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Anthoney Udel 0060D
INCLUSION WITHOUT MODERATION: POLITICAL VIOLENCE AND DEMOCRATIC PARTICIPATION BY RELIGIOUS GROUPS by Cheryl Mariani Anthoney A dissertation submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Political Science and International Relations Spring 2018 © 2018 Cheryl Anthoney All Rights Reserved INCLUSION WITHOUT MODERATION: POLITICAL VIOLENCE AND DEMOCRATIC PARTICIPATION BY RELIGIOUS GROUPS by Cheryl Mariani Anthoney Approved: __________________________________________________________ David P. Redlawsk, Ph.D. Chair of the Department of Political Science and International Relations Approved: __________________________________________________________ George H. Watson, Ph.D. Dean of the College of Arts and Sciences Approved: __________________________________________________________ Ann L. Ardis, Ph.D. Senior Vice Provost for Graduate and Professional Education I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: __________________________________________________________ Muqtedar Khan, Ph.D. Professor in charge of dissertation I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: __________________________________________________________ Stuart Kaufman, -
Alumni Association of MS Ramaiah University of Applied Sciences
Alumni Association of M.S. Ramaiah University of Applied Sciences (SAMPARK), Bangalore M.S. Ramaiah University of Applied Sciences Department of Automotive & Aeronautical Engineering Program Year of Name Contact Address Photograph E-mail & Mobile Sl NO Completed Admiss ion # 25 Biligiri, 13th cross, 10th A Main, 2nd M T Layout, [email protected] M. Sc. (Automotive 574 2013 Pramod M Malleshwaram, Bangalore- 9916040325 Engineering) 560003 S/o L. Srinivas Rao, Sai [email protected] Dham, D-No -B-43, Near M. Sc. (Automotive m 573 2013 Lanka Vinay Rao Torwapool, Bilaspur (C.G)- Engineering) 9424148279 495001 9406114609 3-17-16, Ravikunj, Parwana Nagar, [email protected] Upendra M. Sc. (Automotive Khandeshwari road, Bank m 572 2013 Padmakar Engineering) colony, 7411330707 Kulkarni Dist - BEED, State – 8149705281 Maharastra No.33, 9th Cross street, Dr. Radha Krishna Nagar, [email protected] M. Sc. (Automotive Venkata Krishna Teachers colony, 571 2013 0413-2292660 Engineering) S Moolakulam, Puducherry-605010 # 134, 1st Main, Ist A cross central Excise Layout [email protected] M. Sc. (Automotive Bhoopasandra RMV Iind 570 2013 Anudeep K N om Engineering) stage, 9686183918 Bengaluru-560094 58/F, 60/2,Municipal BLDG, G. D> Ambekar RD. Parel [email protected] M. Sc. (Automotive Tekavde Nitin 569 2013 Bhoiwada Mumbai, om Engineering) Shivaji Maharashtra-400012 9821184489 Thiyyakkandiyil (H), [email protected] M. Sc. (Automotive Nanminda (P.O), Kozhikode / 568 2013 Sreedeep T K m Engineering) Kerala – 673613 4952855366 #108/1, 9th Cross, themightyone.lohith@ M. Sc. (Automotive Lakshmipuram, Halasuru, 567 2013 Lohith N gmail.com Engineering) Bangalore-560008 9008022712 / 23712 5-8-128, K P Reddy Estates,Flat No.A4, indu.vanamala@gmail. -
A Study on the Depiction of Substance Usage in Contemporary Malayalam Cinema
