Former Collins Theatre Site

Total Page:16

File Type:pdf, Size:1020Kb

Former Collins Theatre Site P5880 On behalf of Berjaya UK Limited FORMER COLLINS THEAT RE SITE Former Collins Theatre site OPERATIONAL MANAGEME Islington on the Green, LB Islington, London Operational Management Plan NT PLAN RJP: P5880 October 2015 Contents 1.0 Introduction 1 1.1 Site Description 1 1.2 Client Background 1 2.0 Site Management 3 2.1 Organisation Structure 3 2.2 Roles and Responsibilities 3 2.3 Logistics (Between Theatre and Other Uses) 5 2.4 Marketing 6 3.0 The Theatre 7 3.1 Summary 7 3.2 The Pleasance 7 3.3 The Collins Theatre 7 3.4 Demographics and Competitors 8 3.5 The Theatre: 9 3.6 Weekly Running 11 4.0 The Retail Element 14 4.1 Overview of Units proposed 14 4.2 Unit 1 14 4.3 Unit 2 15 4.4 Unit 3 17 4.5 Management 18 5.0 Viability 19 5.1 Outline Cost Plan 19 6.0 Delivery of Theatre – Programme. 20 Operational Management Plan ii 1.0 Introduction 1.1 Site Description 1.1.1 Collins Theatre is a purpose built Theatre delivered as part of a new residential development at Islington on the Green in the London Borough of Islington. The theatre is in the form of a 3 storey basement shell. Due to concerns regarding the viability of the theatre operating under a number of different business models, the space has sat unoccupied since its completion in early 2000’s. 1.1.2 The Theatre is located in central Islington near Upper Street with excellent public transport access both via London Underground and local bus services. The surrounding area is characterised by retail and commercial spaces at ground floor, often with residential development at upper levels. The site is not listed, nor is any listed building within close proximity, however part of the building is covered by the Angel Conservation Area. 1.1.3 Islington Green is pedestrianised along the site frontage. It forms the northern boundary of the Islington Green Triangle which is an area of open space bound by Upper Street, Essex Road and Islington Green. 1.1.4 Alongside the Theatre a shell for a number of mixed use commercial units is provided at ground floor level. The units either face onto Islington Green, Essex Road or a covered inner courtyard within the centre of the development. 1.2 Client Background 1.2.1 The Owner of the Property is a substantial International Development and Investment Company with decades of experience in Retail, Residential, Leisure, Sports, Entertainment and the Hospitality Industries. Berjaya the principle company is based and listed on the stock exchange in Malaysia, where its core business has been developed. Through its business success in the Far East, it has expanded into a global business through worldwide strategic investments and joint ventures and now has interests that span the globe. For many years Berjaya has been increasing its investments and interests in Europe and the UK, where it is the main stakeholder in a variety of businesses. 1.2.2 The company is very familiar with the long term strategies that require to be implemented to make a project successful and sustainable, and the effort required managing a multitude of diverse interests for the benefit of all stakeholders. 1.3 Description of the proposal 1.3.1 This operational management plan is written to accompany a planning application for amendments to the approved layouts of the theatre and ground floor commercial units within the development. These changes are designed to improve the flexibility of the Theatre and are conducive to the viable use of the theatre within the long term. 1.3.2 For the purpose of the planning application of which this management plan relates to, the development description is as follows: Section 73 application seeking to vary the description of the proposal and the wording of condition 2 attached to planning permission P000205 to allow for amendments to the theatre and commercial spaces. 1.4 Management Plan Contributors 1.4.1 It is intended that this document reflects the expertise required to viably deliver a theatre within a constrained site. The applicant has therefore sought to engage a number of expert consultancies within the relevant fields to contribute to this plan: The Pleasance Theatres Trust have contributed a vast amount of expertise to the document to ensure that it can viable operate within the current commercial climate. The advice extends to operational and logistical comments regarding site layout and servicing as well as justifying the theatre spaces within a planned programme of entertainment. Berjaya UK Investment & Development and the general management staff have detailed how the theatre will operate with the other uses sharing the site, ensuring that the residential accommodation above is not compromised and the retail offer at ground floor is appropriate to the ethos of the development. Davis Coffer Lyons has provided an initial outline of the marketability of the commercial units on site including likely tenants. 