Five Weeks in a Balloon
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REDISCOVERING CIVIL WAR CLASSICS: Jules Verne's Civil War
Civil War Book Review Spring 2007 Article 4 REDISCOVERING CIVIL WAR CLASSICS: Jules Verne's Civil War David Madden Follow this and additional works at: https://digitalcommons.lsu.edu/cwbr Recommended Citation Madden, David (2007) "REDISCOVERING CIVIL WAR CLASSICS: Jules Verne's Civil War," Civil War Book Review: Vol. 9 : Iss. 2 . Available at: https://digitalcommons.lsu.edu/cwbr/vol9/iss2/4 Madden: REDISCOVERING CIVIL WAR CLASSICS: Jules Verne's Civil War Feature Essay Spring 2007 Madden, David REDISCOVERING CIVIL WAR CLASSICS: Jules Verne's Civil War. Jules Verne's Civil War The Blockade Runners (1871) by Jules Verne The Mysterious Island (1875) by Jules Verne North Against South (1887) by Jules Verne Do you know where and when Nemo, inventor and captain of the famed Nautilus submarine, died? I suppose I should first answer your own question: What has that question to do with the American Civil War? You probably didn't know, as I didn't know until a few days ago, that Jules Verne wrote two Civil War novels within ten years of the end of the war: The Blockade Runners (1871) and The Mysterious Island (1875), a sequel to Twenty Thousand Leagues Under the Sea (1870). Twelve years later, this French admirer of President Lincoln and General Grant published a third Civil War novel, North Against South. Answer: It was on Mysterious Island that Captain Nemo died. Although it was later published, illustrated, and is even now in print, The Blockade Runners is often not even listed as one of Verne's nearly 100 books, probably because it is really a 76-page novella first published in a book as an add-on to A Floating City (1871). -
The English Editions of Five Weeks in a Balloon
Submitted November 29, 2013 Published January 17, 2014 Proposé le 29 novembre 2013 Publié le 17 janvier 2014 The English Editions of Five Weeks in a Balloon Arthur B. Evans Introduction The following note is intended as a supplement to my earlier and more comprehensive study entitled “Jules Verne’s English Translations” and “A Bibliography of Jules Verne’s English Translations.” It was first published in Science Fiction Studies (vol. 32.1 [March 2005]: 80-141) and can be found online at http://www.depauw.edu/sfs/covers/cov95.htm and on Zvi Har’El’s Jules Verne website at http://jv.gilead.org.il/evans/. Whereas that study offered a broad-based introduction to the English-language editions of Verne’s Voyages extraordinaires (building upon the pioneering work of the late Walter James Miller; see http://www.verniana.org/volumes/01/HT ML/VerneSmiles.html), the goals of this note are more modest. It seeks only to examine the available English translations of one single novel—Cinq semaines en ballon (1863) aka Five Weeks in a Balloon—and to decide which one is the best, judged according to criteria that are both quantitative and qualitative in nature. Publishing such a note in this issue of Verniana seems especially appropriate since the year 2013 marks the one hundred-fiftieth anniversary of the original publication of Verne’s novel in France. To date, there exist seven different English translations of Verne’s Cinq semaines en ballon. They first appeared in the following editions: 139 140 Verniana – Volume 6 (2013-2014) Title Year Publisher Translator Reprint Used Five Weeks in a Balloon 1869 New York: Appleton William Lackland Worthington, 1882 London: Chapman & Pocket Classics, Alan Five Weeks in a Balloon 1870 Hall ? Sutton, 1995 Frederick London: Ward, Lock & Amadeus Five Weeks in a Balloon 1875 Tyler 1921 Malleson Five Weeks in a Balloon 1876 London: Routledge ? Didier, 1954 Five Weeks in a Balloon 1877 London: Goubaud ? Hutchinson, 1893 London: Dent Five Weeks in a Balloon 1926 Arthur Chambers New York: Dutton London: Hanison I.O. -
Five Weeks in a Balloon.Pdf