Imperial Journal of Interdisciplinary Research (IJIR) Vol-2, Issue-8, 2016 ISSN: 2454-1362, http://www.onlinejournal.in A Study on the Depiction of Substance Usage in Contemporary Malayalam Cinema. Sachin Krishna1 & Sreehari K G2 1Master of Journalism and Mass Communication 2Assistant Professor 1,2Department of Visual Media, Amrita School of Arts and Sciences, Kochi Abstract: This paper attempts to determine whether medal. The sixties was a period of an intellectual contemporary Malayalam films have an influence awakening in Malayalam cinema which made its in the increase of substance usage among the presence all over India and the world. Chemeen audience. This is precisely focused due to the fact (1965) directed by Ramu Kariat (Saran, 2012) that recent movies released in the new generation which was based on a novel of the same name by film movement of Malayalam have an increase in Thakazhi Shivashankara Pillai was immensely the onscreen depictions of alcohol and other kinds popular and became the first Malayalam film to of drugs. These movies are shot in such a way that win the National Film Award for Best Feature film. depicts the characters indulging in the use of these This was also the period when Malayalam cinema substances in a glamorized manner as if they are became much more organized and acclaimed promoting its use amongst the audiences. For this, filmmakers such as Adoor Gopalakrishnan and G. selected films released in the previous four years Aravindan began their career. that earned the biggest box office revenues were selected for analysis. This paper also tries to It was in the seventies that Malayalam cinema examine whether these onscreen depictions have entered a new phase of growth that reflected the any significant persuasion among the audiences. -
Masculinity and the Structuring of the Public Domain in Kerala: a History of the Contemporary
MASCULINITY AND THE STRUCTURING OF THE PUBLIC DOMAIN IN KERALA: A HISTORY OF THE CONTEMPORARY Ph. D. Thesis submitted to MANIPAL ACADEMY OF HIGHER EDUCATION (MAHE – Deemed University) RATHEESH RADHAKRISHNAN CENTRE FOR THE STUDY OF CULTURE AND SOCIETY (Affiliated to MAHE- Deemed University) BANGALORE- 560011 JULY 2006 To my parents KM Rajalakshmy and M Radhakrishnan For the spirit of reason and freedom I was introduced to… This work is dedicated…. The object was to learn to what extent the effort to think one’s own history can free thought from what it silently thinks, so enable it to think differently. Michel Foucault. 1985/1990. The Use of Pleasure: The History of Sexuality Vol. II, trans. Robert Hurley. New York: Vintage: 9. … in order to problematise our inherited categories and perspectives on gender meanings, might not men’s experiences of gender – in relation to themselves, their bodies, to socially constructed representations, and to others (men and women) – be a potentially subversive way to begin? […]. Of course the risks are very high, namely, of being misunderstood both by the common sense of the dominant order and by a politically correct feminism. But, then, welcome to the margins! Mary E. John. 2002. “Responses”. From the Margins (February 2002): 247. The peacock has his plumes The cock his comb The lion his mane And the man his moustache. Tell me O Evolution! Is masculinity Only clothes and ornaments That in time becomes the body? PN Gopikrishnan. 2003. “Parayu Parinaamame!” (Tell me O Evolution!). Reprinted in Madiyanmarude Manifesto (Manifesto of the Lazy, 2006). Thrissur: Current Books: 78. -