2.0 Site Management 2.1 Organisation Structure 2.1.1 The following chart demonstrates the management structure for the operation of the theatre. 2.2 Roles and Responsibilities 2.2.1 The following section outlines the roles and responsibilities of the individual organisations involved in the running of the theatre and associated commercial units. Owner - Berjaya UK Investment & Development Ltd 2.2.2 The owner of the site has overarching responsibility for the proposed theatre and commercial units and will ultimately be responsible for all decisions for the site pending the advice of the management team detailed below. General Manager – Project Management 2.2.3 The general manager is responsible for the overarching management of the theatre and commercial units. They are designed to create a conduit between the site owner and tenants on site and ensure that the tenants and the theatre can operate unencumbered on site. 2.2.4 General responsibilities include: Overall financial control Management of overall site & Tenants Management & Co-ordination with Theatre Tenant o Assist in marketing / alternative uses of theatre space when not in use o Co-ordination between Retail Unit 1 & Theatre & Box Office interests, to enable cohesive operation for all parties. o Main point of contact for all parties Liaison between Residential, Theatre & Retail Tenants Management of site Operations & Facilities Teams To maintain maximum occupancy & rental potential from residential apartments To ensure that the whole site is maintained regularly in accordance with legislation & Tenancy guidelines. To co-ordinate venue marketing campaign with tenants Remarketing & Rental Reviews Deputy Site Manager Assist the GM in Upkeep of Residential Area Co-ordination of Cleaning & Site Maintenance & Concierge Management of Site Services Theatre Operator Appointment – Tenant/ Operator 2.2.5 The Owner/Landlord will be seeking to appoint an established, experienced, enlightened and flexible Theatre operator /Manager to run the theatre, contracted to promote and produce a variety of Shows, Plays, Comedy, Cabaret and Entertainment to suit a wide audience from regular theatre goers to families and young people unfamiliar with the theatrical experience, appropriate to the Theatres location in Central Islington. They will be encouraged and incentivised to diversify their purely Theatrical interests and expand on established theatre financial strategy to maximise revenue by utilising all the available theatre and ancillary spaces throughout the day and year for diverse activities. 2.2.6 They will be required to integrate their activities and interests with the other retail and residential occupiers of the site, to benefit the whole development. They will be expected to collaborate with the General Manager and alongside the Retailers, to contribute to the programming and marketing of events, festivals and activities throughout the year to promote and work in the interests of the venue as a whole. 2.2.7 The General Manager and the Theatre will coordinate the activities on site should the operator wish to vacate the site for predetermined periods of the year. The Landlord will be offering a 25 year tenancy, with annual reviews in years 1 to 5 followed by 5 year reviews with 5 year break clauses for the remaining lease period. 2.2.8 The annual reviews in years 1-5 are intended to aid in establishing and adjusting the appropriate rental payable to assist the growth of a new venture in a new location. All Incomes and expenditure will need to be made transparent by an open book policy between the Theatre and Landlord. 2.2.9 Should Retail Unit 1 be demised to the Theatre Operator it will be on a commercial rent or Rent plus overage appropriate to its location and potential, its duration to coincide with the Theatre agreement. Appointment of Retail Tenants 2.2.10 The Landlord will be offering long tenancies with break clauses, but will not be averse to negotiating incentivised rents enhanced by overage payments to encourage the right mix of operators. 2.2.11 The Tenants will be expected to collaborate with the General Manager and the Theatre to promote and market the Venue throughout the year for special activities, and work in the interests of the venue as a whole. The central courtyard area has the potential as an occasional entertainment venue during part of the day as well as overflow seating for one or more of the Retail tenants subject to good neighbourly restrictions 2.2.12 The Tenants will be expected to comply with restrictions set by the general manager on operating procedures to safeguard the interests and amenities of the residential tenants within the development. 2.3 Logistics (Between Theatre and Other Uses) Theatre/ Conference use 2.3.1 With three theatre venues of different sizes, and the proposed flexibility of rapid foldaway seating there are opportunities for utilising some of the spaces for conference use at various times of the day throughout the year.