www.OurFavouriteBooks.com Five Weeks in a Balloon By Jules Verne 1 www.OurFavouriteBooks.com CONTENTS. CHAPTER FIRST. The End of a much-applauded Speech.--The Presentation of Dr. Samuel Ferguson. --Excelsior.--Full-length Portrait of the Doctor.--A Fatalist convinced. --A Dinner at the Travellers' Club.--Several Toasts for the Occasion CHAPTER SECOND. The Article in the Daily Telegraph.--War between the Scientific Journals.-- Mr. Petermann backs his Friend Dr. Ferguson.--Reply of the Savant Koner. --Bets made.--Sundry Propositions offered to the Doctor CHAPTER THIRD. The Doctor's Friend.--The Origin of their Friendship.--Dick Kennedy at London. --An unexpected but not very consoling Proposal.--A Proverb by no means cheering.--A few Names from the African Martyrology.--The Advantages of a Balloon.--Dr. Ferguson's Secret 2 www.OurFavouriteBooks.com CHAPTER FOURTH. African Explorations.--Barth, Richardson, Overweg, Werne, Brun-Rollet, Penney, Andrea, Debono, Miani, Guillaume Lejean, Brace, Krapf and Rebmann, Maizan, Roscher, Burton and Speke CHAPTER FIFTH. Kennedy's Dreams.--Articles and Pronouns in the Plural.--Dick's Insinuations. --A Promenade over the Map of Africa.--What is contained between two Points of the Compass.--Expeditions now on foot.--Speke and Grant.--Krapf, De Decken, and De Heuglin CHAPTER SIXTH. A Servant--match him!--He can see the Satellites of Jupiter.--Dick and Joe hard at it.--Doubt and Faith.--The Weighing Ceremony.--Joe and Wellington. --He gets a Half-crown CHAPTER SEVENTH. Geometrical Details.--Calculation of the Capacity of the Balloon.--The Double Receptacle.--The Covering.--The Car.--The Mysterious Apparatus.--The Provisions and Stores.--The Final Summing up 3 www.OurFavouriteBooks.com CHAPTER EIGHTH. -
Jules Verne's Vision of a Saharan Sea Peter Schulman Old Dominion University, [email protected]
Old Dominion University ODU Digital Commons World Languages and Cultures Faculty Publications World Languages & Cultures 2015 Melancholic Mirages: Jules Verne's Vision of a Saharan Sea Peter Schulman Old Dominion University, [email protected] Follow this and additional works at: https://digitalcommons.odu.edu/worldlanguages_pubs Part of the African History Commons, European History Commons, and the French and Francophone Literature Commons Repository Citation Schulman, Peter, "Melancholic Mirages: Jules Verne's Vision of a Saharan Sea" (2015). World Languages and Cultures Faculty Publications. 24. https://digitalcommons.odu.edu/worldlanguages_pubs/24 Original Publication Citation Schulman, P. (2015). Melancholic mirages: Jules Verne's vision of a Saharan Sea. Verniana: Jules Verne Studies/Etudes Jules Verne, 7, 75-86. This Article is brought to you for free and open access by the World Languages & Cultures at ODU Digital Commons. It has been accepted for inclusion in World Languages and Cultures Faculty Publications by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. Verniana www.verniana.org Jules Verne Studies/Etudes Jules Verne ISSN 1565-8872 Submitted September 9, 2014 Published January 29, 2015 Proposé le 9 septembre 2014 Publié le 29 janvier 2015 Melancholic Mirages: Jules Verne's Vision of a Saharan Sea Peter Schulman Abstract L’invasion de la mer (The Invasion of the Sea), Verne’s last novel to be published during his lifetime, would appear to be a paradoxical vision of French colonial involvement as it chronicles the attempts of the French army occupying Tunisia and Algeria to capture Tuareg leaders bent on pushing the French out of the Maghreb on the one hand, and thwarting an environmentally disastrous French project on the other. -
In the Heart of Africa
In the Heart of Africa Samuel White Baker In the Heart of Africa Table of Contents In the Heart of Africa...............................................................................................................................................1 Samuel White Baker......................................................................................................................................1 CHAPTER I...................................................................................................................................................1 CHAPTER II..................................................................................................................................................7 