DOCSLIB.ORG

Urlicht - New USA Label Cat No

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Urlicht - new USA Label Cat no. No. MC = www.urlicht-av.com Urlicht 2014 barcode approx NOV 2014 discs Works Artist(s) UK retail UAV5980 8 Mahler Collector's Edition* (ltd ed,deluxe) Fried/Mengelberg/Horenstein/Mitropoulos etc 783583260527 29.99 Mahler box set : tracklist follows below all (bottom pages) NEW NOV UAV5986 1 Poulenc Chamber Music: Sonatas, Pascal Roge et ses Amis 783583260367 13.99 Elegie, Bagatelle SonataMichel forMoraguès flute and piano (flute), - 3. Presto Pascal giocoso Rogé Sonata(piano) for oboe and piano - 3. Deploration. Très calme SonataLiang Wang for clarinet (oboe), and Pascal piano Rogé - 3. (piano)Allegro con fuoco.Pascal TrèsMoraguès animé (clarinet), Pascal Rogé Time: 78:59 (piano) DDD, 2014 Élégie for horn and piano SonataHoward for Wall piano (horn), four-hands Pascal Rogé(rev. (piano)1939) - 3. Final. Très vite SonataPascal andfor violinAmi Rogéand piano (piano) (1942-3 rev. 1949) - 3. Presto tragico BagatelleElmira Darvarova for violin and (violin), piano (1932) Pascal Rogé (piano) NEW NOV UAV5988 1 Melting the Darkness' Miranda Cuckson (violin) 783583260381 13.99 Iannis Xenakis: Mikka S (Blair McMullen, pno) Georg Friedrich Haas: de terrae fine ChristopherOscar Bianchi Burns: Semplice: Come Ricordi Come Sogni Come Echi IleanaAlexander Perez-Velasquez Sigman: VURTRUVURT: un ser con unas alas enormes DDD, 67:18 Robert Rowe: Melting the Darkness Urlicht - new USA Label Cat no. No. MC = www.urlicht-av.com Urlicht 2014 barcode approx NOV 2014 discs Works Artist(s) UK UAV5989 1 Carter- Sessions - Eckardt Miranda Cuckson (vln) & Blair McMillen (pno) 783583260398 13.99 Elliot Carter (Duo for Viloin & Piano) 1973 21:56 Roger Sessions Violin Sonata 1953 (4 mvts) 33.05 Jason Eckardt (Strömkarl for violin and piano, 2013) 12.51 NEW SEPT UAV5991 1 Piazzolla: Desde Estudios a Tangos Elmira Darvarova, violin 783583260343 13.99 (transcribed for violin & piano by Brunetti) Octavio Brunetti, piano No.Études 1. Décidé` tanguistiques No. 2. Anxieux (3:05) et rubato No. 3. Molto (9:17) marcato e energico No. 4. Lento-Meditativo (3:49) No. 5. (3:45) No. 6. Avec anxiété (1:58) Introducción (4:04) al Ángel Night Club (5:23) 1960 Milonga del (5:39) Ángel Vardarito (6:05) Resurreccion (7:10) del Ángel Revolucionario (6:41) (4:55) Urlicht - new USA Label Cat no. No. MC = www.urlicht-av.com Urlicht 2014 barcode approx NOV 2014 discs Works Artist(s) UK UAV5992 2 Luigi Nono: La lontananza nostalgica utopica futuraMiranda Cuckson (Violin) 783583260336 13.99 includes blu-ray version as well as CD / Christopher Burns, electronics (2012 Winner New York Times award) UAV5993 1 Handel • Barthélemon (incl WORLD Premieres) Gary Karr, double bass 783583260305 13.99 European Baroque in London (double-bass) Elmira Darvarova, violin Harmon Lewis, continuo UAV5994 1 Amanda Maier meets Johannes Brahms Elmira Darvarova, violin 783583260152 13.99 Brahms Violin Piano Son. No 3 / Maier: Sonata Philip Myers, horn for Violin & Piano / Brahms Horn Trio Bryan Wagorn, piano Cat no. No. MC = www.urlicht-av.com Urlicht 2014 barcode approx NOV 2014 discs Works Artist(s) UK retail UAV5996 1 "BothMarx: piecesRhapsodie receive • Korngold:ultra-impassioned, Suite vividly New York Piano Quartet 721405550333 