Hariharan (Director) Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Hariharan (director) 电影 串行 (大全) Vikatakavi https://zh.listvote.com/lists/film/movies/vikatakavi-7929410/actors Vellam https://zh.listvote.com/lists/film/movies/vellam-18358605/actors Ayalathe Sundari https://zh.listvote.com/lists/film/movies/ayalathe-sundari-18209771/actors Themmadi Velappan https://zh.listvote.com/lists/film/movies/themmadi-velappan-18394072/actors Sujatha https://zh.listvote.com/lists/film/movies/sujatha-18386168/actors Rajayogam https://zh.listvote.com/lists/film/movies/rajayogam-18393252/actors College Girl https://zh.listvote.com/lists/film/movies/college-girl-61059928/actors Tholkan Enikku Manassilla https://zh.listvote.com/lists/film/movies/tholkan-enikku-manassilla-18394208/actors Anguram https://zh.listvote.com/lists/film/movies/anguram-18352374/actors Ammini Ammaavan https://zh.listvote.com/lists/film/movies/ammini-ammaavan-18209284/actors Kanyaadaanam https://zh.listvote.com/lists/film/movies/kanyaadaanam-18386933/actors Bhoomidevi Pushpiniyayi https://zh.listvote.com/lists/film/movies/bhoomidevi-pushpiniyayi-18210169/actors Snehathinte Mukhangal https://zh.listvote.com/lists/film/movies/snehathinte-mukhangal-18378837/actors Yagaswam https://zh.listvote.com/lists/film/movies/yagaswam-19600494/actors Adimakkachavadam https://zh.listvote.com/lists/film/movies/adimakkachavadam-18209039/actors Rajahamsam https://zh.listvote.com/lists/film/movies/rajahamsam-18393237/actors Mangai Oru Gangai https://zh.listvote.com/lists/film/movies/mangai-oru-gangai-64768609/actors Poocha Sanyasi https://zh.listvote.com/lists/film/movies/poocha-sanyasi-61060205/actors -
Vol II Issue 1.Pmd
A Quarterly Journal for TAPTAPASAMASAM Kerala Studies Adn-bm\pw Xm]kw in Malayalam - English Adn-bn-°m\pw c≠mw h¿j-Øn-te°p {]th-in°p∂p Vol: II / Issue 1 / July 2006/ Reg. No: M2 11257/ 05 Xm]kw c≠mw hmeyw H∂mw -e-°-Øns‚ tI{µ-hn-jbw P\-{]n-b-kw-kvImcw (popular culture). P\Iob-kw-kvImcw (folk culture), P\-{]n-b- Jenny Rowena “The Age of Tears is Over!” - A Brief Account of kw-kvImcw F∂ hn`-P-\-Øns‚ HuNnXyw tNmZyw sNø-s∏- the Evolution of the Laughter-films in Kerala............... 2 Sp∂ L´-am-Wn-Xv. am[y-ao-I-c-W-Øns‚ `mK-ambn Bƒ°q´ kwkvIm-chpw A\p-Zn-\-Po-hn-X-Øn-eqsS P\Iob/P\-{]n-b Sunil P. Elayidom Melodies of Modernity: Emergence of Popular Music and/as Public Sphere in Kerala ................................. 27 kwkvIm-c-hp-ambn IÆn tN¿°-s∏-Sp-∂p. ka-Im-enI Pohn-X- ssien apgp-h-\mbn Ah-tem-I\w sNøm≥ {ian-°p∂h¿°v — N. P. Ashley The “Kerala” of the Space : Ah-cn¬ A°m-Z-anIv Xev]-c¿ am{X-a√ I®-h-S-°mcpw Love Songs of P. Bhaskaran..................................... 45 aX{]h¿Ø-Icpw am[y-a-{]h¿Ø-Icpw cmjv{So-b{]-h¿Ø-Icpw C. Rajendran Kathakali in the Globalised World................................ 53 Dƒs∏-Spw — Pohn-X-ssi-ensb kwkvIm-c-ambn ]cn-K-Wn-®p-sIm- ≠p≈ ImgvN-∏m-SmWv D]-I-cn-°p-I. F¥n\pw GXn\pw s]mcp- PbmkpIp-am-c≥ A©v B\-µ-a-T-߃ ˛ Xmc-X-ay-]-T\w...................... -
Prominent Alumni
Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I rise.” _ Maya Angelou The alumni of Mahatma Gandhi college has a rich legacy onto which new feathers of excellence are being added, every year. With a potential for excellence, Mahatma Gandhi college has produced some of the most revered personalities whose excellence in their respective fields is a matter of pride for the college. JUSTICE PARIPOORNAN Krishnaswami Sundara Paripoornan(1932-2016) was a justice of the Supreme court of India. He is known for his landmark judgements regarding the Devaswom boards in Kerala.He had also served as the chief Chief Justice of Patna high court. JUSTICE M.R. HARIHARAN NAIR MR Hariharan Nair served the judiciary in various positions ranging from Munsiff to District judge. He was also appointed as a judge in the high court of Kerala. He has also served as the chairman of the Kerala State Prisons Review Committee of the Govt. of Kerala during 2004-2006, Ombudsman for Local Self Govt. Institutions, Chairman of the Institutional Ethics Committees of the Sree Chithira Thirunal Institute of Medical Sciences, Trivandrum, Chairman of the University Ethics Committee of the Kerala University of Health Sciences and Chairman of the Kerala State Fishermen’s Debt Relief Commission. Dr. S. NARAYANA KALKURA Dr. S. Narayana Kalkura is the Director and Professor of Crystal Growth Centre, Anna University,Chennai.He worked as a researcher and Professor in acclaimed institutions including Anna university. He is also the -
University of Hyderabad
UNIVERSITY OF HYDERABAD List of Students Registered I.M.Sc. Mathematical Sciences S.No R.No. Name Sem Remarks 1 15IMMM01 KANIKIREDDY NAGAPOOJITHA 2 2 15IMMM02 G BHARATH KUMAR 2 3 15IMMM05 ALAPATI CHAITANYA LAKSHMI 2 4 15IMMM07 K TITIKSHA SRINIVAS 2 5 15IMMM09 GOUTHA SAMYUSHA 2 6 15IMMM11 KANDAVALLI BALA VENKAT SAI 2 7 15IMMM13 SARATH VIJAYAN S 2 8 15IMMM14 ALIDA SACHIN 2 9 15IMMM15 SHILPI MANDAL 2 10 15IMMM16 GARIKAPATI ANAND 2 11 15IMMM17 TAMARANA Y V L PRASANTH 2 12 15IMMM18 ALAAP HASAN 2 13 15IMMM19 SAI KRISHNA AMANCHI 2 14 15IMMM20 ANITHA.T.A 2 15 15IMMM21 TADINADA SRI HARSHITHA 2 UNIVERSITY OF HYDERABAD List of Students Registered I.M.Sc. Mathematical Sciences S.No R.No. Name Sem Remarks 1 14IMMM01 P R NANDA KUMARI 4 2 14IMMM03 RUDDARRAJU AMRUTHA 4 3 14IMMM04 SAMANAPALLI SRICHANDRA 4 4 14IMMM08 MADISHETTI SAIKIRAN 4 5 14IMMM13 BODA SWAROOPA 4 6 14IMMM14 TAPONITYA SAMANTARAY 4 7 14IMMM16 SAPPIDI SANJAY 4 8 14IMMM17 PINJARI HUSSAIN PEERA 4 9 14IMMM19 KAUSTUB MALLAPRAGADA 4 10 14IMMM20 PUJARI MANISH MADHAV 4 UNIVERSITY OF HYDERABAD List of Students Registered I.M.Sc. Mathematical Sciences S.No R.No. Name Sem Remarks 1 12IMMM16 KORUTLA ROHITHKUMAR 6 2 13ICMC20 REBALLI PRIYANKA 6 3 13IMMM01 EESHAN HASAN 6 4 13IMMM05 AKINEPALLY PRATIMA RAO 6 5 13IMMM06 SILADITYA BASU 6 6 13IPMP18 S V SRIHARSHA 6 UNIVERSITY OF HYDERABAD List of Students Registered I.M.Sc. Mathematical Sciences S.No R.No. Name Sem Remarks 1 11IMMM17 DEEPAK PAWAR 8 2 12ILMB24 BASAVANAGA AVINASH KUMAR 8 3 12IMMM06 KODIMYALA SHARANYA 8 4 12IMMM07 NAMRATA ARVIND 8 5 12IMMM08 SUBHAS CHANDRA KOLLI 8 6 12IMMM10 AMEYA PHADKE 8 7 12IMMM11 ATTAL SURYA 8 8 12IMMM13 A RAMADEVI 8 9 12IMMM21 KOPPULA BALARAJU 8 UNIVERSITY OF HYDERABAD List of Students Registered I.M.Sc. -
Mohanlal Filmography
