How Public Relations Is Handled at the Disney Parks
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2019 CSR Report
2019 CORPORATE SOCIAL RESPONSIBILITY UPDATE Table of Contents 3 LETTER FROM OUR EXECUTIVE CHAIRMAN 21 CONTENT & PRODUCTS 4 OUR BUSINESS 26 SOCIAL IMPACT 5 OUR APPROACH AND GOVERNANCE 32 LOOKING AHEAD 7 ENVIRONMENT 33 DATA AND PERFORMANCE FY19 Highlights and Recognition ........ 34 12 WORKFORCE FY19 Performance on Targets .............. 35 FY19 Data Table ..................................... 36 18 SUPPLY CHAIN LABOR STANDARDS Sustainable Development Goals ......... 39 Global Reporting Initiative Index ......... 40 Intro Our Approach and Governance Environment Workforce Supply Chain Labor Standards Content & Products Social Impact Looking Ahead Data and Performance 2 LETTER FROM OUR EXECUTIVE CHAIRMAN through our Disney Aspire program, our nation’s At Disney, we also strive to have a positive impact low-carbon fuel sources, renewable electricity, and most comprehensive corporate education in our communities and on the world. This past year, natural climate solutions. I’m particularly proud of investment program, which gives employees the continuing a cause that dates back to Walt Disney the new 270-acre, 50+-megawatt solar facility that ability to pursue higher education, free of charge. himself, we took the next steps in our $100 million we brought online in Orlando. This new facility is This past year, more than half of our 94,000-plus commitment to deliver comfort and inspiration to able to generate enough clean energy to power hourly employees in the U.S. took the initial step to families with children facing serious illness using the two of the four theme parks at Walt Disney World, participate in Disney Aspire, and more than 12,000 powerful combination of our beloved characters reducing tens of thousands of tons of greenhouse enrolled in classes. -
Michelle Bergman 818-560-8231 Disney Recognizes Voluntears Of
Contact: Michelle Bergman 818-560-8231 Disney Recognizes VoluntEARS of the Year Cast Member Mike Woodhall Receives the First-ever “Show Your Character” Award for Outstanding Volunteerism and Creation of “Disney’s OPERATION UPLIFT” BURBANK, Calif (May 7, 2003) – In honor of National Volunteer Month, Disney recognized its most outstanding VoluntEARS’ commitments to outreach and participation in community events. Since its inception in 1992, the Disney VoluntEARS program, which develops opportunities for Disney employees to contribute their time, expertise and effort to make a positive impact on the community, has served more than 200 cities, 47 states, and 24 countries on six continents. “We are proud to acknowledge and celebrate our employees who give so much of their time and effort in their communities and who embody Disney’s commitment to enable and encourage people to get involved as volunteers,” said Michael D. Eisner, chairman and CEO, The Walt Disney Company. This year, Disney awarded the first-ever “Show Your Character” award to Disneyland Resort’s Mike Woodhall for his outstanding volunteerism and support of military personnel through his creation of Disney’s OPERATION UPLIFT, a program through which employees send messages of support and thanks to U.S. servicemen and women. Disney’s OPERATION UPLIFT was started in 1995, following its successful trial during Operation Desert Storm. During that conflict, Mr. Woodhall read a letter in the newspaper from a serviceman who said that the troops didn’t get much mail, but when they did they knew people back at home cared. That struck a chord with Mr. Woodhall and he began writing to the troops to thank them for their efforts and to let them know people at home did indeed care about them. -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
Feeling All Bright Red, Blue, Yellow and Green — Strong Colors Are Making a Comeback for Transition