13.99 detailed performances... Given that both Marx and Korngold were not shy of wearing their hearts on their sleeves, the players dig into the music with alacrity ... The artistry has the excitement that often transpires when something significant has been unearthed and savoured.” (Gramophone, June 2013) UAV5997 1 Chopin & Yedidia Piano Music Elisha Abas, piano 721405550265 10.99 Mazurkas, Poloniase (Chopin) Waltzes (Yedidia) UAV5998 1 Songs for Mahler in the Absence of Words' New York Piano Quartet 721405550326 13.99 Mahler: Piano Quartet 12:21 Enguerand-Friedrich Luhl Scherzo 5.48 Gernot Wolfgang From Vienna with Love 5.47 Christina Spinei Mahler remixed 5.13 Barney Jackson Mahler 99 5.11 Wang Jie Songs for Mahler in the Absence of Words 6.43 Noel Zahler Mirror of the Shadow 4.35 Patricia Leonard Strangely Close yet Distant 14.06 Alfred Schnittke Piano Quartet 8.11 Nicolas Prada Reflections on Mahler 4.34 UAV5999 1 Brahms Piano Concerto #1 Elisha Abas / National Symphony Orch of Cuba 721405550258 10.99 conductor Yoel Gamzou Gustav Mahler Limited Collector Edition Earliest Recordings first time on CD (mastered by Ward Marston & Mark Obert-Thorn) The Music of Gustav Mahler / Complete Recordings, 1903–1940 Disc 1 1 Carl Maria von Weber, completed Mahler: Die drei Pintos – Ein Mädchen verloren Leopold Demuth with piano accompaniment Recorded in 1903, Vienna — Gramophone & Typewriter 042030 2 Des Knaben Wunderhorn – Wer hat dies Liedlein erdacht ? Grete Stückgold with orchestral accompaniment Recorded ca. 1915; matrix 700ar — Grammophon 3 Lieder und Gesänge aus der Jugendzeit – Ich ging mit Lust Grete Stückgold with orchestral accompaniment Recorded between 1919 and 1921, Munich; matrix 353as Polydor 19234, Gramophone 65596 Symphony No. 2 in c minor 4 I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck Disc 2 1 . II. Andante moderato. Sehr gemächlich! Nie eilen! 2 . III. In ruhig fließender Bewegung 3 . IV. Urlicht 4 . V. Im tempo des Scherzos Gertrud Bindernagel, soprano (5) / Emmi Leisner, contralto (4, 5) / Berliner Domchor / Kapelle der Staatsoper Berlin / Oscar Fried, conductor Recorded in 1924 in Berlin; 5. Des Knaben Wunderhorn – Wer hat dies Liedlein erdacht Lula Mysz-Gmeiner, alto, with piano accompaniment Recorded in 1925 or 1926; matrix 3565ar — Disc 3 1. Symphony No. 5 in c-sharp minor – IV Adagietto Concertgebouworkest Amsterdam / Willem Mengelberg Recorded in May 1926, Concertgebouw, Amsterdam; 2. Des Knaben Wunderhorn – Wer hat dies Liedlein erdacht Lula Mysz-Gmeiner, alto / Julius Dahlke, piano Recorded in 1928; matrix 650brII — Polydor 23106 3. Das Lied von der Erde – Potpourri [Von der Jugend, abbrev] 4. Des Knaben Wunderhorn – Rheinlegendchen Dol Dauber Salonorchester Recorded 28 September 1928 in Vienna; matrix BW1846-1 and -7-2 Des Knaben Wunderhorn – Wer hat dies Liedlein erdacht? Kindertotenlieder 5. I. Nun will die Sonn‘ so hell aufgeh‘n 6. II. Nun seh ich wohl, warum so dunkle Flammen (4:52) 7. III. Wenn dein Muetterlein tritt zur Tür herein 8. IV. Oft denk ich, sie sind nur ausgegangen 9. V. In diesem Wetter, in diesem Braus Heinrich Rehkemper, baritone / Orchester der Staatsoper Berlin / Jascha Horenstein, conductor Recorded in 1928, Berlin; matrix 696-701bm 10. J S Bach orch. Mahler: Overture (Suite) No. 3 – Air (3:39) Philharmonic-Symphony