JULY 2013 St. Malachy's—The Actors' Chapel New York City Cover
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Boston Early Music Festival Announces 2013 Festival
FOR IMMEDIATE RELEASE: April 1, 2012 CONTACT: Kathleen Fay, Executive Director | Boston Early Music Festival 161 First Street, Suite 202 | Cambridge, MA 02142 617-661-1812 | [email protected] | www.bemf.org BOSTON EARLY MUSIC FESTIVAL ANNOUNCES 2013 FESTIVAL OPERATIC CENTERPIECE , HANDEL ’S ALMIRA Cambridge, MA – April 1, 2012 – The Boston Early Music Festival has announced plans for the 2013 Festival fully-staged Operatic Centerpiece Almira, the first opera by the celebrated and beloved Baroque composer, George Frideric Handel (1685–1759), in its first modern-day historically-conceived production. Written when he was only 19, Almira tells a story of intrigue and romance in the court of the Queen of Castile, in a dazzling parade of entertainment and delight which Handel would often borrow from during his later career. One of the world’s leading Handel scholars, Professor Ellen T. Harris of MIT (Massachusetts Institute of Technology), has said that BEMF is the “perfect and only” organization to take on Handel’s earliest operatic masterpiece, as it requires BEMF’s unique collection of artistic talents: the musical leadership, precision, and expertise of BEMF Artistic Directors Paul O’Dette and Stephen Stubbs; the stimulating and informed stage direction and magnificent production designs of BEMF Stage Director in Residence Gilbert Blin; “the world’s finest continuo team, which you have”; the highly skilled BEMF Baroque Dance Ensemble to bring to life Almira ’s substantial dance sequences; the all-star BEMF Orchestra; and a wide range of superb voices. BEMF will offer five fully-staged performances of Handel’s Almira from June 9 to 16, 2013 at the Cutler Majestic Theatre at Emerson College (219 Tremont Street, Boston, MA, USA), followed by three performances at the Mahaiwe Performing Arts Center (14 Castle Street, Great Barrington, MA, USA) on June 21, 22, and 23, 2013 ; all performances will be sung in German with English subtitles. -
Lutheran Summer Music 2000
Lutheran Summer Music 2000 Faculty Artist Recital Karen Becker cello Seth Beckman piano Joseph Bognar harpsichord James Hogg viola Timothy Schorr piano Kerry Walters soprano University Theater Valparaiso University Center for the Arts Valparaiso, Indiana Monday, July 3, 8:00 p.m. Program Sonata in A Major Luigi Boccherini I. Adagio (1743-1805) II. Allegro Karen Becker, cello Timothy Schorr, piano La convalescente Frangois Couperin (1668-1733) Sonata (1991) Edwin McLean Brisé Joseph Bognar, harpsichord Ellen Taaffe Zwilich (b. 1939) Seth Beckman, piano He’s Got the Whole World in His Hands Margaret Bonds (1913-1972) Steal Away to Heaven traditional arr. Mark Hayes (b. 1953) Ride On, King Jesus _ traditional arr. Hall Johnson (1888-1970) Kerry Walters, soprano Timothy Schorr, piano The Stars and Stripes Forever! John Philip Sousa (1854-1932) James Hogg, viola Seth Beckman, piano * eK KK KOK *K Karen Becker is an active soloist and chamber musician, having performed throughout the United States as well as in Europe and Puerto Rico. In September she will tour Mexico performing works of American composers. She received her Doctor of Musical Arts degree from the University of Texas at Austin and is currently Assistant Professor of Cello at the University of Nebraska-Lincoln. Seth Beckman has received numerous honors and awards, both as a soloist and chamber musician, and has appeared in recital throughout the United States and Europe. He-is Associate Professor of Piano and Chair of the Music Department at Bemidji State University. Joseph Bognar received his Bachelor of Music degree from Valparaiso University. He was awarded the Doctor of Musical Arts degree in piano accompanying and vocal coaching fromthe University of Illinois. -
Report to the Community
