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3.16: the U.S
The West Wing Weekly 3.16: The U.S. Poet Laureate Guests: Tara Ariano, Sarah D. Bunting, and David Wade [Intro Music] JOSH: Hi friends. You’re listening to the West Wing Weekly. I’m Joshua Malina. HRISHI: And I’m Hrishikesh Hirway. Today we’re talking about “The U.S. Poet Laureate”. It’s Season 3, Episode 16. JOSH: The teleplay is by Aaron Sorkin. The story by Laura Glasser. And this episode was directed by Christopher Misiano. It first aired on March 27th, 2002. HRISHI: I wanted to read the synopsis from Warner Brothers because there is a puzzling thing in it. JOSH: A Warnopsis, ok. HRISHI: And the Warner Brothers synopsis gets syndicated other places so it’s not an isolated thing. Here it is: Bartlet makes a disparaging comment about a potential Republican nominee after a television interview not realizing that he is still being recorded. For days, CJ must control the scandal and Sam recalls Republican White House Legal Counsel, Ainsley Hayes, from vacation, to help formulate the administration’s official response. Meanwhile, Toby tries to dissuade the newly named U.S. Poet Laureate, Tabatha Fortis, from publicly objecting to the government’s lack of support for a treaty on landmines. Bartlet ponders saving a failing computer company, and Josh is both repulsed and intrigued by the fact that there is a fan-based website devoted to him. JOSH: The first thing that hit me was just it’s a lie. They’re protecting the integrity of the episode but they say that Bartlet does not realize that he is still being filmed. -
Balboa Observer-Picayune, Television Without Pity, and the Audiovisual Translator
Balboa Observer-Picayune, Television without Pity, and the Audiovisual Translator: Two Case Studies of Seeking Information among Online Fan Communities Aino Pellonperä University of Tampere Department of Modern Languages and Translation Studies Translation Studies (English) Pro gradu thesis April 2008 Tampereen yliopisto Käännöstiede (englanti) Kieli- ja käännöstieteiden laitos PELLONPERÄ, AINO: Balboa Observer-Picayune, Television without Pity and the Audiovisual Translator: Two Case Studies of Seeking Information among Online Fan Communities Pro gradu -tutkielma, 80 sivua + liitteet 6 sivua + suomenkielinen lyhennelmä 7 sivua Kevät 2008 Tutkielmassa käsiteltiin kahta yhdysvaltalaista televisiosarjaa ja miten näiden epäviralliset internetfaniyhteisöt keräävät sarjaan liittyvää tietoa, mikä saattaisi auttaa audiovisuaalisia kääntäjiä heidän työssään. Tapaustutkimuksina olivat kaksi televisiosarja-internetsivusto- paria: Sukuvika (Arrested Development) ja Balboa Observer-Picayune -kotisivu, ja Veronica Mars ja Television without Pity -keskusteluryhmä. Tutkielman lähtökohtana oli oletus, että internetsivustoilla televisiosarjoista kerätään ja keskustellaan mitä erinäisimpiä asioita, ja että audiovisuaaliset kääntäjät voivat hyötyä näistä aktiviteeteista. Oletusta pohjustettiin esittämällä tiedonhankintatapoja Savolaisen, Ellisin, Wilsonin, Marchioninin ja Choon malleista. Näin osoitettiin, että audiovisuaaliset kääntäjät hyötyvät “lupaavissa tietoympäristöissä”. Schäffnerin, Neubertin ja Beebyn et al. käännöspätevyyden malleista etsittiin -
Parks-And-Rec.Pdf
Table of Contents ________________________________________ Letter from the Director…………………………………………………....2 - 3 Watch Guide / Favorite Episodes……………………………………….......3 - 4 Overview…………………………………...………………………...............5 - 6 Characters / Portfolio Powers…………….…………………………….....6 - 14 Parks and Recreation Welcome to Pawnee, Indiana, home to the Parks and Recreation department run by Ron Swanson (but really, it's all thanks to Deputy Director Leslie Knope). A small town that serves as Everytown, USA, Pawnee has problems, from its obesity crisis to the raccoon infestation to the corrupt Sweetums Candy Company dominating the economy. But no problem is too big or small to be solved by Pawnee local government. This committee begins at season 6, right when the pretentious town of Eagleton goes bankrupt and the merger begins. Will Leslie be recalled as city councilwoman? What will happen with Rent-A-Swag? How will two towns that have lived as sworn enemies integrate? From Ron to Donna to Ben to Ann to Garry-Jerry-Larry-Terry, it's up to Pawnee's Department of Parks and Recreation to save the merger--and perhaps the town itself. 