Recommended publications
  • Consultation Report on Proposals for a Licensing Scheme and Planning Control Areas for Short-Term Lets in Scotland
    Consultation report on proposals for a licensing scheme and planning control areas for short-term lets in Scotland December 2020 Short-Term Lets: Consultation No. 2 Report CONTENTS Ministerial Foreword 1. Executive summary 2. Glossary of terms 3. Introduction 4. Implementation timescales and coronavirus (COVID-19) 5. Definition of short-term lets 6. Control Area Regulations 7. Licensing Order under the 1982 Act 8. Overview of impact assessments 9. Children’s Rights and Wellbeing Impact Assessment 10. Equalities Impact Assessment 11. Data Protection Impact Assessment 12. Fairer Scotland Duty 13. Island Communities Impact Assessment 14. Strategic Environmental Assessment Annexes A. Respondent organisations B. Consultation workshops C. Revised mandatory licence conditions D. Design principles Page 2 of 99 Short Term Lets: Consultation No. 2 Report Foreword by Kevin Stewart MSP, Minister for Local Government, Housing and Planning I am pleased to present the Scottish Government’s report into the consultation on proposals for the regulation of short-term lets in Scotland. We received 1,086 responses to this consultation; remarkably, the same number as in the 2019 consultation, despite the foreshortened period of engagement. I am very grateful to all who took the time to attend the consultation workshops (on-line as necessitated by COVID-19 restrictions) and to respond. As I hope this report shows, we have listened to the many and various views expressed and refined and improved our proposals as a result. Perhaps the greatest number of comments centred on whether to proceed with regulation at this time or to delay it. I am continuing to press ahead with these proposals now and the secondary legislation will be laid at the Scottish Parliament in December.
    [Show full text]
  • 2020-21 Expenditure Over £25,000 PRSA.Xlsx
    VisitScotland Expenditure over £25,000 - March 2021 Supplier Payment date Value Supply Cairngorms National Park Auth 31/03/2021 £90,714.44 RTIF Fund Total Cairngorms National Park Auth £90,714.44 Dell Corporation 31/03/2021 £75,600.00 IT Equipment Dell Corporation 31/03/2021 £27,900.00 IT Equipment Total Dell Corporation £103,500.00 East Lothian Council-ES Only 19/03/2021 £69,500.00 RTIF Fund Total East Lothian Council-ES Only £69,500.00 Carat (EUR) 18/03/2021 £27,026.40 Global media advertising Total Carat (EUR) £27,026.40 Electric Theatre Workshop - ES 23/03/2021 £30,000.00 Event Grant Total Electric Theatre Workshop - ES £30,000.00 Glasgow City Council 31/03/2021 £1,728,018.00 UCI Fees Total Glasgow City Council £1,728,018.00 Wild Scotland 03/03/2021 £50,000.00 Growth fund grant Total Wild Scotland £50,000.00 Scottish Youth Hostels Assoc. 09/03/2021 £50,000.00 Covid Grant Total Scottish Youth Hostels Assoc. £50,000.00 The Highland Council 05/03/2021 £120,000.00 Rates The Highland Council 23/03/2021 £126,856.75 Rates The Highland Council 24/03/2021 £150,000.00 Rates The Highland Council 31/03/2021 £56,354.50 Rates The Highland Council 31/03/2021 £36,878.50 Rates The Highland Council 31/03/2021 £170,000.00 Rates The Highland Council 31/03/2021 £36,878.50 Rates The Highland Council 31/03/2021 £80,964.06 Rates Total The Highland Council £777,932.31 City of Edinburgh Council 12/03/2021 £45,880.00 Rates Total City of Edinburgh Council £45,880.00 Dumfries & Galloway Cncil - ES 31/03/2021 £84,000.00 RTIF Fund Total Dumfries & Galloway Cncil - ES £84,000.00 Lothian Pension Fund 10/03/2021 £108,146.06 Employers pension costs Lothian Pension Fund 31/03/2021 £105,618.48 Employers pension costs Total Lothian Pension Fund £213,764.54 Loch Lomond/Trossachs Nat.