Report to the Community July 1, 2012 – June 30, 2013 Detroit Educational Television Foundation “Detroit Public Television has become our breakthrough station, connecting one-on-one with the people who live within its reach, using TV and webcasts and new media, as well as old-fashioned in-person gatherings to create a real and virtual community of eager, happy partners. I’ve been in public television for four decades now, and I’ve never seen one of our stations with a keener commitment to what’s important to the folks it serves.” - Bill Moyers SHOWING THE WORLD HOW DETROIT PERFORMS A Report to Our Community “Performance” has many meanings. From the cars we drive, to thrilling moments on stages and screens, to delivering on a promise, performance matters. In these pages, you’ll see how Detroit Public TV has performed this year in its mission to provide trusted programming on TV, on radio, and online. Every great performance requires collaboration and that is especially true in public media. We rely on our region’s educators, policy makers, deep thinkers, visionaries, artists, students, and – most of all – on supporters like you to showcase greater Detroit and create programs that educate, entertain and inspire. While we’re proud of the success stories we’ve helped create, please know that we’re continually looking ahead to meet future challenges and opportunities. That means exploring new content delivery vehicles such as mobile and broadband internet. It means understanding the issues in our local community, connecting with smart folks working on those issues, and then creating – and delivering – meaningful content. -
James Taylor: Making Music and Memories by John Fries
Pittsburgh Boomers | August 2005 James Taylor: Making Music and Memories By John Fries If you went to high school during the 1970's, as I did, you'll recall a lot of really great music -- on the radio, in the school cafeteria at lunchtime, and on the eight track tapes you punched into your car dashboards at night while driving around. While the musical landscape offered something for everyone, much of it seemed to fall into two distinct categories: straight-ahead rock and top 40 pop. Here in Pittsburgh, we were either tuned to Trevor Ley playing Led Zeppelin or Pink Floyd on 'DVE or listening to the "New Sound of 13Q," which played a wide and eclectic mix of whatever was in the top 40 at the time. The top hits of the day were listed each week in the pocket-sized "hit parades" KQV and 13Q published and provided for free in local record stores. The list could include any combination of rock, power pop, country, rhythm and blues, vocalists, the occasional novelty record, and that 70's radio staple known as the singer-songwriter. Remember them? The mellow music makers who played guitar or piano, wrote meaningful, introspective lyrics, and served up gentle melodies? The singer-songwriter sections of our 45 collections included titles by such artists as Jackson Browne, Neil Young, Carole King, Joni Mitchell, John Denver, Paul Simon and a West Coast band of country rock upstarts called the Eagles. Although they were - and are -- all great artists, James Taylor became the undisputed king of the genre. -
SAINT HUGO HERALD October 30, 2016
St. Hugo of the Hills Parish, Bloomfield Hills Page 1 SAINT HUGO HERALD ALL SAINTS DAY MASS TIMES October 30, 2016 TUESDAY, NOVEMBER 1 Saint Hugo of the Hills Parish See Page 6 Bloomfield Hills, Michigan We ask God to Bless our priests at St. Hugo! Msgr. Tony, Fr. Tim, Fr. Joseph, Fr. George, Fr. Joe, and Fr. Mark Update Your Family Informaon Come to the All Soul’s Day Evening Prayer One of the results of the fall and spring phone calls By Fr. Tony, Fr. Tim and Sr. Barb to all parishioners is the discovery that email ad- Parishioners are invited to aend an All Soul’s Day even- dresses, home and cell phone numbers and the ing prayer on Wednesday, November 2 at 7:00 PM in the Church. There will be a special acknowledgement, prayer number of children have changed over the years and remembrance for loved ones who have died, and the parish records no longer contain accurate especially those who have died this past year. informaon. We need your help to update the 7:00 PM Evening Prayer by Fr. Tony St. Hugo census/data informaon. 7:20 PM Gabriel Fauré's Requiem Concert: St. Hugo Over the next few weeks, each registered family Liturgical Choir with the Detroit Chamber Winds and will be receiving in the mail a copy of the Strings informaon contained in the St. Hugo census/data 8:00 PM Social in the parish hall. system. Please write on the family form any Everyone is invited to parcipate in this special changes or addions to the informaon. -
