America the Beautiful Answer Key and Literature
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Women Architects
E-Newsletter | May 2012 Women Architects What do the Hearst Castle in California and many of the buildings in Grand Canyon National Park have in common? They were designed by women architects! In this month's newsletter, we feature two early women architects - Julia Morgan and Mary Colter. California's first licensed woman architect, Julia Morgan, studied architecture in Paris. After failing the entrance examination to the École des Beaux-Arts twice, she learned that the faculty had failed her deliberately to discourage her admission. Undeterred, she gained admission and received her certificate in architecture in 1902. By 1904, she had opened her own architecture practice in San Francisco. After receiving acclaim when one of her buildings on the Mills College campus withstood the 1906 San Francisco earthquake, she was commissioned to rebuild the damaged Fairmont Hotel. With this project Morgan's reputation as well as her architecture practice was assured. Julia Morgan Morgan designed her first building for the YWCA in Oakland in 1912. She then began work on the YWCA's seaside retreat Asilomar, near Monterey, which has hosted thousands of visitors since its founding in 1913. Today Asilomar is a state historical park. Morgan's work on the Hearst Castle, which is also now a state historical monument, cemented her reputation. The Castle, located at San Simeon, has attracted more than 35 million visitors since it opened to the public in 1958. Architect Mary Colter was asked by railroad magnate Fred Harvey to design hotels and restaurants along the Santa Fe Railway route, with the objective of bringing tourists to the southwestern United States. -
US History and Government Grade
This source book provides teachers with units of study designed to fulfill common core standards appropriate for grades 4-6. Each unit provides a series of lessons on a given subject. Teachers can work through this material sequenally to provide a broad scope of learning, or draw from it to inspire and enhance other curricula. Areas of focus include the major pre-Columbian selements; the exploraon of the Americas; cooperaon and conflict between Nave Americans and European selers; the causes, course, and consequences of the American Revoluon; and the colonizaon, immigraon, and selement paerns of the American people through 1850. The Numi Foundaon would like to thank all the open-source contributors to this curriculum. Our goal is to provide a wide range of creave, mulcultural educaonal experiences, helping students develop a greater appreciaon for their cultural heritage, environment, and a socially responsible perspecve on history. Numi Curriculum Elementary Social Studies: History and Government Table of Contents Geography 6 Geography I: You 7 Geography II 10 Geography III 12 Geography IV: Map Making 14 Geography V: Map Reading 16 California Missions 18 California Missions I 19 California Missions II: Father Junipero Serra 21 California Missions III 23 Mexican Independence 25 Ranchos and the Mexican War for Independence 26 Teacher Supplement: MEXICAN WAR OF INDEPENDENCE 28 Teacher Supplement: RANCHOS OF CALIFORNIA 30 Teacher Supplement: BEAR FLAG REBELLION UNTIL STATEHOOD 32 Culminang Project 36 Culminang Project II 38 Nave American Studies -
Reflexive Regionalism and the Santa Fe Style
Reflexive Regionalism and the Santa Fe Style Ron Foresta Department of Geography University of Tennessee, Knoxville Abstract:The Santa Fe Style is an assembly of cultural features associated with the city of Santa Fe and its surrounding Upper Rio Grande Valley. The style, often dismissed as a confection for tourists because of its gloss and worldliness, is in fact a manifestation of reflexive regionalism. This overlooked cultural process occurs when worldly outsiders fashion regional traits into responses to the life challenges that they and their extra- regional reference groups face. In this case, outsiders fashioned what they found in early-twentieth-century Santa Fe into responses to challenges that accompanied the rise of American industrial capitalism. Threats to elite hegemony, the destruction of established lifeways, and the need for new perspectives on American society were prominent among the challenges to which the Santa Fe Style responded. Reflexive regionalism is thus the kind of cultural process that Regulation Theory posits but has found difficult to convincingly identify in the real world, i.e., one that adapts individuals and societies to periodic shifts in the logic and practices of capitalism. I examine seven individuals who made signal contributions to the Santa Fe Style. Each reveals a key facet of Santa Fe’s reflexive regionalism. Together they show how this process created the Santa Fe Style and, more generally, how it works as an engine of cultural invention. The key concepts here are reflexive regionalism, the Santa Fe Style, cosmopolitanism, Regulation Theory, the work of the age, and the project of the self. -
2017 Fernald Caroline Dissert