CHAPTER III..............................................................................................................................................11 CHAPTER IV..............................................................................................................................................16 CHAPTER V................................................................................................................................................18 CHAPTER VI..............................................................................................................................................22 CHAPTER VII.............................................................................................................................................26 CHAPTER VIII............................................................................................................................................31 -
A History of the Colonization of Africa by Alien Races
OufO 3 1924 074 488 234 All books are subject to recall after two weeks Olin/Kroch Library DATE DUE -mr -^ l99T 'li^^is Wtt&-F£SeiW SPRIHG 2004 PRINTED IN U.S.A. The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924074488234 In compliance with current copyright law, Cornell University Library produced this replacement volume on paper that meets the ANSI Standard Z39.48-1984 to replace the irreparably deteriorated original. 1994 (Kambtitrge i^istotical Series EDITED BY G. W. PROTHERO, LiTT.D. HONORARY FELLOW OF KING'S COLLEGE, CAMBRIDGE, AND PROFESSOR OF HISTORY IN THE UNIVERSITY OF EDINBURGH. THE COLONIZATION OF AFRICA. aonbon: C. J. CLAY AND SONS, CAMBRIDGE UNIVERSITY PRESS WAREHOUSE, Ave Maria Lane. ©lasBoiu: 263, ARGYLE STREET. Ecipjis: F. A. BROCKHAUS. jjefagorl:: THE MACMILLAN COMPANY. JSomlaj: E. SEYMOUR HALE. A HISTORY OF THE COLONIZATION OF AFRICA BY ALIEN RACES BY SIR HARRY H. JOHNSTON, K.C.B. (author of "BRITISH CENTRAL AFRICA," ETC.). WITH EIGHT MAPS BY THE AUTHOR AND J. G. BARTHOLOMEW. CAMBRIDGE: AT THE UNIVERSITY PRESS. 1899 9 [All Rights reserved-^ GENERAL TREFACE. The aim of this series is to sketch tlie history of Alodern Europe, with that of its chief colonies and conquests, from about the e7id of the fifteenth century down to the present time. In one or two cases the story will connnence at an earlier date : in the case of the colonies it will usually begin later. -
Five Weeks in a Balloon by Jules Verne
Five Weeks in a Balloon By Jules Verne 1 CONTENTS. CHAPTER FIRST. The End of a much-applauded Speech.--The Presentation of Dr. Samuel Ferguson. --Excelsior.--Full-length Portrait of the Doctor.--A Fatalist convinced. --A Dinner at the Travellers' Club.--Several Toasts for the Occasion CHAPTER SECOND. The Article in the Daily Telegraph.--War between the Scientific Journals.-- Mr. Petermann backs his Friend Dr. Ferguson.--Reply of the Savant Koner. --Bets made.--Sundry Propositions offered to the Doctor CHAPTER THIRD. The Doctor's Friend.--The Origin of their Friendship.--Dick Kennedy at London. --An unexpected but not very consoling Proposal.--A Proverb by no means cheering.--A few Names from the African Martyrology.--The Advantages of a Balloon.--Dr. Ferguson's Secret 2 CHAPTER FOURTH. African Explorations.--Barth, Richardson, Overweg, Werne, Brun-Rollet, Penney, Andrea, Debono, Miani, Guillaume Lejean, Brace, Krapf and Rebmann, Maizan, Roscher, Burton and Speke CHAPTER FIFTH. Kennedy's Dreams.--Articles and Pronouns in the Plural.--Dick's Insinuations. --A Promenade over the Map of Africa.--What is contained between two Points of the Compass.--Expeditions now on foot.--Speke and Grant.--Krapf, De Decken, and De Heuglin CHAPTER SIXTH. A Servant--match him!--He can see the Satellites of Jupiter.--Dick and Joe hard at it.--Doubt and Faith.--The Weighing Ceremony.--Joe and Wellington. --He gets a Half-crown CHAPTER SEVENTH. Geometrical Details.--Calculation of the Capacity of the Balloon.--The Double Receptacle.--The Covering.--The Car.--The Mysterious Apparatus.--The Provisions and Stores.--The Final Summing up 3 CHAPTER EIGHTH. Joe's Importance.--The Commander of the Resolute.--Kennedy's Arsenal. -