Programma Convegno Associazioni Fondiarie, Uno Strumento Per Ritornare a Vivere I Territori Montani
“Dal riso al Rosa” Incontro tra le Aree protette dell'Alto Piemonte PROGRAMMA CONVEGNO ASSOCIAZIONI FONDIARIE, UNO STRUMENTO PER RITORNARE A VIVERE I TERRITORI MONTANI. ESPERIENZE A CONFRONTO Sabato 15 dicembre 2018, ore 09.30 Centro Congressi Palazzo d’Adda – Varallo (VC) Combattere lo spopolamento di colline e montagne piemontesi, ricomponendo il puzzle delle proprietà terriere frammentate e dei campi abbandonati, attraverso la costituzione di libere associazioni fondiarie è l’obiettivo della legge regionale n. 21 del 2 novembre 2015 “Disposizioni per favorire la costituzione delle associazioni fondiarie e la valorizzazione dei terreni agricoli e forestali”. Senza interferire con il diritto di proprietà, che non viene meno, la legge sull'associazionismo fondiario intende rilanciare l’attività agro-forestale e pastorale, incentivare turismo e produzioni locali, gestire il territorio rurale abbandonato o sottoutilizzato in modo intelligente e produttivo rivitalizzando l’agricoltura di montagna attraverso la ricostituzione di aree con coltivazioni di prodotti legati alle tradizioni colturali locali ed economicamente sostenibili e quindi facilitare la costituzione e il consolidamento di imprese agricole e zootecniche, garantire la conservazione del paesaggio e della biodiversità, nonché ridurre il rischio idrogeologico e di incendi. Si tratta di riprendere e rilanciare modelli di gestione "comunitaria" del territorio e delle sue risorse già presenti da secoli e talora ancora attivi sul nostro territorio (l'esperienza più nota è quella della -
STATO CIVILE DEL DIPARTIMENTO DELL’AGOGNA 1 Collocazione Comune Descrizione Degli Atti Date Estreme
REGISTRI DELLO STATO CIVILE DEL DIPARTIMENTO DELL’AGOGNA 1 collocazione comune descrizione degli atti date estreme 1 Boccioleto Atti di nascita 1806-14 Borgosesia Atti di nascita 1800-02 2 Borgosesia Atti di nascita 1806-09 3 Borgosesia Atti di nascita 1810-12 4 Borgosesia Atti di nascita 1813-14 Breia con Rocca Atti di nascita 1813 Campello Atti di nascita 1813 Campertogno con Mollia e Pietre Atti di nascita 1813 Gemelle 5 Cellio Atti di nascita 1809-12 6 Cellio Atti di nascita 1813-14 Civiasco Atti di nascita 1807-14 7 Cravagliana con Sabbia Atti di nascita 1813 Morondo con Rocca Atti di nascita 1806-13 Quarona Atti di nascita 1806-11 e 1813 8 Rimasco con Rima, S. Giuseppe, Atti di nascita 1812-13 Carcoforo, Ferrate e Fervento Rimella Atti di nascita 1813 Rocca Atti di nascita 1806-14 9 Rossa Atti di nascita 1813 Scopa con Balmuccia, Scopello, Atti di nascita 1811-13 (c) ARCHIVIOPila e Vocca DI STATO VARALLO 9 Valduggia Atti di nascita 1813 Varallo con Valmaggia Atti di nascita 1806-08 1 I registri sono stati estrapolati dagli archivi storici dei rispettivi comuni, in deposito presso la Sezione di Archivio di Stato di Varallo. I registri sono tutti inventariati analiticamente per nominativo. (inventario consultabile presso la sala studio) 1 10 Varallo Atti di nascita 1809-12 11 Varallo Atti di nascita 1812-14 Vocca Atti di nascita 1806-10 e 1813 12 Boccioleto con Rossa Atti di matrimonio 1807-14 13 Borgosesia Atti di matrimonio 1801-10 14 Borgosesia Atti di matrimonio 1811-14 15 Campertogno con Mollia e Pietre Atti di matrimonio 1813 Gemelle Cellio Atti di matrimonio (con tavole alfabetiche 1813-14 dal 1806 al 1810) Civiasco Atti di matrimonio 1807-08 Cravagliana con Sabbia Atti di matrimonio 1813 Morondo Atti di matrimonio 1806 e 1808-09 16 Quarona Atti di matrimonio 1807-09 Rimasco con Rima, S. -