1 Letter from the Director ________________________________________ Delegates, Welcome! It is my privilege to welcome you to FCMUN as your crisis director. Last year, I was the crisis director for the Democratic National Committee and it was a blast, ending in Chance the Rapper being declared Emperor of my home city of Chicago, Bill De Blasio annihilating Trump Tower with the help of his assistant Kim Kardashian, and Bernie leading a secession movement for the northeast states. I can’t wait to see you all plot and solve more crazy crises. -
Parks and Recreation" to Teach Economics
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/305800299 Swansonomics: Using "Parks and Recreation" to Teach Economics Article · January 2015 CITATIONS READS 0 88 2 authors, including: Brooke Conaway Georgia College 4 PUBLICATIONS 0 CITATIONS SEE PROFILE All content following this page was uploaded by Brooke Conaway on 08 November 2016. The user has requested enhancement of the downloaded file. All in-text references underlined in blue are added to the original document and are linked to publications on ResearchGate, letting you access and read them immediately. JOURNAL OF ECONOMICS AND FINANCE EDUCATION • Volume 14 • Number 1 • Summer 2015 Swansonomics: Using “Parks and Recreation” to Teach Economics L. Brooke Conaway and Christopher Clark1 ABSTRACT Based on a first-year multidisciplinary course, Swansonomics is a class where students examine the libertarian beliefs espoused by the character Ron Swanson from the television series Parks and Recreation. The show provides great examples of rent seeking, fiscal policy issues, social policy issues, and bureaucratic incentive structures. These Parks and Recreation video clips can be used in any class to cover a variety of issues. Examples of topics include the expected economic consequences of specific political or economic philosophies, unintended consequences of policies, various systems of taxation, public and private incentive structures, and varying degrees of capitalism and government intervention. Introduction This paper is based on a first-year multidisciplinary course taught at a liberal arts university. The course covers a variety of topics, with particular emphasis on different economic systems, varying degrees of capitalism, government intervention, and public choice issues. -
Key Agents of Mediation That Define, Create, and Maintain TV Fandom
Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication Fall 12-20-2012 Abracadabra: Key Agents of Mediation that Define, Create, and Maintain TV Fandom David H. Gardner Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Recommended Citation Gardner, David H., "Abracadabra: Key Agents of Mediation that Define, Create, and Maintain TV Fandom." Thesis, Georgia State University, 2012. https://scholarworks.gsu.edu/communication_theses/95 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. ABRACADABRA: KEY AGENTS OF MEDIATION THAT DEFINE, CREATE, AND MAINTAIN TV FANDOM by DAVID H. GARDNER Under the Direction of Dr. Alisa Perren ABSTRACT From a media industries, fan studies, and emerging socio-cultural public relations perspective, this project pulls back the Hollywood curtain to explore two questions: 1) How do TV public relations practitioners and key tastemaker/gatekeeper media define, create, build, and maintain fandom?; and 2) How do they make meaning of fandom and their agency/role in fan creation from their position of industrial producers, cultural intermediaries, members of the audience, and as fans themselves? This project brings five influential, working public relations and media professionals into a conversation about two case studies from the 2010-2011 television season – broadcast network CBS’ Hawaii Five-0 and basic cable network AMC’s The Walking Dead. Each of these shows speaks to fandom in particular ways and are representative of the industry’s current approaches in luring specific audiences to TV. -
Grey's Anatomy 101 : Seattle Grace, Unauthorized / Edited by Leah Wilson