Orchestra of New York / Willem Mengelberg, conductor Recorded 16 January 1929, New York; 11. Rückert Lieder – Um Mitternacht (6:21) Aaltje Noordewier-Reddingius, contralto/ Anthon van der Hörst, organ Recorded in 1928, Central Hall, Westminster, London; 12. Des Knaben Wunderhorn – Wer hat dies Liedlein erdacht (1:55) Elizabeth Schumann, soprano / George Reeves, piano Recorded 18 February 1930, Small Queen’s Hall, London; Disc 4 Symphony No. 4 in G Major 1. I. Bedachtig. Nicht eilen 2. II. In gemächlicher Bewegung. Ohne Hast (8:37) 3. III. Ruhevoll 4. IV. Sehr behaglich Eiko Kitazawa, soprano (4) / Tokyo New Symphony Orchestra Viscount Hidemaro Konoye, conductor Recorded 28 & 29 May 1930, Parlophone Studio, Kawasaki; 5. Symphony No. 2 in c minor – 4. Urlicht 6. Rückert-Lieder – Ich bin der Welt abhanden gekommen (5:01) Mme. Sara Charles Cahier, contralto / Orchester der Staatsoper Berlin / Selmar Meyrowitz, conductor Recorded 1 October 1930, Berlin; matrix 30371-2 7. Des Knaben Wunderhorn – Rheinlegendchen (3:42) 8. Des Knaben Wunderhorn – Der Tamboursg‘sell (4:58) Heinrich Schlusnus, baritone / Orchester der Staatsoper Berlin Hermann Weigert, conductor Recorded in 1931; matrix 1154BiI and -5BiI — Polydor 95469 Disc 5 Symphony No. 2 in c minor 1. I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck (20:21) 2. II. Andante moderato. Sehr gemächlich! Nie eilen! (9:06) 3. III. In ruhig fließender Bewegung 4. IV. Urlicht 5. V. Im tempo des Scherzos Corinne Frank Bowen, soprano / Anne O‘Malley Gallogly, contralto / Twin City Chorus / Minneapolis Symphony Orchestra / Eugene Ormandy, conductor Recorded in concert 6 January 1935, Cyrus Northrop Auditorium, Minneapolis; matrix CVE 87511–32 — Victor M 256 (11753-63) Disc 6 1. Rückert-Lieder – Ich bin der Welt abhanden gekommen (6:03) Das Lied von der Erde 2. I. Das Trinklied vom Jammer der Erde (8:31) 3. II. Der Einsame im Herbst 4. III. Von der Jugend 5. IV. Von der Schönheit 6. V. Der Trunkene im Frühling 7. VI. Der Abschied Kerstin Thorborg, contralto (1, 3, 5, 7) / Charles Kullman, tenor (2, 4, 6) / Wiener Philharmoniker / Bruno Walter, conductor Recorded in concert 24 May 1936, Musikverein, Vienna; 8. Symphony No. 5 in c-sharp minor – 4. Adagietto (8:05) Wiener Philharmoniker / Bruno Walter, conductor Recorded 15 January 1938, Musikverein, Vienna; Disc 7 Symphony No. 9 1. I. Andante comodo 2. II. Im Tempo eines gemächlichen Ländlers. Etwas III. täppisch und sehr derb 3. IV. Rondo—Burleske. Allegro assai. Sehr trotzig 4. V. Adagio Wiener Philharmoniker / Bruno Walter, conductor Recorded in concert 16 January 1938, Musikverein, Vienna; Disc 8 1. Rückert-Lieder – Ich atmet‘ einen linden Duft (in English) (2:56) Charles Kullman, tenor / orchestra conducted by Malcolm Sargent Recorded 30 June 1938, London; matrix CA 17004-2 — Columbia 2. Rückert-Lieder – Ich atmet‘ einen linden Duft 3. Lieder und gesänge aus der Jugendzeit – Hans und Grete (2:22) Suzanne Sten, soprano / Leo Taubman, piano Recorded in 1940; matrix WCO 26888 A and -9 A Symphony No. 1 in D Major 4. I. Langsam. Schleppend 5. II. Kräftig 6. III. Feierlich und gemessen, ohne zu schleppen 7. IV. Stürmisch bewegt Minneapolis Symphony / Dimitri Mitropoulos, conductor Recorded 4 November 1940, Cyrus Northrop Auditorium, Minneapolis; matrix XCO 29850–61 —.
Recommended publications

