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The Donegal District Lunatic Asylum
‘A WORLD APART’ – The Donegal District Lunatic Asylum Number of Registrar Name Where Chargable This exhibition curated by the Donegal County Museum and the Archives Service, Donegal County Council in association with the HSE was inspired by the ending of the provision of residential mental health services at the St. Conal’s Hospital site. The hospital has been an integral part of Letterkenny and County Donegal for 154 years. Often shrouded by mythology and stigma, the asylum fulfilled a necessary role in society but one that is currently undergoing radical change.This exhibition, by putting into context the earliest history of mental health services in Donegal hopes to raise public awareness of mental health. The exhibition is organised in conjunction with Little John Nee’s artist’s residency in An Grianan Theatre and his performance of “The Mental”. This project is supported by PEACE III Programme managed for the Special EU Programmes Body by Donegal County Council. Timeline This Timeline covers the period of the reforms in the mental health laws. 1745 - Dean Jonathan Swift: 1907 - Eugenics Education Society: On his death he left money for the building of Saint Patrick’s This Society was established to promote population control Hospital (opened 1757), the first in Ireland to measures on undesirable genetic traits, including mental treat mental health patients. defects. 1774 - An Act for Regulating Private Madhouses: 1908 Report by Royal Commission This act ruled that there should be inspections of asylums once on Care of Feeble-Minded a year at least, but unfortunately, this only covered London. 1913 Mental Deficiency Act: 1800 - Pressure for reform is growing: This Act established the Board of Control to replace the Lunacy This is sparked off by the terrible conditions in London’s Commission. -
Myles Na Gcopaleen and the Emergency
International Journal of IJES English Studies UNIVERSITY OF MURCIA http://revistas.um.es/ijes ‘One does not take sides in these neutral latitudes’: Myles na gCopaleen and The Emergency GERMÁN ASENSIO PERAL* Universidad de Almería (Spain) Received: 06/02/2017. Accepted: 06/10/2017. ABSTRACT The years of the Second World War (1939-1945), a period known as The Emergency in Ireland, were pivotal for the development of the nation. Immediately after the outburst of the war in the continent, the Fianna Fáil cabinet led by Éamon de Valera declared the state of emergency and adopted a neutrality policy. Brian O’Nolan (1911- 1966), better known as Flann O’Brien or Myles na gCopaleen, wrote a comic and satirical column in The Irish Times entitled Cruiskeen Lawn (1940-1966). In his column, O’Brien commented on varied problems affecting Dublin and Ireland as a whole. One of the many topics he began discussing was precisely Ireland’s neutral position in the war. Therefore, this paper aims at examining Ireland’s neutral position in the war as seen through a selection of columns from Cruiskeen Lawn, devoting special attention to the oppression of censorship and the distracting measures developed by de Valera’s government. KEYWORDS: Brian O’Nolan, Flann O’Brien, Myles na gCopaleen, Cruiskeen Lawn, Second World War, Ireland, censorship, propaganda. 1. INTRODUCTION The years of the Second World War (1939-1945), a period officially known as The Emergency in Ireland, were of crucial importance both for the country itself and for one of its most prominent emerging writers, Brian O’Nolan (1911-1966)—better known as Flann O’Brien, and Myles na gCopaleen, among many other pseudonyms.1 On the one hand, for Ireland, it meant a real turning point in its history, or a watershed, as Brown (1981) puts it. -
Flann O'brien's the Hard Life
Colby Quarterly Volume 25 Issue 4 December Article 8 December 1989 The Craft of Seeming Pedestrian: Flann O'Brien's the Hard Life Thomas F. Shea Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 25, no.4, December 1989, p.258-267 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Shea: The Craft of Seeming Pedestrian: Flann O'Brien's the Hard Life The Craft of Seeming Pedestrian: Flann O'Brien's The Hard Life by THOMAS F. SHEA I considered it desirable that he should know nothing about me but it was even better ifhe knew several things which were quite wrong. The Third Policeman N 1961 Flann O'Brien's long awaited "second" novel, The Hard Life, I finally appeared in print. Since The Third Policeman remained lan guishing in a drawer and An Beal Bocht was cast in Gaelic, The Hard Life was greeted by most as the second book by the author of At Swim-Two Birds. The twenty-odd-year wait seems to have whetted the enthusiasm of readers and critics alike. The novel sold out in Dublin within two days, and reviewers, especially in England, praised it with gusto.! Since then, however, we have seen an about-face in the ranks of com mentators. The critical line, nowadays, is that O'Brien spent his talent and played himself out writing his Myles na Gopaleen column for the Irish Times. -
Flawed to Start : the Inconsequence of Action in the Novels of Brian Oâ
