Winter 2009 Vol. 2 No. 4 Winter 2009 Vol
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Liste Représentative Du Patrimoine Culturel Immatériel De L'humanité
Liste représentative du patrimoine culturel immatériel de l’humanité Date de Date récente proclamation Intitulé officiel Pays d’inscriptio Référence ou première n inscription Al-Ayyala, un art traditionnel du Oman - Émirats spectacle dans le Sultanat d’Oman et 2014 2014 01012 arabes unis aux Émirats arabes unis Al-Zajal, poésie déclamée ou chantée Liban 2014 2014 01000 L’art et le symbolisme traditionnels du kelaghayi, fabrication et port de foulards Azerbaïdjan 2014 2014 00669 en soie pour les femmes L’art traditionnel kazakh du dombra kuï Kazakhstan 2014 2014 00011 L’askiya, l’art de la plaisanterie Ouzbékistan 2014 2014 00011 Le baile chino Chili 2014 2014 00988 Bosnie- La broderie de Zmijanje 2014 2014 00990 Herzégovine Le cante alentejano, chant polyphonique Portugal 2014 2014 01007 de l’Alentejo (sud du Portugal) Le cercle de capoeira Brésil 2014 2014 00892 Le chant traditionnel Arirang dans la République 2014 2014 00914 République populaire démocratique de populaire Date de Date récente proclamation Intitulé officiel Pays d’inscriptio Référence ou première n inscription Corée démocratique de Corée Les chants populaires ví et giặm de Viet Nam 2014 2014 01008 Nghệ Tĩnh Connaissances et savoir-faire traditionnels liés à la fabrication des Kazakhstan - 2014 2014 00998 yourtes kirghizes et kazakhes (habitat Kirghizistan nomade des peuples turciques) La danse rituelle au tambour royal Burundi 2014 2014 00989 Ebru, l’art turc du papier marbré Turquie 2014 2014 00644 La fabrication artisanale traditionnelle d’ustensiles en laiton et en -
Bulguksa Temple, South Korea
Bulguksa Temple, South Korea Bulguksa is often regarded as the 'Museum Without Walls' Very few structures around the world can match the architectural beauty and aesthetic appeal of the Bulguksa Temple in South Korea. Located in Gyeongju city, often referred as the 'Museum Without Walls', this 8 th-century Buddhist temple is a delicately constructed masterpiece. The temple is known for its immense religious significance. The wooden structure of the temple rests on a raised platform of stone. At this temple complex, you experience the spiritual enlightenment your soul yearns for. History The construction of the Temple started during the reign of King Beop-Heung of Silla Kingdom in 5 th century AD. It was completed in 774 AD under the dominion of King Hye-Gong and got its present name – Bulguksa Temple. Several renovations took place over the next few centuries. Bulguksa is believed to be designed by the legendary architect Kim Daeseong. UNESCO enlisted this temple and the Seokguram Grotto as a World Heritage Site in 1995. What to Do at Bulguksa Temple ? Visiting Bulguksa Temple is akin to witnessing the richness of Buddhist art along with the ancient culture and architectural assets. The temple complex houses relics including Seokgatap and Dabotap (two of the most valued pagodas in the country), the Golden-seated Amita Figure, and the Vairocana Buddhist Figure. Theses two relics were designated as the national treasure of Korea in 1962. The Dabotap and Seokgatap pagodas stand at a height of 10.4 meters and 8.2 meters respectively. These two relics separate the Mauve Mist Gate called Jahamun and the hall housing the Sakyamuni Buddha known as Daeungjeon. -
LEE-DISSERTATION-2018.Pdf
Copyright by Kyung Sun Lee 2018 The Dissertation Committee for Kyung Sun Lee Certifies that this is the approved version of the following Dissertation: Doing Good or Looking Good? Communicating Development, Branding Nation in South Korea Committee: Karin G. Wilkins, Supervisor Joseph Straubhaar Sharon Strover Robert Oppenheim James Pamment Doing Good or Looking Good? Communicating Development, Branding Nation in South Korea by Kyung Sun Lee Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2018 Dedication To my dad, who inspired me to pursue the life of a scholar. Our time together was far too short, but you live on in my heart. Acknowledgements In the course of my dissertation journey, I