LEVI’S TAPS RETAIL HEAD/2 WALGREENS PUSHES INTO APPAREL/3 WWDWomen’s Wear Daily • WEDNESDAYThe Retailers’ Daily Newspaper • December 13, 2006 • $2.00 Sportswear Feeling All Bright Red, blue, yellow and green — strong colors are making a comeback for transition. Here, an example, photographed at Jean-Georges Vongerichten’s JoJo restaurant: Poleci’s vivid silk tunic and Binetti’s cotton shorts. Scarf by Carolina Amato; Ben-Amun jewelry. For more, see pages 6 and 7. Sephora’s World Grows: Home Shopping Network T WILLIAMS; STYLED BY MAYTE ALLENDE MAYTE T WILLIAMS; STYLED BY Latest Channel for Chain By Pete Born ephora’s drive to extend its reach is ; FASHION ASSISTANT: COUR ASSISTANT: ; FASHION Sbeing beamed across the television airwaves with the debut today of a series of one-hour shows on Home Shopping Network. The French-based beauty retail chain T ARTISTSBYTIMOTHYPRIANO.COM is broadcasting four shows today — at 1 a.m., 9 a.m., 1 p.m. and 4 p.m. — from its Fifth Avenue store near 48th Street in New York. A trio of personalities — Julie Redfern, the Sephora beauty editor, and Dianna Perkovic and MAKEUP BY ANTHEA KING, BOTH A MAKEUP BY Collen Lopez from HSN — will pitch Sephora’s top picks for holiday gifts and beauty tips to navigate a season of See Home, Page 12 ITE; HAIR BY JACQUELINE BUSH AND ITE; HAIR BY PHOTO BY ROBERT MITRA; MODEL: JOAN/EL ROBERT PHOTO BY 2 WWD, WEDNESDAY, DECEMBER 13, 2006 WWD.COM Levi’s Appoints Head of Retailing WWDWEDNESDAY By David Moin been with two-year-old Ruehl sales are up 17 percent, year-to- Sportswear since March 2005, serving as the date, and there have been a few ark Breitbard, senior vice division’s top executive and re- high-profi le openings this month, Mpresident and general man- porting to Mike Jeffries, chairman including Westfi eld Topanga in FASHION ager of the Ruehl division at and chief executive offi cer of par- California and Aventura Mall in Intense hues, from the deepest purples to the brightest greens, are Abercrombie & Fitch, is joining ent Abercrombie & Fitch and the Florida. -
Holidays at the Disneyland® Resort Is the Most
® MAKING THE MOST OF YOUR PASSHOLDER MEMBERSHIP q WINTER 2008 HOLIDAYS AT THE DISNEYLAND® RESORT IS THE MOST WONDERFUL TIME OF THE YEAR ALSO INSIDE: What Will You Celebrate?, Imagineering Secrets, Holiday Shopping, and More! ] HOLIDAY I FEATURE STORY DAZZLE. RESORT SPOTLIGHT RESORT I DISNEY STYLE Snowflakes, icicles and twinkling lights add sparkle to the season! . For some people—especially many Annual from Tim Burton’s The Nightmare Before Christmas.* Passholders—it just isn’t the holidays until they’ve made Now, if you really want to boost your holiday cheer INSIDER INFO I that first visit of the season to the Disneyland ® Resort. level, you’ve got to take a cruise on “it’s a small world” There’s something extra-magical about stepping out onto holiday. The classic attraction is making its eagerly awaited Main Street, U.S.A., seeing the towering tree with all of return just in time to celebrate the holidays. Once more, its colorful decorations, and hearing the strains of holiday children from around the globe will welcome Guests music filling the air. It dazzles the senses and warms the with their special holiday version of the attraction’s soul at the same time. And everywhere you go, there’s an famous theme song. If that doesn’t kick-start your added layer of enchantment—including special seasonal spirit, then the thousands of twinkling lights adorning touches to some of your favorite attractions. Even the the refreshed façade will most certainly do the trick! Haunted Mansion takes on a happy holiday glow this Speaking of impressive light displays, be sure to time of year—courtesy of Jack Skellington and his friends catch a performance of Disney’s Electrical Parade over in Disney’s California Adventure ® Park on select days. -
Subject Index