Montclair State University Montclair State University Digital Commons Theses, Dissertations and Culminating Projects 5-2018 Flawed to Start : The nconsequeI nce of Action in the Novels of Brian O’Nolan Christopher M. Mitchell Montclair State University Follow this and additional works at: https://digitalcommons.montclair.edu/etd Part of the English Language and Literature Commons Recommended Citation Mitchell, Christopher M., "Flawed to Start : The ncI onsequence of Action in the Novels of Brian O’Nolan" (2018). Theses, Dissertations and Culminating Projects. 145. https://digitalcommons.montclair.edu/etd/145 This Thesis is brought to you for free and open access by Montclair State University Digital Commons. It has been accepted for inclusion in Theses, Dissertations and Culminating Projects by an authorized administrator of Montclair State University Digital Commons. For more information, please contact [email protected]. Abstract Brian O’Nolan’s novels At Swim-Two-Birds, The Poor Mouth, and The Third Policeman present worlds where character actions are largely inconsequential. This discussion will focus on reflexive metanarrative elements, criticism of the Irish revivalist movements and authorship and creation as a means to survive these worlds. O’Nolan’s novels will be shown to be largely optimistic in their confrontation of nihilistic concerns. Much of his writing is comedic and playful even when dealing with serious topics. Repetition through both language and story structure are key components of the futility O’Nolan constructs for his characters and readers. This thesis examines the interplay between futility and creativity in O’Nolan’s works. FLAWED TO START: THE INCONSEQUENCE OF ACTION IN THE NOVELS OF BRIAN O’NOLAN A THESIS Submitted in partial fulfillment of the requirements For the degree of Master of Arts by CHRISTOPHER M. -
Lightest to the Right: an Apparently Anomalous Displacement in Irish Ryan Bennett Emily Elfner James Mccloskey
Lightest to the Right: An Apparently Anomalous Displacement in Irish Ryan Bennett Emily Elfner James McCloskey This article analyzes mismatches between syntactic and prosodic con- stituency in Irish and attempts to understand those mismatches in terms of recent proposals about the nature of the syntax-prosody interface. It argues in particular that such mismatches are best understood in terms of Selkirk’s (2011) Match Theory, working in concert with con- straints concerned with rhythm and phonological balance. An appar- ently anomalous rightward movement that seems to target certain pronouns and shift them rightward is shown to be fundamentally a phonological process: a prosodic response to a prosodic dilemma. The article thereby adds to a growing body of evidence for the role of phonological factors in shaping constituent order. Keywords: syntax, prosody, VSO order, rightward movement, weak pronouns, prosodic displacement 1 Introduction What are the mechanisms that shape word order in natural language? A traditional and still widely favored answer to that question is that syntax has exclusive responsibility in this domain; in some traditions of investigation, in fact, syntax just is the study of word order. More recently the possibility has emerged, though, that word order is determined postsyntactically, in the process of what Berwick and Chomsky (2011) call ‘‘externalization’’—the translation of the hierarchical and recursive representations characteristic of syntax and semantics into the kinds of serial repre- sentations that the sensorimotor systems can manipulate. Given that overall conception, it is natural that some aspects of constituent order should be shaped by demands particular to phonology, and in recent years there have been many studies arguing for the role of phonology in shaping word The research reported on here has its origins in the meetings of the Prosody Interest Group at the University of California, Santa Cruz. -
(Cloth). Reviewed by Joseph Brooker, Birkbeck, University of London
The Collected Letters of Flann O’Brien. Edited by Maebh Long. Victoria, TX: Dalkey Archive, 2018. Pp. 603 (cloth). Reviewed by Joseph Brooker, Birkbeck, University of London. Meanwhile I’m once again entering hospital for blood transfusions and other boons. With kind regards, Yours sincerely, These are the last words written by Flann O’Brien in this book, concluding a letter from 15 March 1966, two weeks before his death.1 No name or signature follows. The reason is mundane and material: many of the hundreds of letters in the volume are reproduced not from originals posted to recipients but from carbon copies retained by the author, and these contain his typewritten text but not the handwritten signature that he added before posting. Yet it is curious and poignant to see him disappear at the last from his own life story. With a blank space where his name might be, he is gone, after 557 frequently extraordinary pages. Few books have offered more Flann O’Brien. On the very first page of letters, an editor’s footnote records the Irish poet Donagh MacDonagh’s 1941 comment that Flann O’Brien was “a menace with a pen. Give him any book and he will sign it with any signature” (4, n.3). This is a neat bookend to the present book’s lack of any final signature, but more immediately may have responded to the author’s tendency to play games with other authors’ names, imagining a book-handling service which for a fee would insert fake annotations from Bernard Shaw or Joseph Conrad into one’s personal library.2 To talk of multiple signatures also invokes a question rarely avoidable in discussion of Flann O’Brien: his multiplication of names and, to an extent, authorial identities. -