have benefitted from many people and institutions to whom I would like to express my sincere gratitude. My utmost gratitude goes to my supervisor, Dr. Karin Wilkins. I came to the Department of Radio-Television-Film nearly ten years ago to explore the intersections of critical studies, communications, and development. Since then, she has helped me to mature as a scholar, encouraging me to ask incisive questions, to confront them methodically, and articulate evidence systematically. Her enthusiastic support for my dissertation project gave me the courage to challenge myself and persevere through difficult circumstances. Oftentimes, my project was sustained by her unrelenting passion and confidence in my work. It is not only her intellectual influence, but her kindness and genuine concern for her students to which I am most indebted. -
Beopjusa and Magoksa National Treasures: Royal Palaces
K O R E A N HERITAGE 여름 SUMMER 2015 | Vol. 8 No. 2 여름 SUMMER 2015 Vol. 8 No. 2 Vol. ISSN 2005-0151 KOREAN HERITAGE Quarterly Magazine of the Cultural Heritage Administration KOREAN HERITAGE SUMMER 2015 Cover Haenyeo culture, anchored in Jeju Island, is an important part of Korea’s intan- gible heritage. This unique aspect of Jeju culture encompasses a rich trove of tradition handed down to the present, including diving techniques, knowledge about surviving and living in harmony with the oceanic environment, and diverse rituals. Women divers, or haenyeo, have overcome adverse conditions to give birth to a full-fledged female profession, serving as an exemplar of persever- ance and the pioneering spirit of Jeju women. KOREAN HERITAGE is also available on the website (http://English.cha.go.kr) and smart devices. 02 | 03 KOREAN HERITAGE CHA News Vignettes An Everyday Artifact Cooperation for Underwater Excavation Starts in Earnest Hapjukseon, Traditional Korean Fan The Cultural Heritage Administration and the Korean Institute of Ocean Science and Technology Before modern-day electric fans and air conditioners were invented, have completed on-site joint research, through their research arms, the National Research Institute what was there to cool one down in sweltering weather? Korean of Maritime Cultural Heritage and the Korea Research Institute of Ships and Ocean Engineering ancestors of course always had their fans, called buchae, close at (KRISO). The partnership was initiated as an effort to deploy a Korean oceanic robot for excavating hand to gently stir the air and chase the heat away. The word buchae underwater heritage. -
Korean Dance and Pansori in D.C.: Interactions with Others, the Body, and Collective Memory at a Korean Performing Arts Studio
ABSTRACT Title of Document: KOREAN DANCE AND PANSORI IN D.C.: INTERACTIONS WITH OTHERS, THE BODY, AND COLLECTIVE MEMORY AT A KOREAN PERFORMING ARTS STUDIO Lauren Rebecca Ash-Morgan, M.A., 2009 Directed By: Professor Robert C. Provine School of Music This thesis is the result of seventeen months’ field work as a dance and pansori student at the Washington Korean Dance Company studio. It examines the studio experience, focusing on three levels of interaction. First, I describe participants’ interactions with each other, which create a strong studio community and a women’s “Korean space” at the intersection of culturally hybrid lives. Second, I examine interactions with the physical challenges presented by these arts and explain the satisfaction that these challenges can generate using Csikszentmihalyi’s theory of “optimal experience” or “flow.” Third, I examine interactions with discourse on the meanings and histories of these arts. I suggest that participants can find deeper significance in performing these arts as a result of this discourse, forming intellectual and emotional bonds to imagined people of the past and present. Finally, I explain how all these levels of interaction can foster in the participant an increasingly rich and complex identity. KOREAN DANCE AND PANSORI IN D.C.: INTERACTIONS WITH OTHERS, THE BODY, AND COLLECTIVE MEMORY AT A KOREAN PERFORMING ARTS STUDIO By Lauren Rebecca Ash-Morgan Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2009 Advisory Committee: Dr. Robert C. Provine, Chair Dr. -