Jules Verne: Father of Science Fiction? John Derbyshire
2 2 Jules Verne: Father of Science Fiction? John Derbyshire ules Verne (1828-1905) is con- bibliographers under the heading Les ventionally regarded as the Voyages Extraordinaires. These were Jfather of science fiction. Some works of fiction whose plots either literary historians may dispute this, hinged on some extrapolation, or asserting that sci-fi goes all the way untried application, of the science back to the early moderns or even of Verne’s time, or at a minimum the ancients (via, of course, Bacon’s used some unresolved scientific issue “New Atlantis”...), (and here you have with the boldest Books by Jules Verne in the to include geogra- spirits even claim- “Early Classics of Science phy among the sci- ing Homer’s Odyssey Fiction” series from ences) as a “hook” Wesleyan University Press for the genre. That on which to hang an seems to me a stretch. The Mysterious Island adventure story. Since science, as we 2002 ~ 728 pp. A handful of those now understand the $24.95 (paper) books, all from the term, did not really first dozen or so of begin until the sev- The Begum’s Millions those 42 years, are enteenth century, 2005 ~ 308 pp. known, at least by surely science fiction $29.95 (cloth) name, to any person cannot have existed literate in modern any earlier. The Mighty Orinoco Western culture. 2003 ~ 448 pp. Reserving the $29.95 (cloth) $19.95 (paper) Twenty Thousand right to offer some Leagues Under the qualifications of my Invasion of the Sea Sea was made into own, “father of sci- 2001 ~ 288 pp. -
Round the World in Eighty Days
Penguin Readers Factsheets l e v e l E T e a c h e r’s n o t e s 1 2 Round the World in 3 4 Eighty Days 5 by Jules Verne 6 UPPER S U M M A R Y INTERMEDIATE hileas Fogg. the hero of this story, is a very precise purposes. His family life was unhappy and although he was P English gentleman. He does exactly the same thing rich by now, his publisher was apparently even richer, at the same time every day. Until, that is, he decides Jules Verne is today considered to be a father of science to accept a challenge to travel round the world in eighty fiction, along with the English writer, H G Wells. days. This story takes place before the days of aeroplanes, and BACKGROUND AND THEMES Phileas Fogg therefore makes the journey by land and sea. He takes with him his emotional new French servant, Jules Verne lived at a time when science seemed to offer Passepartout. Their adventure begins and ends in London, endless possibilities for progress to the human race. Man’s taking them via Egypt, India, Hong Kong, China and the view of the universe was being re-examined during Verne’s United States. Along the way they meet plenty of lifetime, particularly after the publication in 1859 of excitement and danger. D a rw i n ’s Origin of Species. Ve rn e ’s popular tales of What is more, as Fogg and Passepartout race to get a d v e n t u re were written in a spirit of optimism. -
***The Project Gutenberg Etext of Ismailia, by Samuel W. Baker*** #5 in Our Series by Samuel W
***The Project Gutenberg Etext of Ismailia, by Samuel W. Baker*** #5 in our series by Samuel W. Baker Copyright laws are changing all over the world, be sure to check the laws for your country before redistributing these files!!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Please do not remove this. This should be the first thing seen when anyone opens the book. Do not change or edit it without written permission. The words are carefully chosen to provide users with the information they need about what they can legally do with the texts. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. The Project Gutenberg Literary Archive Foundation is a 501(c)(3) organization with EIN [Employee Identification Number] 64-6221541 Title: Ismailia Author: Samuel W. Baker Release Date: January, 2003 [Etext #3607] [Yes, we are about one year ahead of schedule] [The actual date this file first posted = 06/12/01] Edition: 10 Language: English ***The Project Gutenberg Etext of Ismailia, by Samuel W. Baker*** *******This file should be named ismla10.txt or ismla10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, ismla11.txt VERSIONS based on separate sources get new LETTER, ismla10a.txt Etext prepared by Garry Gill ([email protected]) and the Distributed Proofreading team of Charles Franks (http://charlz.dynip.com/gutenberg). -
Review of Thomas C. Renzi's Jules Verne on Film, Mcfarland, 1998]