Mohanlal filmography Mohanlal Viswanathan Nair (born May 21, 1960) is a four-time National Award-winning Indian actor, producer, singer and story writer who mainly works in Malayalam films, a part of Indian cinema. The following is a list of films in which he has played a role. 1970s [edit]1978 No Film Co-stars Director Role Other notes [1] 1 Thiranottam Sasi Kumar Ashok Kumar Kuttappan Released in one center. 2 Rantu Janmam Nagavally R. S. Kurup [edit]1980s [edit]1980 No Film Co-stars Director Role Other notes 1 Manjil Virinja Pookkal Poornima Jayaram Fazil Narendran Mohanlal portrays the antagonist [edit]1981 No Film Co-stars Director Role Other notes 1 Sanchari Prem Nazir, Jayan Boban Kunchacko Dr. Sekhar Antagonist 2 Thakilu Kottampuram Prem Nazir, Sukumaran Balu Kiriyath (Mohanlal) 3 Dhanya Jayan, Kunchacko Boban Fazil Mohanlal 4 Attimari Sukumaran Sasi Kumar Shan 5 Thenum Vayambum Prem Nazir Ashok Kumar Varma 6 Ahimsa Ratheesh, Mammootty I V Sasi Mohan [edit]1982 No Film Co-stars Director Role Other notes 1 Madrasile Mon Ravikumar Radhakrishnan Mohan Lal 2 Football Radhakrishnan (Guest Role) 3 Jambulingam Prem Nazir Sasikumar (as Mohanlal) 4 Kelkkatha Shabdam Balachandra Menon Balachandra Menon Babu 5 Padayottam Mammootty, Prem Nazir Jijo Kannan 6 Enikkum Oru Divasam Adoor Bhasi Sreekumaran Thambi (as Mohanlal) 7 Pooviriyum Pulari Mammootty, Shankar G.Premkumar (as Mohanlal) 8 Aakrosham Prem Nazir A. B. Raj Mohanachandran 9 Sree Ayyappanum Vavarum Prem Nazir Suresh Mohanlal 10 Enthino Pookkunna Pookkal Mammootty, Ratheesh Gopinath Babu Surendran 11 Sindoora Sandhyakku Mounam Ratheesh, Laxmi I V Sasi Kishor 12 Ente Mohangal Poovaninju Shankar, Menaka Bhadran Vinu 13 Njanonnu Parayatte K. -
Coimbatore – 641 029
KONGUNADU ARTS AND SCIENCE COLLEGE (Autonomous) Coimbatore – 641 029 DEPARTMENT OF BIOTECHNOLOGY Name : Dr. R. RANJITH KUMAR Designation : Assistant Professor Qualification : M.Sc., Ph.D. Date of Birth : 05/06/1984 Staff ID : U/TS/621 Area of Specialization : Phytonanomedicine Address for Communication : PG and Research Department of Biotechnology Mobile Number : (+91) 9843925312 Email ID : [email protected] Institution Mail ID : [email protected] Teaching Experience : UG - 1 Year PG -1 Year Research Experience : 7 Years 2 months Research Guidance : M.Phil Ph.D Research Completed Ongoing M.Phil Nil Nil Ph.D Nil Nil NET / SET Qualified : Nil Membership in Professional Bodies : Indian Science Congress Association : Nilgiris Education and Research Foundation Other Qualification(s) : - 1 ACADEMIC PERFORMANCE Ph.D., (FT) (2011-2016) Discipline : BIOTECHNOLOGY (Highly Commended) Institution : Dr. N.G. P. Art and Science College, Coimbatore. University : Bharathiar University M.Sc., (2005-2007) Discipline : BIOTECHNOLOGY Institution : SNMV College of Arts and Science, Coimbatore University : Bharathiar University B.Sc., (2002-2005) Discipline : BIOCHEMISTRY Institution : SNMV College of Arts and Science, Coimbatore University : Bharathiar University Area of Interest Plant Biotechnology, Medicinal nanotechnology, Nanotechnology and Toxicology, Chromatography, Nanobiotechnology. Title of the Thesis Ph.D., Phytochemicals, antioxidant and bioinspired silver nanoparticles studies on betel nuts and betel leaf-As antibacterial and anticancer agent. .CURRENT POSITION . JUNE 2018– TILL DATE Position #1 : Assistant Professor in Biotechnology, Kongunadu Arts and Science College, Coimbatore, Tamilnadu, India. Experience : 18 June 2108 to Till Date [Cont....] PROFESSIONAL EXPERIENCE SUMMARY DECEMBER 2017 – MAY 2018 Position #1 : Assistant Professor in Biotechnology, Nehru Arts and Science College, Coimbatore, Tamilnadu, India. -
Parichya Patra.P65