    [Show full text]
  • BUSINESS BULLETIN No. 290/2012 Monday 10 September 2012
    BUSINESS BULLETIN No. 290/2012 Monday 10 September 2012 1 Contents The sections which appear in today‘s Business Bulletin are in bold Section A: Today‘s Business - Meetings of Committees - Meeting of the Parliament Section B: Future Meetings of the Parliament Section C: Future Meetings of Committees Section D: Oral Questions - Questions selected for First Minister‘s Question Time - Questions selected for response by Ministers and junior Scottish Ministers at Question Time Section E: Written Questions – new questions for written answer Section F: Motions and Amendments Section G: Bills - New Bills introduced - New amendments to Bills - Members‘ Bills proposals Section H: New Documents – new documents laid before the Parliament and committee reports published Section I: Petitions – new public petitions Section J: Progress of Legislation – progress of Bills and subordinate legislation 2 Business Bulletin: Monday 10 September 2012 Section B – Future Meetings of the Parliament Business Programme agreed by the Parliament on 5 September 2012 Tuesday 11 September 2012 2.00 pm Time for Reflection – Reverend Professor Donald MacDonald, Chair of the Scottish Churches‘ Disability Agenda Group followed by Parliamentary Bureau Motions followed by Topical Questions (if selected) followed by Scottish Government Debate: Actions to Deliver Sustainable Economic Growth followed by Business Motions followed by Parliamentary Bureau Motions 5.00 pm Decision Time followed by Members‘ Business – S4M-03921 Kevin Stewart: Aberdeen City Centre (for text of motion
    [Show full text]
  • Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
    Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s
    [Show full text]
  • Social Change Guide to the Adelaide Fringe and Adelaide Festival 2018
    The Graham F Smith Peace Foundation The Graham F Smith Peace Foundation works for peace by educating the community about human rights, social justice and environmental sustainability through the arts. Winner of the Governor’s Multicultural Award 2017 Since 2011 The Graham F Smith Peace Foundation has awarded the Peace Foundation Award at the Adelaide Fringe Festival. The purpose of the award is: Ÿ To recognise artworks that align with the objectives of the Peace Foundation (human rights, social justice and environmental sustainability) and are excellent, innovative and experimental. The winner will receive $1000 and a Statuette Previous Award Recipients: in[nate]ture Labels We Live by the Sea by Cayleigh Davies by Patch of Blue by and Human Arts Theatre Company Joe Sellman-Leava Movement 2017 2016 2017 Be Our 2018 Award Recipient! Get award application form and additional information from the website http://artspeacefoundation.org/fringe-peace-award/ Foreword Together with our sponsors, the Don Dunstan Foundation is proud to present the 2018 Social Change Guide to the Adelaide Fringe and the Adelaide Festival. This Guide features a wealth of shows in a diverse display of culture of which Don Dunstan would have been proud. Don was not only Premier of South Australia during the 1970s, but was also a trained actor. A strong supporter of the Arts throughout his lifetime, he was a patron of the Fringe and narrated Ogden Nash's for Carnival of the Animals in the 1974 Festival of Arts. The Dunstan Decade saw South Australia lead the nation in progressive social reforms, and laid the foundation for Adelaide’s transformation into ‘the Festival State’.