R Reviving the Times of Namsadang, Korea's Traditional Folk
r Reviving the Times of Namsadang, Korea’s Traditional Folk Performance Troupe, through Children’s Stories (Author/ Lim Jeong-jin) Republic of Korea 1. The Crisis of Korea’s Traditional Folk Performance Through the generations Koreans have joyfully lived their lives with singing and dancing. While the royal court and the intellectual class considered the liberal arts such as writing poems, playing instruments and drawing pictures important, they also enjoyed the performances of professional folkentertainers as well. Commoners also enjoyed coming together to sing and dance while working and also during the season’s holidays. Passing on cultural assets that reflects a country’s native history to descendants is a very important duty. It is important to preserve and protect tangible cultural assets such as architectural works from damage. However, because traditional performing arts can only be preserved if it 1 is taught, practiced and performed in front of people, so it can be difficult to protect. The legacy of the traditional performing arts was nearly cut off as Korea entered the 20th century and was colonized by Japan for 36 years and afterwards Korea was heavily influenced by Western civilization After overcoming these difficulties Korean traditional folk performances are being continued precariously only through professional folk performers. It is now difficult to see images of a joyous community in which everyone in the neighborhood comes together singing and dancing with the sounds of drums. Korean children’s literature authors are putting all their effort into reviving Korea’s various traditional folk cultures through books. Thus, on October 2012 the author announced a children’s book titled, “Baudeogi” based on the experiences of wandering troupe made up of all males, travelling entertainers that specialize in folk performances. -
I. Introduction
TRANSACTIONS ROYAL ASIATIC SOCIETY Korea Branch Volume 93 – 2018 1 COVER: The seal-shaped emblem of the RAS-KB consists of the following Chinese characters: 槿 (top right), 域 (bottom right), 菁 (top left), 莪 (bottom left), pronounced Kŭn yŏk Ch’ŏng A in Korean. The first two characters mean “the hibiscus region,” referring to Korea, while the other two (“luxuriant mugwort”) are a metaphor inspired by Confucian commentaries on the Chinese Book of Odes, and could be translated as “enjoy encouraging erudition.” SUBMISSIONS: Transactions invites the submission of manuscripts of both scholarly and more general interest pertaining to the anthropology, archeology, art, history, language, literature, philosophy, and religion of Korea. Manuscripts should be prepared in MS Word format and should be submitted in digital form. The style should conform to The Chicago Manual of Style (most recent edition). The covering letter should give full details of the author’s name, address and biography. Romanization of Korean words and names must follow either the McCune-Reischauer or the current Korean government system. Submissions will be peer- reviewed by two readers specializing in the field. Manuscripts will not be returned and no correspondence will be entered into concerning rejections. Transactions (ISSN 1229-0009) General Editor: Jon Dunbar Copyright © 2019 Royal Asiatic Society – Korea Branch Room 611, Christian Building, Daehangno 19 (Yeonji-dong), Jongno-gu, Seoul 110-736 Republic of Korea Tel: (82-2) 763-9483; Fax: (82-2) 766-3796; Email: [email protected] Visit our website at www.raskb.com TRANSACTIONS Volume 93 – 2018 Contents The Diamond Mountains: Lost Paradise Brother Anthony 1 Encouragement from Dongducheon 19 North Korean Fragments of Post-Socialist Guyana Moe Taylor 31 The Gyehu Deungnok Mark Peterson 43 “Literature Play” in a New World Robert J. -
A Study on the Symbolic Meanings of Jars
