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Precarious Indigeneity
RUNNING HEAD: Precarious Indigeneity PRECARIOUS INDIGENEITY: AINU IDENTITY-MAKING IN (DIGITAL) NORTH AMERICA AND ITS ROOTEDNESS IN WESTERN INDIGENOUS EXPERIENCE by Cheyanne Connell Bachelor Of Arts (Hons.), Simon Fraser University, 2019 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Masters Of Arts (Anthropology) In the Faculty of Arts and Social Sciences Department Of Sociology and Anthropology © Cheyanne Connell 2021 SIMON FRASER UNIVERSITY SUMMER 2021 Copyright in this work is held by the author. Please ensure that any reproduction or re-use is done in accordance with the relevant national copyright legislation. Precarious Indigeneity I Declaration of Committee Name: Cheyanne Connell Degree: Master of Arts in Anthropology Title: PRECARIOUS INDIGENEITY: AINU IDENTITY- MAKING IN (DIGITAL) NORTH AMERICA AND ITS ROOTEDNESS IN WESTERN INDIGENOUS EXPERIENCE Committee: Chair: Dr. Pamela Stern Professor, Anthropology Dr. Michael Hathaway Supervisor Associate Professor, Anthropology Dr. Kate Hennessy Committee Member Associate Professor, School of Interactive Arts & Technology Dr. ann-elise lewallen Examiner Associate Professor, East Asian Languages & Cultural Studies University of California, Santa Barbara Precarious Indigeneity II Ethics Statement Precarious Indigeneity III Abstract Based on digitally-mediated fieldwork conducted in 2020/2021, and building on existing scholarship, this thesis works to understand how Ainu in North American experience Indigenous identity-making. Working with eight young adults of self-identified Ainu ancestry at various stages of their Ainu journeys, but all started within the last few years, I ask how Ainu and Ainuness is learned and understood through their primary connection and access to Ainu community and culture: digital spaces. From this, I argue that whereas Ainu identity-making of those who grew up and live in Japan is rooted in Japanese Ainu experience, American Ainu identity-making is largely informed by and rooted in Western Indigenous experience. -
Course Listings for Spring 2018
AADS Course Listings Spring 2018 AFRICAN & AFRICAN DIASPORA STUDIES Course Listings for Spring 2018 AADS 1101 Africa Since 1850 M W F 1:00-1:50 Cross Listed with HIST 2180 This course provides an overview of the recent history of sub-Saharan Africa. It begins by examining colonization and the dynamics of colonialism, then traces the development of anti- colonialism and nationalism, and concludes by surveying the trajectories of post-colonial states and societies. Throughout the semester we will think about popular experiences in addition to institutional or elite narratives, ask questions about the changing position of Africa in the world, and contemplate the stakes of conceptualizing African history in the present. Materials will include a range of academic literature, fiction and non-fiction works by African intellectuals, and visual media. Priya Lal AADS 1105 African-American History II M W F 1:00-1:50 Cross Listed with HIST 2482 Satisfies Cultural Diversity Core Requirement The two-semester survey examines the history and culture of African-Americans from the pre- colonial period to the present. The first semester focuses on the period before the middle passage, the evolution of slave and free society, the development of Black institutions, and the emergence of protest movements through the Civil War's end. During the second semester, the emphases are placed on issues of freedom and equality from Reconstruction, urban migration, civil rights struggles through current consideration of race, class, and gender conflicts. Karen Miller AADS 1110 Intro to African Diaspora Studies T TH 3:00-4:15 Cross Listed with SOCY 1045 Satisfies Core requirement for: Cultural Diversity, Social Science A survey of the African continent and the Diaspora that would include geography, history, politics, economics and literature. -
“I'm Not Racist; Some of My Best Friends Are .
