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825646078707.Pdf 1 Jules MASSENET 1842–1912 Méditation (Thaïs ) 4.47 2 Alexander GLAZUNOV 1865–1936 Mazurka-Obéreque 10.14 3 Sergei RACHMANINOV 1873–1943 Vocalise, Op.34 no.14 5.49 4 Pablo de SARASATE 1844–1908 Zigeunerweisen, Op.20 8.36 5 Fritz KREISLER 1875–1962 Fantasy on Russian Themes 8.35 (after Rimsky-Korsakov) 6 GLAZUNOV Meditation, Op.32 3.43 7 Pyotr Ilyich TCHAIKOVSKY 1840–1893 Scherzo in C minor, Op.42 no.2 (orch. Glazunov) 3.55 8 Henryk WIENIAWSKI 1835–1880 Légende, Op.17 7.45 9 KREISLER The Old Refrain 3.26 10 SARASATE Introduction & Tarantella, Op.43 4.39 11 KREISLER Schön Rosmarin 1.55 63.28 ITZHAK PERLMAN violin The Abbey Road Ensemble/Lawrence Foster Leader: Kenneth Sillito 2 Itzhak Perlman Photo: © Clive Barda / ArenaPAL 3 À la carte Itzhak Perlman recorded this orchestral recital in 1995 to mark his fiftieth birthday. Its “à la carte” menu features a veritable feast of his favourite “dishes” — the album title being a thinly veiled allusion to the violinist’s reputation as a gourmand. A delicious appetiser (Massenet’s Méditation ) and a tasty dessert of delicacies from Sarasate and Kreisler dazzle at either end of this recital, which also features appealing, virtuosic delights by Kreisler (his arrangement of Rimsky-Korsakov’s Fantasy on Russian Themes), Glazunov ( Meditation ), Tchaikovsky (Scherzo in C minor) and Wieniawski ( Légende ). Sharing the celebrations is conductor Lawrence Foster — a natural choice, given that he had also worked with Perlman on his very first EMI recording (see volume 1). The violinist’s huge discography is brimful of miniatures such as these, a genre he has raised to new heights. This album brought seven new pieces to the party — Perlman had already recorded Sarasate’s Zigeunerweisen , Rachmaninov’s Vocalise and Kreisler’s The Old Refrain and Schön Rosmarin (albeit, in three out of the four cases, in different arrangements). Accompanied by a studio band put together specially for the occasion and made up of players from London’s leading orchestras, Perlman sets out, with characteristic conviviality, humour and sensitivity, on a charm offensive of the sincerest kind. And if one aspect of his playing sets it apart from that of his contemporaries, it is the seductive power that emanates from his violin as soon as his bow hits the strings, like Heifetz’s energy and Sarasate’s elegance before him. Perlman’s purity of sound (Massenet), beautifully shaped lines (Wieniawski), technical perfection (Sarasate) and originality of inspiration (Rimsky-Korsakov, Kreisler) are all absolutely irresistible treats to suit any occasion. Jean-Michel Molkhou Translation: Susannah Howe 4 À la carte C’est en 1995, à l’occasion de son cinquantième anniversaire, qu’Itzhak Perlman enregistra ce récital avec orchestre, dont le menu composé « à la carte » réunissait — comme son nom l’indique — une sélection de ses « plats » favoris. Allusion à peine voilée au goût bien connu du violoniste pour la bonne chère, qui nous proposait ici un véritable festin, avec de délicates mises en bouche (Méditation de Massenet) et quelques mignardises finales de Sarasate ou Kreisler ainsi que de fins mets signés Kreisler (son arrangement de la Fantaisie sur des thèmes russes d’après Rimski-Korsakov), Glazounov ( Méditation ), Tchaïkovski (Scherzo en ut mineur) et Wieniawski (Légende ). Et c’est naturellement avec Lawrence Foster, qui l’accompagnait lors de son premier enregistrement pour EMI (volume 1), qu’il choisit de célébrer cet événement. La discographie gigantesque de Perlman regorge de ces miniatures auxquelles il a su redonner leurs lettres de noblesse. Ce volume l’enrichit encore de sept pièces qu’il n’avait encore jamais gravées, puisque seuls les Zigeunerweisen de Sarasate, la Vocalise de Rachmaninov, le Vieux Refrain et Schön Rosmarin de Kreisler, figuraient auparavant — pour trois d’entre eux dans des arrangements différents — sur la liste de ses enregistrements. Accompagné par un orchestre de studio, constitué pour l’occasion à partir des meilleures formations londoniennes, Perlman se livre avec la convivialité, l’humour et la tendresse qui le caractérisent à une irrésistible entreprise de charme. S’il est en effet un trait de son jeu qui le distingue de celui de ses contemporains, c’est bien son pouvoir de séduction qui jaillit de son violon dès les premières notes tout comme purent l’être autrefois l’énergie d’Heifetz ou l’élégance de Kreisler. Pureté du son (Massenet), beauté des lignes (Wieniawski), perfection instrumentale (Sarasate) et fraîcheur d’inspiration (Rimski-Korsakov, Kreisler) sont un régal de tous les instants auquel nul ne peut résister. Jean-Michel Molkhou 5 À la carte 1995, anlässlich seines 50. Geburtstags, spielte Itzhak Perlman dieses Konzert mit Orchester ein, dessen Menü “à la carte” zusammengestellt