863 Subject Index ‘Note: Page numbers followed by “f” indicate figures, “t” indicate tables and “b” indicate boxes.’ A Affordances, 112–114 A/D conversion. See Analog to Digital conversion in virtual reality, 114–117 (A/D conversion) false affordances, 116 AAAD. See Action at a distance (AAAD) reinforcing perceived affordances, 116–117 AAR. See After-action review (AAR) After-action review (AAR), 545f, 630, 630f, 634–635, 645, Absolute input, 198–200 761 Abstract haptic representations, 439 Affordances of VR, 114–117 Abstract synthesis, 495 Agency, 162, 164, 181 Abstraction triangle, 448 Agents, 552–553, 592–593, 614, 684–685 Accelerometers, 198–199, 218 AIFF. See Audio interchange file format (AIFF) Accommodation, 140–141, 273–275, 320, 570, 804 Airfoils, 13 Action at a distance (AAAD), 557–558 AIs. See Artificial intelligences (AIs) Activation mechanism, 554–556, 583 Aladdin’s Magic Carpet Ride VR experience, 185–186, 347, Active haptic displays, 516 347f, 470, 505, 625, 735, 770–771 Active input, 193–196 Alberti, Leon Battista, 28 Active surfaces, 808 Alice system for programming education, Adaptability, 122–123 758–759 Adaptive rectangular decomposition (ARD), 502 AlloSphere, 51–52, 51f, 280 Additive sound creation techniques, 499 Allstate Impaired Driver Simulator, 625, 629f Advanced Realtime Tracking (ART), 53–54, 213f Alpha delta fiber (Aδ fiber), 149 Advanced Robotics Research Lab (ARRL), 369 Alphanumeric value selection, 591–593 Advanced systems, 11–12 Ambient sounds, 436–437, 505 Advanced texture mapping techniques, 469–473 Ambiotherm device, 372, 373f Adventure (games), 12 Ambisonics, 354 Adverse effect, 351 Ambulatory platforms, 242–243 Aestheticism, 414 American Sign Language (ASL), 552–553 Affine transformations, 486–487 Amount/type of information, 196–198 864 | SUBJECT INDEX Amplification, 349–350 ARToolKit (ARTK), 48–49, 715–716 Amplifier, 349–350, 349f Ascension Technologies, 41–44, 44f, 46–47, 86–87 Anaglyphic 3D, 270f, 7f, 30, 49, 269–270, 271f ASL. -
Walt Disney Parks & Resorts
Walt Disney Parks & Resorts Careers Jobs > WDPRO Jobs > United States WDPRO Jobs Search Jobs Show Advanced Search WDPRO Jobs Enter Search Terms... Walt Disney Parks and Resorts Online (WDPRO) is the digital media arm of Parks and Resorts Segment. Through our awardwinning websites, we provide a digital portal to magical travel destinations such as the Walt Disney World® Resort in Florida, the Disneyland® Resort in California and Hong Kong Disneyland Resort. At WDPRO, we also have designed and created websites for Disney Cruise Line, Adventures by Disney and Disney Vacation Club. Career Opportunity Sr. Interaction Designer Location: Glendale, CA Job ID: 160105BR3 Walt Disney Parks & Resorts Online (WDPRO), a division of the Walt Disney Company, creates worldclass immersive online & mobile experiences for premier vacation brands including Walt Disney World, Disneyland Resort, Hong Kong Disneyland, Disney Cruise Line and Disney Vacation Club. WDPRO has offices in Los Angeles, Anaheim, Seattle, Hong Kong and Orlando where we design and develop resultsdriven websites and mobile applications. Responsibilities Reporting to the Associate User Experience Director, the Senior Interaction Designer is responsible for leading the design of outstanding digital products and experiences with internal and external creative resources. This role works hand in hand with the Digital Designer as two halves of a design team. Useful Links The Senior Interaction Designer will be expected to articulate and justify design decisions. Senior Interaction Returning Job Seekers Designers spend the bulk of their time creating interactions, architecture, flows, site maps, etc. while also participating Log in here to check the status of your current job in research efforts. -
Robotics and Animatronics in Disney 2002-03 Postdoctoral Fellow, Carnegie Mellon University Lecture 1: Overview (Prof
7/21/2013 About Myself 2002 Ph.D. in Mechanical Engineering, University of Tokyo (Department of Mechano-Informatics) Robotics and Animatronics in Disney 2002-03 Postdoctoral Fellow, Carnegie Mellon University Lecture 1: Overview (Prof. Jessica Hodgins) 2003-08 Assistant/Associate Professor, Department of Katsu Yamane Mechano-Informatics, University of Tokyo 2008- Senior Research Scientist, Disney Research, [email protected] Pittsburgh Research Interests The Walt Disney Company Synthesizing natural motions for humanoid robots and • Studio Entertainment: Walt Disney Animation Studios, Pixar, characters Walt Disney Studios Motion Pictures, Marvel, (Lucasfilm), etc. • Tools: dynamics simulation, humanoid robot modeling, • Parks and Resorts: Walt Disney Imagineering, Walt Disney inverse kinematics, geometry-based algorithms