Bach Festival the First Collegiate Bach Festival in the Nation
Bach Festival The First Collegiate Bach Festival in the Nation ANNOTATED PROGRAM APRIL 1921, 2013 THE 2013 BACH FESTIVAL IS MADE POSSIBLE BY: e Adrianne and Robert Andrews Bach Festival Fund in honor of Amelia & Elias Fadil DEDICATION ELINORE LOUISE BARBER 1919-2013 e Eighty-rst Annual Bach Festival is respectfully dedicated to Elinore Barber, Director of the Riemenschneider Bach Institute from 1969-1998 and Editor of the journal BACH—both of which she helped to found. She served from 1969-1984 as Professor of Music History and Literature at what was then called Baldwin-Wallace College and as head of that department from 1980-1984. Before coming to Baldwin Wallace she was from 1944-1969 a Professor of Music at Hastings College, Coordinator of the Hastings College-wide Honors Program, and Curator of the Rinderspacher Rare Score and Instrument Collection located at that institution. Dr. Barber held a Ph.D. degree in Musicology from the University of Michigan. She also completed a Master’s degree at the Eastman School of Music and received a Bachelor’s degree with High Honors in Music and English Literature from Kansas Wesleyan University in 1941. In the fall of 1951 and again during the summer of 1954, she studied Bach’s works as a guest in the home of Dr. Albert Schweitzer. Since 1978, her Schweitzer research brought Dr. Barber to the Schweitzer House archives (Gunsbach, France) many times. In 1953 the collection of Dr. Albert Riemenschneider was donated to the University by his wife, Selma. Sixteen years later, Dr. Warren Scharf, then director of the Conservatory, and Dr. -
La Ferrovia Della Valsesia
NORD LA FERROVIA DELLA VALSESIA 24 25 NORD LA FERROVIA DELLA VALSESIA 54,1 KM 1881-1886 2014 2015 LA LINEA Inoltrarsi nella valle più verde d’Italia in treno, alla scoperta di paesaggi PIEMONTE diversi (da quello della pianura padana a quello montano), lasciandosi NOVARA-VARALLO SESIA (VC) stupire dalla bellezza della natura e dall’arte dell’uomo, fino a raggiungere Varallo e il suo Sacro Monte (la “Nuova Gerusalemme”), il più antico del Piemonte, costruito in varie tappe tra il 1486 e il 1713 (vedi box di appro- fondimento). Tutto ciò è la Ferrovia della Valsesia, lunga circa 51 km, che VERBANIA collega la stazione di Vignale a quella di Varallo Sesia. La sua costruzione ebbe inizio nel 1881 ed il primo tratto, di circa 26 km tra Vignale e Roma- gnano Sesia, venne inaugurato il 22 febbraio 1883. Negli anni successivi BIELLA furono realizzati i tronchi successivi, fino alla inaugurazione dell’intera linea NOVARA TORINO fino a Varallo Sesia avvenuta il 12 aprile 1886. Da Vignale, la linea era collegata alla stazione di Novara attraverso un tratto, di poco più di 3 km, VERCELLI ALESSANDRIA già attivo fin dal 1855 perché facente parte della linea Arona-Alessandria (e della Novara-Domodossola). La ferrovia garantì per circa un secolo gli scambi tra la pianura e le aree produttive della Valsesia. Dal 15 settembre 2014, il servizio viaggiatori è stato sospeso ed autosostituito; il tratto Nova- ra-Romagnano Sesia è ancora utilizzato per il servizio merci per la cartiera ASTI Kimberly, mentre il tronco Romagnano Sesia-Varallo Sesia è utilizzato esclu- CUNEO sivamente per la circolazione occasionale di treni turistici. -
ALLUVIONI in VALSESIA (Dal Medio Evo Ai Giorni Nostri)
REGIONE PIEMONTE DIREZIONE REGIONALE SERVIZI TECNICI DI PREVENZIONE Quaderno n. 14 ALLUVIONI IN VALSESIA (Dal Medio Evo ai giorni nostri) BANCA DATI GEOLOGICA Settembre 1999 IN COPERTINA: Alagna. Frazioni Ronco e Pedemonte prima (fotografia in alto) e dopo (fotografia in basso ) l’alluvione del 1° Ottobre 1919. Pubblicazione in distribuzione gratuita presso la Direzione Regionale Servizi Tecnici di Prevenzione della Regione Piemonte, via Pisano 6, 10152 Torino (Tel. 011-4321381) Stampato presso il Centro Stampa della Regione Piemonte REGIONE PIEMONTE DIREZIONE REGIONALE SERVIZI TECNICI DI PREVENZIONE Quaderno n. 14 ALLUVIONI IN VALSESIA (Dal Medio Evo ai giorni nostri) Elvise Fontana Revisione e predisposizione per la stampa a cura del Settore Studi e Ricerche Geologiche Sistema Informativo Prevenzione Rischi, Biella. Con la collaborazione di Giampani Claudia (*) (*) collaboratore esterno CSI Piemonte I N D I C E PREMESSA............................................................................................................................ 