TARA IN A TANTRUM 5 CHAPTER II. AT THE GALE’S MERCY 21 CHAPTER III. THE HEADLESS HUMANS 37 CHAPTER IV. CAPTURED 55 CHAPTER V. THE PERFECT BRAIN 73 CHAPTER VI. IN THE TOILS OF HORROR 87 CHAPTER VII. A REPELLENT SIGHT 105 CHAPTER VIII. CLOSE WORK 123 i ii CHAPTER IX. ADRIFT OVER STRANGE REGIONS 137 CHAPTER X. ENTRAPPED 153 CHAPTER XI. THE CHOICE OF TARA 167 CHAPTER XII. GHEK PLAYS PRANKS 183 CHAPTER XIII. A DESPERATE DEED 197 CHAPTER XIV. AT GHEKS COMMAND 213 CHAPTER XV. THE OLD MAN OF THE PITS 229 CHAPTER XVI. ANOTHER CHANGE OF NAME 245 CHAPTER XVII. A PLAY TO THE DEATH 261 CHAPTER XVIII. A TASK FOR LOYALTY 277 CHAPTER XIX. THE MENACE OF THE DEAD 295 CHAPTER XX. THE CHARGE OF COWARDICE 309 CHAPTER XXI. A RISK FOR LOVE 325 iii CHAPTER XXII. AT THE MOMENT OF MARRIAGE 339 JETAN, OR MARTIAN CHESS 357 iv PRELUDE. JOHN CARTER COMES TO EARTH Shea had just beaten me at chess, as usual, and, also as usual, I had gleaned what questionable satisfaction I might by twitting him with this indication of failing mental- ity by calling his attention to the nth time to that theory, propounded by certain sci- entists, which is based upon the assertion that phenomenal chess players are always found to be from the ranks of children un- der twelve, adults over seventy-two or the mentally defective—a theory that is lightly ig- nored upon those rare occasions that I win. -
The New World Mythology in Italian Epic Poetry: 1492-1650
THE NEW WORLD MYTHOLOGY IN ITALIAN EPIC POETRY: 1492-1650 by CARLA ALOÈ A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Italian Studies School of Languages, Cultures, Art History and Music College of Arts and Law University of Birmingham September 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT My thesis explores the construction of the New World mythology as it appears in early modern Italian epic poems. It focuses on how Italian writers engage with and contribute to this process of myth-creation; how the newly created mythology relates to the political, social and cultural context of the time; and investigates extent to which it was affected by the personal agendas of the poets. By analysing three New World myths (Brazilian Amazons, Patagonian giants and Canadian pygmies), it provides insights into the perception that Italians had of the newly discovered lands in the Sixteenth and Seventeenth Centuries, as well as providing a greater understanding of the role that early modern Italy had in the ‘invention’ of the Americas. -
Sculpture Galleries Object List
NATIONAL GALLERY OF ART New West Building Sculpture Galleries Checklist *measurements are given in centimeters with inches in parentheses. G1A: Lost-Wax Bronze Casting Display 2002.58.1 Coubertin Factory after Auguste Rodin Lost-Wax Casting Display: plaster model (first of ten steps), 1990 plaster .295 x .170 x .140 (11 5/8 x 6 11/16 x 5 1/2); length of entire display: 3.962 (156) Gift of the Iris and B. Gerald Cantor Collection 2002.58.2 Coubertin Factory after Auguste Rodin Lost-Wax Casting Display: mold, front half (second of ten steps), 1990 wax, plaster, cement and bronze .370 x .315 x .180 (14 9/16 x 12 3/8 x 7 1/16); length of entire display: 3.962 (156) Gift of the Iris and B. Gerald Cantor Collection 2002.58.3 Coubertin Factory after Auguste Rodin Lost-Wax Casting Display: clay model (third of ten steps), 1990 wax, plaster, cement and bronze .370 x .315 x .290 (14 9/16 x 12 3/8 x 11 7/16); length of entire display: 3.962 (156) Gift of the Iris and B. Gerald Cantor Collection 2002.58.4 Coubertin Factory after Auguste Rodin Lost-Wax Casting Display: clay model reduced by thickness of final bronze (fourth of ten steps), 1990 wax, plaster, cement and bronze .370 x .315 x .230 (14 9/16 x 12 3/8 x 9 1/16); length of entire display: 3.962 (156) Gift of the Iris and B. Gerald Cantor Collection 2002.58.5 Coubertin Factory after Auguste Rodin Lost-Wax Casting Display: wax model (fifth of ten steps), 1990 wax, plaster, cement and bronze .370 x .315 x .290 (14 9/16 x 12 3/8 x 11 7/16); length of entire display: 3.962 (156) Gift of the Iris and B. -
Riding the Centaur Metaphor from Past to Present: Myth, Constellation and Non-Gendered Hybrid
IAFOR Journal of Literature & Librarianship Volume 8 – Issue 1 – Winter 2019 Riding the Centaur Metaphor from Past to Present: Myth, Constellation and Non-gendered Hybrid Jeri Kroll Flinders University, Australia 31 IAFOR Journal of Literature & Librarianship Volume 8 – Issue 1 – Winter 2019 Abstract Tracking the ancient centaur as myth and metaphor through cultural history to the twenty-first century reveals how humans have begun to reconceive animal-human relations. Its origins are open to question, but at least date from pre-classical and early Greek history, when nomadic tribes with superior horsemanship skills appeared. Associated with the astronomical constellation Centaurus, the centaur metaphor was initially gendered. The hybrid embodied human and equine qualities, both negative and positive (for example, the bestial classical centaur and the supra-human Spanish conquistador). After examining the history of the centaur metaphor as well as relationships between horses and humans in the pre-twentieth century Western literary tradition, this research focuses on five texts: Monty Roberts’ The Man Who Listens to Horses (2009); Tom McGuane’s Some Horses (2013); John Steinbeck’s The Red Pony (1945); Jane Smiley’s Horse Heaven (2000); and Gillian Mears’ Foal’s Bread (2011). It argues that contemporary nonfiction and fiction demonstrate a change in the way in which the metaphor has been used, reflecting a will to reshape relationships between species, grounded in empathy as well as respect for alternative communication strategies. The centaur metaphor as non-gendered hybrid appears when riders feel one with their horses through harmonious partnerships inherent in teamwork. They feel as if they have become the centaur, literalizing the metaphor within themselves. -