  • ARSC Journal

    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
  • Preliminary Pages [PDF]

    Preliminary Pages [PDF]

    THE SUBSTANCE OF STYLE HOW SINGING CREATES SOUND IN LIEDER RECORDINGS, 1902-1939 A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Rebecca Mara Plack May 2008 © 2008 Rebecca Mara Plack THE SUBSTANCE OF STYLE HOW SINGING CREATES SOUND IN LIEDER RECORDINGS, 1902-1939 Rebecca Mara Plack, Ph. D. Cornell University 2008 In this dissertation, I examine the relationship between vocal technique and performance style through 165 audio clips of early Lieder recordings. I proceed from the starting point that many stylistic gestures are in fact grounded in a singer’s habitual vocalism. Vibrato, tempo and rubato are directly affected by a singer’s voice type and his physical condition, and portamento has long been a technical term as well as a stylistic one. If we consider these technical underpinnings of style, we are inevitably moved to ask: how do a singer’s vocal habits affect what we perceive to be his style? Does a singer’s habitual vocalism result in his being more likely to make certain style gestures, or even unable to make others? To address these questions, I begin by defining a vocabulary that draws on three sources: the language of vocal pedagogy, data derived from voice science, and evidence drawn from recordings themselves. In the process, I also consider how some Lieder singers distorted the word “technique,” using it to signify emotional detachment. Next, I examine the ways in which a recording represents the performer, addressing how singers are affected by both changing aesthetics and the aging process; both of these lead to a discussion of how consistently some performers make certain stylistic gestures throughout their recordings.
  • Diskographie D. Öst. Populärmusik 1900

    Diskographie D. Öst. Populärmusik 1900

    1 Diskographie öst. Populärmusik Diskographie der österreichischen Populärmusik Tanz-, Jazz- und U-Musikaufnahmen 1900 - 1958 Wolfgang Hirschenberger Herbert Parnes 2013 2 Diskographie öst. Populärmusik VORWORT Die vorliegende Diskographie ist ein Produkt aus 30 Jahren Sammelleidenschaft und Dokumentation. Sie stellt in dieser Form eine Novität dar. Viele wichtige Diskographien entstanden seit dem 2. Weltkrieg. Allen voran die Standardwerke von Brian Rust, der die amerikanischen Jazz- und Tanzorchester listete. Später kamen die englischen Tanzorchester sowie wichtige Label-Diskographien hinzu. In Deutschland brachte Horst Lange bereits Mitte der 1950er-Jahre die erste „Diskographie der deutschen Hot-Dance-Musik“ heraus, in die neben deutschen auch ausländische Aufnahmen auf deutschen Pressungen inkludiert waren. Schließlich wurde Ende der 1980er-Jahre begonnen, die deutschen Aufnahmen in ihrer Gesamtheit zu erfassen und in verschiedenen Serien im Rahmen der „German National Discography“ unter der Ägide von Dr. Rainer Lotz zu veröffentlichen. Der Österreichbezug in dieser Serie ist aber leider nur äußerst marginal. Diese Lücke galt es zu schließen. Die Vorarbeiten zu diesem jetzt vorliegenden Werk begannen bereits in den 1980er-Jahren. Ursprünglich war angedacht, nur Ragtime- sowie Foxtrott- und Slowfox-Aufnahmen zu erfassen. Etwas später erweiterte sich der musikalische Rahmen und auch Tangos sowie der eine oder andere Walzer fanden Einzug in das Werk. Die Frage des Inkludierens bzw. Exkludierens einer Aufnahme oder eines Interpreten stellte sich im Laufe der Jahre immer wieder. Bis zum Ende der Monarchie ist auch der Rahmen dessen, was inkludiert wurde, etwas enger gesteckt und erstreckt sich nur auf Ragtime und synkopierte Marschmusik sowie einige wenige Aufnahmen, die technische Innovationen porträtierten. Ab den 1920-er Jahren sind die Grenzen offener.
  • Czech Music Quarterly