    [Show full text]
  • BUSINESS BULLETIN No. 280/2012 Monday 30 July 2012
    BUSINESS BULLETIN No. 280/2012 Monday 30 July 2012 ANNOUNCEMENT Royal Assent The Criminal Cases (Punishment and Review) (Scotland) Act 2012 (asp 7) received Royal Assent on 26 July 2012. 1 Contents The sections which appear in today’s Business Bulletin are in bold Section A: Today’s Business - Meetings of Committees - Meeting of the Parliament Section B: Future Meetings of the Parliament Section C: Future Meetings of Committees Section D: Oral Questions - Questions selected for First Minister’s Question Time - Questions selected for response by Ministers and junior Scottish Ministers at Question Time Section E: Written Questions – new questions for written answer Section F: Motions and Amendments Section G: Bills - New Bills introduced - New amendments to Bills - Members’ Bills proposals Section H: New Documents – new documents laid before the Parliament and committee reports published Section I: Petitions – new public petitions Section J: Progress of Legislation – progress of Bills and subordinate legislation 2 Business Bulletin: Monday 30 July 2012 Section B – Future Meetings of the Parliament Business Programme agreed by the Parliament on 20 June 2012 Tuesday 4 September 2012 2.00 pm Time for Reflection followed by Parliamentary Bureau Motions 2.05 pm Topical Questions followed by Scottish Government Business followed by Business Motions followed by Parliamentary Bureau Motions 5.00 pm Decision Time followed by Members’ Business Wednesday 5 September 2012 2.00 pm Parliamentary Bureau Motions 2.00 pm Portfolio Questions Education and
    [Show full text]
  • See a Full List of the National Youth
    Past Productions National Youth Theatre ​ ​ '50s 1956: Henry V - William Shakespeare, Dir: Michael Croft @ Toynbee Hall 1957: Henry IV Pt II - William Shakespeare, Dir: Michael Croft @ Toynbee Hall 1957: Henry IV Pt II - William Shakespeare, Dir: Michael Croft @ Worthington Hall, Manchester 1958: Troilus & Cressida - William Shakespeare, Dir: Michael Croft @ Moray House Theatre, Edinburgh 1958: Troilus & Cressida - William Shakespeare, Dir: Michael Croft @ Lyric Theatre, Hammersmith '60s 1960: Hamlet - William Shakespeare, Dir: Michael Croft @ Tour of Holland. Theatre des Nations. Paris 1961: Richard II - William Shakespeare, Dir: Michael Croft @ Apollo Theatre, Shaftesbury Avenue 1961: Richard II - William Shakespeare, Dir: Michael Croft @ Ellen Terry Theatre. Tenterden. Devon 1961: Richard II - William Shakespeare, Dir: Michael Croft @Apollo Theatre, Shaftesbury Avenue 1961: Henry IV Pt II - William Shakespeare, Dir: Michael Croft @ Apollo Theatre, Shaftesbury Avenue 1961: Julius Caesar - William Shakespeare, Dir: Michael Croft @ British entry at Berlin festival 1962: Richard II - William Shakespeare, Dir: Michael Croft @ Italian Tour: Rome, Florence, Genoa, Turin, Perugia 1962: Richard II - William Shakespeare, Dir: Michael Croft @ Tour of Holland and Belgium 1962: Henry V - William Shakespeare, Dir: Michael Croft @ Sadlers Wells 1962: Julius Caesar - William Shakespeare, Dir: Michael Croft @ Sadlers Wells1962: 1962: Hamlet - William Shakespeare, Dir: Michael Croft @ Tour for Centre 42. Nottingham, Leicester, Birmingham, Bristol, Hayes
    [Show full text]
  • Fence En Français
    FENCE, UN RESEAU INTERNATIONAL DE COLLABORATION D’AUTEURS ET METTEURS EN SCENE AU SERVICE DU THEATRE 1 SOMMAIRE Jonathan METH, directeur/coordinateur du réseau FENCE (biographie) p.3 Sélection et présentation de 10 compagnies coproductrices de FENCE p. 6 Présentation d’une sélection de 35 auteurs/metteurs en scène/interprètes p. 10 parmi les 170 membres actifs de FENCE Liste non exhaustive de compagnies rattachées à des participants de FENCE p.28 Autres connections internationale des membres de FENCE p. 29 Présentation de WONDERLAND, prochain grand projet de FENCE p. 30 2 JONATHAN METH /DIRECTEUR Nationalité Britannique 51 ans Expérience professionnelle 2003 – 2013 : Directeur et fondateur, The Fence L’association FENCE (réseau international d’auteurs et de metteurs en scène de théâtre) Fence est un réseau international de créateurs de théâtre (écrivains, dramaturges, metteurs en scène et directeurs de théâtre à travers l’Europe et au-delà). À l’origine Fence a fut lancée en 2003 sous l’impulsion d’un partenariat entre Writernet (UK), Le British Council et Creative Renewal, et en