Jules Verne's Vision of a Saharan Sea Peter Schulman Old Dominion University, [email protected]
Old Dominion University ODU Digital Commons World Languages and Cultures Faculty Publications World Languages & Cultures 2015 Melancholic Mirages: Jules Verne's Vision of a Saharan Sea Peter Schulman Old Dominion University, [email protected] Follow this and additional works at: https://digitalcommons.odu.edu/worldlanguages_pubs Part of the African History Commons, European History Commons, and the French and Francophone Literature Commons Repository Citation Schulman, Peter, "Melancholic Mirages: Jules Verne's Vision of a Saharan Sea" (2015). World Languages and Cultures Faculty Publications. 24. https://digitalcommons.odu.edu/worldlanguages_pubs/24 Original Publication Citation Schulman, P. (2015). Melancholic mirages: Jules Verne's vision of a Saharan Sea. Verniana: Jules Verne Studies/Etudes Jules Verne, 7, 75-86. This Article is brought to you for free and open access by the World Languages & Cultures at ODU Digital Commons. It has been accepted for inclusion in World Languages and Cultures Faculty Publications by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. Verniana www.verniana.org Jules Verne Studies/Etudes Jules Verne ISSN 1565-8872 Submitted September 9, 2014 Published January 29, 2015 Proposé le 9 septembre 2014 Publié le 29 janvier 2015 Melancholic Mirages: Jules Verne's Vision of a Saharan Sea Peter Schulman Abstract L’invasion de la mer (The Invasion of the Sea), Verne’s last novel to be published during his lifetime, would appear to be a paradoxical vision of French colonial involvement as it chronicles the attempts of the French army occupying Tunisia and Algeria to capture Tuareg leaders bent on pushing the French out of the Maghreb on the one hand, and thwarting an environmentally disastrous French project on the other. -
Jules Verne: Father of Science Fiction? John Derbyshire
2 2 Jules Verne: Father of Science Fiction? John Derbyshire ules Verne (1828-1905) is con- bibliographers under the heading Les ventionally regarded as the Voyages Extraordinaires. These were Jfather of science fiction. Some works of fiction whose plots either literary historians may dispute this, hinged on some extrapolation, or asserting that sci-fi goes all the way untried application, of the science back to the early moderns or even of Verne’s time, or at a minimum the ancients (via, of course, Bacon’s used some unresolved scientific issue “New Atlantis”...), (and here you have with the boldest Books by Jules Verne in the to include geogra- spirits even claim- “Early Classics of Science phy among the sci- ing Homer’s Odyssey Fiction” series from ences) as a “hook” Wesleyan University Press for the genre. That on which to hang an seems to me a stretch. The Mysterious Island adventure story. Since science, as we 2002 ~ 728 pp. A handful of those now understand the $24.95 (paper) books, all from the term, did not really first dozen or so of begin until the sev- The Begum’s Millions those 42 years, are enteenth century, 2005 ~ 308 pp. known, at least by surely science fiction $29.95 (cloth) name, to any person cannot have existed literate in modern any earlier. The Mighty Orinoco Western culture. 2003 ~ 448 pp. Reserving the $29.95 (cloth) $19.95 (paper) Twenty Thousand right to offer some Leagues Under the qualifications of my Invasion of the Sea Sea was made into own, “father of sci- 2001 ~ 288 pp. -
Round the World in Eighty Days
Penguin Readers Factsheets l e v e l E T e a c h e r’s n o t e s 1 2 Round the World in 3 4 Eighty Days 5 by Jules Verne 6 UPPER S U M M A R Y INTERMEDIATE hileas Fogg. the hero of this story, is a very precise purposes. His family life was unhappy and although he was P English gentleman. He does exactly the same thing rich by now, his publisher was apparently even richer, at the same time every day. Until, that is, he decides Jules Verne is today considered to be a father of science to accept a challenge to travel round the world in eighty fiction, along with the English writer, H G Wells. days. This story takes place before the days of aeroplanes, and BACKGROUND AND THEMES Phileas Fogg therefore makes the journey by land and sea. He takes with him his emotional new French servant, Jules Verne lived at a time when science seemed to offer Passepartout. Their adventure begins and ends in London, endless possibilities for progress to the human race. Man’s taking them via Egypt, India, Hong Kong, China and the view of the universe was being re-examined during Verne’s United States. Along the way they meet plenty of lifetime, particularly after the publication in 1859 of excitement and danger. D a rw i n ’s Origin of Species. Ve rn e ’s popular tales of What is more, as Fogg and Passepartout race to get a d v e n t u re were written in a spirit of optimism.