상징과모래놀이치료, 제10권 제1호 Journal of Symbols & Sandplay Therapy 2019, 6, Vol. 10, No. 1, 129-151. A Study on the Symbolic Meanings of Jars Seo, Seung Hee* <Abstract> This study intends to investigate the characteristics of the jar and examine their symbolism in literature and further the symbolic meanings of the jars, which clients of various developmental tasks used during sandplay therapy. For middle-aged clients who had to go through an individuation process, the jar signified motherhood and femininity that bring a new change to an insecure relationship with the mother; or the waiting place where women spend long hours of patience and silence until their distress and torment are ripened and transformed. For adolescent student with the developmental task of reaching a rite of passage, the jar acts as a place for death and regeneration where independence from the mother is led to the growth of the ego. The jar represents new expectancy and hope. The jar serves as motherhood who embraces clients who were brought up by negative parents, and also as a vessel of the ego to encourage femininity to go on a journey for beautiful growth. This study is significant in identifying the various symbolic meanings of the jar. Keywords : symbol, jar, sandplay therapy * Professor, Department of Nursing, Gwangju Women’s University([email protected]) Studied by academic research support, Gwangju Women’s University - 129 - Journal of Symbols & Sandplay Therapy, Vol.10 No.1. Ⅰ. Introduction It is impossible to directly face and recognize the universal, fundamental archetype which lies deep in the human heart and soul. -
AAM Mobile Guide
The Asian Art Museum Mobile Guide Masterpieces An Acoustiguide Tour STOP LIST (L = LAYER; ADDITIONAL CONTENT) 6. THE BUDDHA TRIUMPHING OVER MARA (B60S598) (L) 9. THE HINDU DEITY SHIVA (B69S14) (L) 11. CUP WITH CALLIGRAPHIC INSCRIPTIONS (B60J619) (L) 18. THE DEITY VISHNU 940–965 (B65S7) (L) 22. THRONE FOR A BUDDHA IMAGE (AND BUDDHA IMAGE) (2006.27.1.A-.T) (L) 25. THE BUDDHIST DEITY SIMHAVAKTRA DAKINI (B60S600) (L) 29. RITUAL VESSEL IN THE SHAPE OF A RHINOCEROS (B60B1+)(L) 32. BUDDHA DATED 338 (B60B1035) (L) 34. THE BODHISATTVA AVALOKITESHVARA (GUANYIN) (B60S24+) 37. LIDDED JAR WITH DESIGN OF A LOTUS POND (B60P78+) (L) 38. CHINESE PAINTING (L) 42. EWER WITH LOTUS-SHAPED LID (B60P123+.A-.B) (L) 44. MOON JAR (B60P110+) 47. STANDING BRAHMA (BONTEN) AND STANDING INDRA (TAISHAKUTEN) (B65S12, B65S13) (L) 52. CONTEMPORARY JAPANESE CERAMICS YELLOW = RECORDED IN 2013 NO COLOR = NEW STOPS (AS OF 2018) 6. THE BUDDHA TRIUMPHING OVER MARA (B60S598) (L) NARRATOR: This 10th-century stone sculpture features an image of the Buddha rendered in exquisite detail. The array of heart-shaped leaves and branches at the top of the object represents the Bodhi Tree, under which the Buddha-to-be sits in meditation on the threshold of enlightenment. The sculptor imbued this Buddha-image with both humanity—using details like the softly rounded belly— and spirituality. There are many signs pointing to the Buddha-to-be’s special qualities. Curator Forrest McGill. FORREST MCGILL: He has a lump on the top of his head, and that symbolizes his extra insight. And then on the palms of his hands and the soles of his feet, he has special symbols, and both are marks of a special kind of a being who’s more advanced, more powerful, than a regular human being. -
Jagalchi Market Gukje Market
TWO NIGHTS/THREE DAYS TOURS Option B: Jagalchi Market Jagalchi Market, located on the shoreside road in Busan's Jung-gu, is Korea's largest seafood market, selling both live and dried fish. After the Korean War the market solidified itself as a fish market. Most of the people who sell fish are women, so the vendors here are called Jagalchi Ajumma, "ajumma" meaning middle-aged or married woman in Korean. This market represents Busan and is famous throughout the country. If you visit, you can eat fresh raw fish right at the market. Even these days you can see women selling mackerel, sea squirts (ascidians) and whale meat on wooden boxes along the road outside of the market and along the shore. Every year in October the Jagalchi Cultural Tourism Festival is held, and it is easy to visit because of the convenient transportation provided by subway. Jagalchi Market is where you can see the lifestyle of the Busan locals. Gukje Market Following the Korean War, refugees who fled