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE VISUALIZATION OF THE AMERICAN SOUTHWEST: ETHNOGRAPHY, TOURISM, AND AMERICAN INDIAN SOUVENIR ARTS A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By CAROLINE JEAN FERNALD Norman, Oklahoma 2017 THE VISUALIZATION OF THE AMERICAN SOUTHWEST: ETHNOGRAPHY, TOURISM, AND AMERICAN INDIAN SOUVENIR ARTS A DISSERTATION APPROVED FOR THE SCHOOL OF VISUAL ARTS BY ______________________________ Dr. W. Jackson Rushing, III, Chair ______________________________ Mr. B. Byron Price ______________________________ Dr. Alison Fields ______________________________ Dr. Kenneth Haltman ______________________________ Dr. David Wrobel © Copyright by CAROLINE JEAN FERNALD 2017 All Rights Reserved. For James Hagerty Acknowledgements I wish to extend my most sincere appreciation to my dissertation committee. Your influence on my work is, perhaps, apparent, but I am truly grateful for the guidance you have provided over the years. Your patience and support while I balanced the weight of a museum career and the completion of my dissertation meant the world! I would certainly be remiss to not thank the staff, trustees, and volunteers at the Millicent Rogers Museum for bearing with me while I finalized my degree. Your kind words, enthusiasm, and encouragement were greatly appreciated. I know I looked dreadfully tired in the weeks prior to the completion of my dissertation and I thank you for not mentioning it. The Couse Foundation, the University of Oklahoma’s Charles M. Russell Center, and the School of Visual Arts, likewise, deserve a heartfelt thank you for introducing me to the wonderful world of Taos and supporting my research. A very special thank you is needed for Ginnie and Ernie Leavitt, Carl Jones, and Byron Price. -
Historic Context Statement City of Benicia February 2011 Benicia, CA
Historic Context Statement City of Benicia February 2011 Benicia, CA Prepared for City of Benicia Department of Public Works & Community Development Prepared by page & turnbull, inc. 1000 Sansome Street, Ste. 200, San Francisco CA 94111 415.362.5154 / www.page-turnbull.com Benicia Historic Context Statement FOREWORD “Benicia is a very pretty place; the situation is well chosen, the land gradually sloping back from the water, with ample space for the spread of the town. The anchorage is excellent, vessels of the largest size being able to tie so near shore as to land goods without lightering. The back country, including the Napa and Sonoma Valleys, is one of the finest agriculture districts in California. Notwithstanding these advantages, Benicia must always remain inferior in commercial advantages, both to San Francisco and Sacramento City.”1 So wrote Bayard Taylor in 1850, less than three years after Benicia’s founding, and another three years before the city would—at least briefly—serve as the capital of California. In the century that followed, Taylor’s assessment was echoed by many authors—that although Benicia had all the ingredients for a great metropolis, it was destined to remain in the shadow of others. Yet these assessments only tell a half truth. While Benicia never became the great commercial center envisioned by its founders, its role in Northern California history is nevertheless one that far outstrips the scale of its geography or the number of its citizens. Benicia gave rise to the first large industrial works in California, hosted the largest train ferries ever constructed, and housed the West Coast’s primary ordnance facility for over 100 years. -
Pojoaque Valley Schools Social Studies CCSS Pacing Guide 7 Grade
Pojoaque Valley Schools Social Studies CCSS Pacing Guide 7th Grade *Skills adapted from Kentucky Department of Education ** Evidence of attainment/assessment, Vocabulary, Knowledge, Skills and Essential Elements adapted from Wisconsin Department of Education and Standards Insights Computer-Based Program Version 2 2016- 2017 ADVANCED CURRICULUM – 7th GRADE (Social Studies with ELA CCSS and NGSS) Version 2 1 Pojoaque Valley Schools Social Studies Common Core Pacing Guide Introduction The Pojoaque Valley Schools pacing guide documents are intended to guide teachers’ use of New Mexico Adopted Social Studies Standards over the course of an instructional school year. The guides identify the focus standards by quarter. Teachers should understand that the focus standards emphasize deep instruction for that timeframe. However, because a certain quarter does not address specific standards, it should be understood that previously taught standards should be reinforced while working on the focus standards for any designated quarter. Some standards will recur across all quarters due to their importance and need to be addressed on an ongoing basis. The Standards are not intended to be a check-list of knowledge and skills but should be used as an integrated model of literacy instruction to meet end of year expectations. The Social Studies CCSS pacing guides contain the following elements: • Strand: Identify the type of standard • Standard Band: Identify the sub-category of a set of standards. • Benchmark: Identify the grade level of the intended standards • Grade Specific Standard: Each grade-specific standard (as these standards are collectively referred to) corresponds to the same-numbered CCR anchor standard. Put another way, each CCR anchor standard has an accompanying grade-specific standard translating the broader CCR statement into grade- appropriate end-of-year expectations. -
Appreciating Mary Colter and Her Roots in St