    Czech Music Quarterly

    czech music quarterly Ivana Loudová Old & Contemporary Jazz Tomáš Pálka 1 | 2 0 1 0 MEZINÁRODNÍ FESTIVAL KOMORNÍ HUDBY EUROART PRAHA 2009/2010 www.euroart.cz EuroArt Prague Festival is an independent, not-for-profi t festival dedicated to promoting the performance and appreciation of chamber music in Prague and neighbouring communities in the Czech Republic. Monthly, from September to June, the guests of Festival EuroArt Praha are invited to perform in the famous Prague Martinů Hall at the Liechtenstein Palace in Malá Strana. All concerts are organised under the auspices of the wife of the President of the Czech Republic, Mrs. Livia Klausová. Co- partners is the City of Prague as well as Cultural Institutes and Embassies of participating countries. Almost all concerts are repeated also in regional towns of Czech Republic. 13. 4. 2010 Praha, Martinů Hall, Liechtenstein Palace at 7. 30 p.m. Václav Vonášek – bassoon, Prague Bassoon Band - Václav Vonášek, Martin Petrák, Radek Dostál, Tomáš Františ, j.h. W. A. Mozart: Divertimento in B fl at Major J. S. Bach: Partita in d minor BWV 1014 (arr. for bassoon solo W. Waterhouse) J. S. Bach: Chorals overtures K. Stockhausen: In Freundschaft K. Hába: Quartet for 4 Bassoons op.74 A. Piazolla: Tango 18. 5. 2010 Praha, Martinů Hall, Liechtenstein Palace at 7. 30 p.m. Danish String Quartet Rune Tonsgaard Sørensen, Frederik Øland – Violin, Asbjørn Nørgaard – Viola, Fredrik Sjølin – Cello F. Schubert: Quartet movement in c minor, op. posth. J. Haydn: String Quartet in d minor No. 2, op. 76 C. Nielsen: String Quartet in g minor, No.
  • Production Notes

    Production Notes

    A Film by John Madden Production Notes Synopsis Even the best secret agents carry a debt from a past mission. Rachel Singer must now face up to hers… Filmed on location in Tel Aviv, the U.K., and Budapest, the espionage thriller The Debt is directed by Academy Award nominee John Madden (Shakespeare in Love). The screenplay, by Matthew Vaughn & Jane Goldman and Peter Straughan, is adapted from the 2007 Israeli film Ha-Hov [The Debt]. At the 2011 Beaune International Thriller Film Festival, The Debt was honoured with the Special Police [Jury] Prize. The story begins in 1997, as shocking news reaches retired Mossad secret agents Rachel (played by Academy Award winner Helen Mirren) and Stephan (two-time Academy Award nominee Tom Wilkinson) about their former colleague David (Ciarán Hinds of the upcoming Tinker, Tailor, Soldier, Spy). All three have been venerated for decades by Israel because of the secret mission that they embarked on for their country back in 1965-1966, when the trio (portrayed, respectively, by Jessica Chastain [The Tree of Life, The Help], Marton Csokas [The Lord of the Rings, Dream House], and Sam Worthington [Avatar, Clash of the Titans]) tracked down Nazi war criminal Dieter Vogel (Jesper Christensen of Casino Royale and Quantum of Solace), the feared Surgeon of Birkenau, in East Berlin. While Rachel found herself grappling with romantic feelings during the mission, the net around Vogel was tightened by using her as bait. At great risk, and at considerable personal cost, the team’s mission was accomplished – or was it? The suspense builds in and across two different time periods, with startling action and surprising revelations that compel Rachel to take matters into her own hands.
  • The Jewish Museum in Prague (Founded in 1906), U Staré Školy 1, 3, 110 01, Praha 1, IČO 60459263 Sousedy Evropská Komise 14