Mac Grianna and Conrad: a Case Study in Translation
Mac Grianna and Conrad: A Case Study in Translation Sinéad Coyle Thesis submitted for the degree of Ph.D. to the Faculty of Arts, University of Ulster, Magee Campus, Derry October 2018 I confirm that the word count of this thesis is less than 100,000 words I Contents ACKNOWLEDGMENTS………………………………………………………………… IV ABSTRACT………………………………………………………………………………… V ABBREVIATIONS VI ACCESS TO CONTENTS ........................................................................................ VII INTRODUCTION .................................................................................................... - 1 - METHODOLOGY ................................................................................................... - 6 - CHAPTER 1 ........................................................................................................... - 7 - REVIEW OF TRANSLATION STUDIES ................................................................. - 7 - INTRODUCTION: BACKGROUND TO TRANSLATION STUDIES ....................................... - 7 - TRANSLATION BEFORE THE TWENTIETH CENTURY .................................................... - 9 - LINGUISTIC THEORIES OF TRANSLATION................................................................. - 18 - POSTMODERN THEORY AND ITS INFLUENCE ON TRANSLATION STUDIES ................... - 25 - POST-COLONIAL TRANSLATION THEORY ................................................................ - 29 - PHILOSOPHICAL APPROACHES TO TRANSLATION .................................................... - 32 - DERRIDA AND DECONSTRUCTION -
Pink Paper and the Composition of Flann O'brien's At-Swim-Two-Birds
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2002 Pink paper and the composition of Flann O'Brien's At-Swim-Two-Birds Samuel Kauffman Anderson Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the English Language and Literature Commons Recommended Citation Anderson, Samuel Kauffman, "Pink paper and the composition of Flann O'Brien's At-Swim-Two-Birds" (2002). LSU Master's Theses. 3989. https://digitalcommons.lsu.edu/gradschool_theses/3989 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. PINK PAPER AND THE COMPOSITION OF FLANN O’BRIEN’S AT SWIM-TWO-BIRDS A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of English by Samuel Anderson B.A., Louisiana State University, 2000 December 2002 “Tout texte se construit comme mosaïque de citations, tout texte est absorption et transformation d’un autre texte.” — Julia Kristeva “I proffered a wad of my precise transcript, bent in double, pink-tinted.” — AS2B TS1 ii ACKNOWLEDGMENTS First I would like to thank the members of my thesis committee: Anne Coldiron, who got this whole thing started by making bibliography seem exciting, then loaned me her prodigious enthusiasm whenever I needed it; Lisi Oliver, with her quick sense of humor and mastery of all things ancient and Irish; Malcolm Richardson, who stepped in on very short notice and saved me from a self-inflicted scheduling disaster; and finally James Olney, who directed my research and assured me many times, in his gentle way, that my project was not as boring as it so often seemed. -
Eastern Europe and Transylvania in the Irish-Language Translation Of
ACTA UNIVERSITATIS SAPIENTIAE, PHILOLOGICA, 12, 1 (2020) 70–83 DOI: 10.2478/ausp-2020-0006 “In a Sea of Wonders:” Eastern Europe and Transylvania in the Irish-Language Translation of Dracula Sorcha DE BRÚN University of Limerick (Limerick, Ireland) School of Irish, English and Communication Sorcha .debrun@ul .ie Abstract. The publication of the Irish-language translation of Dracula in 1933 by Seán Ó Cuirrín was a landmark moment in the history of Irish- language letters . This article takes as its starting point the idea that language is a central theme in Dracula. However, the representation of Transylvania in the translation marked a departure from Bram Stoker’s original . A masterful translation, one of its most salient features is Ó Cuirrín’s complex use of the Irish language, particularly in relation to Eastern European language, character, and landscapes . The article examines Ó Cuirrín’s prose and will explore how his approaches to concrete and abstract elements of the novel affect plot, character, and narration. The first section explores how Dracula is treated by Ó Cuirrín in the Irish translation and how this impacts the Count’s persona and his identity as Transylvanian . Through Ó Cuirrín’s use of idiom, alliteration, and proverb, it will be shown how Dracula’s character is reimagined, creating a more nuanced narrative than the original . The second section shows how Ó Cuirrín translates Jonathan Harker’s point of view in relation to Dracula. It shows that, through the use of figurative language, Ó Cuirrín develops the gothic element to Dracula’s character . The article then examines Ó Cuirrín’s translations of Transylvanian landscapes and soundscapes . -
Donegal Annual Bibliography