Louis and Maybelle: Somewhere Out in the West John W. Larson —page 13 Winter 2011 Volume 45, Number 4 “We Can Do Better with a Chisel or a Hammer” Appreciating Mary Colter and Her Roots in St. Paul Diane Trout-Oertel, page 3 Artist Arthur F. Matthews painted the portrait of Mary Jane Elizabeth Colter seen above in about 1890, when she graduated from the California School of Design. Colter subsequently taught art for many years at Mechanic Arts High School in St. Paul and later designed eight buildings at the Grand Canyon National Park in Arizona. Shown here is Hermit’s Rest, located at the westernmost stop on the south rim, a building that Colter designed in 1914. The Colter portrait is reproduced courtesy of the Arizona Historical Society, Flagstaff, Ariz. Photograph of Hermit’s Rest courtesy of Alexander Vertikoff. Hermit’s Rest copyright © Alexander Vertikoff. RAMSEY COUNTY HISTORY RAMSEY COUNTY Executive Director Priscilla Farnham Founding Editor (1964–2006) Virginia Brainard Kunz Editor Hıstory John M. Lindley Volume 45, Number 4 Winter 2011 RAMSEY COUNTY HISTORICAL SOCIETY THE MISSION STATEMENT OF THE RAMSEY COUNTY HISTORICAL SOCIETY BOARD OF DIRECTORS ADOPTED BY THE BOARD OF DIRECTORS ON DECEMBER 20, 2007: Paul A. Verret The Ramsey County Historical Society inspires current and future generations President Cheryl Dickson to learn from and value their history by engaging in a diverse program First Vice President of presenting, publishing and preserving. William Frels Second Vice President Julie Brady Secretary C O N T E N T S Carolyn J. Brusseau Treasurer 3 “We Can Do Better with a Chisel and a Hammer” Thomas H. -
William B. Ide Adobe State Historic Park
Our Mission William B. The mission of the California Department of Parks and Recreation is to provide for the health, inspiration and education of the Ide Adobe people of California by helping to preserve the state’s extraordinary biological diversity, State Historic Park protecting its most valued natural and Escape back in time and cultural resources, and creating opportunities for high-quality outdoor recreation. experience the sights and sounds of the California frontier at an 1852 adobe homestead overlooking California State Parks supports equal access. Prior to arrival, visitors with disabilities who the banks of the peaceful need assistance should contact the park at (530) 529-8599. This publication is available Sacramento River. in alternate formats by contacting: CALIFORNIA STATE PARKS Discover theP. O. ma Boxny 942896states of California.™ Sacramento, CA 94296-0001 For information call: (800) 777-0369 Discover(916) 653-6995, the man outsidey states theof California.™ U.S. 711, TTY relay service Discover the many states of California.™ www.parks.ca.gov Discover the many states of California.™ William B. Ide Adobe SHP 21659 Adobe Road Red Bluff, CA 96080 (530) 529-8599 © 2008 California State Parks Printed on Recycled Paper A t the northern end of Settlers could not agree on their next steps. They the Sacramento Valley, The first non-native divided; some took their captives to Sutter’s flanked by the Cascade settlers arrived in the fort. Those remaining in Sonoma selected Mountains on the east northern Sacramento Ide as their commander. Ide drafted a and the Coast Range on Valley in the 1840s. -
Marriage, Violence, and the Nation in the American Literary West
This page intentionally left blank MARRIAGE, VIOLENCE, AND THE NATION IN THE AMERICAN LITERARY WEST In Marriage, Violence, and the Nation in the American Literary West, William R. Handley examines literary interpretations of the western American past. Handley argues that although recent scholarship provides a narrative of western history that counters the optimistic story of frontier individualism by focusing on the victims of con- quest, twentieth-century American fiction tells a different story of intra-ethnic violence, surrounding marriages and families. He ex- amines works of historiography, as well as writing by Zane Grey, Willa Cather, Wallace Stegner, and Joan Didion among others, to argue that these works highlight white Americans’ anxiety about what happens to American “character” when domestic enemies such as Indians and Mormon polygamists, against whom the nation had defined itself in the nineteenth century, no longer threaten its homes. Handley explains that once its enemies are gone, imperia- lism brings violence home in retrospective narratives that allegorize national pasts and futures through intimate relationships. . is Assistant Professor of English at the University of Southern California. His articles have appeared in Arizona Quarterly, Contemporary Literature, and Twentieth Century Literature. Editor Ross Posnock, New York University Founding editor Albert Gelpi, Stanford University Advisory board Sacvan Bercovitch, Harvard University Ronald Bush, St. John’s College, Oxford University Wai Chee Dimock, Yale University Albert Gelpi, Stanford University Gordon Hunter, University of Kentucky Walter Benn Michaels, University of Illinois, Chicago Kenneth Warren, University of Chicago Recent books in this series Literature, Amusement, and Technology in the Great Depression Democracy, Revolution, and Monarchism in Early American Literature Henry James and the Father Question . -