ESSAY 25 “I’m Not Racist; Some of My Best Friends Are . ” Debunking the Friends Defense and Revisiting Allyship in the Post-Obama Era Cherise A. Harris distribute Connecticut College or f all the names White Americans could be called in American society, racist ranks as one of the worst. As psychology professor Beverly Daniel Tatum says, “The word racist holds a lot of emotional power. For many White O people, to be called racist is the ultimatepost, insult” (Tatum, 1997). One of the reasons why the term is considered anathema by most Whites is because of the images it con- jures in the public imagination. For example, in Joe Feagin and Hernán Vera’s (2000) book White Racism, one of their White respondents referred to Blacks a number of times as “apes” and admitted that her parents “always instilled in me that blacks aren’t equal,” but she nevertheless maintained: “I don’t consider myself racist . when I think of the word racist, I think of KKK [Ku Klux Klan], people in white robes burn- ing black people oncopy, crosses and stuff, or I think of the Skinheads or some exaggerated form of racism” (pp. 215–216; see also Ashmore, 2009; Culp, 1993). Essentially, many Whites are reluctant to admit their racial prejudices and instead believe that “racism does not exist among the people of goodwill in America, who include most Americans. Racismnot and white supremacy are relegated in our time to the David Dukes and the few white supremacists” (Culp, 1993, pp. 211–212; see also Feagin, 2013). -
Introduction
Introduction Welcome to Post-Racial America As my son and I walked down the street, taking our usual route with our dog, we crossed paths with a man I’d never seen in our neighbor- hood before. He appeared to be white and seemed to be looking for something specific, as if he needed directions. He smiled at us as we approached, looked at the dog, and asked from a few yards away, “What breed is that?” I told him she was a mix: “Australian Shepherd and Bea- gle, or so we were told by the dog rescue society.” He petted her, smiled, and then looked me right in the face to ask his next question: “What kind of mix are you?” Just another day in post-racial America, I thought. *** How is it that in what’s termed “post-racial America,” people seem to keep finding ways to keep talking about race? Race is a common topic of conversation and a predictable source of moments of confusion and comedy, as well as of desolation and violence. We are regularly told that things have changed—we are now “post-race”—but exactly how and why those changes have come about and what the changes mean are matters of continuing debate. In mundane and formal settings, citizens confront >> 1 9780814762899_squires text.indd 1 1/30/14 1:50 PM 2 << Introduction race in subtle and obvious ways every day. From celebrations of the inau- guration of the first black president to news of a neo-Nazi attack in Nor- way, race and racism remain salient features of our world. -
Eddie Murphy in the Cut: Race, Class, Culture, and 1980S Film Comedy
Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-10-2019 Eddie Murphy In The Cut: Race, Class, Culture, And 1980s Film Comedy Gail A. McFarland Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation McFarland, Gail A., "Eddie Murphy In The Cut: Race, Class, Culture, And 1980s Film Comedy." Thesis, Georgia State University, 2019. https://scholarworks.gsu.edu/aas_theses/59 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. EDDIE MURPHY IN THE CUT: RACE, CLASS, CULTURE, AND 1980S FILM COMEDY by GAIL A. MCFARLAND Under the Direction of Lia T. Bascomb, PhD ABSTRACT Race, class, and politics in film comedy have been debated in the field of African American culture and aesthetics, with scholars and filmmakers arguing the merits of narrative space without adequately addressing the issue of subversive agency of aesthetic expression by black film comedians. With special attention to the 1980-1989 work of comedian Eddie Murphy, this study will look at the film and television work found in this moment as an incisive cut in traditional Hollywood industry and narrative practices in order to show black comedic agency through aesthetic and cinematic narrative subversion. Through close examination of the film, Beverly Hills Cop (Brest, 1984), this project works to shed new light on the cinematic and standup trickster influences of comedy, and the little recognized existence of the 1980s as a decade that defines a base period for chronicling and inspecting the black aesthetic narrative subversion of American film comedy. -