DONEGAL ANNUAL BIBLIOGRAPHY (July 2012 - June 2013) by Helen McNutt, Executive Librarian, Donegal County Library A list of books and journal articles by Donegal authors, or about Donegal subjects and persons, which were published/became available 01.07.2012 to 30.06.2013 Religion / Ecclesiastical History ~ Reiligiún / Stair Eaglasta FOX, Virginia Spiritual Sites of Donegal Letterkenny: Donegal Printing Company, 2012. 58p. Donation KELLY, Eamon Mercy at Work Letterkenny: Eamonn Kelly, 2012. 84p. 9780954685430 €10.00 LYNCH, Rev. Philip Saint Patrick after the Ancient Narrations Donegal: James Lynch, 2013. 288p. €20.00 Nic CHEARÁIN, Brídín Toibreacha Beannaithe Fhánada: The Holy Wells of Fanad Fánaid, Co. Dhún na nGall: Gaeltacht Bheo Fhánada, 2012. 40p. Donation Ó RIAIN, Pádraig A Dictionary of Irish Saints Dublin: The Four Courts Press, 2012. 660p. 9781846823183 €65.00 Ó RIAIN, Pádraig “Northern influences on A Dictionary of Irish Saints” in Seanchas Ard Mhacha Journal of the Armagh Diocesan Historical Society, Vol. 24, No. 1. pp.1-9 Monaghan: Seanchas Ard Mhacha, 2012. 0951149024 €53.00 Society ~ Comhphobal CARNEY, Seán The Forgotten Irish: The History of a South Yorkshire Irish Mining Community Kingston upon Hull: Black Tree Publishing, 2012. 100p. 9780957295414 €14.99 CONRY, Michael J. Picking Bilberries, Fraocháns and Whorts in Ireland: The Human Story Chapelstown, Co. Carlow: Michael J. Conry, 2011. 375p. 9780953587650 €25.00 WHITE, Karin et al. The Imaginary of the Stranger: Encountering the Other Donegal: Port na Fáilte, Donegal County Council, 2012. 74p. 9780950840796 Free Politics ~ Polaitíocht GRANT, Adrian Irish Socialist Republicanism 1909-36 Dublin: Four Courts Press, 2012. 240p. 9781846823619 €50.00 McCARTHY, Deirdre (ed.) The Week in Politics: Election 2011 & the 31st Dáil Dublin: RTE Publishing, 2011. -
The Dalkey Archive & Pierre Teilhard De Selby
The Dalkey Archive & Pierre Teilhard de Selby Roibeard Ó Cadhla Birkbeck, University of London There are several technical oddities in Flann O’Brien’s last novel, The Dalkey Archive. For instance, from the first page there is a suggestion that the third-person narrative is being focalised through Sergeant Fottrell. After a brief description of a granite hill covered in furze and bracken, the text descends into alliterative repetition: ‘vert, verdant, vertical, verticillate, vertiginous, in the shade of branches even vespertine. Heavens, has something escaped from the lexicon of Sergeant Fottrell?’1 This narrative intrusion is particularly odd since we do not meet Fottrell for some time, and most of the novel was changed from the first-person perspective of Mick Shaughnessy to the third-person at a late stage in its composition, hence the overwhelming focalisation through Mick. This is only one of the burrs that might justify Maebh Long’s observation that The Dalkey Archive ‘reads with all the random noise, inconsistencies and disorder of the archive.’2 The recent publication of an inventory of Brian O’Nolan’s library is an occasion for us to explore some more overtones between the archive and the ‘random noise’ in this novel, and to examine the author’s intellectual engagements. One such engagement is O’Nolan’s apparent interest in the French philosopher and Jesuit priest, Pierre Teilhard de Chardin, for the Irish writer’s library at Boston College contains copies of Teilhard de Chardin’s The Phenomenon of Man (T. W. Moody’s 1959 English translation) and The Future of Man (Norman Denny’s 1964 translation).3 Many aspects of the later incarnation of De Selby in The Dalkey Archive, plundered from the draft of The Third Policeman (1967; written 1939–40), find parallels in the work of Teilhard de Chardin. -
Flann O'brien Papers 1880-1997, Undated (Bulk 1930-1966) MS.1997.027
Flann O'Brien Papers 1880-1997, undated (bulk 1930-1966) MS.1997.027 http://hdl.handle.net/2345/1136 Archives and Manuscripts Department John J. Burns Library Boston College 140 Commonwealth Avenue Chestnut Hill 02467 library.bc.edu/burns/contact URL: http://www.bc.edu/burns Table of Contents Summary Information .................................................................................................................................... 3 Administrative Information ............................................................................................................................ 4 Related Materials ........................................................................................................................................... 4 Biographical note: Flann O'Brien .................................................................................................................. 5 Biographical Note: Evelyn O'Nolan .............................................................................................................. 6 Biographical note: Micheál Ó Nualláin ......................................................................................................... 6 Scope and Contents ........................................................................................................................................ 7 Arrangement ................................................................................................................................................... 7 Collection Inventory ......................................................................................................................................