    The Jewish Museum in Prague (Founded in 1906), U Staré Školy 1, 3, 110 01, Praha 1, IČO 60459263 Sousedy Evropská Komise 14

    koupeno album svatebních telegramů v sametové when the synagogue was also given a Neo-Gothic vazbě. Sbírka vizuálního umění je bohatší o sou- façade. The current restoration was prepared bor šesti obrazů Adolfa Kohna z doby kolem roku and undertaken in co-operation with heritage 1910 a tři kresebné studie Bedřicha Feigla. protection specialists from Prague City Hall, who arranged to have the railing painted blue OPLOCENÍ MAISELOVY SYNAGOGY following a restoration survey which revealed V prosinci byla dokončena restaurátorská this to be the original colour. oprava oplocení před Maiselovou synagogou. Historické oplocení prostoru souviselo s asanač- PROMINENT VISITS ními úpravami Židovského Města kolem roku October 1900, kdy byla provedena nejen novogotická A group of sponsors of the United States Holo- fasáda synagogy, ale i nové oplocení, charakteris- caust Memorial Museum, Washington. tické především kvalitně provedenou mříží a kamennou korunou. Současná oprava se připra- November vovala a uskutečnila v úzké spolupráci s odbor- Participants of the Conference of European 4 2008 nými pracovníky památkové péče z pražského Rabbis. magistrátu. Ti také rozhodli o modrém odstínu THE JEWISH mříže, který byl zjištěn restaurátorským průzku- December mem jako nejstarší. Supermodel Tereza Maxová. MUSEUM IN PRAGUE VÝZNAMNÉ NÁVŠTĚVY Říjen Skupina sponzorů United States Holocaust Memorial Museum z Washingtonu. Prvním mediálním partnerem výstavy Cesta života se stal Český rozhlas. (Zprava) ředitel Českého rozhlasu Pavel Kasík a ředitel Židovského muzea Leo Pavlát slavnostně podepsali deklaraci o spolupráci 10. listopadu 2008. Listopad CESTA ŽIVOTA. RABI JEHUDA LEVA BEN PATH OF LIFE: RABBI JUDAH LOEW BEN Czech Radio is the first media partner of the exhibition Path of Life.
  • 28Apr2004p2.Pdf

    28Apr2004p2.Pdf

    144 NAXOS CATALOGUE 2004 | ALPHORN – BAROQUE ○○○○ ■ COLLECTIONS INVITATION TO THE DANCE Adam: Giselle (Acts I & II) • Delibes: Lakmé (Airs de ✦ ✦ danse) • Gounod: Faust • Ponchielli: La Gioconda ALPHORN (Dance of the Hours) • Weber: Invitation to the Dance ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Slovak RSO / Ondrej Lenárd . 8.550081 ■ ALPHORN CONCERTOS Daetwyler: Concerto for Alphorn and Orchestra • ■ RUSSIAN BALLET FAVOURITES Dialogue avec la nature for Alphorn, Piccolo and Glazunov: Raymonda (Grande valse–Pizzicato–Reprise Orchestra • Farkas: Concertino Rustico • L. Mozart: de la valse / Prélude et La Romanesca / Scène mimique / Sinfonia Pastorella Grand adagio / Grand pas espagnol) • Glière: The Red Jozsef Molnar, Alphorn / Capella Istropolitana / Slovak PO / Poppy (Coolies’ Dance / Phoenix–Adagio / Dance of the Urs Schneider . 8.555978 Chinese Women / Russian Sailors’ Dance) Khachaturian: Gayne (Sabre Dance) • Masquerade ✦ AMERICAN CLASSICS ✦ (Waltz) • Spartacus (Adagio of Spartacus and Phrygia) Prokofiev: Romeo and Juliet (Morning Dance / Masks / # DREAMER Dance of the Knights / Gavotte / Balcony Scene / A Portrait of Langston Hughes Romeo’s Variation / Love Dance / Act II Finale) Berger: Four Songs of Langston Hughes: Carolina Cabin Shostakovich: Age of Gold (Polka) •␣ Bonds: The Negro Speaks of Rivers • Three Dream Various artists . 8.554063 Portraits: Minstrel Man •␣ Burleigh: Lovely, Dark and Lonely One •␣ Davison: Fields of Wonder: In Time of ✦ ✦ Silver Rain •␣ Gordon: Genius Child: My People • BAROQUE Hughes: Evil • Madam and the Census Taker • My ■ BAROQUE FAVOURITES People • Negro • Sunday Morning Prophecy • Still Here J.S. Bach: ‘In dulci jubilo’, BWV 729 • ‘Nun komm, der •␣ Sylvester's Dying Bed • The Weary Blues •␣ Musto: Heiden Heiland’, BWV 659 • ‘O Haupt voll Blut und Shadow of the Blues: Island & Litany •␣ Owens: Heart on Wunden’ • Pastorale, BWV 590 • ‘Wachet auf’ (Cantata, the Wall: Heart •␣ Price: Song to the Dark Virgin BWV 140, No.
  • Chronology 1916-1937 (Vienna Years)