Coyolxauhqui-La-Réunifiée: Femme De Terre En Quête D'appartenance: Une
Coyolxauhqui-la-réunifiée : Femme de terre en quête d’appartenance Une recherche auto-ethnographique Mémoire présenté dans le cadre du programme de maîtrise en étude des pratiques psychosociales en vue de l’obtention du grade de maître ès arts PAR © Sarah-Maria LeBlanc Août 2019 Composition du jury : Diane Léger, présidente du jury, Université du Québec à Rimouski] Jeanne-Marie Rugira, directrice de recherche, Université du Québec à Rimouski Florence Vinit, examinatrice externe, Université du Québec à Montréal Dépôt initial le 13 juin 2019 Dépôt final le 20 août 2019 UNIVERSITÉ DU QUÉBEC À RIMOUSKI Service de la bibliothèque Avertissement La diffusion de ce mémoire ou de cette thèse se fait dans le respect des droits de son auteur, qui a signé le formulaire « Autorisation de reproduire et de diffuser un rapport, un mémoire ou une thèse ». En signant ce formulaire, l’auteur concède à l’Université du Québec à Rimouski une licence non exclusive d’utilisation et de publication de la totalité ou d’une partie importante de son travail de recherche pour des fins pédagogiques et non commerciales. Plus précisément, l’auteur autorise l’Université du Québec à Rimouski à reproduire, diffuser, prêter, distribuer ou vendre des copies de son travail de recherche à des fins non commerciales sur quelque support que ce soit, y compris l’Internet. Cette licence et cette autorisation n’entraînent pas une renonciation de la part de l’auteur à ses droits moraux ni à ses droits de propriété intellectuelle. Sauf entente contraire, l’auteur conserve la liberté de diffuser et de commercialiser ou non ce travail dont il possède un exemplaire. -
TIP 61 Behavioral Health Services for American Indians and Alaska Natives
BEHAVIORAL HEALTH SERVICES FOR TIP 61 AMERICAN INDIANS AND ALASKA NATIVES Part 1, Chapter 2 Introduction About the Stories and Vignettes In this chapter, you will meet four American Indian A collaborative effort using a consensus process led and Alaska Native clients and their providers. to development of these four stories. The consensus Some of the providers are non-native, and others panel used a composite of client experiences in are native, although they may be working in tribes counseling to come up with the backgrounds, different from their own. The consensus panel has geographic regions, and other identifying details of made significant efforts to present realistic counsel- the clients in the vignettes, so that the histories and ing scenes using culturally responsive approaches client–provider dialogs are not complete accounts of that include integrating traditional healing with specific people. Any associations with actual people, mainstream approaches such as motivational inter- presenting problems, or events are coincidental. viewing (MI), family therapy, and psychoeducation, as well as other modalities. MASTER PROVIDER NOTES This chapter centers around four stories. Each story includes some background for the provider, tells the These are comments about the strategies history of the client, and highlights learning objec- tives as well as client–provider dialog that demon- used, possible alternative techniques, and strates specific knowledge and skills for providing insights into the client–provider relationship. behavioral health counseling to American Indians These notes represent the combined and Alaska Natives. The stories capture culturally experience and wisdom of the consensus relevant issues in a variety of specific situations panel and other contributors to this TIP. -
Monday, August 24