GREY’S ANATOMY 101 OTHER TITLES IN THE SMART POP SERIES Taking the Red Pill Seven Seasons of Buffy Five Seasons of Angel What Would Sipowicz Do? Stepping through the Stargate The Anthology at the End of the Universe Finding Serenity The War of the Worlds Alias Assumed Navigating the Golden Compass Farscape Forever! Flirting with Pride and Prejudice Revisiting Narnia Totally Charmed King Kong Is Back! Mapping the World of the Sorcerer’s Apprentice The Unauthorized X-Men The Man from Krypton Welcome to Wisteria Lane Star Wars on Trial The Battle for Azeroth Boarding the Enterprise Getting Lost James Bond in the 21st Century So Say We All Investigating CSI Literary Cash Webslinger Halo Effect Neptune Noir Coffee at Luke’s Perfectly Plum GREY’S ANATOMY 101 S EATTLE G RACE,UNAUTHORIZED Edited by Leah Wilson BENBELLA BOOKS, INC. Dallas, Texas THIS PUBLICATION HAS NOT BEEN PREPARED, APPROVED, OR LICENSED BY ANY ENTITY THAT CREATED OR PRODUCED THE WELL-KNOWN TELEVISION SERIES GREY’S ANATOMY. “I Want to Write for Grey’s” © 2007 by Kristin Harmel “If Addison Hadn’t Returned, Would Derek and Meredith Have Made It as a Couple?” © 2007 by Carly Phillips “Why Drs. Grey and Shepherd Will Never Live Happily Ever After” © 2007 by Elizabeth Engstrom “‘We Don’t Do Well with Mothers Here’” © 2007 by Beth Macias “Grey’s Anatomy and the New Man” © 2007 by Todd Gilchrist “Diagnostic Notes, Case Histories, and Profiles of Acute Hybridity in Grey’s Anatomy” © 2007 by Sarah Wendell “Sex in Seattle” © 2007 by Jacqueline Carey “Love Stinks” © 2007 by Eileen Rendahl “Drawing the Line” © 2007 by Janine Hiddlestone “Brushing Up on Your Bedside Manner” © 2007 by Erin Dailey “Finding the Hero” © 2007 by Lawrence Watt-Evans “Next of Kin” © 2007 by Melissa Rayworth “Only the Best for Cristina Yang” © 2007 by Robert Greenberger “What Would Bailey Do?” © 2007 by Lani Diane Rich “Walking a Thin Line” © 2007 by Tanya Michna “Shades of Grey” © 2007 by Yvonne Jocks “Anatomy of Twenty-First Century Television” © 2007 by Kevin Smokler Additional Materials © BenBella Books, Inc. -
NYU Los Angeles Television: History and Form - MCC-UE 9006 Fall 2019
NYU Los Angeles Television: History and Form - MCC-UE 9006 Fall 2019 Instructor Information ● Tom Connelly ● Email: ● Office Hours: Course Information ● Television: History and Form ● MCC-UE 9006 ● Wednesdays 2:15-5:15 pm ● Room: Course Overview and Goals This course introduces students to the history of radio and television broadcasting in the context of social developments in the United States. We will explore the roots of content and programming strategies in radio and television. We will watch television episodes and clips and analyze why they were effective narratively and aesthetically. We will explore technological, industrial and regulatory factors that impacted the development of American broadcasting. We will also examine how digital media platforms such as Hulu, Amazon and Netflix are transforming economic models of broadcasting and cable television. Lastly, radio and television served as the primary source of dissemination of news and information, shaping the way we perceived ourselves, the world, and current events as they happened. A question we will address is whether or not this notion still holds true for broadcast media. Course Requirements Brief Description of Assignments and Due Dates ▪ Showrunner Presentation (informal): Briefly research the showrunner(s) of a television or animated series and present your findings in class on Wednesday, October 16. Page 1 ▪ Take Home Exams: A number of short answer responses that test student’s understanding of course terms and concepts and broadcasting history. The exam will be handed out in class a week before the due date. ▪ Course Paper: (1500-1700 words) (Due on Tuesday, December 17 by midnight via email). -
COVERALLS and a CAMERA Reserved