    Chronology 1916-1937 (Vienna Years)

    Chronology 1916-1937 (Vienna Years) 8 Aug 1916 Der Freischütz; LL, Agathe; first regular (not guest) performance with Vienna Opera Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Miller, Max; Gallos, Kilian; Reichmann (or Hugo Reichenberger??), cond., Vienna Opera 18 Aug 1916 Der Freischütz; LL, Agathe Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Gallos, Kilian; Betetto, Hermit; Marian, Samiel; Reichwein, cond., Vienna Opera 25 Aug 1916 Die Meistersinger; LL, Eva Weidemann, Sachs; Moest, Pogner; Handtner, Beckmesser; Duhan, Kothner; Miller, Walther; Maikl, David; Kittel, Magdalena; Schalk, cond., Vienna Opera 28 Aug 1916 Der Evangelimann; LL, Martha Stehmann, Friedrich; Paalen, Magdalena; Hofbauer, Johannes; Erik Schmedes, Mathias; Reichenberger, cond., Vienna Opera 30 Aug 1916?? Tannhäuser: LL Elisabeth Schmedes, Tannhäuser; Hans Duhan, Wolfram; ??? cond. Vienna Opera 11 Sep 1916 Tales of Hoffmann; LL, Antonia/Giulietta Hessl, Olympia; Kittel, Niklaus; Hochheim, Hoffmann; Breuer, Cochenille et al; Fischer, Coppelius et al; Reichenberger, cond., Vienna Opera 16 Sep 1916 Carmen; LL, Micaëla Gutheil-Schoder, Carmen; Miller, Don José; Duhan, Escamillo; Tittel, cond., Vienna Opera 23 Sep 1916 Die Jüdin; LL, Recha Lindner, Sigismund; Maikl, Leopold; Elizza, Eudora; Zec, Cardinal Brogni; Miller, Eleazar; Reichenberger, cond., Vienna Opera 26 Sep 1916 Carmen; LL, Micaëla ???, Carmen; Piccaver, Don José; Fischer, Escamillo; Tittel, cond., Vienna Opera 4 Oct 1916 Strauss: Ariadne auf Naxos; Premiere
  • Karl Goldmark on Early Recordings Discography of the 78 Rpm Recordings of Goldmark’S Compositions

    Karl Goldmark on Early Recordings Discography of the 78 Rpm Recordings of Goldmark’S Compositions

    SZABÓ, Ferenc János (Institute for Musicology, RCH, Hungarian Academy of Sciences) 1 September, 2017 Carl Goldmark on Early Recordings. Discography of the 78 rpm recordings of Goldmark’s compositions. OTKA/NKFIH K108.306 Ferenc János Szabó Institute for Musicology (Research Centre for the Humanities, Hungarian Academy of Sciences) Karl Goldmark on Early Recordings Discography of the 78 rpm recordings of Goldmark’s compositions This discography is the first attempt to compile a systematic list of early recordings of Karl Goldmark’s compositions. Up to now, these early recordings were not in the focus of the musicological research. There are only a few Goldmark monographies1 or bibliographies2 and they do not discuss the sound recordings, except the latest one, written by Johannes Hofer, which listed many recordings and their reissues, mainly from the second half of the 20th and the first years of the 21st century.3 Even Goldmark himself did not mention the sound recordings of his works in his memoires.4 The early recordings of Goldmark’s works are mostly unknown, except some famous ones, for example the recordings from Die Königin von Saba made in Vienna after the highly successful revival directed by Gustav Mahler,5 and, of course, the recordings of Enrico Caruso which were reissued many times on LP and CD because of the popularity of the performer. The rest of the recordings are part only of the knowledge of the specialized gramophone disc collectors and opera aficionados who are interested in the recordings of opera singers of the past.6 Based on the recording dates, two waves of recording activity of Goldmark’s oeuvre can be distinguished during the first half of the twentieth century.
  • Bruno Walter (Ca