to Busan set up stalls in order to make a living, and this was the beginning of the Gukje Market (gukje meaning "international" in Korean). The Gukje Market is one of Korea’s largest markets; each alleyway is crowded with stalls, and it connects to Bupyeong Market, Kkangtong Market, and other smaller markets. The market stocks such a wide variety of goods, that you can find almost everything you need right here. Busan Gamcheon Culture Village Gamcheon Culture Villiage is formed by houses built in staircase-fashion on the foothills of a coastal mountain, earning this village the nickname of "Machu Picchu of Busan." The many alleys cutting through this community are vibrantly decorated with murals and sculptures created by the residents. -
Constancy and Change in Korean Traditional Craft 2017 Between
in Korean Traditional Craft 2017 Traditional Korean in Constancy and Change 한국공예의 Constancy 법고창신 and Change 2017 in Korean Traditional Craft 한국도자의 2017 정중동 靜中動 Between Serenity and Dynamism; Korean Ceramics Korean Ceramics Dynamism; and Serenity Between 한국공예의 참된 가치를 널리 알리고자 The exhibition project first initiated in 2013, 2013년 밀라노에서 첫선을 보인 celebrates its fifth year. From 2017 a new <한국공예의 법고창신(法古創新)>은 approach has been introduced under the 지난 4년 동안 다양한 공예 분야의 장인들과 existing title “Constancy and Change in 현대 작가들의 수준 높은 작품을 엄선해 Korean Traditional Craft 2.0”, signifying the 세계에 선보여 왔습니다. next three years in presenting Korean craft <한국공예의 법고창신 2017>은 around the world. This is certainly a leap forward from what was established in 그 연장선인 동시에 지금까지의 성과를 통합하고 2013 – a platform for promoting genuine 한 단계 더 나아가고자 새롭게 추진하는 Korean craft in Milan, Italy. Previously ‘밀라노 한국 공예 2.0’ 프로젝트의 시작입니다. all materials from clay to metal to wood 이 프로젝트는 지난 네 번의 전시를 통해 to textiles and more were presented 한국 공예의 다채로운 면모를 소개하며 구축한 in the exhibition for a comprehensive 인지도를 바탕으로, 향후 매년 대표 분야를 선정하여 understanding on Korean craft. This year 한국 문화와 한국 공예의 아름다움을 ceramics has been chosen to represent 보다 집중적으로 소개하고, 새로운 문화 콘텐츠로서 Korean craft. The works of leading Korean 한국 공예의 경제적 가치 확장을 추구합니다. ceramicists are showcased in the exhibition continuing the lineage of the rich and long history and tradition of Korean ceramics. The objective behind the project is to expose Korean culture and craft to the rest of the world simultaneously as finding ways to strengthen the economic value of Korean craft as a cultural medium. -
Dental Artists Dental Artists
SEPTEMBER 2018 Humphrey'sHumphrey's DENTADENTALL ARTISTSARTISTS FAMILYFAMILY CChusehuseookk ADVENTURESADVENTURES inin with Signature Foods Bali,Bali, IndonesiaIndonesia Foreigners Feel at Home at Columbia Dental Clinic US-educated Dentists Offer Comprehensive Dental Care Like a lot of foreigners who move to Seoul without speaking Korean, 15 year-old Angela Castillo was nervous about not being able to communicate with her healthcare providers. Until the Castillos, from San Antonio, Texas, found the Columbia Dental Clinic, Angela says that getting dental work was frustrating, “because no one could explain it in English. I want to know what’s going on with my teeth.” A year ago, her mother, Insun Castillo was referred to Columbia Dental by an American friend, and Angela felt comfortable immediately. “They speak English, and they take good care of my teeth, even though I’ve always had teeth problems.” Shortly after Angela got her first braces at McBride family and Glossup family gathered for little photo Columbia Dental, she needed intensive session with Dr. Yun and his hygienist Suhyun. procedures to correct overcrowding. “It was scary and it was worrisome,” she remembers, Military Rank Mr. Castillo are all regular For the Lenfant family, Columbia Dental was a critical “but they always made sure that I was alright patients. “Dr. Yun has really taken care of our link in continuing the quality of service they’d had in and that nothing was hurting.” On top of the family,” said Sarah Burns, age 13 from Kansas. the States. “Dr. Yun is U.S educated and licensed, with good care, Angela’s mother, Insun, likes that the Michael Burns and his family moved to Seoul significant experience.” said Col.