BRAVO GUIDE TO ENTERTAINMENT APRIL 22, 2021 S afety is our priority. We are working hard to keep our senior care communities safe. Our team is ready to answer any questions you have about ongoing location availability and safety precautions. Call (308) 234-1888 to learn more. All faiths or beliefs are welcome. © 2020 The Evangelical Lutheran Good Samaritan Society. All rights COVERALLS AND A CAMERA reserved. 201870 Steinhausen always looks for interesting shots. — Page 5 Studies have shown Get into Nelson’s for a nice that the reason you Omaha Mattress may be awake right and box now is because you spring set. aren’t asleep. 2109 CENTRAL AVE DOWNTOWN KEARNEY 308-236-5031 2 DIVERSIONS KEARNEY HUB — THURSDAY, APRIL 22, 2021 KSO brings world premiere to Merryman stage Orchestra will be WHEN AND WHERE challenged Tuesday; What: “Love Stories Old and New,” a concert by Ke- hear musical Q&A arney Symphony Orchestra When: 7:30 p.m. Tuesday in ‘Poem’ Where: Merryman Per- forming Arts Center, 225 E. By RICK BROWN 22nd St. Yard Light Media Admission: $10 general admission KEARNEY — Alison Gaines Contact: 308-865-8618; strives to reach a balance in her UNK.edu/kso musical programming, creating a concert that will challenge the rio, commissioned by Kearney performers, satisfy the audience Symphony Orchestra. Gaines and yet offer pleasing music. likens the format of the music to a “We’re opening with a very technique used by American mod- challenging arrangement of ‘An ernist composer Charles Ives in American in Paris’ by George his work, “Unanswered Question.” Gershwin for brass and percus- “It uses the same instrumenta- sion,” said the director of Kearney Courtesy tion in a similar format where the Symphony Orchestra. -
Everyday Intimacies: the Politics of Respectability in Post
EVERYDAY INTIMACIES: THE POLITICS OF RESPECTABILITY IN POST- RECESSIONARY SOUTHERN REALITY TELEVISION by CHELSEA BULLOCK A DISSERTATION Presented to the Department of English and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2014 DISSERTATION APPROVAL PAGE Student: Chelsea Bullock Title: Everyday Intimacies: The Politics of Respectability in Post-Recessionary Southern Reality Television This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of English by: Carol Stabile Chairperson Priscilla Ovalle Core Member Bish Sen Core Member Kate Mondloch Institutional Representative and Kimberly Andrews Espy Vice President for Research and Innovation; Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2014. ii © 2014 Chelsea Bullock iii DISSERTATION ABSTRACT Chelsea Bullock Doctor of Philosophy Department of English June 2014 Title: Everyday Intimacies: The Politics of Respectability in Post-Recessionary Southern Reality Television Rather than taking a broad genre-based approach to analyzing reality television as digital media, this dissertation understands the field of reality programming as operating within a new media model and as composed of micro-genres. My project specifically explores the “intimate” micro-genre, considering the politics of respectability and gendered labor as foundational elements in what is a particularly fertile and volatile site of meaning- making. Grounding my analysis in a comprehensive map of reality programming allows me to explore a pattern of politically rich programs set in the South. Shows such as Duck Dynasty, Here Comes Honey Boo Boo, and Real Housewives of Atlanta offer insight into the circulation and currency of race, class, and gender with significant theoretical implications for an economically and politically unstable national moment. -
HOW to WATCH TELEVISION This Page Intentionally Left Blank HOW to WATCH TELEVISION
HOW TO WATCH TELEVISION This page intentionally left blank HOW TO WATCH TELEVISION EDITED BY ETHAN THOMPSON AND JASON MITTELL a New York University Press New York and London NEW YORK UNIVERSITY PRESS New York and London www.nyupress.org © 2013 by Ethan Thompson and Jason Mittell All rights reserved References to Internet websites (URLs) were accurate at the time of writing. Neither the author nor New York University Press is responsible for URLs that may have expired or changed since the manuscript was prepared. Library of Congress Cataloging-in-Publication Data How to watch television / edited by Ethan Thompson and Jason Mittell. pages cm Includes bibliographical references and index. ISBN 978-0-8147-4531-1 (cl : alk. paper) — ISBN 978-0-8147-6398-8 (pb : alk. paper) 1. Television programs—United States. 2. Television programs—Social aspects—United States. 3. Television programs—Political aspects—United States. I. Thompson, Ethan, editor of compilation. II. Mittell, Jason, editor of compilation. PN1992.3.U5H79 2013 791.45'70973—dc23 2013010676 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. We strive to use environmentally responsible suppliers and materials to the greatest extent possible in publishing our books. Manufactured in the United States of America 10 9 8 7 6 5 4 3 2 1 Contents Acknowledgments ix Introduction: An Owner’s Manual for Television 1 Ethan Thompson and Jason Mittell I. TV Form: Aesthetics and Style 1 Homicide: Realism 13 Bambi L. Haggins 2 House: Narrative Complexity 22 Amanda D. -