3 ALLUVIONI STORICHE............................................................................................................... 5 1277 - 1310 (?) BASSA VALLE ................................................................................................. 5 1493 - VARALLO, ISOLELLA, ROGGIA MORA ............................................................................ 5 1640 - NOTIZIE: RIVA VALDOBBIA E DOCCIO ........................................................................... 5 1654 -
History of the Cathedral Organ
History of the Cathedral Organ The first worship service was held at the Cathedral of the Incarnation on Trinity Sunday, 1911. At this time, only the undercroft was completed, and the building was designated the “pro-cathedral”, meaning the building was designated to someday be the Cathedral. No records can be found of what instrument was used between 1911 and 1931, when the upper church was finally completed. Neither can any record be found of the instrument used in our sanctuary between 1931 and 1941. In 1941, the original Cathedral organ was purchased from the Möller Organ Company of Hagerstown. The instrument at the time had a total of fourteen ranks of pipes and chimes. The purchase price was $5,825, for Möller Opus 7042 (about $91,000 in 2014 dollars). Completion of the organ, envisioned to be 43 ranks, was planned as soon as funds were available. In 1960, the Cathedral received a bequest by Ella Jarrett and Mary Helen Ziegler for additions to the organ. A contract was given to the Aeolian-Skinner Organ Company of Boston for the additions (Opus 1386). Six additional ranks were added to the swell organ and seven ranks were added to the choir organ. The cost of this work was $15,200 (about $119,000 in 2014 dollars). A proposal to add an additional 11 ranks to the great organ and five ranks to the pedal organ was rejected by the Chapter as too costly. The cost of these additions at the time was $17,550. By 1971, the organ was in need of an overhaul. -
Wagnerskt Orgelbrus
CG9010 Självständigt arbete, kyrkomusik, 15 hp Kandidatprogram, musiker, kyrkomusik 2021 Institutionen för klassisk musik (KK) Handledare: Incca Rasmusson Ludvig Käll Wagnerskt orgelbrus Att transkribera Richard Wagners musik för orgel Till dokumentationen hör följande inspelning: Morgenpracht inspelad i Sankt Görans kyrka Sammanfattning I orgeltranskriberingens historia så har Richard Wagners musik fått en särställning genom organisten Edwin H. Lemares massiva transkriptionsarbete. I det här arbetet undersöks hur Lemares transkriptionskonst är utformad och hur hans metoder kan appliceras på eget transkriptionsarbete. Lemares och andras transkriptioner jämförs med Wagners originalpartitur för att metoder och verktyg ska kunna observeras. Dessa appliceras på en egen transkription, vars skapelseprocess redogörs för. Detta arbete visar att Lemare använder sig av en metodisk teknik som i stora drag grundar sig på det klangliga resultatets slutliga kvalitet. I det här arbetet beskrivs denna teknik relativt ingående, för att om möjligt bidra med insikter och metoder för den av transkriptioner intresserade. Nyckelord: Wagner, Lemare, transkription, orgel, Parsifal, orkester, Gesamtkunstwerk, opera, musikdrama Innehållsförteckning 1 Inledning och bakgrund ..................................................................................................... 1 5.1 Richard Wagners musik ............................................................................................. 1 5.2 Om Wagner-transkription .........................................................................................