STEEL POINTS .Ll'niiiii CRATER LAKE YESTERDAY TODAY and TOMORROW
Vol. 1 August 1925 No. 2 STEEL POINTS .ll'NIIIII CRATER LAKE YESTERDAY TODAY and TOMORROW 25 CENTS Published occasionally by William Gladstone Steel Eugene, Oregon JOHN- W. HlLLMAN STEEL POINTS (JUNIOR) VOL. 1 AUGUST, 1925 No. 2 CRATER LAKE Crater Lake National Park is located on the summit of the Cascade range of mountains, in Southern Oregon, and contains 249 square miles, one-fifth the size of Rhode Island. It was created by act of congress, approved May 22, 1902, and within it is one of the world's greatest natural curiosities. Originally a mountain 15,000 feet high, covered with perpetual snow and great glaciers, it emitted a stream of boiling lava that filled vast canyons. The world was unsettled in those days and the elements were at war. Finally a time came when this immense mountain tottered and fell within itself, 17 cubic miles of matter disappearing within it, leaving a cauldron five and one-half miles in diameter, a seething mass of hoiling lava, probably 5,000 feet deep, as all that part of the mountain above 7,000 feet elevation disappeared. Ages came and went as the days, and this boiling mass began to cool. Slowly, hut surely. Snows and rains descended, evaporated and disappeared. Finally a little pocket in the cooling lava filled with water, but the warm base and sun dried it up. Bye and bye others appeared and were a little larger. The cooling process continued. At last little pools continued over Summer and Winter and increased in size, then they joined and spread over more lava. -
Non-Commercial License Application
General Company Information ) tobiashistory UNITED STATES MINT OFFICE OF LICENSING OMB Control No. 1525-0013 APPLICATION FOR INTELLECTUAL PROPERTY USE Use this form to apply for a permission/ license to use United States Mint Intellectual Property and related materials other than in connection with products for commercial purposes. Please indicate which, if any, information you provide that you consider to be proprietary. If an agent, please provide this information for both the agent and the licensee. 1. Your Name and Title: 2. Company/Institution Name: 3. Company/Institution Address: City: State: Zip Code: 4. Phone: ( ) 5. Fax: ( 6. E-mail: Website (URL): 7. Type of Company/Institution [ ] Non-Government Business [ ] Government Agency [ ] Educational Institution [ ] Other Non-profit Organization [ ] Other: (Please specify):______________________________ Intellectual Property Requested Please check the United States Mint intellectual property for which you are interested in obtaining permission to license: [ ] “United States Mint®” name [ ] United States Mint banner logo with Mint seal [ ] Color [ ]Black & White [ ] “50 State Quarters®” or “50 State Quarters® Program” name [ ] 50 State Quarters® Logo [ ] Color [ ] Black & White [ ] “United States Mint Proof Set®” name [ ] “United States Mint Uncirculated Coin Set®” name [ ] “United States Mint 50 State Quarters Proof Set™” name [ ] “United States Mint Silver Proof Set™” name [ ] Golden Dollar obverse (front) image with Sacagawea [ ] Other United States Mint program names or images (please specify): Interested in using images or designs of circulating coins or the quarters issued under the 50 State Quarters® Program? Consult the United States Mint Circulating Coin Policy, which governs the use of United States circulating coins or the United States Mint Quarters Design Use Policy, which governs use of the new quarter designs that have been approved by the United States Secretary of the Treasury. -
THE HOWLING DAWG Recapping the Events of AUGUST 2017
THE HOWLING DAWG Recapping the events of AUGUST 2017 “Defiant, still” 16th Georgia Volunteer Infantry Regiment, Company G "The Jackson Rifles" THE WAR IN THE FAR WEST Re-enactment of The Battle of Picacho Pass (Arizona) Recently I heard someone mention The Battle of Picacho Pass (Arizona) as being the most western part of North America that War Between the States fighting occurred. I was surprised even though I knew Washington State furnished a Union Regiment as did Nebraska, Colorado, Dakota and the Oklahoma Territory. Often the Union cavalry forces that John S. Mosby fought against in Virginia hailed from California. I had always thought that The Battle of Glorieta Pass, fought from March 26– 28, 1862, in the northern New Mexico Territory was the far western reaches of hostility. I looked up The Battle of Picacho Pass and learned that the April 15, 1862 action occurred around Picacho Peak, 50 miles northwest of Tucson, Arizona. It was fought between a Union cavalry patrol from California and a party of Confederate pickets from Tucson. After a Confederate force of about 120 cavalrymen arrived at Tucson from Texas on February 28, 1862, they proclaimed Tucson the capital of the western district of the Confederate Arizona Territory, which comprised what is now southern Arizona and southern New Mexico. Mesilla, near Las Cruces, was declared the territorial capital and seat of the eastern district of the territory. The property of Tucson Unionists was confiscated and they were jailed or driven out of town. Confederates hoped a flood of sympathizers in southern California would join them and give the Confederacy an outlet on the Pacific Ocean, but this never happened.