Ashley Beairsto
Running head: POSTFEMINISM AND FEMALE FRIENDSHIP Postfeminism and female friendship: A content analysis of Parks and Recreation and Girls by Ashley Beairsto A Thesis Submitted to Saint Mary’s University, Halifax, Nova Scotia in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Women and Gender Studies. September, 2019, Halifax, Nova Scotia © Ashley Beairsto, 2019 Approved: Dr. Marnina Gonick Supervisor Approved: Dr. Michele Byers Reader Approved: Dr. Sailaja Krishnamurti External Date: September 20, 2019 POSTFEMINISM AND FEMALE FRIENDSHIP 2 Postfeminism and female friendship: A content analysis of Parks and Recreation and Girls by Ashley Beairsto Abstract This thesis explores how two popular TV shows, Girls and Parks and Recreation, portray and talk about female friendship, particularly as it relates to the notion of the postfeminist girlfriend as proposed by Alison Winch. Utilizing a combination of content analysis and critical discourse analysis, it explores how these shows draw on discourses of feminism and postfeminism. It finds that Girls more than Parks and Recreation relies on discourses of postfeminism and replicates behaviors of the postfeminist girlfriend. It finds that both shows struggle to address issues of class difference and are guilty of post-race sentiments. Finally, it finds that Parks and Rec, more than Girls, reiterates feminist sentiments. Parks gives an overall feminist sentiment, while Girls walks the line between feminism and postfeminism. September 20, 2019 POSTFEMINISM AND FEMALE FRIENDSHIP 3 Acknowledgements The completion of this thesis could not have been possible without the support and assistance of so many. To my supervisor, Dr. Marnina Gonick, for providing ongoing support. -
And the Story of Grace, Wit & Charm
DIKULT 350—Mastergradsoppgåve i digital kultur Networked Improv Narrative (Netprov) and the Story of Grace, Wit & Charm By Rob Wittig A Thesis Prepared for the Master’s Degree in Digital Culture Institutt for lingvistiske, litterære og estetiske studier Universitetet i Bergen Autumn, 2011 / Høst 2011 1 0_Abstract Netprov (networked improv narrative) is an emerging art form that creates written stories that are networked, collaborative and improvised in real time. What optimum characteristics could give netprov projects—playful as they are—the depth of the great novels of the past? This question is explored through research and through a practical project, an original netprov—Grace, Wit & Charm —created, performed and documented in May of 2011 by the author for this thesis. Part 1 first defines netprov and lists its characteristics. Then it examines, historically and critically, the five tributary fields of netprov: 1) networked games (particularly Alternate Reality Games), 2) theater (particularly improvisation), 3) mass media (including notions of transmedia and phenomenon of fan fiction), 4) literature (particularly the fictionalization of vernacular forms used for telling truth), and 5) the Internet, social media and personal media (where the fictionalization of vernacular forms is pervasive). Best practices are drawn from each field. Netprov is understood as creative game based on the progression: mimicry, parody, satire. Part 2 examines Grace, Wit & Charm's form, process and fictional subject matter and evaluates the May 2011 collaborative performance using the characteristics and best practices from Part One as a rubric. Grace, Wit & Charm concerns a fictional company that improves its clients’ online self-presentation, providing GraceTM for clumsy avatars, WitTM for the humorless, and CharmTM for the romantically impaired.