war und, wie der Name sagt, eine Auswahl seiner beliebtesten “Gerichte” enthält. Kaum verhüllte Anspielung auf die bekannte Vorliebe des Geigers für die gute Küche, mit der er uns hier einen wahren Festschmaus vorsetzt: Ein delikates Appetithäppchen (die Méditation von Massenet) und köstliche Desserts (Sarasate und Kreisler) rahmen diesen Schmaus ein, der aus virtuosen Werken von Kreisler (seiner Fantaisie über russische Themen nach Rimski-Korsakow), Glasunow ( Meditation ), Tschaikowsky (Scherzo in c-moll) und Wieniawski ( Légende ) besteht. Natürlich war es Lawrence Foster, der ihn bei seiner ersten Einspielung für EMI (Album 1) begleitet hatte, der mit ihm dieses Ereignis feiern sollte. Perlmans riesige Diskographie bietet in Hülle und Fülle Miniaturen dieser Art, denen er wieder Geltung verschafft hat. Das vorliegende Album bereichert sie um weitere sieben Stücke, die er noch nie aufgenommen hatte: Nur Sarasates Zigeunerweisen , Rachmaninoffs Vocalise , Kreislers Alter Refrain und Schön Rosmarin — drei davon in unterschiedlichen Arrangements – waren auf der Liste seiner Einspielungen vertreten. Begleitet von einem Studio-Orchester, das zu dieser Gelegenheit aus den besten Formationen Londons zusammengestellt wurde, widmete sich Perlman mit dem Gemeinschaftssinn, dem Humor und der Warmherzigkeit, die ihm eigen sind, einem Unternehmen von unwiderstehlichem Reiz. Wenn es etwas gibt, was sein Spiel von dem seiner Zeitgenossen unterscheidet, so ist es seine Macht der Verführung, die von den ersten Noten an aus seiner Violine emporsteigt, so wie es einst Heifetz‘ Energie oder Kreislers Eleganz vermochten. Reinheit des Klangs (Massenet), Schönheit der Linien (Wieniawski), instrumentale Vollkommenheit (Sarasate) und Frische der Inspiration (Rimski-Korsakow, Kreisler) sind ein Genuss in jedem Augenblick, dem sich niemand entziehen kann. Jean-Michel Molkhou Übersetzung: Gudrun Meier 6 RECORDING LOCATION No.1 Studio, Abbey Road, London, 18 –21 February 1995 PRODUCER John Fraser BALANCE ENGINEER John Kurlander EDITOR Matthew Cocker PUBLISHERS Editions Heugel et Cie., Paris/UMP Ltd., London (1); M.P. Belaieff Musikverlag Frankfurt (2, 6); Carl Fischer Inc. (5, 9, 11) COVER PHOTO Original cover artwork; photo by Jonathan Levine 7 Fritz Kreisler Photo: Library of Congress, USA 8 Paganini: Mendelssohn Saint-Saëns Vivaldi: Concerto No.1 Bruch: Chausson · Ravel The Four Seasons Sarasate: Carmen Violin Concertos (1975) (1976) Fantasy (1973) Volume 09 Volume 13 (1972) Volume 05 0825646073979 0825646073870 Volume 01 0825646074068 Itzhak Perlman Itzhak Perlman 0825646074181 Itzhak Perlman Orchestre de Paris London Philharmonic Itzhak Perlman London Symphony Jean Martinon Orchestra Royal Philharmonic Orchestra Orchestra André Previn Lawrence Foster J.S. Bach: Bartók: Violin Joplin: The Easy Bruch: Violin Concertos Concerto No.2 Winners & Other Scottish Fantasy Double Concertos (1974) Rags Violin Concerto (1972 & 1975) Volume 06 (1975) No.2 Volume 02 0825646074044 Volume 10 (1977) 0825646074143 Itzhak Perlman 0825646073955 Volume 14 Itzhak Perlman London Symphony Itzhak Perlman 0825646073856 Pinchas Zukerman Orchestra André Previn piano Itzhak Perlman violin André Previn New Philharmonia Neil Black oboe Orchestra English Chamber Jesús López-Cobos Orchestra Daniel Barenboim Paganini: Encores Stravinsky: Brahms: 24 Caprices (1974 & 1979) Divertimento Violin Concerto (1972) Volume 07 Suite Italienne (1977) Volume 03 0825646074013 Duo concertant Volume 15 0825646074136 Itzhak Perlman (1976) 0825646073832 Itzhak Perlman Samuel Sanders piano Volume 11 Itzhak Perlman 0825646073931 Chicago Symphony Itzhak Perlman Orchestra Bruno Canino piano Carlo Maria Giulini Wieniawski: Violin Dvo ˇrák: Itzhak Perlman Duets for two Concertos 1 & 2 Violin Concerto plays Fritz Kreisler violins (1973) Romance (1980) (1977) Volume 04 (1975) Volume 12 Volume 16 0825646074082 Volume 08 0825646073894 0825646073801 Itzhak Perlman 0825646073993 Itzhak Perlman Itzhak Perlman London Philharmonic Itzhak Perlman Samuel Sanders piano Pinchas Zukerman Orchestra London Philharmonic violin Seiji Ozawa Orchestra Daniel Barenboim 9 Goldmark: Violin Sibelius: Violin The Baroque Album Prokofiev: Violin Concerto No.1 Concerto Oboe Quartets Concertos Sarasate: Sinding: Suite Trio Sonatas (1982) Zigeunerweisen (1980) (1982) Volume 29 (1977) Volume 21 Volume 25 0825646079049 Volume 17 0825646073719 0825646079117 Itzhak Perlman 0825646072743 Itzhak Perlman Itzhak Perlman BBC Symphony Itzhak Perlman Pittsburgh Symphony Pinchas Zukerman Orchestra Pittsburgh Symphony Orchestra viola/violin Gennady Orchestra André Previn Ray Still oboe Rozhdestvensky André Previn Lynn Harrell cello Timothy Eddy cello Samuel Sanders harpsichord Vieuxtemps: Violin Brahms: Double Tchaikovsky: Khachaturian:
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