DePauw University Scholarly and Creative Work from DePauw University Modern Languages Faculty publications Modern Languages 11-1999 An Exercise in Creative Genealogy. [Review of Thomas C. Renzi's Jules Verne on Film, McFarland, 1998] Arthur B. Evans DePauw University Follow this and additional works at: https://scholarship.depauw.edu/mlang_facpubs Part of the Arts and Humanities Commons Recommended Citation Arthur B. Evans. "An Exercise in Creative Genealogy." [Review of Thomas C. Renzi's Jules Verne on Film, McFarland, 1998] Science Fiction Studies 26.3 (1999): 493-495. This Book Review is brought to you for free and open access by the Modern Languages at Scholarly and Creative Work from DePauw University. It has been accepted for inclusion in Modern Languages Faculty publications by an authorized administrator of Scholarly and Creative Work from DePauw University. For more information, please contact [email protected]. Science Fiction Studies #79 = Volume 26, Part 3 = November 1999 An Exercise in Creative Genealogy. Thomas C. Renzi. Jules Verne on Film: A Filmography of the Cinematic Adaptations of His Works, 1902 through 1997. McFarland (fax: 910-246-5018), 1998. xiv + 230 pp. $55 cloth. The title of this book is somewhat misleading. It perhaps should have been called Jules Verne on Film: A Very Selective Filmography of the Cinematic Adaptations--Including Movies Arguably Derived From, Influenced By, Associated With, Parallel To, or Somehow Conveying the Aura Of--His Works, 1902 through 1997. What Thomas Renzi has done, in essence, is to lump together many (but far from all) of the straightforward cinematic adaptations of Verne's novels with a wide variety of other films that, in some way, appear to "echo" Verne's works. -
Jules Verne's Dream Machines: Technology and Transcendence
DePauw University Scholarly and Creative Work from DePauw University Modern Languages Faculty publications Modern Languages Summer 2013 Jules Verne's Dream Machines: Technology and Transcendence Arthur B. Evans DePauw University, [email protected] Follow this and additional works at: https://scholarship.depauw.edu/mlang_facpubs Part of the French and Francophone Literature Commons Recommended Citation Post-print of: Evans, Arthur B. “Jules Verne’s Dream Machines: Technology and Transcendence,” Extrapolation, Vol. 54.2 (2013): 129-146. Copyright Liverpool University Press. The original article may be obtained here: http://online.liverpooluniversitypress.co.uk/doi/abs/10.3828/extr.2013.8 This Article is brought to you for free and open access by the Modern Languages at Scholarly and Creative Work from DePauw University. It has been accepted for inclusion in Modern Languages Faculty publications by an authorized administrator of Scholarly and Creative Work from DePauw University. For more information, please contact [email protected]. published in Extrapolation vol. 54.2 (summer 2013): 129-46. Jules Verne’s Dream Machines: Technology and Transcendence Arthur B. Evans ABSTRACT: This article discusses how Verne mythologizes and poeticizes his fictional machines. More than just a means for solving problems and/or for providing access to exotic geographical locales, Verne’s technology is portrayed as being intrinsically poetic. Bridging the worlds of the industrial and the artistic, Verne’s machines constitute a new kind of objet d’art. Anthropomorphized to make them seem less coldly mechanical, these devices take on a life of their own and exist in a richly symbiotic relationship with their creators. Such machines transport the readers of Verne’s Voyages extraordinaires beyond the mimetic, serving both as a means to build verisimilitude and as a stepping-stone to transcend the real.