Student Paper PARICHAY PATRA Spectres of the New Wave : The State of the Work of Mourning, and the New Cinema Aesthetic in a Regional Industry 1 Introduction My title refers to Derrida’s controversial account of his concern with Marx amidst the din and bustle of the ‘end of history’. Time was certainly out of joint and the pluralistic outlook of the great thinker was pitted against the monolith that orthodox communists used to uphold. My primary concern in the paper would be an account of the Malayalam film industry in its post-New Wave phase as well as a handful of filmmakers whose works seem to be difficult to categorize. Within the domain of the popular and amidst the mourning from the film society circle for the movement that lasted no longer than a decade, these films evoke the popular memory of the New Wave. Though up in arms against the worthy ancestors, these filmmakers are unable to conceal their indebtedness to the latter. The New Wave too was not without its heterogeneity, and the “disjointed now” that I am talking about is something “whose border would still be determinable”. I would like to consider the possibility of moving towards translocal contexts without shifting our focus from a specific site of inquiry which, in this case, is Malayalam cinema. The paper will concentrate upon the phenomenon known JOURNAL OF THE MOVING IMAGE 81 as the resurfacing/resurgence of art cinema aesthetics in Indian cinema. Recent scholarly interest in the history of this forgotten film movement is noticeable, more so because it was ignored in the age of disciplinary incarnation of cinematic scholarship in India. -
Journal Vol 2 Issue 2
a transdisciplinary biannual research journal Vol. 2 Issue 2 July 2015 Postgraduate Department of English Manjeri, Malappuram, Kerala. www.kahmunityenglish.in/journals/singularities/ Chief Editor P. K. Babu., Ph. D Associate Professor & Head Postgraduate Dept. of English KAHM Unity Women's College, Manjeri. Members: Dr. K. K. Kunhammad, Asst. Professor, Dept. of Studies in English, Kannur University Mammad. N, Asst. Professor, Dept of English, Govt. College, Malappuram. Dr. Priya. K. Nair, Asst. Professor, Dept. of English, St. Teresa's College, Eranakulam. Aswathi. M . P., Asst. Professor, Dept of English, KAHM Unity Women's College, Manjeri. Advisory Editors: Dr. V. C. Haris School of Letters, M.G. University Kottayam Dr. M. V. Narayanan, Assoc. Professor, Dept of English, University of Calicut. Editor's Note The Singularities is into its fourth issue since it was launched in the January 2014 as a transdisciplinary biannual research Journal. The team of teachers at the English Department of KAHM Unity Women's College, Manjeri, has ensured that the Journal is issued promptly within the time frame we have set for the Journal. Not only have we stuck to the mission, but we have contributed to building writing skill and awareness to Research Writing organising workshops and training sessions in quality writing. The current issue with its core on Film, Women and Literature, carries a range of articles connecting the theme at various nodes. The surge of interest in Films and Women seems to offer a lot to complement each other. There appears to be a lot of interest in Cinema but it seems this is slow in getting translated fully into quality writing from the youngsters.