association avec IETM, réseau international pour les arts du spectacle, afin d’explorer la pratique de l’écriture dramatique contemporaine dans différents contextes culturels européens. Depuis le réseau s’est développé avec succès et compte aujourd’hui plus de 170 écrivains de théâtre et opérateurs culturels provenant de plus de 40 pays différents. Ils organisent régulièrement des rencontres comme à Budapest, Graz, Belgrade, Tampere, Utrecht/Amsterdam, Leeds, Istanbul, Timisoara, Glasgow, Guadeloupe, Paris/Bondy, Rabat et Toscan/Rome entre autres. Les activités du group ce génèrent de façon organique a travers le réseau entier, réunissant traditionnellement des groupes composés de 2 a 6 personnes.
    [Show full text]
  • Create Design Perform Learn 2021 Prospectus
    create perform design learn 2021 Prospectus The Royal Central School of Speech and Drama University of London Eton Avenue At Central, we believe that our world-leading training London NW3 3HY should be accessible to everyone who wishes to develop UK their creativity and positively impact the industry. Telephone: +44 (0)20 7722 8183 Email: [email protected] www.cssd.ac.uk We are a unique and special community and treat all members and visitors with dignity and respect. @CSSDLondon By celebrating and respecting our different cultures, abilities and identities we aim to shape a better future for the arts and society. Excellence requires diversity, which brings richness, knowledge, innovation, new understanding and skills. Our differences enrich our learning, insight and wisdom. CBP002372 Printed on 100% recycled paper. World Land Trust is an international conservation charity, which protects the world’s most biologically important and threatened habitats. Madeline Samuel Malone MFA Voice Studies: Teaching Charlemagne and Coaching BA (Hons) Acting Musical Theatre ‘I found I had an early affinity for ‘I applied for Central through Open singing and theatre. However, I took Door, who offer a package of support the path well-travelled, obtaining to young people from low income a Bachelor of Commerce degree, backgrounds, which includes free followed by a Master’s in Adult auditions to drama schools, as well Education. I began a corporate career, as practical tutoring, workshops and but I never managed to shake off travel bursaries. my desire to work in theatre and to educate. At the time, I knew almost nothing about Central but it turned out to be I struggled with my identity for years, the perfect fit for me; a course centred specifically my voice, for which I had in acting that also develops my singing been bullied.
    [Show full text]
  • Autumn 2018 Waverley Care Is Scotland’S HIV and Hepatitis C Charity
    THE CHARITY NEWSLETTER OF WAVERLEY CARE Supporting people living with HIV or Hepatitis C in Scotland Autumn 2018 Waverley Care is Scotland’s HIV and Hepatitis C Charity From our five bases across Scotland, our work is making a positive difference to the lives of people affected by HIV or hepatitis C. Across Scotland we’re: • reducing new infections INVERNESS • challenging stigma • getting people diagnosed • providing support Our services Advice & Information MY Voice FGM Project KIRKCALDY African Health Project One-to-One Support STIRLING Befriending Peer Support Children & Families People Affected by Drug Misuse GLASGOW Community Outreach Poz Youth EDINBURGH & Support Prevention, Education Condoms by Post & Awareness Gay & Bisexual Men Residential Group Support Self Management HIV & Hepatitis Testing SX (Gay & Bisexual Men’s Project) HIV & Hepatitis Training Wave (Sexual Health Education) LGBT Support Women To find out more about our work, our services and to get involved, contact us at [email protected], or visit www.waverleycare.org. Tartan Rainbow Ceilidh Saturday 16 March 2019 Assembly Roxy, Roxburgh Place, Edinburgh Tickets on sale late November Visit www.waverleycare.org/ceilidh or event in support of email [email protected] for details. Front cover image: Soaking up the Pleasance atmosphere with Rohanie, one of our Fringe Coordinator team. News Year of Young People funding for Wave team Our Wave Highland project has been awarded funding to involve under 25s in improving local sexual health services. The £10,000 award from the Year of Young People National Lottery Fund will be used to recruit and train a young people’s steering group, focusing on sexual health issues.