World, Disney Cruise Line, etc. • Analysis: motion capture, musculoskeletal human model • Media Networks: ABC, ESPN, ABC Family, etc. • Synthesis: humanoid robot control, using motion capture • Disney Consumer Products: Disney Consumer Products, data, motion planning Disney Publishing Worldwide, Disney Store • Disney Interactive: Disney Interactive Games, Disney Interactive Media Disney Research DRP • A part of Walt Disney Imagineering • Director: Jessica Hodgins (also LA) • But works with all business units • 4 [Senior] Research Scientists (1 in robotics) • Locations • 8 postdocs (3 in robotics) – Disney Research, LA (DRLA): Glendale, CA • 5 research staffs – Disney Research, Pittsburgh (DRP): Pittsburgh, PA • 4 administrative staffs – Disney Research Boston (DRB): Boston, MA • Consultants – Disney Research, Zurich (DRZ): Zurich, Switzerland • Many interns – Pixar Research Group: Emeryville, CA – Walt Disney Animation Studios Research: Burbank, CA 1 7/21/2013 DRP Research Areas Robotics @ Disney • Computer vision • Studio Entertainment: Walt Disney Animation Studios, Pixar, • Human-computer interaction Walt Disney Studios Motion Pictures, Marvel, (Lucasfilm), etc. -
Disneyland Resort Cast Members Give $820,000 to 114 Southern
Disneyland Resort Cast Members Give $820,000 to 114 Southern California Nonprofits ANAHEIM, Calif. – September 18, 2013 – Through the Disney VoluntEARS Community Fund (DVCF), Disneyland Resort cast members are giving 114 Southern California nonprofit organizations a total $820,000 in grants for projects ranging from the arts to search and rescue programs to confidence building for people with disabilities. "I'm incredibly proud of our cast members for their contributions to the Disney VoluntEARS Community Fund," said Michael Colglazier, president of the Disneyland Resort. "In addition to the pride they feel from donating their time as volunteers, cast members can also feel empowered by helping to provide significant funds to their favorite organizations." The DVCF is funded entirely by cast members through regular payroll deductions or one-time donations. Those who contribute during the year have the opportunity to nominate an organization for a grant of up to $5,000. This year, in honor of the 30th anniversary of Disney VoluntEARS, 10 of those organizations each received an additional $25,000, including the Esperanza Entertainment Unit at Esperanza High School in Anaheim, which will use the funds to purchase new uniforms for the marching band. “With this grant, we can focus less on fundraising efforts and more on musical education that shape these musicians into talented members of our Anaheim community,” said Brad Davis, band director of Esperanza High School. “I am very honored to participate in the DVCF and thrilled that the Esperanza Entertainment Unit was selected for the $30,000 grant,” said Lannie Sircable, Disneyland Resort cast member and EEU booster. -
(2) Patent Application Publication (10) Pub. No.: US 2006/0293103 A1 Mendelsohn (43) Pub
US 20060293,103A1 (19) United States (2) Patent Application Publication (10) Pub. No.: US 2006/0293103 A1 Mendelsohn (43) Pub. Date: Dec. 28, 2006 (54) PARTICIPANT INTERACTION WITH Publication Classification ENTERTAINMENT IN REAL AND VIRTUAL ENVIRONMENTS (51) Int. Cl. G06F IQ/00 (2006.01) (52) U.S. Cl. … 463/42 (76) Inventor: Seth Mendelsohn, Tustin, CA (US) (57) ABSTRACT A system of interaction between an electronic theme park Correspondence Address: experience and live theme park interaction and activity earns THE WALT DISNEY COMPANY rewards. The interaction permits for rewards earned in the C/O GREENBERG TRAURIG LLP electronic theme park experience to be redeemed in the live 2450 COLORADO AVENUE SUITE 400E theme park experience and vice versa. The electronic theme SANTA MONICA, CA 90404 (US) park and live activity are interactive in real or delayed time through an Internet connection. Activities on one or both of the live and electronic formats are designed to drive (21) Appl. No.: 11/165,772 increased player visiting of the live and/or electronic ver sions. The Virtual Magic Kingdom is a virtual version of Disney’s theme parks, specifically the “Magic Kingdom” (22) Filed: Jun. 24, 2005 portion of the theme parks. ADVENTURELAND HONTIERLAND FANTASYLAND TOMORROWLAND ºnsº TEEEE|TD | FANTASYLAND O CJ © TOMORROWLAND GAME SHORTCUTS PIRATES OF THE CARIBBEAN jö?üt E CRUISE P??ó?G SAFAR; CASTLE FIREWORKS STREET PARTY MUSIC [] ADVANCED MODE Patent Application Publication Dec. 28, 2006 Sheet 1 of 6 US 2006/02931.03 A1 S?/01/18/}}}[SIC] SIMIOd SE/SW/97/WG 772/[WHO 7/MOL10/W|0}}d ?E??/8/1707 Patent Application Publication Dec. -