experiences and their impact on well-being. One panelist explores how Monday, August 24 these contextual factors matter for understanding later mental health, while another focuses on variability in the character of these experiences (casual sexual experience, involvement in concurrent The length of each daytime session/meeting activity relationships) as influences on young adult relationship dynamics is one hour and forty minutes, unless noted (including relationship satisfaction, intimate partner violence). Two otherwise. The usual turnover is as follows: panelists draw more explicit links to policy: one suggests the need to move beyond the focus on issues of identity and family support to 8:30am-10:10am consider how structural conditions (of schools, but also political climate) 10:30am-12:10pm make a difference for understanding LGBTQ health and well-being. A 12:30pm-2:10pm fourth panelist uses the example of Chicago’s new school-based sex 2:30pm-4:10pm education initiative to highlight ways in which intersections of race/ethnicity, gender, and sexuality necessarily complicate the 4:30pm-6:10pm successful implementation of a broad-based curriculum. Session presiders and committee chairs are 310. Thematic Session. Sexualities in the Penal requested to see that sessions and meetings end on World time to avoid conflicts with subsequent activities Session Organizer: Megan Lee Comfort, RTI scheduled into the same room. International 7:00 am Meetings Presider: Megan Lee Comfort, RTI International Section on Aging and the Life Course Council Meeting Panelists: Jessica Fields, San Francisco State University Section on Body and Embodiment Council Meeting Valerie Jenness, University of California-Irvine Section on Children and Youth Council Meeting Erin M. -
Rape Myths, Satire, and Feminist Lacunae
Bryant University Bryant Digital Repository English and Cultural Studies Faculty English and Cultural Studies Journal Articles Publications and Research Winter 2020 Asking for It: Rape Myths, Satire, and Feminist Lacunae Viveca S. Greene Hampshire College Amber Day Bryant University, [email protected] Follow this and additional works at: https://digitalcommons.bryant.edu/eng_jou Part of the Feminist, Gender, and Sexuality Studies Commons, and the Other Arts and Humanities Commons Recommended Citation Greene, Viveca S. and Day, Amber, "Asking for It: Rape Myths, Satire, and Feminist Lacunae" (2020). English and Cultural Studies Journal Articles. Paper 91. https://digitalcommons.bryant.edu/eng_jou/91 This Article is brought to you for free and open access by the English and Cultural Studies Faculty Publications and Research at Bryant Digital Repository. It has been accepted for inclusion in English and Cultural Studies Journal Articles by an authorized administrator of Bryant Digital Repository. For more information, please contact [email protected]. Viveca S. Greene Amber Day Asking for It: Rape Myths, Satire, and Feminist Lacunae ow we talk about sexual assault matters. Language and framing help H construct our understanding of any issue, but particularly one as fraught as sexual violence. At any given time, wildly different frameworks of any culturally contested topic compete with one another. Following revelations of years of sexual assault by film producer Harvey Weinstein, the outpouring of allegations against other powerful men and the flood of #MeToo testimonials have helped to at least temporarily shift the mainstream conversation a little closer to a feminist frame. The public spectacle around sexual harassment may have finally demonstrated to many onlookers that there is indeed a sys- temic problem—though that assumption is vehemently disputed in some circles. -
An Ideological Criticism of Portrayals of Black Men in Film: an Analysis of Drumline, Dangerous Minds, Higher Learning, and Stom
AN IDEOLOGICAL CRITICISM OF PORTRAYALS OF BLACK MEN IN FILM: AN ANALYSIS OF DRUMLINE, DANGEROUS MINDS, HIGHER LEARNING, AND STOMP THE YARD A Thesis Presented to The Graduate Faculty of The University of Akron In partial Fulfillment of the requirements for the Degree Master of Communication Tessa Lizbeth Adams December, 2015 AN IDEOLOGICAL CRITICISM OF PORTRAYALS OF BLACK MEN IN FILM: AN ANALYSIS OF DRUMLINE, DANGEROUS MINDS, HIGHER LEARNING, AND STOMP THE YARD Tessa Lizbeth Adams Thesis Approved: Accepted: ____________________________ _______________________________ Advisor Interim Dean of the College Dr. Mary Triece Dr. John Green ____________________________ _______________________________ Faculty Reader Dean of the Graduate School Dr. Tang Tang Dr. Chand Midha ____________________________ _______________________________ Faculty Reader Date Dr. Andrew Rancer _____________________________ Interim School Director Dr. J. Thomas Dukes ii ACKNOWLEDGEMENTS First, I would like to thank My Lord and Savior for continuous