    Bruno Walter (Ca

    [To view this image, refer to the print version of this title.] Erik Ryding and Rebecca Pechefsky Yale University Press New Haven and London Frontispiece: Bruno Walter (ca. ). Courtesy of Österreichisches Theatermuseum. Copyright © by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections and of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by Sonia L. Shannon Set in Bulmer type by The Composing Room of Michigan, Grand Rapids, Mich. Printed in the United States of America by R. R. Donnelley,Harrisonburg, Va. Library of Congress Cataloging-in-Publication Data Ryding, Erik S., – Bruno Walter : a world elsewhere / by Erik Ryding and Rebecca Pechefsky. p. cm. Includes bibliographical references, filmography,and indexes. ISBN --- (cloth : alk. paper) . Walter, Bruno, ‒. Conductors (Music)— Biography. I. Pechefsky,Rebecca. II. Title. ML.W R .Ј—dc [B] - A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. For Emily, Mary, and William In memoriam Rachel Kemper and Howard Pechefsky Contents Illustrations follow pages and Preface xi Acknowledgments xv Bruno Schlesinger Berlin, Cologne, Hamburg,– Kapellmeister Walter Breslau, Pressburg, Riga, Berlin,‒
  • BRUNO WALTER Conducts BEETHOVEN London Symphony Orchestra Recorded on 12Th September, 1938 in EMI Abbey Road Studio No

    BRUNO WALTER Conducts BEETHOVEN London Symphony Orchestra Recorded on 12Th September, 1938 in EMI Abbey Road Studio No

    111032 bk Walter EU 4/11/05 10:10 Page 5 GREAT CONDUCTORS 8.111032 8 Coriolan, Op. 62 – Overture 7:26 Great Conductors • Walter ADD BRUNO WALTER conducts BEETHOVEN London Symphony Orchestra Recorded on 12th September, 1938 in EMI Abbey Road Studio No. 1, London Matrices: 2EA 6766-1 and 6767-2A Historical Recordings 1930-38 First issued as HMV DB 3638 Symphony No. 6 in F major, Op. 68, “Pastoral” 38:59 9 The Creatures of Prometheus, Op. 43 – Overture 4:46 BEETHOVEN 1 Allegro ma non troppo (Cheerful impressions awakened by arriving in the country) 9:21 2 Andante molto moto (Scene by the brook) 12:06 British Symphony Orchestra 3 Allegro (Peasants’ merrymaking) 5:27 Recorded on 16th May, 1930 in Central Hall, Westminster 4 Allegro (Thunderstorm) 3:25 Matrix: WAX 5590-1 Symphony No. 6 5 Allegretto (Shepherds’ Song: Joyous thanksgiving after the storm) 8:40 First issued on Columbia 68091D Vienna Philharmonic Orchestra ‘Pastoral’ Recorded on 5th December, 1936 in the Musikvereinsaal, Vienna Producer and Audio Restoration Engineer: Mark Obert-Thorn Matrices: 2VH 224-1A, 225-3A, 226-2A, 227-1, 228-1, 229-2A, 230-2A, 231-1A, 232-2A and 233-1 First issued as HMV DB 3051 through 3055 Special thanks to Richard Kaplan and Don Tait for providing source material for this release Overtures 6 Leonore Overture No. 3, Op. 72a 13:07 Vienna Philharmonic Orchestra Recorded on 21st May, 1936 in the Musikvereinsaal, Vienna Vienna Philharmonic Orchestra Matrices: CHAX 109-2, 110-2 and 111-1 First issued as HMV DB 2885 and 2886 BBC Symphony Orchestra London Symphony Orchestra 7 Fidelio, Op.
  • Eugene Ormandy Commercial Sound Recordings Ms

    Eugene Ormandy Commercial Sound Recordings Ms

    Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985