2001 Annual Report
wdwCovers 12/18/01 5:17 PM Page 1 The Company ANNUAL REPORT 2001 wdwCovers 12/18/01 5:17 PM Page 2 Reveta F. Bowers John E. Bryson Roy E. Disney Michael D. Eisner Judith L. Estrin Stanley P. Gold Robert A. Iger Monica C. Lozano George J. Mitchell Thomas S. Murphy Leo J. O’Donovan, S.J. Sidney Poitier Robert A.M. Stern Andrea L. Van de Kamp Raymond L. Watson Gary L. Wilson 20210F01_P01.09_v2 12/18/01 5:19 PM Page 1 The Walt Disney Company and Subsidiaries CONTENT LISTING Financial Highlights 1 Management’s Discussion and Analysis 49 Letter to Shareholders 2 Consolidated Statements of Income 60 Financial Review 10 Consolidated Balance Sheets 61 DisneyHand 14 Consolidated Statements of Cash Flows 62 Parks and Resorts 18 Consolidated Statements of Stockholders’ Equity 63 Walt Disney Imagineering 26 Notes to Consolidated Financial Statements 64 Studio Entertainment 28 Quarterly Financial Summary 77 Media Networks 36 Selected Financial Data 78 Broadcast Networks 37 Management’s Responsibility of Financial Statements 79 Cable Networks 38 Report of Independent Accountants 79 Consumer Products 44 Board of Directors and Corporate Executive Officers 80 Walt Disney International 48 FINANCIAL HIGHLIGHTS (In millions, except per share data) 2001 2000 Revenues(1) $25,256 $25,356 Segment operating income(1) 4,038 4,124 Diluted earnings per share before the cumulative effect of accounting changes, excluding restructuring and impairment charges and gain on the sale of businesses(1) 0.72 0.72 Cash flow from operations 3,048 3,755 Borrowings 9,769 9,461 Stockholders’ equity 22,672 24,100 (1) Pro forma revenues, segment operating income and earnings per share reflect the sale of Fairchild Publications, the acquisition of Infoseek, the conversion of Internet Group common stock into Disney common stock and the closure of the GO.com portal business as if these events and the adoption of SOP 00-2 had occurred at the beginning of fiscal 2000, eliminating the one-time impact of those events. -
Disney at Dawn
ALSO BY RIDLEY PEARSON Kingdom Keepers—Disney After Dark Steel Trapp—The Challenge WITH DAVE BARRY Blood Tide Cave of the Dark Wind Escape from the Carnivale Peter and the Secret of Rundoon Peter and the Shadow Thieves Peter and the Starcatchers Science Fair www.ridleypearson.com If you purchased this book without a cover, you should be aware that this book is stolen property. It was reported as “unsold and destroyed” to the publisher, and neither the author nor the publisher has received any payment for this “stripped” book. The following are some of the trademarks, registered marks, and service marks owned by Disney Enterprises, Inc.: Adventureland® Area, Audio- Animatronics® Figure, Big Thunder Mountain® Railroad Disneyland®, Disney’s Hollywood Studios, Disney’s Animal Kingdom® Theme Park, Epcot®, Fantasyland® Area, FASTPASS® Service, Fort Wilderness, Frontierland® Area, Imagineering, Imagineers, “it’s a small world,” Magic Kingdom® Park, Main Street, U.S.A. Area, Mickey’s Toontown®, monorail, New Orleans Square, Space Mountain® Attraction, Splash Mountain® Attraction, Tomorrowland® Area, Walt Disney World® Resort Buzz Lightyear Astro Blasters © Disney Enterprises, Inc./Pixar Animation Studios Toy Story characters © Disney Enterprises, Inc./Pixar Animation Studios Winnie the Pooh characters based on the “Winnie the Pooh” works by A. A. Milne and E. H. Shepard Copyright © 2008 Page One, Inc. Illustration on page vi by Greg Call All rights reserved. Published by Disney • Hyperion Books, an imprint of Disney Book Group. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without written permission from the publisher.