love, strength, and the passion for writing. Thank you to my mother, father, sister, and pets for their love, support, inspiration, and fun times. Thank you to my family and friends for the constant encouragement and uplifting words. I am so appreciative. To my committee members, my advisor Dr. Mary Triece, and my faculty readers Dr. Tang Tang and Dr. Andrew Rancer: it has been an honor and a privilege to work under your direction during my time as a graduate student at The University of Akron. I would like to thank Dr. Triece for helping me to realize the full potential of my study and for helping me to make this thesis a reality. Thank you to Dr. Tang Tang and Dr. -
Plastic Shamans, Intellectual Colonialism and Intellectual Appropriation in New Age Movements
The International Journal of Ecopsychology (IJE) Volume 2 Issue 1 Vol 2 (1) Article 10 4-30-2021 Plastic Shamans, Intellectual Colonialism and Intellectual Appropriation in New Age Movements Joseba I. Arregi PhD EHU.edu, [email protected] Follow this and additional works at: https://digitalcommons.humboldt.edu/ije Part of the Alternative and Complementary Medicine Commons, Cognitive Psychology Commons, Community Psychology Commons, Counseling Psychology Commons, Environmental Public Health Commons, Environmental Studies Commons, Health Psychology Commons, Human Ecology Commons, Medical Humanities Commons, Other Philosophy Commons, Outdoor Education Commons, and the Place and Environment Commons Recommended Citation Arregi, Joseba I. PhD (2021) "Plastic Shamans, Intellectual Colonialism and Intellectual Appropriation in New Age Movements," The International Journal of Ecopsychology (IJE): Vol. 2 : Iss. 1 , Article 10. Available at: https://digitalcommons.humboldt.edu/ije/vol2/iss1/10 This Article is brought to you for free and open access by the Journals at Digital Commons @ Humboldt State University. It has been accepted for inclusion in The International Journal of Ecopsychology (IJE) by an authorized editor of Digital Commons @ Humboldt State University. For more information, please contact [email protected]. Arregi: Plastic Shamans Published by Digital Commons @ Humboldt State University, 2021 1 The International Journal of Ecopsychology (IJE), Vol. 2, Iss. 1 [2021], Art. 10 Plastic Shamans, Intellectual Colonialism and Intellectual Appropriation in New Age Movements Joseba I. Arregi [email protected] https://digitalcommons.humboldt.edu/ije/vol2/iss1/10 2 Arregi: Plastic Shamans Abstract The reality of colonialism plagues indigenous populations and continues into the present, generating new scenarios of oppression. -
The New Age and Indigenous Spirituality: Searching for the Sacred
School of Media Communication and Culture Murdoch University The New Age and Indigenous Spirituality: Searching for the sacred Claire Farley 30322833 Submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts with Honours in Australian Indigenous Studies, Murdoch University. June, 2010 DECLARATION I, Claire Farley, declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary educational institution. Signed: ………………………………………………………….................. Full name: Claire Farley Student number: 30322833 Date: 4th June 2010 ii COPYRIGHT ACKNOWLEDGEMENT I acknowledge that a copy of this thesis will be held at the Murdoch University Library. I understand that, under the provisions s51.2 of the Copyright Act 1968, all or part of this thesis may be copied without infringement of copyright where such a reproduction is for the purposes of study and research. This statement does not signal any transfer of copyright away from the author. Signed: ………………………………………………………….................. Full Name of Degree: Bachelor of Arts with Honours in Australian Indigenous Studies Thesis Title: The New Age and Indigenous spirituality: searching for the sacred Author: Claire Farley Year: 2010 iii ABSTRACT This thesis examines the New Age spiritual movement in its relationship with Indigenous cultures. Indigenous spiritual traditions have been appropriated to support relevant New Age theories. It critiques New Age perceptions of Indigenous cultures as misinformed and argues this misinformation is proliferated through certain New Age practices. It argues that the New Age can achieve a sustaining, earth-based spiritual practice without resorting to the appropriation of Indigenous traditions.