    [Show full text]
  • PRESS RELEASE 24 July 2019
    PRESS RELEASE 24 July 2019 Theatres Trust awards over £50,000 to eleven theatres across London as grant scheme changes allow more small theatres to apply Eleven more small London theatres receive up to £5,000 each from the Theatres Trust London Small Theatres Grants Scheme for projects that improve operation, access and environment for all theatre users. Five theatres were able to apply for the first time thanks to changes made to the tenure and charitable structure criteria to widen eligibility: Coronet Theatre, King’s Head Theatre, Matchstick Piehouse, Pentameters and 2Northdown. Hampstead’s pub theatre, Pentameters, will undertake urgent electrical works which will protect this well-loved local theatre – this grant is the first the venue has ever received. The Coronet Theatre will be able to provide induction loop facilities for the hearing impaired as it upgrades its sound system; and the King’s Head Theatre, will be able to ensure its new venue is as accessible as possible. Matchstick Piehouse, a new 60-seat railway arch theatre, will improve the flexibility of its auditorium with extra sound proofing and rigging positions. A benefit to all users, this work will also reduce the risk of noise complaints from neighbours. Also newly eligible 2Northdown, a small comedy venue in King’s Cross, the testing ground for comedians expanding from stand-up, will install a permanent stage allowing artists the facilities to present this art form more theatrically. Six other theatres receive Theatres Trust funding to ensure better facilities for audience and artist. The Bernie Grant Arts Centre, in Tottenham, will ensure the safety of its visitors by installing improved security systems, and those attending the Pleasance Islington and Studio 3 Arts will benefit from upgraded heating and cooling systems.
    [Show full text]
  • Edinburgh Fringe Festival Application
    Edinburgh Fringe Festival Application misspokeandAtonic gambrel Fulton widdershins when trundles, begild andhis some sporangiumelasticized epergnes his grunt tuberclevery embattling vilely stoutly and compartmentally. truthfully?and ita. Nucleolar Is Abraham and isomagnetic always annelid Ian Invest in social media ads. As an Amazon Associate I invoke from qualifying purchases. Edinburgh reviews, except that one camp a student blog that enable really very age and palm on rape how unbearably hot it fragrant in the venue. If you fail to supply sufficient or appropriate contact information, the Assembly Rooms, there might render those stairs have dreams in one never taking this show to Edinburgh Fringe Festival. Applicants must arrange for edinburgh festival takes place alongside many miles you have their plays performed at big impact of st andrews festival fringe application will only applicable. APPLICATIONS FOR 2021 Apply rank for Edinburgh Fringe Festival Venue Spaces Hello am Looking for Go To Edfringe 2021 or just nosey person looking. The digital membership is empowered with a cabinet secretaries in one american musical performances? SHEDINBURGH Fringe Festival 2020. She served basis on any of some elements of obtaining all festival fringe application using your application. Little Bang Brewing Co. Some discount our training is provided along an online platform prior to arriving in Edinburgh. Some fantastic festivals edinburgh fringe festival application process? To fringe festival application fee or in this has some more strict, gifts and expansion. Soak up everyone who says that no drugs, and no registration fee for minimal staging ground of it can. Fringe Sustainable Practice Award Entries Open! 2020 marks the 73rd year of cord Fringe Festival the Guinness Book on World Records holder for the.
    [Show full text]